4917 books match the query 'Philosophy' and 1267 start with t

cover of The Prince: Second Edition

The Prince

Second Edition

Niccolò Machiavelli

University of Chicago Press, 1998

This is an auto-narrated audiobook version of this book.

The most famous book on politics ever written, The Prince remains as lively and shocking today as when it was written almost five hundred years ago. Initially denounced as a collection of sinister maxims and a recommendation of tyranny, it has more recently been defended as the first scientific treatment of politics as it is practiced rather than as it ought to be practiced. Harvey C. Mansfield's brilliant translation of this classic work, along with the new materials added for this edition, make it the definitive version of The Prince, indispensable to scholars, students, and those interested in the dark art of politics.

This revised edition of Mansfield's acclaimed translation features an updated bibliography, a substantial glossary, an analytic introduction, a chronology of Machiavelli's life, and a map of Italy in Machiavelli's time.

"Of the other available [translations], that of Harvey C. Mansfield makes the necessary compromises between exactness and readability, as well as providing an excellent introduction and notes."—Clifford Orwin, The Wall Street Journal

"Mansfield's work . . . is worth acquiring as the best combination of accuracy and readability."—Choice

"There is good reason to assert that Machiavelli has met his match in Mansfield. . . . [He] is ready to read Machiavelli as he demands to be read—plainly and boldly, but also cautiously."—John Gueguen, The Sixteenth Century Journal
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cover of The Printed Reader: Gender, Quixotism, and Textual Bodies in Eighteenth-Century Britain

The Printed Reader

Gender, Quixotism, and Textual Bodies in Eighteenth-Century Britain

Amelia Dale

Bucknell University Press, 2019

Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies)​

The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. 

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of The Privatization of Hope: Ernst Bloch and the Future of Utopia, SIC 8

The Privatization of Hope

Ernst Bloch and the Future of Utopia, SIC 8

Peter Thompson and Slavoj Žižek, eds.

Duke University Press, 2013

The concept of hope is central to the work of the German philosopher Ernst Bloch (1885–1977), especially in his magnum opus, The Principle of Hope (1959). The "speculative materialism" that he first developed in the 1930s asserts a commitment to humanity's potential that continued through his later work. In The Privatization of Hope, leading thinkers in utopian studies explore the insights that Bloch's ideas provide in understanding the present. Mired in the excesses and disaffections of contemporary capitalist society, hope in the Blochian sense has become atomized, desocialized, and privatized. From myriad perspectives, the contributors clearly delineate the renewed value of Bloch's theories in this age of hopelessness. Bringing Bloch's "ontology of Not Yet Being" into conversation with twenty-first-century concerns, this collection is intended to help revive and revitalize philosophy's commitment to the generative force of hope.

Contributors. Roland Boer, Frances Daly, Henk de Berg, Vincent Geoghegan, Wayne Hudson, Ruth Levitas, David Miller, Catherine Moir, Caitríona Ní Dhúill, Welf Schröter, Johan Siebers, Peter Thompson, Francesca Vidal, Rainer Ernst Zimmermann, Slavoj Žižek
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The Problem of Genesis in Husserl's Philosophy

Jacques Derrida

University of Chicago Press, 2003

Derrida's first book-length work, The Problem of Genesis in Husserl's Philosophy, was originally written as a dissertation for his diplôme d'études supérieures in 1953 and 1954. Surveying Husserl's major works on phenomenology, Derrida reveals what he sees as an internal tension in Husserl's central notion of genesis, and gives us our first glimpse into the concerns and frustrations that would later lead Derrida to abandon phenomenology and develop his now famous method of deconstruction.

For Derrida, the problem of genesis in Husserl's philosophy is that both temporality and meaning must be generated by prior acts of the transcendental subject, but transcendental subjectivity must itself be constituted by an act of genesis. Hence, the notion of genesis in the phenomenological sense underlies both temporality and atemporality, history and philosophy, resulting in a tension that Derrida sees as ultimately unresolvable yet central to the practice of phenomenology.

Ten years later, Derrida moved away from phenomenology entirely, arguing in his introduction to Husserl's posthumously published Origin of Geometry and his own Speech and Phenomena that the phenomenological project has neither resolved this tension nor expressly worked with it. The Problem of Genesis complements these other works, showing the development of Derrida's approach to phenomenology as well as documenting the state of phenomenological thought in France during a particularly fertile period, when Levinas, Sartre, Merleau-Ponty, Ricoeur, and Tran-Duc-Thao, as well as Derrida, were all working through it. But the book is most important in allowing us to follow Derrida's own development as a philosopher by tracing the roots of his later work in deconstruction to these early critical reflections on Husserl's phenomenology.

"A dissertation is not merely a prerequisite for an academic job. It may set the stage for a scholar's life project. So, the doctoral dissertations of Max Weber and Jacques Derrida, never before available in English, may be of more than passing interest. In June, the University of Chicago Press will publish Mr. Derrida's dissertation, The Problem of Genesis in Husserl's Philosophy, which the French philosopher wrote in 1953-54 as a doctoral student, and which did not appear in French until 1990. From the start, Mr Derrida displayed his inventive linguistic style and flouting of convention."—Danny Postel, Chronicle of Higher Education
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cover of The Problem of Passing

The Problem of Passing

Sandra Harvey

Duke University Press, 2026

The Problem of Passing traces the continued relevance of Black racial passing for contemporary Black life, Black studies, philosophy, and narratives of passing more generally. In this critical and interdisciplinary journey through historical archives, literature, law, and conceptual art, Sandra Harvey argues that narratives of passing are at the core of past and present-day violence toward all Black subjects. She reframes passing as a set of reader relations at once cultural, discursive, aesthetic, and metaphysical. From antebellum slavery to modern genomics, each chapter traces how seemingly disparate institutional complexes, including law, science, and philosophy, are animated by logics of Black racegender passing that support the national project and the modern knowing subject. The Problem of Passing untangles the messy, unstable sites of encounter between subject and object, self and other, to bring to light the ways Black racial passing and its mythology are bound up in logics of settler colonialism, the nation-state, white sovereignty, and policing.
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cover of The Problem of the Essential Indexical and Other Essays, Expanded Edition

The Problem of the Essential Indexical and Other Essays, Expanded Edition

John Perry

CSLI, 2000

No word in English is shorter than the word ``I.'' And yet no word is more important in philosophy. When Descartes said ``I think therefore I am'' he produced something that was both about himself and a universal formula. The word ``I'' is called an ``indexical'' because its meaning always depends on who says it. Other examples of indexicals are ``you,'' ``here,'' ``this'' and ``now.''

John Perry discusses how these kinds of words work, and why they express important philosophical thoughts. He shows that indexicals pose a challenge to traditional assumptions about language and thought. Over the years a number of these papers, now included in this book, have sparked lively debates and have been influential in philosophy, linguistics and other areas of cognitive science.

With seven new papers, including the previously unpublished ``What Are Indexicals?,'' the present volume expands on an earlier version of this book published in the early nineties. Also included are the well-known papers ``Frege on Demonstratives,'' ``Cognitive Significance and New Theories of Reference,'' ``Evading the Slingshot,'' ``The Prince and the Phone booth'' (coauthored with Mark Crimmins), ``Fodor on Psychological Explanations'' (coauthored with David Israel), and related papers on situation semantics, direct reference, and the structure of belief. This book also includes afterwords written by the author that discuss responses to his work by Gareth Evans, Robert Stalnaker, Barbara Partee, Howard Wettstein and others.
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cover of The Problem of the Fetish

The Problem of the Fetish

William Pietz

University of Chicago Press, 2022

A groundbreaking account of the origins and history of the idea of fetishism.
 
In recent decades, William Pietz’s innovative history of the idea of the fetish has become a cult classic. Gathered here, for the first time, is his complete series of essays on fetishism, supplemented by three texts on Marx, blood sacrifice, and the money value of human life. Tracing the idea of the fetish from its origins in the Portuguese colonization of West Africa to its place in Enlightenment thought and beyond, Pietz reveals the violent emergence of a foundational concept for modern theories of value, belief, desire, and difference. This book cements Pietz’s legacy of engaging questions about material culture, object agency, merchant capitalism, and spiritual power, and introduces a powerful theorist to a new generation of thinkers.
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cover of The Progress of Romance: Literary Historiography and the Gothic Novel

The Progress of Romance

Literary Historiography and the Gothic Novel

David H. Richter

The Ohio State University Press, 1900

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cover of The Promise of Beauty

The Promise of Beauty

Mimi Thi Nguyen

Duke University Press, 2024

In The Promise of Beauty, Mimi Thi Nguyen explores the relationship between the concept of beauty and narratives of crisis and catastrophe. Nguyen conceptualizes beauty, which, she observes, we turn to in emergencies and times of destruction, as a tool to identify and bridge the discrepancy between the world as it is and what it ought to be. Drawing widely from aesthetic and critical theories, Nguyen outlines how beauty—or its lack—points to the conditions that must exist for it to flourish. She notes that an absence of beauty becomes both a political observation and a call to action to transform the conditions of the situation so as to replicate, preserve, or repair beauty. The promise of beauty can then engender a critique of social arrangements and political structures that would set the foundations for its possibility and presence. In this way, Nguyen highlights the role of beauty in inspiring action toward a more just world.
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cover of The Promise of Happiness

The Promise of Happiness

Sara Ahmed

Duke University Press, 2010

The Promise of Happiness is a provocative cultural critique of the imperative to be happy. It asks what follows when we make our desires and even our own happiness conditional on the happiness of others: “I just want you to be happy”; “I’m happy if you’re happy.” Combining philosophy and feminist cultural studies, Sara Ahmed reveals the affective and moral work performed by the “happiness duty,” the expectation that we will be made happy by taking part in that which is deemed good, and that by being happy ourselves, we will make others happy. Ahmed maintains that happiness is a promise that directs us toward certain life choices and away from others. Happiness is promised to those willing to live their lives in the right way.

Ahmed draws on the intellectual history of happiness, from classical accounts of ethics as the good life, through seventeenth-century writings on affect and the passions, eighteenth-century debates on virtue and education, and nineteenth-century utilitarianism. She engages with feminist, antiracist, and queer critics who have shown how happiness is used to justify social oppression, and how challenging oppression causes unhappiness. Reading novels and films including Mrs. Dalloway, The Well of Loneliness, Bend It Like Beckham, and Children of Men, Ahmed considers the plight of the figures who challenge and are challenged by the attribution of happiness to particular objects or social ideals: the feminist killjoy, the unhappy queer, the angry black woman, and the melancholic migrant. Through her readings she raises critical questions about the moral order imposed by the injunction to be happy.

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cover of The Promise of Pragmatism: Modernism and the Crisis of Knowledge and Authority

The Promise of Pragmatism

Modernism and the Crisis of Knowledge and Authority

John Patrick Diggins

University of Chicago Press, 1994

For much of our century, pragmatism has enjoyed a charmed life, holding the dominant point of view in American politics, law, education, and social thought in general. After suffering a brief eclipse in the post-World War II period, pragmatism has experienced a revival, especially in literary theory and such areas as poststructuralism and deconstruction. In this critique of pragmatism and neopragmatism, one of our leading intellectual historians traces the attempts of thinkers from William James to Richard Rorty to find a response to the crisis of modernism. John Patrick Diggins analyzes the limitations of pragmatism from a historical perspective and dares to ask whether America's one original contribution to the world of philosophy has actually fulfilled its promise.

"Diggins, an eminent historian of American intellectual life, has written a timely and impressive book charting the rich history of American pragmatism and placing William James, Charles Peirce, John Dewey, George Herbert Mead, Sidney Hook, and Richard Rorty in their times and in the light of contemporary concerns. The book also draws on an alternative set of American thinkers to explore the blind spots in the pragmatic temper."—William Connolly, New York Times Book Review

"An extraordinarily ambitious work of both analysis and synthesis. . . . Diggins's book is rewarding in its thoughtfulness and its nuanced presentation of ideas."—Daniel J. Silver, Commentary

"Diggins's superbly informed book comprises a comprehensive history of American pragmatic thought. . . . It contains expert descriptions of James, John Dewey and Charles Sanders Peirce, the first generation of American pragmatists. . . . Diggins is just as good on the revival of pragmatism that's taken place over the last 20 years in America. . . . [A] richly intelligent book."—Mark Edmundson, Washington Post Book World
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cover of The Promise of Salvation: A Theory of Religion

The Promise of Salvation

A Theory of Religion

Martin Riesebrodt

University of Chicago Press, 2010

Why has religion persisted across the course of human history? Secularists have predicted the end of faith for a long time, but religions continue to attract followers. Meanwhile, scholars of religion have expanded their field to such an extent that we lack a basic framework for making sense of the chaos of religious phenomena. To remedy this state of affairs, Martin Riesebrodt here undertakes a task that is at once simple and monumental: to define, understand, and explain religion as a universal concept.

Instead of propounding abstract theories, Riesebrodt concentrates on the concrete realities of worship, examining religious holidays, conversion stories, prophetic visions, and life-cycle events. In analyzing these practices, his scope is appropriately broad, taking into consideration traditions in Judaism, Christianity, Islam, Buddhism, Daoism, and Shinto. Ultimately, Riesebrodt argues, all religions promise to avert misfortune, help their followers manage crises, and bring both temporary blessings and eternal salvation. And, as The Promise of Salvation makes clear through abundant empirical evidence, religion will not disappear as long as these promises continue to help people cope with life.

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cover of The Prophetic Law: Essays in Judaism, Girardianism, Literary Studies, and the Ethical

The Prophetic Law

Essays in Judaism, Girardianism, Literary Studies, and the Ethical

Sandor Goodhart

Michigan State University Press, 2014

To read literature is to read the way literature reads. René Girard’s immense body of work supports this thesis bountifully. Whether engaging the European novel, ancient Greek tragedy, Shakespeare’s plays, or Jewish and Christian scripture, Girard teaches us to read prophetically, not by offering a method he has developed, but by presenting the methodologies they have developed, the interpretative readings already available within (and constitutive of) such bodies of classical writing. In The Prophetic Law, literary scholar, theorist, and critic Sandor Goodhart divides his essays on René Girard since 1983 into four groupings. In three, he addresses Girardian concerns with Biblical scripture (Genesis and Exodus), literature (the European novel and Shakespeare), and philosophy and religious studies issues (especially ethical and Jewish subject matters). In a fourth section, he reproduces some of the polemical exchanges in which he has participated with others—including René Girard himself—as part of what could justly be deemed Jewish-Christian dialogue. The twelve texts that make up the heart of this captivating volume constitute the bulk of the author’s writings to date on Girard outside of his three previous books on Girardian topics. Taken together, they offer a comprehensive engagement with Girard’s sharpest and most original literary, anthropological, and scriptural insights.
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cover of The Prose of the World

The Prose of the World

Maurice Merleau-Ponty

Northwestern University Press, 1973

The work that Maurice Merleau-Ponty planned to call The Prose of the World, or Introduction to the Prose of the World, was unfinished at the time of his death. The book was to constitute the first section of a two-part work whose aim was to offer, as an extension of his Phenomenology of Perception, a theory of truth. This edition's editor, Claude Lefort, has interpreted and transcribed the surviving typescript, reproducing Merleau-Ponty's own notes and adding documentation and commentary.
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cover of The Pseudoscience Wars: Immanuel Velikovsky and the Birth of the Modern Fringe

The Pseudoscience Wars

Immanuel Velikovsky and the Birth of the Modern Fringe

Michael D. Gordin

University of Chicago Press, 2012

Properly analyzed, the collective mythological and religious writings of humanity reveal that around 1500 BC, a comet swept perilously close to Earth, triggering widespread natural disasters and threatening the destruction of all life before settling into solar orbit as Venus, our nearest planetary neighbor.
 
Sound implausible? Well, from 1950 until the late 1970s, a huge number of people begged to differ, as they devoured Immanuel Velikovsky’s major best-seller, Worlds in Collision, insisting that perhaps this polymathic thinker held the key to a new science and a new history. Scientists, on the other hand, assaulted Velikovsky’s book, his followers, and his press mercilessly from the get-go. In The Pseudoscience Wars, Michael D. Gordin resurrects the largely forgotten figure of Velikovsky and uses his strange career and surprisingly influential writings to explore the changing definitions of the line that separates legitimate scientific inquiry from what is deemed bunk, and to show how vital this question remains to us today. Drawing on a wealth of previously unpublished material from Velikovsky’s personal archives, Gordin presents a behind-the-scenes history of the writer’s career, from his initial burst of success through his growing influence on the counterculture, heated public battles with such luminaries as Carl Sagan, and eventual eclipse. Along the way, he offers fascinating glimpses into the histories and effects of other fringe doctrines, including creationism, Lysenkoism, parapsychology, and more—all of which have surprising connections to Velikovsky’s theories.
 
Science today is hardly universally secure, and scientists seem themselves beset by critics, denialists, and those they label “pseudoscientists”—as seen all too clearly in battles over evolution and climate change. The Pseudoscience Wars simultaneously reveals the surprising Cold War roots of our contemporary dilemma and points readers to a different approach to drawing the line between knowledge and nonsense.

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The Psychological Mystique

Stewart Justman

Northwestern University Press, 1998

The Psychological Mystique weighs the extraordinary influence of psychology on culture, traces the therapeutic model to its roots, and examines the connection between psychology and the marketing of goods and ideas. Justman finds that psychology's influence has saturated contemporary life both public and private. Thoughtful and at times sardonic, this study links psychology both to the mass production of goods and the propagation of clichés.
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cover of The Pursuit of Happiness in the Founding Era: An Intellectual History

The Pursuit of Happiness in the Founding Era

An Intellectual History

Carli N. Conklin

University of Missouri Press, 2020

Scholars have long debated the meaning of the pursuit of happiness, yet have tended to define it narrowly, focusing on a single intellectual tradition, and on the use of the term within a single text, the Declaration of Independence. In this insightful volume, Carli Conklin considers the pursuit of happiness across a variety of intellectual traditions, and explores its usage in two key legal texts of the Founding Era, the Declaration and William Blackstone’s Commentaries on the Laws of England.

For Blackstone, the pursuit of happiness was a science of jurisprudence, by which his students could know, and then rightly apply, the first principles of the Common Law. For the founders, the pursuit of happiness was the individual right to pursue a life lived in harmony with the law of nature and a public duty to govern in accordance with that law. Both applications suggest we consider anew how the phrase, and its underlying legal philosophies, were understood in the founding era. With this work, Conklin makes important contributions to the fields of early American intellectual and legal history.

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cover of The Pursuit of Unity and Perfection in History

The Pursuit of Unity and Perfection in History

Klaus Vondung

St. Augustine's Press, 2020

The achievement of unity and perfection in human action begins with a struggle for these ideals in human thought. Dr. Klaus Vondung in his collection of essays that span four decades explores examples of this in different fields of human inquiry: striving for harmonious existential unity of talents and morals, intellect and emotion; seeking to make natural sciences consonant with the humanities and thereby moving toward a more universal, “perfect” science; and establishing unity in political structures and cultivating in this unity a homogenous society. Vondung devotes himself especially to exposing National Socialism, and revisits its perverted motivations and the murderous consequences of its ideology.
     Particular focus in following the thread of unity and perfection in human intellectual and practical ambitions ultimately hones in on the combination of religion and politics. Vondung in these essays unpacks the ways in which this continues to fascinate and disturb us, and in his expertise he uses National Socialism to connect this pursuit of unity and perfection to what he calls one of the signature marks of modernity––namely, secular apocalypticism. This claim stands in opposition to Eric Voegelin’s remark that Gnosticism, rather, is “the nature of modernity.” Vondung, who studied and wrote his dissertation under Voegelin, grapples with the contrast of these positions. Vondung is willing to challenge Voegelin, but ultimately his treatment of the latter bears the quality of tribute to this great scholar.
      Vondung also explores the points of contact between apocalypticism and Hermetic speculation. Despite the independence of the religious and philosophical doctrines of Hermeticism, there are parallels to be found. Apocalypticism and Hermeticism originated in antiquity and yet each represents a tradition that still holds footing today. Vondung furthermore leads the reader to see the project of salvation found in both even as each operates with a different scope.
     This collection of essays centers itself on a perspective of the human pursuit of unity and perfection, directly or indirectly, as objectives of intellectual endeavors, existential ideals, as social or political outcomes, and in the case of National Socialism even as perverse aberrations that led to the Holocaust. Vondung’s particular treatment of Voegelin’s work likewise establishes what the former identifies as a stand-out question of this study: Does the search for order in history show us the unity of the history of humankind?
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The Pãltinis Diary

A Paideic Model in Humanist Culture

Gabriel Liiceanu

Central European University Press, 2000

The intellectual resistance to totalitarian regimes can take many forms. This remarkable volume portrays one such story of resistance in Romania during the reign of Ceauşescu: that of Constantin Noica, one of the country’s foremost intellectuals.

Noica was an original thinker belonging to the remarkable intellectual generation of important figures such as Mircea Eliade, E. M. Cioran and Eugene Ionescu, but he chose to stay in Romania after the communist takeover when many others fled. Harassed and jailed for six years, Noica retreated to the mountains and gathered around him some brilliant young minds and future talent to challenge and nurture them in a time when communism denied them the materials of true intellectual importance.

This group of students withdrew to Noica’s retreat for intensive philosophical sessions to debate the works of Kant, Plato, Heidegger and discuss humanistic values. The author of this volume Liiceanu, himself a brilliant philosopher, was Noica’s closest disciple and during every meeting he noted every conversation in a diary which came to be known as The Păltiniş Diary. These conversations were secretly published and quickly devoured by intellectuals in Romania who were prepared to sacrifice part of their food provisions to acquire the book. The Păltiniş Diary sold out within a matter of days and because of Secret Police censorship, was not published again in Romania until 1991 by which time Noica had died and the group had disbanded to help with the reconstruction of post-Ceauşescu Romania.

The Păltiniş Diary is a wonderful homage to an intellectual master and to the power of intellect and freedom. The book will be of interest to philosophers, non-philosophers alike, and to anyone who seeks to grasp the true meaning of survival under totalitarian conditions. 

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The Quest

History and Meaning in Religion

Mircea Eliade

University of Chicago Press, 1969

In The Quest Mircea Eliade stresses the cultural function that a study of the history of religions can play in a secularized society. He writes for the intelligent general reader in the hope that what he calls a new humanism "will be engendered by a confrontation of modern Western man with unknown or less familiar worlds of meaning."

"Each of these essays contains insights which will be fruitful and challenging for professional students of religion, but at the same time they all retain the kind of cultural relevance and clarity of style which makes them accessible to anyone seriously concerned with man and his religious possibilities."—Joseph M. Kitagawa, Religious Education
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The Question of God in Heidegger's Phenomenology

George Kovacs

Northwestern University Press, 1990

Several philosophers have developed theological perspectives out of Heidegger's ontology. Yet the question of God in Heidegger's thought itself has never received full elucidation. In this revealing new study, George Kovacs poses the problem of analyzing the idea of God as a process of questioning and thus subjects Heidegger's phenomenological existentialism to a process of exposition Heidegger himself employed.
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cover of The Quiet Zone: Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance

The Quiet Zone

Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance

Petal Kimberly Samuel

Rutgers University Press, 2026

A serene beach. The classroom of an elite private school. The still nights in an upscale residential neighborhood. An acclaimed poet with a quiet, dignified mode of address. The sonic etiquette and experience of quiet is integral to each of these scenes. The Quiet Zone examines what the emergence of quiet as an elite aesthetic, privilege, and entitlement means for minoritized people who are often narrated as loud, disruptive, and disturbing, sonically, visually, and otherwise. Taking the Caribbean and its diasporas as its key sites of study, the book explores what we can learn from efforts to transform the region into the quintessential site of quiet leisure, in part, through the enactment of regimes of sonic discipline and surveillance directed against its majority Black population. Analyzing the work of Afro-Caribbean artists that catalog and critique sonic surveillance, the book questions the ways that quiet gets produced both as a regulatory ideal of racial, gender, sexual, national, and civilizational belonging and as a universal object of desire
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cover of The Quill and the Scalpel: Nabokov's Art and the Worlds of Science

The Quill and the Scalpel

Nabokov's Art and the Worlds of Science

Stephen H. Blackwell

The Ohio State University Press, 2009

Most famous as a literary artist, Vladimir Nabokov was also a professional biologist and a lifelong student of science. By exploring the refractions of physics, psychology, and biology within his art and thought, The Quill and the Scalpel: Nabokov’s Art and the Worlds of Science,by Stephen H. Blackwell, demonstrates how aesthetic sensibilities contributed to Nabokov’s scientific work, and how his scientific passions shape, inform, and permeate his fictions.
            Nabokov’s attention to holistic study and inductive empirical work gradually reinforced his underlying suspicion of mechanistic explanations of nature. He perceived chilling parallels between the overconfidence of scientific progress and the dogmatic certainty of the Soviet regime. His scientific work and his artistic transfigurations of science underscore the limitations of human knowledge as a defining element of life. In provocative novels like Lolita,Pale Fire,The Gift,Ada, and others, Nabokov advances a surprisingly modest epistemology, urging skepticism toward all portrayals of nature, artistic and scientific. Simultaneously, he challenges his readers to recognize in the arts a vital branch of human discovery, one that both complements and informs traditional scientific research.
 
 
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The Quotable Voltaire

Garry Apgar

Bucknell University Press, 2021

The author of more than 2,000 books and pamphlets, Voltaire (François-Marie Arouet, 1694-1778) was one of the most prolific writers of the eighteenth century, and also one of the wittiest and most insightful. This unique collection of over 800 of Voltaire’s wisest passages and choicest bons mots runs the gamut on topics from adultery to Zoroaster, in both English and French.
 
Drawing from a wide range of his publications, private letters, and remarks recorded by his contemporaries, The Quotable Voltaire includes material never before gathered in a single volume. English translations appear alongside the original French, and each quote is thoroughly indexed and referenced, with page numbers for both the first known publication edition of each entry and the most recent edition of Voltaire’s works. The book also features over 400 quotes about Voltaire, including commentary by eighteenth-century luminaries like Samuel Johnson, Catherine the Great, Casanova, and John Adams, as well as an eclectic assortment of modern-day personages ranging from Winston Churchill and Jorge Luis Borges to Mae West and Mike Tyson.
 
Lavishly illustrated with nearly three dozen images of Voltaire-related art, this collection opens with a scholarly essay that recounts the great man’s life and reflects on his outsized influence on Western culture. Whether you are a Voltaire scholar or a neophyte, The Quotable Voltaire is the perfect introduction to a brilliant mind.
 
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cover of The Rabbit Between Us

The Rabbit Between Us

Victor Menza

Seagull Books, 2021

One morning as they parted, Victor Menza’s daughter handed him a bunny postcard. This gift made him wonder why rabbits had been their symbol of visitation: “How did this kind of creature become such a powerful way of feeling your presence?”
 
Through philosophy, history, education, art, and personal musing on everyday uncanny experiences, Menza reveals why people have long found rabbits our special kin and emblems of love. Menza considers human nature and how we are undone by separation—both from each other and from our childhood selves. Surprising allies in these non-traditional philosophical wanderings include Ludwig Wittgenstein, Elizabeth Bowen, Albert Murray, Beatrix Potter, Donald Winnicott, Sterling Stuckey, and Lev Vygotsky.
 
Menza examines what symbols are and how they work, the value of dialect, and the subversive lesson of animal fables, alongside his thoughts on language learning, memory, and slavery. Only now did he see that he’d taken to Brer Rabbit early on. Just as the Uncle Remus tales displayed the small hero’s virtues in warm dialogues, The Rabbit Between Us shows we abound in talents and moves when we “lean like Socrates did to the Aesop in us.” Gentle and political at once, this unique book will appeal to any intellectually curious reader.
 
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cover of The Real, the True, and the Told: Postmodern Historical Narrative and the Ethics of Representation

The Real, the True, and the Told

Postmodern Historical Narrative and the Ethics of Representation

Eric L. Berlatsky

The Ohio State University Press, 2011

The Real, The True, and The Told: Postmodern Historical Narrative and the Ethics of Representation, by Eric L. Berlatsky, intervenes in contemporary debates over the problems of historical reference in a postmodern age. It does so through an examination of postmodern literary practices and their engagement with the theorization of history. The book looks at the major figures of constructivist historiography and at postmodern fiction (and memoir) that explicitly presents and/or theorizes “history.” It does so in order to suggest that reading such fiction can intervene substantially in debates over historical reference and the parallel discussion of redefining contemporary ethics.
 
Much theorization in the wake of Hayden White suggests that history is little better than fiction in its professed goal of representing the “truth” of the past, particularly because of its reliance on the narrative form.While postmodern fiction is often read as reflecting and/or repeating such theories, this book argues that, in fact, such fiction proposes alternative models of accurate historical reference, based on models of nonnarrativity. Through a combination of high theory andnarrative theory, the book illustrates how the texts examined insist upon the possibility of accessing the real by rejecting narrative as their primary mode of articulation. Among the authors examined closely in The Real, The True, and The Told are Virginia Woolf, Graham Swift, Salman Rushdie, Art Spiegelman, and Milan Kundera.
[more]
cover of The Reconstruction of Patriotism: Education for Civic Consciousness

The Reconstruction of Patriotism

Education for Civic Consciousness

Morris Janowitz

University of Chicago Press, 1984

"A meticulous, well-tuned examination of what Janowitz says is the decline of civic thought in America, and what might be done to restore it. . . . The patriotism Janowitz proposes to reconstruct is not the sort of narrow nationalism your political science professor may have warned you about—patriotism as 'the last refuge of a scoundrel.' It is instead a patriotism that intelligently appreciates life in a (however imperfect) democratic land."—Robert Marquand, The Christian Science Monitor

"In The Reconstruction of Patriotism, Morris Janowitz . . . places a national-service program on the national agenda. . . . Like William James, Janowitz envisions government enrolling young people to work for a year or two at subsistence pay, doing jobs that benefit society—working with, say, 'conservation, health, or old-age problems.' He believes that we need a service program because since the end of the Second World War our citizens (and, indeed, citizens of almost all the advanced industrial nations) have become more keenly aware of their rights than of their obligations, and generations are growing up with little or no understanding that they are members of a national community and have responsibilities to it—that they must give as well as take. . . . Because it reopens discussion of our wider obligations and how to fulfill them, Mr. Janowitz's thoughtful book is in itself a national service."—Naomi Bliven, The New Yorker


"Morris Janowitz examines an issue that seldom is subject to social and political analysis—patriotism. His thesis is clear: The long-term trend in politics has been to enhance citizen rights without effective articulation of citizen obligations. A meaningful balance between the two, he contends, must be restored. . . . The strength of this study lies in Janowitz's persuasive argument that the durability and vitality of democratic institutions require that a sense of community, or shared values, be preserved. Without civiz consciousness, he rightly observes, social and political fragmentation ensues. . . . A lucid and impressively researched polemic."—W. Wesley McDonald, American Political Science Review


"Janowitz addresses a seminal issue: how to restore the sense of shared civic responsibility that has fallen victim in recent years to our growing preoccupation with individual rights and the rise of special-interest groups. . . . Central to his prescription is the revival of the concept of the citizen soldier, whose importance since pre-Revolutionary War days Janoqitz discusses at length. He concludes, 'There can be no reconstruction of patriotism without a system of national service.' . . . An important book. I highly recommend it."—Washington Monthly
[more]
cover of The Reflexive Thesis: Wrighting Sociology of Scientific Knowledge

The Reflexive Thesis

Wrighting Sociology of Scientific Knowledge

Malcolm Ashmore

University of Chicago Press, 1989

This unusually innovative book treats reflexivity, not as a philosophical conundrum, but as a practical issue that arises in the course of scholarly research and argument. In order to demonstrate the concrete and consequential nature of reflexivity, Malcolm Ashmore concentrates on an area in which reflexive "problems" are acute: the sociology of scientific knowledge. At the forefront of recent radical changes in our understanding of science, this increasingly influential mode of analysis specializes in rigorous deconstructions of the research practices and textual products of the scientific enterprise. Through a series of detailed examinations of the practices and products of the sociology of scientific knowledge, Ashmore turns its own claims and findings back onto itself and opens up a whole new era of exploration beyond the common fear of reflexive self-destruction.
[more]
cover of The Reification of Desire: Toward a Queer Marxism

The Reification of Desire

Toward a Queer Marxism

Kevin Floyd

University of Minnesota Press, 2009

The Reification of Desire takes two critical perspectives rarely analyzed together—formative arguments for Marxism and those that have been the basis for queer theory—and productively scrutinizes these ideas both with and against each other to put forth a new theoretical connection between Marxism and queer studies.

Kevin Floyd brings queer critique to bear on the Marxian categories of reification and totality and considers the dialectic that frames the work of Georg Lukács, Herbert Marcuse, and Fredric Jameson. Reading the work of these theorists together with influential queer work by such figures as Michel Foucault and Judith Butler, and alongside reconsiderations of such texts as The Sun Also Rises and Midnight Cowboy, Floyd reformulates these two central categories that have been inseparable from a key strand of Marxist thought and have marked both its explanatory power and its limitations. Floyd theorizes a dissociation of sexuality from gender at the beginning of the twentieth century in terms of reification to claim that this dissociation is one aspect of a larger dynamic of social reification enforced by capitalism.

Developing a queer examination of reification and totality, Kevin Floyd ultimately argues that the insights of queer theory require a fundamental rethinking of both.
[more]
cover of The Relevance of Philosophy to Life

The Relevance of Philosophy to Life

John Lachs

Vanderbilt University Press, 1995

With The Relevance of Philosophy to Life, eminent American philosopher John Lachs reminds us that philosophy is not merely a remote subject of academic research and discourse, but an ever-changing field which can help us navigate through some of the chaos of late twentieth-century living. It provides a clear-eyed look at important philosophical issues--the primacy of values, rationality and irrationality, society and its discontents, life and death, and the traits of human nature--as related to the human condition in the modern world.
[more]
cover of The Religion of Existence: Asceticism in Philosophy from Kierkegaard to Sartre

The Religion of Existence

Asceticism in Philosophy from Kierkegaard to Sartre

Noreen Khawaja

University of Chicago Press, 2016

TheReligion of Existence reopens an old debate on an important question: What was existentialism?

At the heart of existentialism, Noreen Khawaja argues, is a story about secular thought experimenting with the traditions of European Christianity. This book explores how a distinctly Protestant asceticism formed the basis for the chief existentialist ideal, personal authenticity, which is reflected in approaches ranging from Kierkegaard’s religious theory of the self to Heidegger’s phenomenology of everyday life to Sartre’s global mission of atheistic humanism. Through these three philosophers, she argues, we observe how ascetic norms have shaped one of the twentieth century’s most powerful ways of thinking about identity and difference—the idea that the “true” self is not simply given but something that each of us is responsible for producing.

Engaging with many central figures in modern European thought, this book will appeal to philosophers and historians of European philosophy, scholars of modern Christianity, and those working on problems at the intersection of religion and modernity.
[more]
cover of The Religion of Humanity: The Illusion of Our Times

The Religion of Humanity

The Illusion of Our Times

Pierre Manent

St. Augustine's Press, 2022

"Is not modern democracy the finally-found form of the religion of Humanity?" (2007)

The Religion of Humanity: The Illusion of Our Time is the first anthology in any language of the writings of the contemporary French political philosopher, Pierre Manent, on “the religion of Humanity.” The striking phrase comes from nineteenth-century French thinker, Auguste Comte (1798–1857). Comte coined the phrase and indeed created an atheistic religion of a self-adoring Humanity.  In the aftermath of the Cold War, Manent observed victorious democracy interpreting itself in a similar framework. He took it upon himself to track this development, analyze it, and warn his fellow Europeans of its deleterious political, intellectual, moral, and spiritual effects. With conceptual precision and (most often) a sober tone, many contemporary sacred cows were gored.   But in addition to cursing the humanitarian darkness, he also lit many candles of judicious political, philosophical, moral, and spiritual analysis. This anthology is thus almost unique in its subject matter, and certainly unique in its treatment of the subject. It is a rarity and gem: a first-rate work of political philosophy.
[more]
cover of The Religion of Reality: Inquiry into the Self, Art, and Transcendence

The Religion of Reality

Inquiry into the Self, Art, and Transcendence

Didier Maleuvre

Catholic University of America Press, 2006

The book first argues that religious feeling persists in the secular western mind; that it has taken refuge in the unlikeliest of camps, indeed with the supposed debunker of religious creed: the rationalist existential ego.
[more]
cover of The Religious Foundations of Francis Bacon's Thought

The Religious Foundations of Francis Bacon's Thought

Stephen A. McKnight

University of Missouri Press, 2006

In this important study, Stephen A. McKnight investigates the relation of Francis Bacon’s religious views to his “instauration,” or program for reforming and advancing learning in order to bring “relief to man’s estate.” McKnight provides close textual analyses of eight of Bacon’s texts in order to establish the religious themes and motifs that pervade his writings from 1603 to 1626. Such analysis is necessary because there are so many contradictory interpretations of the same key texts and because prevailing scholarship often ignores Bacon’s religious ideas or dismisses them as part of the cultural images that Bacon supposedly manipulated to conceal or disguise his modern, secular, materialistic, and rationalistic views.
McKnight begins with the New Atlantis because it offers the fullest articulation of Bacon’s vision of instauration and because the principal religious themes in Bacon’s writings are all contained within it. Next, he turns to The Great Instauration and The New Organon to show the centrality of religious concepts in two of Bacon’s major philosophical works. He then examines five of Bacon’s early published and unpublished works, including The Advancement of Learning and Wisdom of the Ancients, to demonstrate that religious imagery and biblical themes permeate Bacon’s program of reform from the outset.
McKnight maintains that Bacon’s vision of reform is drawn from the Judeo-Christian Scriptures, particularly the Genesis account of the Creation and the Fall; from apocalyptic expectation of renewal in the Old Testament; and from salvation themes of the New Testament. He also demonstrates that Bacon’s Christian ideas are augmented and transmuted by related themes and imagery found in the prisca theologia, a mixture of Neoplatonism, Hermeticism, alchemy, magic, and Jewish esoteric traditions. According to McKnight, Bacon believed that scholastic error and ecclesiastical dogma obscured religious truth and required a search for a truer, deeper level of understanding of the Scriptures and of God’s saving acts in history.
The Religious Foundations of Francis Bacon’s Thought attempts to correct the persistent misconception of Bacon as a secular modern who dismissed religion in order to promote the human advancement of knowledge. This exploration suggests that the origins of modernity are much more complex than many current approaches allow and that modernity and the goals of science cannot be separated from the dream of a restoration of a prelapsarian relation of humanity, God, and nature.
[more]
cover of The Remains of Reason: On Meaning after Lacan

The Remains of Reason

On Meaning after Lacan

Dominik Finkelde

Northwestern University Press, 2025

Unpacking the central role of the unconscious in the relationship between mind and world

Over a series of careful readings and accessible discussions, prefaced by a foreword from Eric Santner, Dominik Finkelde analyzes the central role of the unconscious in the relationship between mind and world. Moving beyond Freud, Kant, and Hegel and toward the contemporary work of the Ljubljana School, he explores how humans relate to facts and the influence of the unconscious on questions regarding truth, perception, and meaning.

Aspects of recognition and unconscious processes of transference are at stake in these fundamental questions of perception and knowledge, though these have been widely ignored in epistemological and ontological debates in contemporary philosophy. Finkelde draws on both the continental and analytic traditions, ultimately building from the work of current-day interlocutors to interrogate questions concerning the influence of enigmatic signifiers, the role of sublime objects of ideology, the importance of fantasy cultivation and transgression, and the power of jouissance as an ontological factor.

[more]
cover of The Renaissance Philosophy of Man: Petrarca, Valla, Ficino, Pico, Pomponazzi, Vives

The Renaissance Philosophy of Man

Petrarca, Valla, Ficino, Pico, Pomponazzi, Vives

Edited by Ernst Cassirer, Paul Oskar Kristeller, and John Herman Randall Jr.

University of Chicago Press, 1956

Despite our admiration for Renaissance achievement in the arts and sciences, in literature and classical learning, the rich and diversified philosophical thought of the period remains largely unknown. This volume illuminates three major currents of thought dominant in the earlier Italian Renaissance: classical humanism (Petrarch and Valla), Platonism (Ficino and Pico), and Aristotelianism (Pomponazzi). A short and elegant work of the Spaniard Vives is included to exhibit the diffusion of the ideas of humanism and Platonism outside Italy. Now made easily accessible, these texts recover for the English reader a significant facet of Renaissance learning.
[more]
cover of The Restless Clock: A History of the Centuries-Long Argument over What Makes Living Things Tick

The Restless Clock

A History of the Centuries-Long Argument over What Makes Living Things Tick

Jessica Riskin

University of Chicago Press, 2016

Today, a scientific explanation is not meant to ascribe agency to natural phenomena: we would not say a rock falls because it seeks the center of the earth. Even for living things, in the natural sciences and often in the social sciences, the same is true. A modern botanist would not say that plants pursue sunlight. This has not always been the case, nor, perhaps, was it inevitable. Since the seventeenth century, many thinkers have made agency, in various forms, central to science.

The Restless Clock examines the history of this principle, banning agency, in the life sciences. It also tells the story of dissenters embracing the opposite idea: that agency is essential to nature. The story begins with the automata of early modern Europe, as models for the new science of living things, and traces questions of science and agency through Descartes, Leibniz, Lamarck, and Darwin, among many others. Mechanist science, Jessica Riskin shows, had an associated theology: the argument from design, which found evidence for a designer in the mechanisms of nature. Rejecting such appeals to a supernatural God, the dissenters sought to naturalize agency rather than outsourcing it to a “divine engineer.” Their model cast living things not as passive but as active, self-making machines.

The conflict between passive- and active-mechanist approaches maintains a subterranean life in current science, shaping debates in fields such as evolutionary biology, cognitive science, and artificial intelligence. This history promises not only to inform such debates, but also our sense of the possibilities for what it means to engage in science—and even what it means to be alive.
[more]
cover of The Retrieval of the Beautiful: Thinking Through Merleau-Ponty’s Aesthetics

The Retrieval of the Beautiful

Thinking Through Merleau-Ponty’s Aesthetics

Galen A. Johnson

Northwestern University Press, 2010

In this elegant new study Galen Johnson retrieves the concept of the beautiful through the framework of Merleau-Ponty’s aesthetics. Although Merleau-Ponty seldom spoke directly of beauty, his philosophy is essentially about the beautiful.

In Johnson’s formulation, the ontology of Flesh as element and the ontology of the Beautiful as elemental are folded together, for Desire, Love, and Beauty are part of the fabric of the world’s element, Flesh itself, the term at which Merleau-Ponty arrived to replace Substance, Matter, or Life as the name of Being.

Merleau-Ponty’s Eye and Mind is at the core of the book, so Johnson engages, as Merleau-Ponty did, the writings and visual work of Paul Cézanne, Auguste Rodin, and Paul Klee, as well as Rilke’s commentary on Cézanne and Rodin. From these widely varying aesthetics emerge the fundamental themes of the retrieval of the beautiful: desire, repetition, difference, rhythm, and the sublime. The third part of Johnson’s book takes each of these up in turn, bringing Merleau-Ponty’s aesthetic thinking into dialogue with classical philosophy as well as Sartre, Heidegger, Nietzsche, and Deleuze. Johnson concludes his final chapter with a direct dialogue with Kant and Merleau-Ponty, and also Lyotard, on the subject of the beautiful and the sublime. As we experience with Rodin’s Balzac, beauty and the sublime blend into one another when the beautiful grows powerful, majestic, mysterious, and transcendent.

[more]
cover of The Return of Resentment: The Rise and Decline and Rise Again of a Political Emotion

The Return of Resentment

The Rise and Decline and Rise Again of a Political Emotion

Robert A. Schneider

University of Chicago Press, 2023

Charts the long history of resentment, from its emergence to its establishment as the word of the moment.
 
The term “resentment,” often casually paired with words like “hatred,” “rage,” and “fear,” has dominated US news analysis since November 2016. Despite its increased use, this word seems to defy easy categorization. Does “resentment” describe many interlocking sentiments, or is it just another way of saying “anger”? Does it suggest an irrational grievance, as opposed to a legitimate callout of injustice? Does it imply political leanings, or is it nonpartisan by nature?
 
In The Return of Resentment, Robert A. Schneider explores these questions and more, moving from eighteenth-century Britain to the aftermath of the French Revolution to social movements throughout the twentieth century. Drawing on a wide range of writers, thinkers, and historical experiences, Schneider illustrates how resentment has morphed across time, coming to express a collective sentiment felt by people and movements across the political spectrum. In this history, we discover resentment’s modernity and its ambiguity—how it can be used to dismiss legitimate critique and explain away violence, but also convey a moral stance that demands recognition. Schneider anatomizes the many ways resentment has been used to label present-day movements, from followers of Trump and supporters of Brexit to radical Islamicists and proponents of identity politics. Addressing our contemporary political situation in a novel way, The Return of Resentment challenges us to think critically about the roles different emotions play in politics.
[more]
cover of The Revelation of Imagination: From Homer and the Bible through Virgil and Augustine to Dante

The Revelation of Imagination

From Homer and the Bible through Virgil and Augustine to Dante

William Franke

Northwestern University Press, 2015

In The Revelation of Imagination, William Franke attempts to focus on what is enduring and perennial rather than on what is accommodated to the agenda of the moment. Franke’s book offers re-actualized readings of representative texts from the Bible, Homer, and Virgil to Augustine and Dante. The selections are linked together in such a way as to propose a general interpretation of knowledge. They emphasize, moreover, a way of articulating the connection of humanities knowledge with what may, in various senses, be called divine revelation. This includes the sort of inspiration to which poets since Homer have typically laid claim, as well as that proper to the biblical tradition of revealed religion. The Revelation of Imagination invigorates the ongoing discussion about the value of humanities as a source of enduring knowledge.

[more]
cover of The Reveries of the Solitary Walker, Botanical Writings, and Letter to Franquières

The Reveries of the Solitary Walker, Botanical Writings, and Letter to Franquières

Jean-Jacques Rousseau

Dartmouth College Press, 2000

“I am now alone on earth, no longer having any brother, neighbor, friend, or society other than myself” proclaimed Rousseau in Reveries of the Solitary Walker. Reveries, along with Botanical Writings and Letter to Franquières, were all written at the end of his life, a period when Rousseau renounced his occupation as author and ceased publishing his works. Presenting himself as an unwilling societal outcast, he nonetheless crafted each with a sharp eye on his readership. Whether addressing himself, a mother hoping to interest her child in botany, or a confused young nobleman, his dialogue reflects the needs of his interlocutor and of future readers. Although very different in style, these three works concern overlapping subjects. Their unity comes from the relation of the other writings to the Reveries, which consists of ten meditative “walks” during which Rousseau considers his life and thought. The third and fourth walks discuss truth, morality, and religious belief, which are the themes of the Letter to Franquières; while the seventh is a lengthy discussion of botany as a model for contemplative activity. The overarching themes of the volume—the relations among philosophic or scientific contemplation, religion, and morality—provide Rousseau’s most intimate and final reflections on the difficulties involved in understanding nature.
[more]
cover of The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture

The Revival of Pragmatism

New Essays on Social Thought, Law, and Culture

Morris Dickstein, ed.

Duke University Press, 1998

Although long considered the most distinctive American contribution to philosophy, pragmatism—with its problem-solving emphasis and its contingent view of truth—lost popularity in mid-century after the advent of World War II, the horror of the Holocaust, and the dawning of the Cold War. Since the 1960s, however, pragmatism in many guises has again gained prominence, finding congenial places to flourish within growing intellectual movements. This volume of new essays brings together leading philosophers, historians, legal scholars, social thinkers, and literary critics to examine the far-reaching effects of this revival.
As the twenty-five intellectuals who take part in this discussion show, pragmatism has become a complex terrain on which a rich variety of contemporary debates have been played out. Contributors such as Richard Rorty, Stanley Cavell, Nancy Fraser, Robert Westbrook, Hilary Putnam, and Morris Dickstein trace pragmatism’s cultural and intellectual evolution, consider its connection to democracy, and discuss its complex relationship to the work of Emerson, Nietzsche, and Wittgenstein. They show the influence of pragmatism on black intellectuals such as W. E. B. Du Bois, explore its view of poetic language, and debate its effects on social science, history, and jurisprudence. Also including essays by critics of the revival such as Alan Wolfe and John Patrick Diggins, the volume concludes with a response to the whole collection from Stanley Fish.

Including an extensive bibliography, this interdisciplinary work provides an in-depth and broadly gauged introduction to pragmatism, one that will be crucial for understanding the shape of the transformations taking place in the American social and philosophical scene at the end of the twentieth century.

Contributors. Richard Bernstein, David Bromwich, Ray Carney, Stanley Cavell, Morris Dickstein, John Patrick Diggins, Stanley Fish, Nancy Fraser, Thomas C. Grey, Giles Gunn, Hans Joas, James T. Kloppenberg, David Luban, Louis Menand, Sidney Morgenbesser, Richard Poirier, Richard A. Posner, Ross Posnock, Hilary Putnam, Ruth Anna Putnam, Richard Rorty, Michel Rosenfeld, Richard H. Weisberg, Robert B. Westbrook, Alan Wolfe

 

[more]
cover of The Rhetoric of Cool: Composition Studies and New Media

The Rhetoric of Cool

Composition Studies and New Media

Jeff Rice

Southern Illinois University Press, 2007

The Rhetoric of Cool: Composition Studies and New Media offers a historical critique of composition studies’ rebirth narrative, using that critique to propose a new rhetoric for new media work. Author Jeff Rice returns to critical moments during the rebirth of composition studies when the discipline chose not to emphasize technology, cultural studies, and visual writing, which are now fundamental to composition studies. Rice redefines these moments in order to invent a new electronic practice.
The Rhetoric of Cool addresses the disciplinary claim that composition studies underwent a rebirth in 1963. At that time, three writers reviewed technology, cultural studies, and visual writing outside composition studies and independently used the word cool to describe each position. Starting from these three positions, Rice focuses on chora, appropriation, commutation, juxtaposition, nonlinearity, and imagery—rhetorical gestures conducive to new media work-- to construct the rhetoric of cool.
An innovative work that approaches computers and writing issues from historical, critical, theoretical, and practical perspectives, The Rhetoric of Cool challenges current understandings of writing and new media and proposes a rhetorical rather than an instrumental response for teaching writing in new media contexts.
[more]
cover of The Rhetoric of Fascism

The Rhetoric of Fascism

Edited by Nathan Crick

University of Alabama Press, 2022

Decoding the discourse: Rhetorical foundations of authoritarian power.

Fascism has resurfaced as one of the most pressing problems of our time. The rise of extremist parties and candidates in Europe, the United States, and around the globe has led even mainstream political commentators to begin using the term “fascism” to describe dangerous movements that have revived and repackaged many of the strategies long thought to have been relegated to the margins of political rhetoric. No longer just confined to the state regimes of the past, fascism thrives today as a globally self-augmenting, self-propagating rhetorical phenomenon with a variety of faces and expressions.

The Rhetoric of Fascism defines and interprets the common persuasive devices that characterize fascist discourse to understand the nature of its enduring appeal. By approaching fascism from a rhetorical perspective, this volume complements established political and sociological understandings of fascism as a movement or regime. A rhetorical approach studies fascism less as a party one joins than as a set of persuasive strategies one adopts. Fascism spreads precisely because it is not a coherent entity. Instead, it exists as a loosely bound and often contradictory collection of persuasive trajectories that have attained enough coherence to mobilize and channel the passions of a self-constituted mass of individuals.

Introductory chapters focus on general theories of fascism drawn from twentieth-century history and theory. Contributors investigate specific historical figures and their relationship to contemporary rhetorics, focusing on a specific rhetorical device that is characteristic of fascist rhetoric. A common thread throughout every chapter is that fascist devices are appealing because they speak to us in the familiar language of our culture. As we are seduced by one device at a time, we soon find ourselves part of a movement, a group, or a campaign that makes us act in ways we might never have imagined. This volume reveals that fascism may be closer to home than we think.

CONTRIBUTORS
Patrick D. Anderson / Rya Butterfield / Nathan Crick / Elizabeth R. Earle / Zac Gershberg / Stephen J. Hartnett / Marie-Odile N. Hobeika / Sean Illing / Jacob A. Miller / Fernando Ismael Quiñones Valdivia / Patricia Roberts-Miller / Raquel M. Robvais / Bradley A. Serber / Ryan Skinnell
 

[more]
cover of The Rhetoric of Interpretation and the Interpretation of Rhetoric

The Rhetoric of Interpretation and the Interpretation of Rhetoric

Paul Hernadi, ed.

Duke University Press, 1989

The essays collected in this volume strongly suggest that the principles and operations of contemporary rhetoric and contemporary interpretation invite being studied in conjunction with each other—that the are, as Paul Hernadi puts it, "siamese twins." Furthermore, a number of the essays suggest that both rhetoric and interpretation ought to be studied in conjunction with the principles and operations characteristic of contemporary descriptions and critiques of ideology.
[more]
cover of The Rhetoric of Morality and Philosophy: Plato's Gorgias and Phaedrus

The Rhetoric of Morality and Philosophy

Plato's Gorgias and Phaedrus

Seth Benardete

University of Chicago Press, 1991

The Rhetoric of Morality and Philosophy, one of the most groundbreaking works of twentieth-century Platonic studies, is now back in print for a new generation of students and scholars to discover. In this volume, distinguished classicist Seth Benardete interprets and pairs two important Platonic dialogues, the Gorgias and the Phaedrus, illuminating Socrates’ notion of rhetoric and Plato’s conception of morality and eros in the human soul.

            Following his discussion of the Gorgias as a dialogue about the rhetoric of morality, Benardete turns to the Phaedrus as a discourse about genuine rhetoric, namely the science of eros, or true philosophy. This novel interpretation addresses numerous issues in Plato studies: the relation between the structure of the Gorgias and the image of soul/city in the Republic, the relation between the structure of Phaedrus and the concept of eros, and Socrates’ notion of ignorance, among others.

[more]
cover of The Rhetoric of Plato's Republic: Democracy and the Philosophical Problem of Persuasion

The Rhetoric of Plato's Republic

Democracy and the Philosophical Problem of Persuasion

James L. Kastely

University of Chicago Press, 2015

Plato isn’t exactly thought of as a champion of democracy, and perhaps even less as an important rhetorical theorist. In this book, James L. Kastely recasts Plato in just these lights, offering a vivid new reading of one of Plato’s most important works: the Republic. At heart, Kastely demonstrates, the Republic is a democratic epic poem and pioneering work in rhetorical theory. Examining issues of justice, communication, persuasion, and audience, he uncovers a seedbed of theoretical ideas that resonate all the way up to our contemporary democratic practices.  
           
As Kastely shows, the Republic begins with two interrelated crises: one rhetorical, one philosophical. In the first, democracy is defended by a discourse of justice, but no one can take this discourse seriously because no one can see—in a world where the powerful dominate the weak—how justice is a value in itself. That value must be found philosophically, but philosophy, as Plato and Socrates understand it, can reach only the very few. In order to reach its larger political audience, it must become rhetoric; it must become a persuasive part of the larger culture—which, at that time, meant epic poetry. Tracing how Plato and Socrates formulate this transformation in the Republic, Kastely isolates a crucial theory of persuasion that is central to how we talk together about justice and organize ourselves according to democratic principles. 
[more]
cover of The Rhetorical Turn: Invention and Persuasion in the Conduct of Inquiry

The Rhetorical Turn

Invention and Persuasion in the Conduct of Inquiry

Edited by Herbert W. Simons

University of Chicago Press, 1990

We have only recently started to challenge the notion that "serious" inquiry can be free of rhetoric, that it can rely exclusively on "hard" fact and "cold" logic in support of its claims. Increasingly, scholars are shifting their attention from methods of proof to the heuristic methods of debate and discussion—the art of rhetoric—to examine how scholarly discourse is shaped by tropes and figures, by the naming and framing of issues, and by the need to adapt arguments to ends, audiences, and circumstances. Herbert W. Simons and the contributors to this important collection of essays provide impressive evidence that the new movement referred to as the rhetorical turn offers a rigorous way to look within and across the disciplines.

The Rhetorical Turn moves from biology to politics via excursions into the rhetorics of psychoanalysis, decision science, and conversational analysis. Topics explored include how rhetorical invention guides scientific invention, how rhetoric assists political judgment, and how it integrates varying approaches to meta-theory. Concluding with four philosophical essays, this volume of case studies demonstrates how the inventive and persuasive dimensions of scholarly discourse point the way to forms of argument appropriate to our postmodern age.
[more]
cover of The Rhythm of Images: Cinema beyond Measure

The Rhythm of Images

Cinema beyond Measure

Domietta Torlasco

University of Minnesota Press, 2021

A rigorous and imaginative inquiry into rhythm’s vital importance for film and the moving image

Focusing attention on a concept much neglected in the study of film, The Rhythm of Images opens new possibilities for thinking about expanded perception and idiosyncratic modes of being. Author Domietta Torlasco engages with both philosophy and cinema to elaborate a notion of rhythm in its pre-Socratic sense as a “manner of flowing”—a fugitive mode that privileges contingency and calls up the forgotten fluidity of forms. In asking what it would mean to take this rhythm as an ontological force in its own right, she creatively draws on thinkers such as Giorgio Agamben, Roland Barthes, Gilles Deleuze, and Luce Irigaray. Rhythm emerges here as a form that eludes measure, a key to redefining the relation between the aesthetic and the political, and thus a pivotal means of resistance to power.

Working with constellations of films and videos by international artists—from Michelangelo Antonioni, Jean-Luc Godard, and David Lynch to Harun Farocki and Victor Burgin, among others—Torlasco brings to bear on them her distinctive concept of rhythm with respect to four interrelated domains: life, labor, memory, and medium. With innovative readings of artworks and critical texts alike, The Rhythm of Images fashions a vibrant, provocative theory of rhythm as the excess or potential of perception. 

Ultimately, the book reconceives the relation between rhythm and the world-making power of images. The result is a vision of cinema as a hybrid medium endowed with the capacity not only to reinvent corporeal boundaries but also to find new ways of living together.

[more]
cover of The Rhythm of Thought: Art, Literature, and Music after Merleau-Ponty

The Rhythm of Thought

Art, Literature, and Music after Merleau-Ponty

Jessica Wiskus

University of Chicago Press, 2013

Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought. Holding the poetry of Stéphane Mallarmé, the paintings of Paul Cézanne, the prose of Marcel Proust, and the music of Claude Debussy under Merleau-Ponty’s phenomenological light, she offers innovative interpretations of some of these artists’ masterworks, in turn articulating a new perspective on Merleau-Ponty’s philosophy.
 
More than merely recovering Merleau-Ponty’s thought, Wiskus thinks according to it. First examining these artists in relation to noncoincidence—as silence in poetry, depth in painting, memory in literature, and rhythm in music—she moves through an array of their artworks toward some of Merleau-Ponty’s most exciting themes: our bodily relationship to the world and the dynamic process of expression. She closes with an examination of synesthesia as an intertwining of internal and external realms and a call, finally, for philosophical inquiry as a mode of artistic expression. Structured like a piece of music itself, The Rhythm of Thought offers new contexts in which to approach art, philosophy, and the resonance between them.
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