5159 books match the query 'Biography' and 934 start with t

cover of Texas Ranger Captain William L. Wright

Texas Ranger Captain William L. Wright

Richard B. McCaslin

University of North Texas Press, 2021

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cover of Texas Ranger John B. Jones and the Frontier Battalion, 1874-1881

Texas Ranger John B. Jones and the Frontier Battalion, 1874-1881

Rick Miller

University of North Texas Press, 2012

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cover of Texas Ranger Lee Hall: From the Red River to the Rio Grande

Texas Ranger Lee Hall

From the Red River to the Rio Grande

Chuck Parsons

University of North Texas Press, 2020

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cover of Texas Ranger N. O. Reynolds, the Intrepid

Texas Ranger N. O. Reynolds, the Intrepid

Chuck Parsons

University of North Texas Press, 2014

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cover of Texas Rangers: Lives, Legend, and Legacy

Texas Rangers

Lives, Legend, and Legacy

Bob Alexander

University of North Texas Press, 2017

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cover of Texas Takes Wing: A Century of Flight in the Lone Star State

Texas Takes Wing

A Century of Flight in the Lone Star State

By Barbara Ganson

University of Texas Press, 2014

This book celebrates the aviators, astronauts, airline executives, and other innovators who have made Texas an influential world leader in the aerospace industry over the past century.

Tracing the hundred-year history of aviation in Texas, aviator and historian Barbara Ganson brings to life the colorful personalities that shaped the phenomenally successful development of this industry in the state. Weaving stories and profiles of aviators, designers, manufacturers, and those in related services, Texas Takes Wing covers the major trends that propelled Texas to the forefront of the field. Covering institutions from San Antonio’s Randolph Air Force Base (the West Point of this branch of service) to Brownsville’s airport with its Pan American Airlines instrument flight school (which served as an international gateway to Latin America as early as the 1920s) to Houston’s Johnson Space Center, home of Mission Control for the U.S. space program, the book provides an exhilarating timeline and engaging history of dozens of unsung pioneers as well as their more widely celebrated peers.

Drawn from personal interviews as well as major archives and the collections of several commercial airlines, including American, Southwest, Braniff, Pan American Airways, and Continental, this sweeping history captures the story of powered flight in Texas since 1910. With its generally favorable flying weather, flat terrain, and wide open spaces, Texas has more airports than any other state and is often considered one of America’s most aviation-friendly places. Texas Takes Wing also explores the men and women who made the region pivotal in military training, aircraft manufacturing during wartime, general aviation, and air servicing of the agricultural industry. The result is a soaring history that will delight aviators and passengers alike.

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cover of Texas Tornado: The Times and Music of Doug Sahm

Texas Tornado

The Times and Music of Doug Sahm

By Jan Reid, with Shawn Sahm

University of Texas Press, 2010

Doug Sahm was a singer, songwriter, and guitarist of legendary range and reputation. The first American musician to capitalize on the 1960s British invasion, Sahm vaulted to international fame leading a faux-British band called the Sir Douglas Quintet, whose hits included "She's About a Mover," "The Rains Came," and "Mendocino." He made the cover of Rolling Stone magazine in 1968 and 1971 and performed with the Grateful Dead, Dr. John, Willie Nelson, Boz Scaggs, and Bob Dylan.

Texas Tornado is the first biography of this national music legend. Jan Reid traces the whole arc of Sahm's incredibly versatile musical career, as well as the manic energy that drove his sometimes turbulent personal life and loves. Reid follows Sahm from his youth in San Antonio as a prodigy steel guitar player through his breakout success with the Sir Douglas Quintet and his move to California, where, with an inventive take on blues, rock, country, and jazz, he became a star in San Francisco and invented the "cosmic cowboy" vogue. Reid also chronicles Sahm's later return to Texas and to chart success with the Grammy Award–winning Texas Tornados, a rowdy "conjunto rock and roll band" that he modeled on the Beatles and which included Sir Douglas alum Augie Meyers and Tejano icons Freddy Fender and Flaco Jimenez.

With his exceptional talent and a career that bridged five decades, Doug Sahm was a rock and roll innovator whose influence can only be matched among his fellow Texas musicians by Buddy Holly, Roy Orbison, Janis Joplin, and Stevie Ray Vaughan. Texas Tornado vividly captures the energy and intensity of this musician whose life burned out too soon, but whose music continues to rock.

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cover of Thabo Mbeki

Thabo Mbeki

Adekeye Adebajo

Ohio University Press, 2017

Former South African president Thabo Mbeki is a complex figure. He was a committed young Marxist who, while in power, embraced conservative economic policies and protected white corporate interests; a rational and dispassionate thinker who was particularly sensitive to criticism and dissent; and a champion of African self-reliance who relied excessively on foreign capital. As a key liberation leader in exile, he was instrumental in the ANC’s antiapartheid struggle. Later, he helped build one of the world’s most respected constitutional democracies. As president, though, he was unable to overcome inherited socioeconomic challenges, and his disastrous AIDS policies will remain a major blotch on his legacy. Mbeki is the most important African political figure of his generation. He will be remembered as a foreign policy president for his peacemaking efforts and his role in building continental institutions, not least of which was the African Union. In this concise biography, ideally suited for the classroom, Adekeye Adebajo seeks to illuminate Mbeki’s contradictions and situate him in a pan-African pantheon.
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cover of Thad Snow: A Life of Social Reform in the Missouri Bootheel

Thad Snow

A Life of Social Reform in the Missouri Bootheel

Bonnie Stepenoff

University of Missouri Press, 2003

Thad Snow (1881–1955) was an eccentric farmer and writer who was best known for his involvement in Missouri’s 1939 Sharecropper Protest—a mass highway demonstration in which approximately eleven hundred demonstrators marched to two federal highways to illustrate the plight of the cotton laborers. Snow struggled to make sense of the changing world, and his answers to questions regarding race, social justice, the environment, and international war placed him at odds with many. In Thad Snow, Bonnie Stepenoff explores the world of Snow, providing a full portrait of him.
Snow settled in the Missouri Bootheel in 1910—“Swampeast Missouri,” as he called it—when it was still largely an undeveloped region of hardwood and cypress swamps. He cleared and drained a thousand acres and became a prominent landowner, highway booster, and promoter of economic development—though he later questioned the wisdom of developing wild land.
In the early 1920s, “cotton fever” came to the region, and Snow started producing cotton in the rich southeast Missouri soil. Although he employed sharecroppers, he became a bitter critic of the system that exploited labor and fostered racism. In the 1930s, when a massive flood and the Great Depression heaped misery on the farmworkers, he rallied to their cause.
Defying the conventions of his class, he invited the Southern Tenant Farmers’ Union (STFU) to organize workers on his land. He became a friend and colleague of Owen Whitfield, an African American minister, who led the Sharecroppers’ Roadside Strike of 1939. The successes of this great demonstration convinced Snow that mankind could fight injustice by peaceful means. While America mobilized for World War II, he denounced all war as evil, remaining a committed pacifist until his death in 1955. Shortly before he died, Snow published an autobiographical memoir, From Missouri, in which he affirmed his optimistic belief that people could peacefully change the world.
This biography places Snow in the context of his place and time, revealing a unique individual who agonized over racial and economic oppression and environmental degradation. Snow lived, worked, and pondered the connections among these issues in a small rural corner of Missouri, but he thought in global terms. Well-crafted and highly readable, Thad Snow provides an astounding assessment of an agricultural entrepreneur transformed into a social critic and an activist.
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cover of Thanksgiving: The Biography of an American Holiday

Thanksgiving

The Biography of an American Holiday

James W. Baker

University of New Hampshire Press, 2009

In this, the first in-depth study of the most American of holidays, James Baker sweeps away lingering myths and misconceptions to show how this celebration day was born and grew to be an essential part of our national spirit. Thanksgiving: The Biography of an American Holiday opens with an overview of the popular mythos of the holiday before discussing its possible religious and cultural precedents. This classic Yankee holiday is examined in historical and contemporary detail that embraces everything from proclamations, sermons, and local and regional traditions to family reunions, turkey dinners, and recipes. Thanksgiving's evolving face is illustrated with charming and often revealing period prints that chart our changing attitudes: the influence of Victorian sentiment in Thanksgiving's development, Progressive utilitarianism, intellectual “debunking,” patriotic wartime reclamation, and 1960s-era protest. Thanksgiving remains controversial up to the present day, as Mayflower descendants, Native Americans, and commercial exploiters compete for the American public's opinion of the holiday's contemporary significance and its future status. This is an intelligent and illuminating introduction to a beloved holiday and a fascinating cultural history of America and Americana.

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cover of Thatcher

Thatcher

Clare Beckett

Haus Publishing, 2006

Britain's first woman prime minister, friend of Ronald Reagan and the longest serving head of government in the 20th century (1979-90), but also the only one to be removed from office in peacetime by pressure from within her own party
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cover of That’s Gotta Hurt: The Injuries That Changed Sports Forever

That’s Gotta Hurt

The Injuries That Changed Sports Forever

Dr. David Geier

University Press of New England, 2017

In That’s Gotta Hurt, the orthopaedist David Geier shows how sports medicine has had a greater impact on the sports we watch and play than any technique or concept in coaching or training. Injuries among professional and college athletes have forced orthopaedic surgeons and other healthcare providers to develop new surgeries, treatments, rehabilitation techniques, and prevention strategies. In response to these injuries, sports themselves have radically changed their rules, mandated new equipment, and adopted new procedures to protect their players. Parents now openly question the safety of these sports for their children and look for ways to prevent the injuries they see among the pros. The influence that sports medicine has had in effecting those changes and improving both the performance and the health of the athletes has been remarkable. Through the stories of a dozen athletes whose injuries and recovery advanced the field (including Joan Benoit, Michael Jordan, Brandi Chastain, and Tommy John), Dr. Geier explains how sports medicine makes sports safer for the pros, amateurs, student-athletes, and weekend warriors alike. That’s Gotta Hurt is a fascinating and important book for all athletes, coaches, and sports fans.
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cover of The (Other) American Traditions: Nineteenth-Century Women Writers

The (Other) American Traditions

Nineteenth-Century Women Writers

Warren, Joyce W

Rutgers University Press, 1993

The American literary canon has been the subject of debate and change for at least a decade.  As women writers and writers of color are being rediscovered and acclaimed, the question of whether they are worthy of inclusion remains open.

The (Other) American Traditions
brings together for the first time in one place, essays on individual writers and traditions that begin to ask the harder questions. How do we talk about these writers once we get beyond the historical issues?  How is their work related to their male counterparts? How is it similar: how is it different? Are differences related to gender or race or class? How has the selection of books in the literary canon (Melville, Hawthorne, Emerson, and James) led to a definition of the American tradition that was calculated to exclude women? Do we need a new critical vocabulary to discuss these works? Should we stop talking about a tradition and begin to talk about many traditions? How did black American women writers develop strategies for speaking out when they were doubly in jeopardy of being ignored as blacks and as women? The volume offers irrefutable proof that the writers, the critics who work on their texts, all these questions, and the expansion of the canon matter very much indeed.

Contributors: Nina Baym, Deborah Carlin, Joanne Dobson, Josephine Donovan, Judith Fetterley, Frances Smith Foster, Susan K. Harris, Karla F.C. Holloway, Paul Lauter, Diane Lichtenstein, Carla L. Peterson, Carol J. Singley, Jane Tompkins, Joyce W. Warren and Sandra A. Zagarell.

    

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cover of The 23rd Psalm: A Holocaust Memoir

The 23rd Psalm

A Holocaust Memoir

George Lucius Salton, with Anna Salton Eisen

University of Wisconsin Press, 2004

In September, 1939, George Lucius Salton's boyhood in Tyczyn, Poland, was shattered by escalating violence and terror under German occupation. His father, a lawyer, was forbidden to work, but eleven-year-old George dug potatoes, split wood, and resourcefully helped his family. They suffered hunger and deprivation, a forced march to the Rzeszow ghetto, then eternal separation when fourteen-year-old George and his brother were left behind to labor in work camps while their parents were deported in boxcars to die in Belzec. For the next three years, George slaved and barely survived in ten concentration camps, including Rzeszow, Plaszow, Flossenburg, Colmar, Sachsenhausen, Braunschweig, Ravensbrück, and Wobbelin. Cattle cars filled with skeletal men emptied into a train yard in Colmar, France. George and the other prisoners marched under the whips and fists of SS guards. But here, unlike the taunts and rocks from villagers in Poland and Germany, there was applause. "I could clearly hear the people calling: "Shame! Shame!" . . . Suddenly, I realized that the people of Colmar were applauding us! They were condemning the inhumanity of the Germans!" Of the 500 prisoners of the Nazis who marched through the streets of Colmar in the spring of 1944, just fifty were alive one year later when the U.S. Army 82nd Airborne Division liberated the Wobbelin concentration camp on the afternoon of May 2, 1945. "I felt something stir deep within my soul. It was my true self, the one who had stayed deep within and had not forgotten how to love and how to cry, the one who had chosen life and was still standing when the last roll call ended."
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cover of The ANC and the Liberation Struggle: A Critical Political Biography

The ANC and the Liberation Struggle

A Critical Political Biography

Dale T. McKinley

Pluto Press, 1997

'Written from inside the movement of which it is so critical, McKinley's book is
eloquent testimony of the  continuing vitality of the South African left' Modern African Studies

The African National Congress, the ANC, negotiated a transition of government and power in South Africa in the early 1990s and gained widespread respect and legitimacy when Nelson Mandela was voted in as President in 1994.

In this controversial and radical critique of the ANC and the struggle for liberation in South Africa, Dale T. McKinley challenges conventional public perceptions of the organisation and its celebrated rise to power.  McKinley offers the first detailed analysis of the ANC's leadership, tactics and strategies from the 1920s, through the years of exile, to the 1990s, focusing on its close alliance with the South African Communist Party.  he reveals that the organisation, despite historical claims to the contrary, failed to stay in touch with the south African masses.  The ANC made fundamental compromises to gain political power, and in so doing has ensured that the economic power-base of the ruling elites in South Africa remains essentially unaltered.
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cover of The Accidental Teacher: Life Lessons from My Silent Son

The Accidental Teacher

Life Lessons from My Silent Son

Annie Lubliner Lehmann

University of Michigan Press, 2009

"Jonah Lehmann is an accidental teacher of others, including his family and friends. This personal and touching account of Jonah's life is enlightening, especially to those coming to terms with similar challenges with autism and other cognitive disabilities. It was written with love to support research on autism, and I recommend it to anyone and everyone touched by those of us who are different."
---Patricia E. Kefalas Dudek, Legal Advocate for People with Disabilities

"I have never read a book about a disabled person that caught me from page one. I could not put this one down. Lehmann offers a profound perspective on living with the reality of a severely disabled child. This book will be required reading for students who take my class in Special Education Administration."
---Frances LaPlante-Sosnowsky, Associate Professor of Education at Wayne State University

"A story of the astonishing power of human love and family triumph over hardship. Lehmann's story, engaging and at times both heartbreaking and joyful, offers an intimate view of one mother's journey as she works with professionals and a blur of caregivers to assist the ever-changing needs of her son. I highly recommend it to seasoned professionals in the field of autism and students preparing for careers in special education."
---Janet E. Graetz, Assistant Professor of Human Development and Child Studies at Oakland University

A child teaches without intending to . . .
Having severe autism does not stop Annie Lehmann's son Jonah from teaching her some of life's most valuable lessons. The Accidental Teacher, a heartfelt memoir about self-discovery rather than illness, uses insight and humor to weave a tale rich with kitchen-table wisdom. It explains the realities of life with a largely nonverbal son and explores the frustrations and triumphs of the Lehmann family as Jonah grew into a young adult. This book is a must-read for anyone who has been personally touched by a major life challenge.

Annie Lubliner Lehmann, a freelance writer for more than twenty-five years, has published articles in many newspapers and magazines, including the New York Times and Detroit Free Press. She resides in Michigan with her husband and two of her three children. Her eldest son, who inspired this memoir, is now a young adult with autism who lives in a supervised home.

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cover of The Activist Collector: Lida Clanton Broner’s 1938 Journey from Newark to South Africa

The Activist Collector

Lida Clanton Broner’s 1938 Journey from Newark to South Africa

Christa Clarke

Rutgers University Press, 2023

Published by the Newark Museum. Distributed worldwide by Rutgers University Press.

“After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers.” So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broner’s sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of black South Africans under the segregationist policies of the time. During her travels, this woman of modest means circulated among South Africa’s Black intellectual elite, including many leaders of South Africa’s freedom struggle. Her lectures at Black schools on “race consciousness and race pride” had a decidedly political bent, even as she was presented as an “American beauty specialist.” 

How did Broner—a working class mother—come to be a globally connected activist? What were her experiences as an African American woman in segregated South Africa and how did she further her work after her return? Broner’s remarkable story is the subject of this book, which draws upon a deep visual and documentary record now held in the collection of the Newark Museum of Art. This extraordinary archive includes more than one hundred and fifty objects, ranging from beadwork and pottery to mission school crafts, acquired by Broner in South Africa, along with her diary, correspondence, scrapbooks, and hundreds of photographs with handwritten notations.
 

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cover of The Addison Gayle Jr. Reader

The Addison Gayle Jr. Reader

Edited by Nathaniel Norment Jr.

University of Illinois Press, 2008

This reader collects sixty of the personal essays, critical articles, and other seminal works of Addison Gayle Jr., one of the most influential figures in African American literary criticism and a key pioneer in the Black Arts/Black Aesthetic Movement. The volume contains selective essays that represent the range of Gayle's writing on such subjects as relationships between father and son, cultural nationalism, racism, black aesthetics, black criticism, and black literature. The collection, the first of its kind, includes definitive essays such as "Blueprint for Black Criticism," "The Harlem Renaissance: Toward a Black Aesthetic," and "Cultural Strangulation: Black Literature and the White Aesthetics." A key chapter from Gayle's autobiography is supplemented by his literary criticism, and a general introduction and editor's notes for each section discuss the articles' lasting significance and influence.
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cover of The Adventures of Cancer Bitch

The Adventures of Cancer Bitch

S. L. Wisenberg

University of Iowa Press, 2009

Wisenberg may have lost a breast, but she retained her humor, outrage, and skepticism toward common wisdom and most institutions. While following the prescribed protocols at the place she called Fancy Hospital, Wisenberg is unsparing in her descriptions of the fumblings of new doctors, her own awkward announcement to her students, and the mounds of unrecyclable plastic left at a survivors’ walk. Combining the personal with the political, she shares her research on the money spent on pink ribbons instead of preventing pollution, and the disparity in medical care between the insured and the uninsured. When chemotherapy made her bald, she decorated her head with henna swirls in front and an antiwar protest in back. During treatment, she also recorded the dailiness of life in Chicago as she rode the L, taught while one-breasted, and attended High Holiday services and a Passover seder.

Wisenberg’s writing has been compared to a mix of Leon Wieseltier and Fran Lebowitz, and in this book, she has Wieseltier’s erudition and Lebowitz’s self-deprecating cleverness: “If anybody ever offers you the choice between suffering and depression, take the suffering. And I don't mean physical suffering. I mean emotional suffering. I am hereby endorsing psychic suffering over depression.”

From The Adventures of Cancer Bitch:

I found that when you invite people to a pre-mastectomy party, they show up. Even those with small children. The kids were so young that they didn't notice that most of the food had nipples. . . . I talked to everyone—about what I'm not sure. Probably about my surgery. Everyone told me how well I looked. I felt giddy. I was going to go under, but not yet; I was going to be cut, but not yet; I was going to be bald, but not yet. As my friend who had bladder cancer says: The thing about cancer is you feel great until they start treating you for it.
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cover of The Age and Stage of George L. Fox, 1825-1877: 1825-1877

The Age and Stage of George L. Fox, 1825-1877

1825-1877

Laurence Senelick

University of Iowa Press, 1999

Senelick's biography of the panto clown Laff Fox, renowned in his time as America's funniest performer, brings this most popular and most tragic legend to life. In his new essay to this expanded edition, Senelick draws upon recent discoveries and insights to further animate Fox's remarkable career. 
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cover of The Akhmatova Journals: Volume 1: 1938-1941

The Akhmatova Journals

Volume 1: 1938-1941

Lydia Chukovskaya

Northwestern University Press, 2002

Anna Akhmatova (1889–1966) was one of the greatest Russian poets of this century. But during her life she was subjected to scathing critical attacks, denounced as "half-nun, half-whore," and then expelled from the Writers' Union. She also endured severe personal losses. Akhmatova's friend Lydia Chukovskaya (1907–96) kept intimate diaries of her conversations with the great poet. First published in the U.S.S.R. in 1987, The Akhmatova Journals offers a rare look into the day-to-day life of Akhmatova.
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cover of The Almanac of American Politics 2014

The Almanac of American Politics 2014

Michael Barone, Chuck McCutcheon, Sean Trende, and Josh Kraushaar

University of Chicago Press, 2013

The Almanac of American Politics is the gold standard—the book that everyone involved, invested, or interested in American politics must have on their reference shelf. Continuing the tradition of accurate and up-to-date information, the 2014 almanac includes new and updated profiles of every member of Congress and every state governor. These profiles cover everything from expenditures to voting records, interest-group ratings, and, of course, politics. In-depth overviews of each state and house district are included as well, along with demographic data, analysis of voting trends, and political histories. The new edition contains Michael Barone’s sharp-eyed analysis of the 2012 election, both congressional and presidential, exploring how the votes fell and what they mean for future legislation. The almanac also provides comprehensive coverage of the changes brought about by the 2010 census and has been reorganized to align with the resulting new districts.

Like every edition since the almanac first appeared in 1972, the 2014 edition is helmed by veteran political analyst Michael Barone. Together with Chuck McCutcheon, collaborator since 2012, and two new editors, Sean Trende, senior elections analyst for RealClearPolitics, and Josh Kraushaar, managing editor at National Journal, Barone offers an unparalleled perspective on contemporary politics.

Full of maps, census data, and detailed information about the American political landscape, the 2014 Almanac of American Politics remains the most comprehensive resource for journalists, politicos, business people, and academics.
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cover of The Alphabet in My Hands: A Writing Life

The Alphabet in My Hands

A Writing Life

Agosín, Marjorie

Rutgers University Press, 1999

Marjorie Agosín writes of a beloved childhood nanny: "Since I was Jewish she baptized me with holy water brought forth from the fonts of nearby churches. She told me to stay very still so I wouldn't sprout horns. . . . I was somewhere between taciturn and happy gazing into the mirror as if approaching the edge of a cliff . . . and I watched myself in the deep, transparent veil of this night of all nights." Many of the themes expressed in this vignette—cultural dissonance, family, and community—are poetically intertwined throughout The Alphabet in My Hands. Agosín takes us on a personal journey of discovery that is as much internal reflection as it is an exodus across continents and decades.

Agosín's childhood and early adolescence were spent with her Jewish family in Chile. While her family raised her to regard her Jewish heritage with loving awareness, they also participated in the dominant Catholic culture—an aunt organized Easter egg hunts and her mother admired the beauty of Chile's Catholic churches. The young Agosín became keenly aware of her dual identity in her country, both as a participant and an outsider.

The second half of The Alphabet in My Hands recounts the events that forced her family to emigrate to America: the overthrow of Salvador Allende by General Augusto Pinochet. Agosín writes of her new life in Athens, Georgia, of the sudden loss of all that was familiar. Ostracized as an emigrant—a "non-white" with a strange foreign accent—her high school years were made even more painful by the news from Chile: prisoners taken and classmates disappearing or shot.

Years later, Agosín goes back to Chile and she travels there with her own children. As she stares down at her old homeland from the plane, she writes: "Why do I love this place that forced us into exile, that punished my father for being a Jew?" And in the final chapter of The Alphabet in My Hands, this award-winning poet addresses two important topics: her current residence in New England and the central role of writing and literature in her life.

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cover of The Alpine Enlightenment: Horace-Bénédict de Saussure and Nature’s Sensorium

The Alpine Enlightenment

Horace-Bénédict de Saussure and Nature’s Sensorium

Kathleen Kete

University of Chicago Press, 2024

A study of the experience of nature in the eighteenth century based on the life of Horace-Bénédict de Saussure (1740–99).
 
In The Alpine Enlightenment, historian Kathleen Kete takes us into the world of the Genevan geologist, physicist, inventor, and mountaineer Horace-Bénédict de Saussure. During his prodigious climbs into the upper ranges of the Alps, Saussure focused intensely on the natural phenomena he encountered—glaciers, crevasses, changes in the weather, and shifts in the color of the sky—and he described with great precision what he saw, heard, and touched. Kete uses Saussure’s evocative writings, which emphasized above all physical engagement with the earth, to uncover not just how people during the Enlightenment thought about nature, but how they experienced it. As Kete shows, Saussure thought with and through his body: he harnessed his senses to understand the forces that shaped the world around him. In so doing, he offered a vision of nature as worthy of respect independent of human needs, anticipating present-day concerns about the environment and our shared place within it.
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cover of The Amazing Life of Jeffrey Deroine: Enslaved Trader, Prairie Diplomat, and Missouri Settler

The Amazing Life of Jeffrey Deroine

Enslaved Trader, Prairie Diplomat, and Missouri Settler

Greg Olson

University of Missouri Press, 2026

Born into slavery in St. Louis in 1806, Jeffrey Deroine (de-rō-NAY) worked and lived in the heart of a rapidly changing nation. Forced to work in the fur trade on the Missouri River, he experienced Missouri’s rapid transformation from territory to statehood. As a trader, he helped his hometown grow from a small trading center into a large river town. Later, he participated in the founding of the frontier city of St. Joseph, Missouri. 

Though scraps of his life are still present in the historical record, specifics have proven elusive. Still, it is important to tell Deroine’s life story, as it gives us a look both into the life of an enslaved man and the struggles of a free person of color in pre-Civil War Missouri. His life spanned a critical point in the history of the state, and he seems to have spent most of it at the very heart of the action. 

Though not well known, the story of Jeffrey Deroine is significant because it illustrates the nuanced intersectionality of lives on the American frontier. Deroine was a man of both French and African descent who lived much of his life among Indigenous people. Born into slavery, he became a free person of color who was a businessman, owned property, and enslaved others. His life defied expectations and stereotypes, and a consideration of it allows us to better understand the history of Missouri and the West.
 
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cover of The Amazing Tale of Mr. Herbert and His Fabulous Alpine Cowboys Baseball Club: An Illustrated History of the Best Little Semipro Baseball Team in Texas

The Amazing Tale of Mr. Herbert and His Fabulous Alpine Cowboys Baseball Club

An Illustrated History of the Best Little Semipro Baseball Team in Texas

By DJ Stout

University of Texas Press, 2010

Back in the 1940s and 1950s, almost every small town in America had a baseball team. Most players were simply local heroes with a local following, but a few teams achieved fame far beyond their region. The Alpine Cowboys—despite being based in Texas's remote, sparsely populated Big Bend country—became a star in the firmament of semi-pro baseball. Lavishly underwritten by a wealthy rancher with a passion not only for baseball but even more for helping young men get a good start in life, the Cowboys played on a "field of dreams" whose facilities rivaled those of professional ballparks. Many Cowboys went on to play in the big leagues, and several pro teams, including the Pittsburgh Pirates, Chicago White Sox, and St. Louis Browns, came to play exhibition games at Kokernot Field.

The story of Herbert Kokernot Jr. and his Alpine Cowboys is a legend among baseball aficionados, but until now it has never been the subject of a book. DJ Stout, son of former Cowboys player Doyle Stout, presents a hall-of-fame-worthy collection of photographs, memorabilia, and reminiscences from Alpine Cowboys players, family members, and fans to capture fifteen years (1946–1961) of baseball at its finest. Nicholas Dawidoff's introduction, originally published in Sports Illustrated, tells the fascinating tale of "Mr. Herbert" and his determination to build a baseball team and ballpark that deserved to carry his ranch's 06 brand.

One of the most heartwarming episodes in the annals of the game, The Amazing Tale of Mr. Herbert and His Fabulous Alpine Cowboys is a fitting tribute to a man, a team, and a ballpark.

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cover of The Americanist

The Americanist

Daniel Aaron

University of Michigan Press, 2009

“I have read all of Daniel Aaron’s books, and admired them, but in The Americanist I believe he has composed an intellectual and social memoir for which he will be remembered. His self-portrait is marked by personal tact and admirable restraint: he is and is not its subject. The Americanist is a vision of otherness: literary and academic friends and acquaintances, here and abroad. Eloquently phrased and free of nostalgia, it catches a lost world that yet engendered much of our own.”

—Harold Bloom

“The Americanist is the absorbing intellectual autobiography of Daniel Aaron, who is the leading proponent and practitioner of American Studies. Written with grace and wit, it skillfully blends Daniel Aaron’s personal story with the history of the field he has done so much to create. This is a first-rate book by a first-rate scholar.”

—David Herbert Donald, Professor Emeritus, Harvard University

The Americanist is author and critic Daniel Aaron’s anthem to nearly a century of public and private life in America and abroad. Aaron, who is widely regarded as one of the founders of American Studies, graduated from the University of Michigan, received his Ph.D. from Harvard, and taught for over three decades each at Smith College and Harvard.

Aaron writes with unsentimental nostalgia about his childhood in Los Angeles and Chicago and his later academic career, which took him around the globe, often in the role of America’s accidental yet impartial critic. When Walt Whitman, whom Aaron frequently cites as a touchstone, wrote, “I am large, I contain multitudes,” he could have been describing Daniel Aaron—the consummate erudite and Renaissance individual whose allegiance to the truth always outweighs mere partisan loyalty.

Not only should Aaron’s book stand as a resplendent and summative work from one of the finest thinkers of the last hundred years, it also succeeds on its own as a first-rate piece of literature, on a par with the writings of any of its subjects. The Americanist is a veritable Who’s Who of twentieth-century writers Aaron interviewed, interacted with, or otherwise encountered throughout his life: Ralph Ellison, Robert Frost, Lillian Hellman, Richard Hofstadter, Alfred Kazin, Sinclair Lewis, Malcolm Muggeridge, John Crowe Ransom, Upton Sinclair, Edmund Wilson, Leonard Woolf, and W. B. Yeats, to name only a few.

Aaron’s frank and personal observations of these literary lights make for lively reading. As well, scattered throughout The Americanist are illuminating portraits of American presidents living and passed—miniature masterworks of astute political observation that offer dazzlingly fresh approaches to well-trod subjects.

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cover of The Angel in the Marketplace: Adwoman Jean Wade Rindlaub and the Selling of America

The Angel in the Marketplace

Adwoman Jean Wade Rindlaub and the Selling of America

Ellen Wayland-Smith

University of Chicago Press, 2020

The popular image of a midcentury adwoman is of a feisty girl beating men at their own game, a female Horatio Alger protagonist battling her way through the sexist workplace. But before the fictional rise of Peggy Olson or the real-life stories of Patricia Tierney and Jane Maas came Jean Wade Rindlaub: a female power broker who used her considerable success in the workplace to encourage other women—to stick to their kitchens.

The Angel in the Marketplace is the story of one of America’s most accomplished advertising executives. It is also the story of how advertisers like Rindlaub sold a postwar American dream of capitalism and a Christian corporate order. Rindlaub was responsible for award-winning, mega sales-generating advertisements for all things domestic, including Oneida silverware, Betty Crocker cake mix, Campbell’s soup, and Chiquita bananas. Her success largely came from embracing, rather than subverting, the cultural expectations of women. She believed her responsibility as an advertiser was not to spring women from their trap, but to make that trap more comfortable.

Rindlaub wasn’t just selling silverware and cakes; she was selling the virtues of free enterprise. By following the arc of Rindlaub’s career from the 1920s through the 1960s, we witness how a range of cultural narratives—advertising chief among them—worked powerfully to shape women’s emotional and economic behavior in support of the free market system. Alongside Rindlaub’s story, Ellen Wayland-Smith provides a riveting history of how women were repeatedly sold the idea that their role as housewives was more powerful, and more patriotic, than any outside the home. And by buying into the image of morality through an unregulated market, many of these women helped fuel backlash against economic regulation and socialization efforts throughout the twentieth century.

The Angel in the Marketplace is a nuanced portrayal of a complex woman, one who both shaped and reflected the complicated cultural, political, and religious forces defining femininity in America at mid-century. This compelling account of one of advertising’s most fervent believers is a tale of a Mad Woman we haven’t been told.
 
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cover of The Answers Are Inside the Mountains: Meditations on the Writing Life

The Answers Are Inside the Mountains

Meditations on the Writing Life

William Stafford, Edited by Paul Merchant & Vincent Wixon

University of Michigan Press, 2003

A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
In this fourth collection of reflections on writing and the writing life, the late William Stafford's lifelong refusal to separate his work from the task of living responsibly -- "What a person is shows up in what a person does" -- rings clear.
The Answers Are Inside the Mountains collects unpublished interviews, poems, articles, aphorisms, and writing exercises from this great American man of letters and hugely prolific author, who kept a journal for nearly half a century and produced over 20,000 poems -- a staggering output by any standard.
The book begins with the words "To overwhelm by rightness," a phrase evoking the two demands Stafford made on himself: to write daily, and to live uprightly. The Answers Are Inside the Mountains lives up to those deceptively simple ethics, and confirms William Stafford's enduringly important voice for our uncertain age.
William Stafford (1914-93) authored more than thirty-five books of poetry and prose, including the highly acclaimed Writing the Australian Crawl, You Must Revise Your Life, Crossing Unmarked Snow: Further Views on the Writer's Vocation, and Traveling Through the Dark, winner of the National Book Award for Poetry.
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cover of The Anti-Warrior: A Memoir

The Anti-Warrior

A Memoir

Milt Felsen

University of Iowa Press, 1989

In 1937 thirty-six nervous young men dressed in ill-fitting blue suits, wearing berets, and carrying identical black valises, were given tickets for an American Export Lines ship. They were told to conduct themselves as ordinary tourists, to be "inconspicuous." They were volunteers for the Abraham Lincoln Brigade, traveling the French underground to join in the fight against Franco. Among them was Milt Felsen, a young New Yorker and radical antiwar activist on the University of Iowa campus who had decided that fascism had to be opposed. Some of these young men never made it to their destination. But Milt Felsen did, beginning a march across the Pyrenees which was only the first of his many battles and adventures.

Told with uncommon wit and verve, this memoir of war and resistance is a stirring account of Felsen's involvement in two decades of battle. Surprisingly, this is a spirited and even funny book, infused with Felsen's unbeatable personality. After the Spanish Civil War, Felsen helped form the O.S.S. in World War II. Taken prisoner of war, he escaped in his inimitable style during a 1,200-mile prisoner-of-war march and drove out of Nazi Germany in a Mercedes-Benz. He returned to the United States more convinced than ever of war's insanity and its extreme human cost.

Most of us are only spectators of the world's larger events. Milt Felsen knew the excitement and despair of being a participant. While most war books abound in details of what happened, this one also delves into why. Felsen's straightforward account is refreshingly frank and doesn't pretend to be more than it is—his own lived version of war and common truths.

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cover of The Appalachians: America's First and Last Frontier

The Appalachians

America's First and Last Frontier

Mari-Lynn Evans

West Virginia University Press, 2013

A beautifully produced companion volume to the public television documentary The Appalachians fills the void in information about the region, offering a rich portrait of its history and its legacy in music, literature, and film. The text includes essays by some of Appalachia’s most respected scholars and journalists; excerpts from never-before-published diaries and journals; firsthand recollections from native Appalachians including Loretta Lynn, Ricky Skaggs, and Ralph Stanley; indigenous song lyrics and poetry; and oral histories from common folk whose roots run strong and deep. The book also includes more than one hundred illustrations, both archival and newly created. Here is a wondrous book celebrating a unique and valuable heritage.

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cover of The Architectural Legacy of Wallace A. Rayfield: Pioneer Black Architect of Birmingham, Alabama

The Architectural Legacy of Wallace A. Rayfield

Pioneer Black Architect of Birmingham, Alabama

Allen R. Durough

University of Alabama Press, 2010

A priceless material legacy documenting Wallace Rayfield’s life and work on two continents.

In the early 1990s, while cleaning out the barn on his property in Bessemer, Alabama, Allen Durough discovered the remnants of the lifework of African American architect Wallace A. Rayfield, including several hundred of Rayfield’s drawings, floor plans, business advertisements, family portraits, and graphic art pieces. This book gathers that priceless material legacy into a cohesive whole, reproducing 159 illustrations that document Rayfield’s life and work on two continents.

Born in Macon, Georgia, in 1873, Rayfield apprenticed as a young man with the noted architectural firm A. B. Mullet and Company in Washington, DC, before attending Howard University, Pratt Polytechnic Institute, and ultimately graduating with a bachelor of architecture degree from Columbia University. He returned south to teach at the Tuskegee Institute and then to establish W. A. Rayfield & Co., Architects, in Birmingham, Alabama. From there he designed buildings for construction across the south (many by mail order) and even in Africa. Rayfield specialized in church architecture, and many of his designs were for black congregations within the state, most notably the Sixteenth Street Baptist Church in Birmingham. But he also designed schools, office buildings, and private homes. After falling into bankruptcy during the Great Depression, he died in obscurity.

Durough includes catalog-style descriptive entries and illustrations of Rayfield’s designs for six types of structures: residences, churches, schools, commercial buildings, fraternal buildings, and barns. These entries contain location, commissioning data, and brief structural notes, providing a useful resource for architectural historians and preservationists. A listing of the 359 known Rayfield structures detail their locations in 19 states, plan date, building type, and name. Also included is a biographical sketch of Rayfield, an overview of his publications, and a survey of his professional artwork and advertisements.

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cover of The Arkansas Post of Louisiana

The Arkansas Post of Louisiana

Morris S. Arnold

University of Arkansas Press, 2017

Arkansas Post, the first European settlement in what would become Jefferson’s Louisiana, had an important mission as the only settlement between Natchez and the Illinois Country, a stretch of more than eight hundred miles along the Mississippi River. The Post was a stopping point for shelter and supplies for those travelling by boat or land, and it was of strategic importance as well, as it nurtured and sustained a crucial alliance with the Quapaw Indians, the only tribe that occupied the region.

The Arkansas Post of Louisiana covers the most essential aspects of the Post’s history, including the nature of the European population, their social life, the economy, the architecture, and the political and military events that reflected and shaped the Post’s mission.

Beautifully illustrated with maps, portraits, lithographs, photographs, documents, and superb examples of Quapaw hide paintings, The Arkansas Post of Louisiana is a perfect introduction to this fascinating place at the confluence of the Arkansas and Mississippi Rivers, a place that served as a multicultural gathering spot, and became a seminal part of the history of Arkansas and the nation.

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cover of The Art of Being Deaf: A Memoir

The Art of Being Deaf

A Memoir

Donna McDonald

Gallaudet University Press, 2014

Concerned about aspects of her romantic relationships, Donna McDonald consulted with a psychologist who asked, “Your hearing loss must have had a big impact on you?” At age 45, with a successful career in social work policy, McDonald took umbrage at the question. Then, she realized that she never had addressed the personal barrier she had constructed between her deaf-self and her hearing persona. In The Art of Being Deaf, she describes her long, arduous pursuit of finding out exactly who she was.
 
       Born in 1950s Australia, McDonald was placed in an oral deaf school when she was five. There, she was trained to communicate only in spoken English. Afterwards, she attended mainstream schools where she excelled with speechreading and hard work. Her determination led to achievements that proved her to be “the deaf girl that had made good.” Yet, despite her constant focus on fitting in the hearing world, McDonald soon realized that she missed her deaf schoolmates and desired to explore her closed-off feelings about being deaf.
 
       When she reconnected with her friends, one urged her to write about her experiences to tell all about “the Forgotten Generation, the orally-raised deaf kids that no one wants to talk about.” In writing her memoir, McDonald did learn to reconcile her deaf-self with her “hearing-deaf” persona, and she realized that the art of being deaf is the art of life, the art of love.
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cover of The Art of Childbirth: A Seventeenth-Century Midwife’s Epistolary Treatise to Doctor Vallant: A Bilingual Edition

The Art of Childbirth

A Seventeenth-Century Midwife’s Epistolary Treatise to Doctor Vallant: A Bilingual Edition

Marie Baudoin

Iter Press, 2022

The extraordinary story of a seventeenth-century French midwife and her treatise on childbirth.
 
In 1671, Marie Baudoin (1625–1700), head midwife and governor of the Hôtel-Dieu of Clermont-Ferrand, sent a treatise on the art of childbirth to her powerful Parisian patron, Dr. Vallant. The story of how Baudoin’s knowledge and expertise as a midwife came to be expressed, recorded, and archived raises the question: Was Baudoin exceptional because she was herself extraordinary, or because her voice has reached us through Vallant’s careful archival practices? Either way, Baudoin’s treatise invites us to reconsider the limits of what we thought we knew midwives “could be and do” in seventeenth-century France. Grounding Marie Baudoin’s text in a microanalysis of her life, work, and the Jansenist network between Paris and Clermont-Ferrand, this book connects historiographies of midwifery, Jansenism, hospital administration, public health, knowledge and record-keeping, and women’s work, underscoring both Baudoin’s capabilities and the archival accidents and intentions behind the preservation of her treatise in a letter.
 
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cover of The Art of Moral Protest: Culture, Biography, and Creativity in Social Movements

The Art of Moral Protest

Culture, Biography, and Creativity in Social Movements

James M. Jasper

University of Chicago Press, 1997

In The Art of Moral Protest, James Jasper integrates diverse examples of protest—from nineteenth-century boycotts to recent movements—into a distinctive new understanding of how social movements work. Jasper highlights their creativity, not only in forging new morals but in adopting courses of action and inventing organizational forms.

"A provocative perspective on the cultural implications of political and social protest."—Library Journal
[more]
cover of The Art of Trumpet Teaching: The Legacy of Keith Johnson

The Art of Trumpet Teaching

The Legacy of Keith Johnson

Leigh Anne Hunsaker

University of North Texas Press, 2022

[more]
cover of The Astonishment Tapes: Talks on Poetry and Autobiography with Robin Blaser and Friends

The Astonishment Tapes

Talks on Poetry and Autobiography with Robin Blaser and Friends

Robin Blaser

University of Alabama Press, 2015

The edited transcript of revealing autobiographical audiotapes recorded by the groundbreaking poet Robin Blaser
 
Robin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.

In the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.

In The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.

Sometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.
 
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cover of The Attic: A Memoir

The Attic

A Memoir

Harnack, Curtis

University of Iowa Press, 2011

In The Attic, his sequel to the classic We Have All Gone Away, Curtis Harnack returns to his rural Iowa homeplace to sift through an attic full of the trash and treasures left behind by the thirteen children in two generations who grew up in the big farmhouse.

      The adult Harnack had been making pilgrimages to his past from various parts of the country for thirty-plus years; now the death of an uncle and the disposal of an estate bring him home once more. The resonant diaries, church bulletins, photos, newspaper clippings, and other memorabilia in the attic allow him to rediscover both personal and universal truths as he explores the enduring legacies of home, family, and community.
      Finally, discovering a cache of letters written home while he was in the Navy in the mid 1940s, he confronts a stranger—his younger self. Harnack’s “dream-pod journey . . . from who I am now to how it once was for me” tells the life story of a close-knit family and extends this story to our own journeys through our own memory-filled attics.
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cover of The Audacity of a Kiss: Love, Art, and Liberation

The Audacity of a Kiss

Love, Art, and Liberation

Leslie Cohen

Rutgers University Press, 2021

Shortlisted for Lesbian Memoir/Biography Lammy Award

Rendered in bronze, covered in white lacquer, two women sit together on a park bench in Greenwich Village. One of the women touches the thigh of her partner as they gaze into each other’s eyes. The two women are part of George Segal’s iconic sculpture “Gay Liberation,” but these powerful symbols were modeled on real people: Leslie Cohen and her partner (now wife) Beth Suskin. 
 
In this evocative memoir, Cohen tells the story of a love that has lasted for over fifty years. Transporting the reader to the pivotal time when brave gay women and men carved out spaces where they could live and love freely, she recounts both her personal struggles and the accomplishments she achieved as part of New York’s gay and feminist communities. Foremost among these was her 1976 cofounding of the groundbreaking women’s nightclub Sahara, which played host to such luminaries as Betty Friedan, Gloria Steinem, Pat Benatar, Ntozake Shange, Rita Mae Brown, Adrienne Rich, Patti Smith, Bella Abzug, and Jane Fonda. The Audacity of a Kiss is a moving and inspiring tale of how love, art, and solidarity can overcome oppression.
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cover of The Autobiography of B. H. Roberts

The Autobiography of B. H. Roberts

Gary J. Bergera

Signature Books, 1990

 In this exciting and readable autobiography, one of the most colorful figures of the American frontier recounts his poverty-stricken childhood, his rowdy adolescence in Rocky Mountain mining camps, his unsuccessful bid for the U.S. Congress, and his stormy career in one of the leading councils of the Mormon church. Polygamy, women’s suffrage, prohibition, and separation of church and state occupy center stage in the unfolding drama of Brigham Henry Roberts’s controversial life.

The story-book adventures of Roberts’s life made him a household name during his lifetime. His impassioned speeches incited riots, his reasoned writings defined and codified religious beliefs, and his candid disclosures of Utah history brought him both respect and censure. He is best remembered today as a largely self-educated intellectual. Several of his landmark published works are still in print more than fifty years after his death. His life story, told here in his own words and published for the first time, may well stand as his greatest, most enduring achievement.

For many today, B. H. Roberts is the quintessential Mormon intellectual of the twentieth century. But his theological writings came late in life and his historical views were more subjective than definitive. His autobiography, on the other hand, is a forthright account of the events and acquaintances that contributed to his unique faith and intellectual independence. Troubled by the memory of being abandoned as a child, and of the abusive care of quarrelling and intemperate foster-parents, he survived a stormy youth of poverty and neglect. He describes his nearly ten years as a missionary to the southern United States, his subsequent tenure as an outspoken member of the First Quorum of Seventy, his public opposition to women’s suffrage, and his controversial bid for the U.S. House of Representatives as a Mormon polygamist.

[more]
cover of The Autobiography of Daniel Parker, Frontier Universalist

The Autobiography of Daniel Parker, Frontier Universalist

Daniel Parker

Ohio University Press, 2021

A vastly informative and rare early-American pioneer autobiography rescued from obscurity.

In this remarkable memoir, Daniel Parker (1781–1861) recorded both the details of everyday life and the extraordinary historical events he witnessed west of the Appalachian Mountains between 1790 and 1840. Once a humble traveling salesman for a line of newly invented clothes washing machines, he became an outspoken advocate for abolition and education. With his wife and son, he founded Clermont Academy, a racially integrated, coeducational secondary school—the first of its kind in Ohio.

However, Parker’s real vocation was as a self-ordained, itinerant preacher of his own brand of universal salvation. Raised by Presbyterian parents, he experienced a dramatic conversion to the Halcyon Church, an alternative, millenarian religious movement led by the enigmatic prophet Abel Sarjent, in 1803. After parting ways with the Halcyonists, he continued his own biblical and theological studies, arriving at the universalist conclusions that he would eventually preach throughout the Ohio River Valley.

David Torbett has transcribed Parker’s manuscript and publishes it here for the first time, together with an introduction, epilogue, bibliography, and extensive notes that enrich and contextualize this rare pioneer autobiography.

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cover of The Autobiography of Harry S. Truman

The Autobiography of Harry S. Truman

Edited with a New Introduction by Robert H. Ferrell

University of Missouri Press, 2002

The Autobiography of Harry S. Truman is a compilation of autobiographical writings composed by Truman between 1934 and 1972. Taken directly from his own manuscript material, the volume presents the thoughts and feelings of the man himself. The book touches on details in Truman’s life from his days as a boy until graduation from Independence High School in 1901 to the vice presidency of the United States and beyond. There is also a memorandum written by Truman about the Pendergast machine in Kansas City telling how it was possible to work with the machine and not be soiled by it. The Autobiography concludes with some of the retired president’s thoughts about politics and the purposes of public life.
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cover of The Autobiography of Maud Gonne: A Servant of the Queen

The Autobiography of Maud Gonne

A Servant of the Queen

Maud Gonne

University of Chicago Press, 1995

Maud Gonne is part of Irish history: her founding of the Daughters of Ireland, in 1900, was the key that effectively opened the door of twentieth-century politics to Irish women. Still remembered in Ireland for the inspiring public speeches she made on behalf of the suffering—those evicted from their homes in western Ireland, the Treason-Felony prisoners on the Isle of Wright, indeed all those whom she saw as victims of imperialism—she is known, too, within and outside Ireland as the woman W. B. Yeats loved and celebrated in his poems.
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cover of The Autobiography of the Rev. William Stevenson

The Autobiography of the Rev. William Stevenson

Ted A. Campbell

Bridwell Press, 2024

William Stevenson (1768-1857) was a pioneer itinerant Methodist preacher in the southwestern United States, who became the first Protestant of any denomination to preach within the bounds of what is now Texas. His Autobiography, a classic account of frontier and folk Methodism, was first published in serial form in the New Orleans Christian Advocate between March 13 and April 24, 1858. A typescript copy was sent to Bridwell Library in 1936, at the request of SMU President C. C. Selecman. Bridwell Library published the complete Autobiography in 2015, and Bridwell Press is pleased to bring this work to a new audience in 2024.
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cover of The Backwards Hand: A Memoir

The Backwards Hand

A Memoir

Matt Lee

Northwestern University Press, 2024

Fear. Disgust. Pity. The cripple evokes our basest human emotions—as does the monster.

Told in lyric fragments, The Backwards Hand traces Matt Lee’s experience living in the United States for more than thirty years with a rare congenital defect. Weaving in historical research and pop culture references, Lee dissects how the disabled body has been conflated with impurity, worthlessness, and evil. His voice swirls amid those of artists, criminals, activists, and philosophers. With a particular focus on horror films, Lee juxtaposes portrayals of fictitious monsters with the real-life atrocities of the Nazi regime and the American eugenics movement. Through examining his struggles with physical and mental health, Lee confronts his own beliefs about monstrosity and searches for atonement as he awaits the birth of his son.

The Backwards Hand interrogates what it means to be a cripple in a predominantly ableist society, deconstructing how perceptions of disability are—and are not—reflected in art and media.
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cover of The Baker Who Pretended to Be King of Portugal

The Baker Who Pretended to Be King of Portugal

Ruth MacKay

University of Chicago Press, 2012

On August 4, 1578, in an ill-conceived attempt to wrest Morocco back from the hands of the infidel Moors, King Sebastian of Portugal led his troops to slaughter and was himself slain. Sixteen years later, King Sebastian rose again. In one of the most famous of European impostures, Gabriel de Espinosa, an ex-soldier and baker by trade—and most likely under the guidance of a distinguished Portuguese friar—appeared in a Spanish convent town passing himself off as the lost monarch. The principals, along with a large cast of nuns, monks, and servants, were confined and questioned for nearly a year as a crew of judges tried to unravel the story, but the culprits went to their deaths with many questions left unanswered.

 
Ruth MacKay recalls this conspiracy, marked both by scheming and absurdity, and the legal inquest that followed, to show how stories of this kind are conceived, told, circulated, and believed. She reveals how the story of Sebastian, supposedly in hiding and planning to return to claim his crown, was lodged among other familiar stories: prophecies of returned leaders, nuns kept against their will, kidnappings by Moors, miraculous escapes, and monarchs who die for their country. As MacKay demonstrates, the conspiracy could not have succeeded without the circulation of news, the retellings of the fatal battle in well-read chronicles, and the networks of rumors and correspondents, all sharing the hope or belief that Sebastian had survived and would one day return.
 
With its royal intrigues, ambitious artisans, dissatisfied religious women, and corrupt clergy, The Baker Who Pretended to Be King of Portugal will undoubtedly captivate readers as it sheds new light on the intricate political and cultural relations between Spain and Portugal in the early modern period and the often elusive nature of historical truth.
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cover of The Baron in the Grand Canyon: Friedrich Wilhelm von Egloffstein in the West

The Baron in the Grand Canyon

Friedrich Wilhelm von Egloffstein in the West

Steven Rowan

University of Missouri Press, 2012

In The Baron in the Grand Canyon, Steven Rowan presents the first comprehensive look at the life of Baron Friedrich Wilhelm von Egloffstein, mapmaker, artist, explorer, and inventor. Utilizing new German and American sources, Rowan clarifies many mysteries about the life of this major artist and cartographer of the American West.

This revealing account concentrates on Egloffstein’s activity in the American mountain West from 1853 to 1858. The early chapters cover his roots as a member of an imperial baronial family in Franconia, his service in the Prussian army, his arrival in the United States in 1846, and his links to his scandalous gothic-novelist cousin, Baron Ludwig von Reizenstein.

Egloffstein’s work as a cartographer in St. Louis in the 1840s led to his participation in John C. Frémont’s final expedition to the West in 1853 and 1854. He left Frémont for Salt Lake City where he joined the Gunnison Expedition under the leadership of Edward Beckwith. During this time, Egloffstein produced his most outstanding panoramas and views of the expedition, which were published in Pacific Railroad Reports.

Egloffstein also served along with Heinrich Balduin Möllhusen as one of the artists and as the chief cartographer of Joseph Christmas Ives’s expedition up the Colorado River. The two large maps produced by Egloffstein for the expedition report are regarded as classics of American art and cartography in the nineteenth century.

While with the Ives expedition, Egloffstein performed his revolutionary experiments in printing photographic images. He developed a procedure for working from photographs of plaster models of terrain, and that led him to invent “heliography,” a method of creating printing plates directly from photographs. He later went on to launch a company to exploit his photographic printing process, which closed after only a few years of operation.

Among the many images in this engaging narrative are photographs of the Egloffstein castle and of Egloffstein in 1865 and in his later years. Also include are illustrations that were published in the PRR, such as “View Showing the Formation of the Cañon of Grand River [today called the Gunnison River] / near the Mouth of Lake Fork with Indications of the Formidable Side Cañons” and Beckwith Map 1: “From the Valley of Green River to the Great Salt Lake.”
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cover of The Barthes Fantastic: Literature, Criticism, and the Practice of Language

The Barthes Fantastic

Literature, Criticism, and the Practice of Language

John Lurz

University of Chicago Press, 2025

This study of the writing of Roland Barthes breaks down the divide between lived experience and the language of a literary work.

In The Barthes Fantastic, John Lurz explores the intersection of literature and everyday life—and confronts some habits of literary study—through a reading of the work of Roland Barthes. An influential French theorist, Barthes wrote prolifically on the place of language and the play of signs in the ways we produce cultural and aesthetic meaning. Ranging across the entire sweep of Barthes’s varied career, Lurz shows how Barthes’s insights into signification and literature involve particular intellectual activities that impart significance to the world. Doing so allows him to develop an expanded understanding of the fantastic as a conceptual category—a way of thinking—in which the texts we read come to inform the texture of our real lives. Ultimately, The Barthes Fantastic enlarges our sense of what we learn as students of literature and gives us a new picture of a writer we thought we knew.
[more]
cover of The Bassett Women

The Bassett Women

Grace McClure

Ohio University Press, 1985

In the late nineteenth century, Brown’s Park, a secluded valley astride the Utah-Colorado border, was a troubled land of deadly conflict among cattle barons, outlaws, rustlers, and small ranchers. Homesteader Elizabeth Bassett gained a tough reputation of her own, and her daughters followed suit, going on to become members of Butch Cassidy and the Wild Bunch’s inner circle. Ann—who counted Cassidy among her lovers—became known as “queen of the cattle rustlers.” Both sisters proved themselves shrewd businesswomen as they fended off hostile takeovers of the family ranch. Through the following decades, the sisters became the stuff of legend, women who embodied the West’s fearsome reputation, yet whose lived experiences were far more nuanced. Ann became a writer. Josie, whose cabin still stands at present-day Dinosaur National Monument, applied her pioneer ethics to a mechanized world and became renowned for her resourcefulness, steadfastness, and audacity.

For The Bassett Women, Grace McClure tracked down and untangled the legends of Brown’s Park, one of the way stations of the fabled “Outlaw Trail,” while creating an evenhanded and indelible portrait of the Bassetts. Based on interviews, written records, newspapers, and archives, The Bassett Women is one of the few credible accounts of early settlers on Colorado’s western slope, one of the last strongholds of the Old West.

[more]