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A path-breaking investigation of changing patterns of inequality and contestation in America’s metropolises.

Since 1990, a new political geography of winners and losers has emerged in metros across America. This new metropolis looks nothing like the old. In many exurbs, suburban mansions abut declining towns and distressed communities. In historic central cities, African American communities reel from institutional stripping, even as gentrification and immigration revitalize once forgotten neighborhoods. The New Metropolis considers why, despite all the changes over the past four decades, we have recreated a metropolis that makes it harder for low-income Americans—especially low-income Americans of color—to thrive and why some efforts to promote equitable opportunity succeed against the odds.

With a focus on Chicago, Atlanta, and Houston, The New Metropolis shows how multi-level political actors and translocal networks build power across political boundaries to determine the pool of local public resources and the scope of local powers. Weir demonstrates how the timing of urbanization set up distinct conflicts over the public sector in Frostbelt versus Sunbelt metropolises, explaining how partisan divisions now supercharge these conflicts.

The New Metropolis shows why the battle over the metropolis sits at the center of American politics. It determines the shape of the public arenas where we make decisions and, ultimately, the kinds of connections Americans have with one another.

Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s fascinating history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. 

Smith’s concise and accessible narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment. 

Richly illustrated and incisively written, his insightful book will be indispensable to our understanding of Chicago, Daniel Burnham, and the emergence of the modern city.

In this book, Sam Mitrani cogently examines the making of the police department in Chicago, which by the late 1800s had grown into the most violent, turbulent city in America. Chicago was roiling with political and economic conflict, much of it rooted in class tensions, and the city's lawmakers and business elite fostered the growth of a professional municipal police force to protect capitalism, its assets, and their own positions in society. Together with city policymakers, the business elite united behind an ideology of order that would simultaneously justify the police force's existence and dictate its functions.

Tracing the Chicago police department's growth through events such as the 1855 Lager Beer riot, the Civil War, the May Day strikes, the 1877 railroad workers strike and riot, and the Haymarket violence in 1886, Mitrani demonstrates that this ideology of order both succeeded and failed in its aims. Recasting late nineteenth-century Chicago in terms of the struggle over order, this insightful history uncovers the modern police department's role in reconciling democracy with industrial capitalism.

Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself.

The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.

Even as a fourth-generation Jewish Texan, S. L. Wisenberg has always felt the ghost of Europe dogging her steps, making her feel uneasy in her body and in the world. At age six, she’s sure that she hears Nazis at her bedroom window and knows that after they take her away, she’ll die without her asthma meds. In her late twenties, she infiltrates sorority rush at her alma mater, curious about whether she’ll get a bid now. Later in life, she makes her first and only trip to the mikvah while healing from a breast biopsy (benign this time), prompting an exploration of misogyny, shame, and woman-fear in rabbinical tradition.

With wit, verve, blood, scars, and a solid dose of self-deprecation, Wisenberg wanders across the expanse of continents and combs through history books and family records in her search for home and meaning. Her travels take her from Selma, Alabama, where her Eastern European Jewish ancestors once settled, to Vienna, where she tours Freud’s home and figures out what women really want, and she visits Auschwitz, which—disappointingly—leaves no emotional mark.

Honorable Mention, 2025 Society of Midland Authors Award in History!

Examining the case that inspired a pop culture phenomenon

In 1924 Beulah Annan was arrested and incarcerated for killing her lover, Harry Kalsted. Six weeks later, a jury acquitted her of murder. Inspired by the sordid event, trial, and acquittal, Maurine Watkins, a reporter at the time, wrote the play Chicago, a Broadway hit that was adapted several times. Through a fresh retelling of the story of Annan and of Watkins’s play, Charles H. Cosgrove provides the first critical examination of the criminal case, and an initial exploration of the era’s social assumptions that made the message of the play so plausible in its own time. His careful historical research challenges the received portrait of Annan as a killer who got away with murder, and of Watkins as a savvy cub reporter and precocious playwright.

In They Both Reached for the Gun, Charles H. Cosgrove expertly combines inquest and police records, and interviews with Annan’s relatives, to analyze the participants, the trial, and the subsequent play. Although no one will ever know what really happened in the Kenwood apartment on Chicago’s south side one hundred years ago, Cosgrove’s interrogation shows how sensationalized Watkins’s writing was. Her reporting on the Annan case perpetuated falsehoods about Annan’s so-called “confession,” and her play gave an inaccurate portrayal of Chicago’s criminal justice system. Despite Watkins’s insistence that her drama revealed the truth about its subjects without any exaggeration, her play depicted police, prosecutors, and judges as the only “good guys” in the story, ignoring those who lied, misled, and used brutal methods to obtain forced confessions.

A stunning lyrical commentary on the constructions of race, gender, and class in the fraught nexus of a Black woman’s personal experience and cultural history

The Fair Housing Act passed in 1968, and more than fifty years later, yours seems to be the only Black family on your block in Minneapolis. You and your Black African husband, both college graduates, make less money than some White people with a felony record and no high school diploma. You’re the only Black student in your graduate program. You just aren’t working hard enough. You’re too sensitive. Sandra Bland? George Floyd? Don't take everything so personally. Amid the White smiles of Minnesota Nice and the Minnesota Paradox—the insidious racism of an ostensibly inclusive place to live—what do you do? If you’re Taiyon J. Coleman, you write.

In Traveling without Moving, Coleman shares intimate essays from her life: her childhood in Chicago—growing up in poverty with four siblings and a single mother—and the empowering decision to leave her first marriage. She writes about being the only Black student in a prestigious and predominantly White creative writing program, about institutional racism and implicit bias in writing instruction, about the violent legacies of racism in the U.S. housing market, about the maternal health disparities seen across the country and their implication in her own miscarriage. She explores what it means to write her story and that of her family—an act at once a responsibility and a privilege—bringing forth the inherent contradictions between American ideals and Black reality.

Using a powerful blend of perspectives that move between a first-person lens of lived experience and a wider-ranging critique of U.S. culture, policy, and academia, Coleman’s writing evinces how a Black woman in America is always on the run, always Harriet Tubman, traveling with her babies in tow, seeking safety, desperate to survive, thrive, and finally find freedom.

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