Results by title

775 books match the query 'Germany' and 174 start with t

cover of The Gestation of German Biology: Philosophy and Physiology from Stahl to Schelling

The Gestation of German Biology

Philosophy and Physiology from Stahl to Schelling

John H. Zammito

University of Chicago Press, 2017

The emergence of biology as a distinct science in the eighteenth century has long been a subject of scholarly controversy. Michel Foucault, on the one hand, argued that its appearance only after 1800 represented a fundamental rupture with the natural history that preceded it, marking the beginnings of modernity. Ernst Mayr, on the other hand, insisted that even the word "biology" was unclear in its meaning as late as 1800, and that the field itself was essentially prospective well into the 1800s.
 
In The Gestation of German Biology, historian of ideas John Zammito presents a different version of the emergence of the field, one that takes on both Foucault and Mayr and emphasizes the scientific progress throughout the eighteenth century that led to the recognition of the need for a special science. The embrace of the term biology around 1800, Zammito shows, was the culmination of a convergence between natural history and human physiology that led to the development of comparative physiology and morphology—the foundations of biology. Magisterial in scope, Zammito’s book offers nothing less than a revisionist history of the field, with which anyone interested in the origins of biology will have to contend.
[more]
cover of The Ghosts of Berlin: Confronting German History in the Urban Landscape

The Ghosts of Berlin

Confronting German History in the Urban Landscape

Brian Ladd

University of Chicago Press, 1997

In this compelling work, Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Ladd surveys the urban landscape, excavating its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past.

"Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal

"If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic

"[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books
 
[more]
cover of The Ghosts of Berlin: Confronting German History in the Urban Landscape

The Ghosts of Berlin

Confronting German History in the Urban Landscape

Brian Ladd

University of Chicago Press, 2018

In the twenty years since its original publication, The Ghosts of Berlin has become a classic, an unparalleled guide to understanding the presence of history in our built environment, especially in a space as historically contested—and emotionally fraught—as Berlin. Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Returning to the city frequently, Ladd continues to survey the urban landscape, traversing its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past.
[more]
cover of The Global Debate over Constitutional Property: Lessons for American Takings Jurisprudence

The Global Debate over Constitutional Property

Lessons for American Takings Jurisprudence

Gregory S. Alexander

University of Chicago Press, 2006

Countries around the world are heatedly debating whether property should be a constitutional right. But American lawyers have largely ignored this debate, which is divided into two clear camps: those who believe making property a constitutional right undermines democracy by fostering inequality, and those who believe it provides the security necessary to make democracy possible. In The Global Debate over Constitutional Property, Gregory Alexander recasts this discussion, arguing that both sides overlook a key problem: that constitutional protection, or lack thereof, has little bearing on how a society actually treats property.

A society’s traditions and culture, Alexander argues, have a much greater effect on property rights. Laws must aim, then, to change cultural ideas of property, rather than deem whether one has the right to own it. Ultimately, Alexander builds a strong case for improving American takings law by borrowing features from the laws of other countries—particularly those laws based on the idea that owning property not only confers rights, but also entails responsibilities to society as a whole.
[more]
cover of The God behind the Marble: The Fate of Art in the German Aesthetic State

The God behind the Marble

The Fate of Art in the German Aesthetic State

Alice Goff

University of Chicago Press, 2024

 A history of Germans’ attempts to transform society through art in an age of revolution.
 
For German philosophers at the turn of the nineteenth century, beautiful works of art acted as beacons of freedom, instruments of progress that could model and stimulate the moral autonomy of their beholders. Amid the Revolutionary and Napoleonic wars, Germans struggled to uphold these ideals as they contended with the destruction of art collections, looting, and questions about cultural property. As artworks fell prey to the violence they were supposed to transcend, some began to wonder how art could deliver liberation if it could also quickly become a spoil of war. Alice Goff considers a variety of works—including forty porphyry columns from the tomb of Charlemagne, the Quadriga from the Brandenburg Gate in Berlin, the Laocoön group from Rome, a medieval bronze reliquary from Goslar, a Last Judgment from Danzig, and the mummified body of an official from the Rhenish hamlet of Sinzig—following the conflicts over the ownership, interpretation, conservation, and exhibition of German collections during the Napoleonic period and its aftermath.
 
[more]
cover of The Goldsmith's Debt: Conceptions of Property in Early Modern Art

The Goldsmith's Debt

Conceptions of Property in Early Modern Art

Shira Brisman

University of Chicago Press, 2026

Reveals how art shaped the economy, social order, and legal claims during the rise of capitalism.
 
In the sixteenth century, German goldsmiths played a unique role in articulating property claims and social values. These artisans shaped precious metals into visible expressions of domination, subordination, and obligation. The objects they crafted played a major role in the practices of exchange and inheritance that were reconfiguring a tumultuous economic landscape. Cities commissioned goldsmiths to transform revenue into goblets that could be given as diplomatic gifts or reconverted into currency in times of war, and courts used serving implements as promises of credit.
 
With The Goldsmith’s Debt, art historian Shira Brisman offers the first book-length study of the Nuremberg goldsmith Christoph Jamnitzer (1563–1618), who created elaborate gilded silver drinking cups that he crafted into unexpected forms, with designs ranging from racialized heads to mining scenes. Considering how works of art can shape a social order, Brisman explores what Jamnitzer’s etchings and goblets reveal about how goldsmiths shared ideas and how their patrons used commissioned works to legitimize their claims over land and the rights of others. Drawing on a range of textual and material evidence—including commentaries on Roman and customary laws, wills and civic statutes, printed designs, and firsthand study of lidded cups in dozens of major European institutions—this unprecedented study places the goldsmith at the heart of the era’s arguments about how people and lands should be subjugated. Brisman reveals the insidious side of these objects that were often used to advance socially conservative agendas, and she presents radical proposals for addressing inequity in the world of ornament prints.
 
[more]
cover of The Good European: Nietzsche's Work Sites in Word and Image

The Good European

Nietzsche's Work Sites in Word and Image

David Farrell Krell and Donald L. Bates

University of Chicago Press, 1997

Through photographs and translations of Friedrich Nietzsche's evocative writings on his work sites, David Farrell Krell and Donald L. Bates explore the cities and landscapes in which Nietzsche lived and worked.

"A brilliant juxtaposition of life and thought. . . . The sympathy of this pictorial biography is rivaled by few books on Nietzsche."—Charles M. Stang, Boston Book Review

"[A] distinguished addition to the Nietzsche-friendly corpus."—Alain de Botton, Los Angeles Times Book Review

"An odd and oddly endearing record of Nietzsche's travels."—John Banville, New York Review of Books

[more]
cover of The Great Transformation: The Contribution of German-Jewish Exiles to British Culture

The Great Transformation

The Contribution of German-Jewish Exiles to British Culture

Jeremy Adler

University of London Press, 2019

[more]
cover of The Habsburg Monarchy, 1809-1918: A History of the Austrian Empire and Austria-Hungary

The Habsburg Monarchy, 1809-1918

A History of the Austrian Empire and Austria-Hungary

A. J. P. Taylor

University of Chicago Press, 1976

First published in 1941, The Habsburg Monarchy has become indispensable to students of nineteenth-century European history. Not only a chronological report of actions and changes, Taylor's work is a provocative exploration into the historical process of the most eventful hundred years of the Habsburg monarchy.
[more]
cover of The Halle Orphanage as Scientific Community: Observation, Eclecticism, and Pietism in the Early Enlightenment

The Halle Orphanage as Scientific Community

Observation, Eclecticism, and Pietism in the Early Enlightenment

Kelly Joan Whitmer

University of Chicago Press, 2015

Founded around 1700 by a group of German Lutherans known as Pietists, the Halle Orphanage became the institutional headquarters of a universal seminar that still stands largely intact today.  It was the base of an educational, charitable, and scientific community and consisted of an elite school for the sons of noblemen; schools for the sons of artisans, soldiers, and preachers; a hospital; an apothecary; a bookshop; a botanical garden; and a cabinet of curiosity containing architectural models, naturalia, and scientific instruments. Yet, its reputation as a Pietist enclave inhabited largely by young people has prevented the organization from being taken seriously as a kind of scientific academy—even though, Kelly Joan Whitmer shows, this is precisely what it was. 

The Halle Orphanage as Scientific Community calls into question a long-standing tendency to view German Pietists as anti-science and anti-Enlightenment, arguing that these tendencies have drawn attention away from what was actually going on inside the orphanage. Whitmer shows how the orphanage’s identity as a scientific community hinged on its promotion of philosophical eclecticism as a tool for assimilating perspectives and observations and working to perfect one’s abilities to observe methodically. Because of the link between eclecticism and observation, Whitmer reveals, those teaching and training in Halle’s Orphanage contributed to the transformation of scientific observation and its related activities in this period.
[more]
cover of The Heimat Abroad: The Boundaries of Germanness

The Heimat Abroad

The Boundaries of Germanness

Krista O'Donnell, Renate Bridenthal, and Nancy Reagin, Eds.

University of Michigan Press, 2005

Germans have been one of the most mobile and dispersed populations on earth. Communities of German speakers, scattered around the globe, have long believed they could recreate their Heimat (homeland) wherever they moved, and that their enclaves could remain truly German. Furthermore, the history of Germany is inextricably tied to Germans outside the homeland who formed new communities that often retained their Germanness. Emigrants, including political, economic, and religious exiles such as Jewish Germans, fostered a nostalgia for home, which, along with longstanding mutual ties of family, trade, and culture, bound them to Germany.

The Heimat Abroad is the first book to examine the problem of Germany's long and complex relationship to ethnic Germans outside its national borders. Beyond defining who is German and what makes them so, the book reconceives German identity and history in global terms and challenges the nation state and its borders as the sole basis of German nationalism.

Krista O'Donnell is Associate Professor of History, William Paterson University.

Nancy Reagin is Professor of History, Pace University.

Renete Bridenthal is Emerita Professor of History, Brooklyn College of the City University of New York.

[more]
cover of The Holocaust and the West German Historians: Historical Interpretation and Autobiographical Memory

The Holocaust and the West German Historians

Historical Interpretation and Autobiographical Memory

Nicolas Berg, Translated and edited by Joel Golb

University of Wisconsin Press, 2015

This landmark book was first published in Germany, provoking both acclaim and controversy. In this "history of historiography," Nicolas Berg addresses the work of German and German-Jewish historians in the first three decades of post–World War II Germany. He examines how they perceived—and failed to perceive—the Holocaust and how they interpreted and misinterpreted that historical fact using an arsenal of terms and concepts, arguments and explanations.

This English-language translation is also a shortened and reorganized edition, which includes a new introduction by Berg reviewing and commenting on the response to the German editions. Notably, in this American edition, discussion of historian Joseph Wulf and his colleague and fellow Holocaust survivor Léon Poliakov has been united in one chapter. And special care has been taken to make clear to English speakers the questions raised about German historiographical writing. Translator Joel Golb comments, "From 1945 to the present, the way historians have approached the Holocaust has posed deep-reaching problems regarding choice of language. . . . This book is consequently as much about language as it is about facts."
[more]
cover of The Honor Dress of the Movement: A Cultural History of Hitler’s Brown Shirt Uniform, 1920–1933

The Honor Dress of the Movement

A Cultural History of Hitler’s Brown Shirt Uniform, 1920–1933

Torsten Homberger

University of Massachusetts Press, 2021

During the era of the Weimar Republic, Germany was characterized by deep contradictions and polarizations. New, progressive social mores and artistic developments mixed uneasily with growing reactionary politics. When the 1929 stock market crash produced a severe economic shock, voters began to shift their allegiances from the parties of the center to radicals on both the left and the right. By 1933, amidst crisis and chaos, the Nazis had taken over.

In The Honor Dress of the Movement, Torsten Homberger contends that the brown-shirted Stormtrooper uniform was central to Hitler's rise to power. By analyzing its design and marketing, he investigates how Nazi leaders used it to project a distinct political and military persona that was simultaneously violent and orderly, retrograde and modern—a dual image that proved popular with the German people and was key to the Nazis' political success. Based on a wealth of sources that includes literature, films, and newspapers of the era, Homberger exhibits how the Nazis shaped and used material culture to destroy democracy.
[more]
cover of The Human Race

The Human Race

Robert Antelme

Northwestern University Press, 1998

Arrested by the Gestapo and deported to Dachau, Robert Antelme recovered his freedom a year later when François Mitterand, visiting the camp in an official capacity, recognized the dying Antelme and had him spirited to Paris. Antelme's story of his experiences in Germany--his only book--indelibly marked an entire generation, "a work written without hatred, a work of boundless compassion such as that is to be found only in the great Russians."
 
[more]
cover of The Hunt for Nazi Spies: Fighting Espionage in Vichy France

The Hunt for Nazi Spies

Fighting Espionage in Vichy France

Simon Kitson

University of Chicago Press, 2007

From 1940 to 1942, French secret agents arrested more than two thousand spies working for the Germans and executed several dozen of them—all despite the Vichy government’s declared collaboration with the Third Reich. A previously untold chapter in the history of World War II, this duplicitous activity is the gripping subject of The Hunt for Nazi Spies, a tautly narrated chronicle of the Vichy regime’s attempts to maintain sovereignty while supporting its Nazi occupiers.

Simon Kitson informs this remarkable story with findings from his investigation—the first by any historian—of thousands of Vichy documents seized in turn by the Nazis and the Soviets and returned to France only in the 1990s. His pioneering detective work uncovers a puzzling paradox: a French government that was hunting down left-wing activists and supporters of Charles de Gaulle’s Free French forces was also working to undermine the influence of German spies who were pursuing the same Gaullists and resisters. In light of this apparent contradiction, Kitson does not deny that Vichy France was committed to assisting the Nazi cause, but illuminates the complex agendas that characterized the collaboration and shows how it was possible to be both anti-German and anti-Gaullist.

Combining nuanced conclusions with dramatic accounts of the lives of spies on both sides, The Hunt for Nazi Spies adds an important new dimension to our understanding of the French predicament under German occupation and the shadowy world of World War II espionage.
[more]
cover of The Hygienic Apparatus: Weimar Cinema and Environmental Disorder

The Hygienic Apparatus

Weimar Cinema and Environmental Disorder

Paul Dobryden

Northwestern University Press, 2022

This study traces how the environmental effects of industrialization reverberated through the cinema of Germany’s Weimar Republic. In the early twentieth century, hygiene encompassed the myriad attempts to create healthy spaces for life and work amid the pollution, disease, accidents, and noise of industrial modernity. Examining classic films—including The Last Laugh, Faust, and Kuhle Wampe—as well as documentaries, cinema architecture, and studio practices, Paul Dobryden demonstrates how cinema envisioned and interrogated hygienic concerns about environmental disorder.
 
Framing hygiene within the project of national reconstruction after World War I, The Hygienic Apparatus explores cinema’s material contexts alongside its representations of housework, urban space, traffic, pollution, disability, aging, and labor. Reformers worried about the health risks associated with moviegoing but later used film to popularize hygienic ideas, encouraging viewers to see the world and themselves in relation to public health objectives. Modernist architecture and design fashioned theaters into regenerative environments for fatigued spectators. Filmmakers like F. W. Murnau and Slatan Dudow, meanwhile, explored the aesthetic and political possibilities of dirt, contagion, intoxication, and disorder. Dobryden recovers a set of ecological and biopolitical concerns to show how the problem of environmental disorder fundamentally shaped cinema’s relationship to modernity. As accessible as it is persuasive, the book adds to a growing body of scholarship on biopolitics within German studies and reveals fresh ways of understanding the apparatus of Weimar cinema.
[more]
cover of The Icon Curtain: The Cold War's Quiet Border

The Icon Curtain

The Cold War's Quiet Border

Yuliya Komska

University of Chicago Press, 2015

The Iron Curtain did not exist—at least not as we usually imagine it. Rather than a stark, unbroken line dividing East and West in Cold War Europe, the Iron Curtain was instead made up of distinct landscapes, many in the grip of divergent historical and cultural forces for decades, if not centuries. This book traces a genealogy of one such landscape—the woods between Czechoslovakia and West Germany—to debunk our misconceptions about the iconic partition.

Yuliya Komska transports readers to the western edge of the Bohemian Forest, one of Europe’s oldest borderlands, where in the 1950s civilians set out to shape the so-called prayer wall. A chain of new and repurposed pilgrimage sites, lookout towers, and monuments, the prayer wall placed two long-standing German obsessions, forest and border, at the heart of the century’s most protracted conflict. Komska illustrates how civilians used the prayer wall to engage with and contribute to the new political and religious landscape. In the process, she relates West Germany’s quiet sylvan periphery to the tragic pitch prevalent along the Iron Curtain’s better-known segments.

Steeped in archival research and rooted in nuanced interpretations of wide-ranging cultural artifacts, from vandalized religious images and tourist snapshots to poems and travelogues, The Icon Curtain pushes disciplinary boundaries and opens new perspectives on the study of borders and the Cold War alike.
[more]
cover of The Janus Face of the German Avant-Garde: From Expressionism Toward Postmodernism

The Janus Face of the German Avant-Garde

From Expressionism Toward Postmodernism

Rainer Rumold

Northwestern University Press, 2002

Among the avant-garde of the early twentieth century, the German movement remains one of the least understood in the current avant-garde and modernism debates. Rainer Rumold fills this gap with the first large-scale reassessment of the heyday and afterlife of German expressionist and Dada productions as a prolonged crisis of literary culture.
[more]
cover of The Jazz Republic: Music, Race, and American Culture in Weimar Germany

The Jazz Republic

Music, Race, and American Culture in Weimar Germany

Jonathan O. Wipplinger

University of Michigan Press, 2017

The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture.  By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s.
 
Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way. 

[more]
cover of The Jewish Kulturbund Theatre Company in Nazi Berlin

The Jewish Kulturbund Theatre Company in Nazi Berlin

Rebecca Rovit

University of Iowa Press, 2012

New laws enacted in the wake of Hitler’s ascent to power removed all Jews from their professional workplaces and banned Jewish artists from any collaboration with their fellow citizens. In the summer of 1933, Goebbels’s Prussian Theatre Commission approved an all-Jewish theatre as part of the Kulturbund Deutscher Juden, the Cultural Association of German Jewry. This network of Jewish cultural leagues and theatre ensembles across Germany coexisted with Nazi policies against Jews until the Gestapo dissolved the theatre in 1941. Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of the Berlin Kulturbund and its theatre.
 
Rovit draws upon a wealth of primary documents—correspondence between the theatre and the Reich Ministry of Propaganda and Enlightenment, actual playscripts and rolebooks, production reviews and photographs, letters and memoirs, and interviews with artists who survived the war—to show how the increasingly restrictive German reality forced Jewish artists to define and redefine their identity and culture under wrenching conditions of censorship, compromise, danger, and deception. Integrating play analysis with cultural history, she considers first the playscript itself, then the playscript adapted by the Kulturbund, then the best reconstruction possible of the actual performance against its backdrop of the Third Reich. Proceeding chronologically through the playing seasons, she focuses on the actual repertoire performed (and forbidden) over the life of the Berlin Kulturbund theatre, covering the theatre’s beginnings and its first two playing seasons, then on the playing seasons that led to the Reichskristallnacht, and finally on the ways that emigration and increased censorship affected the wartime theatre’s final days.
 

The Kulturbund’s directors were repeatedly caught between escalating demands from their Nazi overseers and from their own Jewish constituents. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime, Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity. 

[more]
cover of The Jewish Response to German Culture: From the Enlightenment to the Second World War

The Jewish Response to German Culture

From the Enlightenment to the Second World War

Jehuda Reinharz

Brandeis University Press, 1991

Seventeen scholars explore the interaction between a Jewish culture with its ancient heritage and an expansive German culture in the process of modernization.
[more]
cover of The Language of Birds

The Language of Birds

Norbert Scheuer

Haus Publishing, 2018

It is 2003, and Paul Arimond is serving as a paramedic in Afghanistan. The twenty-four-year-old has no illusions of becoming a hero. Rather, he has chosen the army to escape the tragedies of his past and his own feelings of guilt. As a result, he finds himself in the same land, now war-torn, where an ancestor of his, Ambrosius Arimond, a late eighteenth-century traveler and ornithologist, once explored and developed the theory of a universal language of birds.

As visceral horrors and everyday banalities of the war threaten to engulf Paul, he, like his great-great-grandfather, finds his very own refuge in Afghanistan’s natural world. In a diary filled with exquisite drawings of birds and ruminations on the life he left behind, Paul describes his experiences living with two comrades who are fighting their own demons and his befriending of an Afghan man, Nassim, as well as his dreams of escaping the restrictive base camp and visiting the shores of a lake visible from the lookout tower. But when he finally reaches the lake one night, he finds himself in the midst of a chain of events that, with his increasingly fragile state of mind, has dramatic—and ultimately heartbreaking—consequences.

A meditative novel that shows a new side to the conflict in Afghanistan, The Language of Birds takes a moving look at the all-too-human costs of war and questions what it truly means to fight for freedom.
 
[more]
cover of The Last Days of Hitler

The Last Days of Hitler

Hugh Trevor-Roper

University of Chicago Press, 1992

Late in 1945, Trevor-Roper was appointed by British Intelligence in Germany to investigate conflicting evidence surrounding Hitler's final days and to produce a definitive report on his death. The author, who had access to American counterintelligence files and to German prisoners, focuses on the last ten days of Hitler's life, April 20-29, 1945, in the underground bunker in Berlin—a bizarre and gripping episode punctuated by power play and competition among Hitler's potential successors.

"From exhaustive research [Trevor-Roper] has put together a carefully documented, irrefutable, and unforgettable reconstruction of the last days in April, 1945."—New Republic

"A book sound in its scholarship, brilliant in its presentation, a delight for historians and laymen alike."—A. J. P. Taylor, New Statesman
[more]
cover of The Law under the Swastika: Studies on Legal History in Nazi Germany

The Law under the Swastika

Studies on Legal History in Nazi Germany

Michael Stolleis

University of Chicago Press, 1997

In the Law under the Swastika, Michael Stolleis examines the evolution of legal history, theory, and practice in Nazi Germany, paying close attention to its impact on the Federal Republic and on the German legal profession. Until the late 1960s, historians of the Nazi judicial system were mostly judges and administrators from the Nazi era. According to Stolleis, they were reluctant to investigate this legal history and maintained the ideal that law could not be affected by politics. Michael Stolleis is part of a younger generation and is determined to honestly confront the past in hopes of preventing the same injustices from happening in the future.

Stolleis studies a wide range of legal fields—constitutional, judicial, agrarian, administrative, civil, and business—arguing that all types of law were affected by the political realities of National Socialism. Moreover, he shows that legal traditions were not relinquished immediately with the onset of a new regime. For the first time we can see clearly the continuities between the Nazi period and the postwar period. The law under National Socialism did not make a complete break with the law during the Weimar Republic, nor did the law of the Federal Republic nullify all of the laws under National Socialism. Through a rich and subtle investigation, Stolleis shows how the legal profession and the political regime both reacted to the conditions of the period and molded the judicial system accordingly.

Breaking the conspiracy of silence held by the justices in the postwar period, Stolleis stresses the importance of researching Nazi law in order to confront ethical problems in today's legal profession.
[more]
cover of The Lesson of Carl Schmitt: Four Chapters on the Distinction between Political Theology and Political Philosophy

The Lesson of Carl Schmitt

Four Chapters on the Distinction between Political Theology and Political Philosophy

Heinrich Meier

University of Chicago Press, 1998

This book is the culmination of Heinrich Meier's acclaimed analyses of the controversial thought of Carl Schmitt. Meier identifies the core of Schmitt's thought as political theology—that is, political theorizing that claims to have its ultimate ground in the revelation of a mysterious or supra-rational God. This radical, but half-hidden, theological foundation unifies the whole of Schmitt's often difficult and complex oeuvre, cutting through the intentional deceptions and unintentional obfuscations that have eluded previous commentators.

Relating this religious dimension to Schmitt's support for National Socialism and his continuing anti-Semitism, Meier compels the reader to come to terms with the irreconcilable differences between political theology and political philosophy. His book will give pause to those who have tended to gloss over the troubling aspects of some of Schmitt's ideas.

With editions in German, French, Italian, and now English, Meier's two books on Schmitt have dramatically reoriented the international debate about Carl Schmitt and his significance for twentieth-century political thought.

"Standing far above the rest . . . is Heinrich Meier's new study, Die Lehre Carl Schmitts, which covers all of Schmitt's writings. . . . Meier's work has forced everyone to take a second look at the assumptions underlying Schmitt's better-known writings and reconsider some that have been ignored."—Mark Lilla, reviewing the German edition in The New York Review of Books
[more]
cover of The Lesson of Carl Schmitt: Four Chapters on the Distinction between Political Theology and Political Philosophy, Expanded Edition

The Lesson of Carl Schmitt

Four Chapters on the Distinction between Political Theology and Political Philosophy, Expanded Edition

Heinrich Meier

University of Chicago Press, 2011

Heinrich Meier’s work on Carl Schmitt has dramatically reoriented the international debate about Schmitt and his significance for twentieth-century political thought. In The Lesson of Carl Schmitt, Meier identifies the core of Schmitt’s thought as political theology—that is, political theorizing that claims to have its ultimate ground in the revelation of a mysterious or suprarational God. This radical, but half-hidden, theological foundation underlies the whole of Schmitt’s often difficult and complex oeuvre, rich in historical turns and political convolutions, intentional deceptions and unintentional obfuscations.
 
In four chapters on morality, politics, revelation, and history, Meier clarifies the difference between political philosophy and Schmitt’s political theology and relates the religious dimension of his thought to his support for National Socialism and his continuing anti-Semitism. New to this edition are two essays that address the recently published correspondences of Schmitt—particularly with Hans Blumberg—and the light it sheds on his conception of political theology.
[more]
cover of The Letters and Journals

The Letters and Journals

Paula Modersohn-Becker

Northwestern University Press, 1998

One of the great modern painters, Paula Modersohn-Becker was also a gifted writer who left behind journals and a sizable correspondence. This edition includes every extant letter, all carefully annotated, and is illustrated with forty-six black-and-white plates.
[more]
cover of The Life and Thought of Hans Jonas: Jewish Dimensions

The Life and Thought of Hans Jonas

Jewish Dimensions

Christian Wiese

University Press of New England, 2010

Hans Jonas (1903–1993) is one of the most important philosophers of the 20th century. Born in a German Jewish community in the Rhineland, Jonas’s mentors included Edmund Husserl, Martin Heidegger, and Rudolf Bultmann. The committed Zionist fled Germany in 1933 for Jerusalem, fought in the British Army against Hitler, and then left Israel for North America in 1949. Much of Jonas’s philosophy responds to contemporary historical and political challenges: mass society, totalitarianism, the Holocaust, “nuclearism,” environmental devastation (Chernobyl), and, later, the risks of genetic engineering. Wiese’s study examines how Jonas’s Jewish background influenced his intellectual development. Wiese shows how philosophical ethics and Jewish identity were two inseparable aspects of his thinking, with the fight against Nihilism as the most important link. Drawing on a wealth of unpublished material and exploring momentous encounters with major figures of 20th century life and letters like Gershom Scholem and Hannah Arendt, Wiese demonstrates how Jonas combined religious and philosophical elements in his thought, and offers new insights into the work of this eminent thinker.
[more]
cover of The Life of Lady Johanna Eleonora Petersen, Written by Herself: Pietism and Women's Autobiography in Seventeenth-Century Germany

The Life of Lady Johanna Eleonora Petersen, Written by Herself

Pietism and Women's Autobiography in Seventeenth-Century Germany

Johanna Eleonora Petersen

University of Chicago Press, 2005

In a time when the Pauline dictum decreed that women be silent in matters of the Church, Johanna Eleonora Petersen (1644–1724) was a pioneering author of religious books, insisting on her right to speak out as a believer above her male counterparts. Publishing her readings of the Gospels and the Book of Revelation as well as her thoughts on theology in general, Petersen and her writings created controversy, especially in orthodox circles, and she became a voice for the radical Pietists—those most at odds with Lutheran ministers and their teachings. But she defended her lay religious calling and ultimately printed fourteen original works, including her autobiography, the first of its kind written by a woman in Germany—all in an age in which most women were unable to read or write.

Collected in The Life of Lady Johanna Eleonora Petersen are Petersen's autobiography and two shorter tracts that would become models of Pietistic devotional writing. A record of the status and contribution of women in the early Protestant church, this collection will be indispensable reading for scholars of seventeenth-century German religious and social history.
[more]
cover of The Longing for Myth in Germany: Religion and Aesthetic Culture from Romanticism to Nietzsche

The Longing for Myth in Germany

Religion and Aesthetic Culture from Romanticism to Nietzsche

George S. Williamson

University of Chicago Press, 2004

Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century.

Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.

A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
[more]
cover of The Making of Adolf Hitler: The Birth and Rise of Nazism

The Making of Adolf Hitler

The Birth and Rise of Nazism

Eugene Davidson

University of Missouri Press, 1997

The harsh Armistice terms of 1918, the short-lived Weimar Republic, Hindenburg's senile vacillations, and behind-the-scene power plays form the backbone of this excellent study covering German history during the first three-and-a-half decades of the century.

[more]
cover of The Modern Israeli and Palestinian Diasporas: A Comparative Approach

The Modern Israeli and Palestinian Diasporas

A Comparative Approach

Edited by Nahum Karlinsky

University of Texas Press, 2024

A comparative study of contemporary Israeli and Palestinian diasporas.

Exilic and diasporic experience have become ubiquitous in recent decades. Jews, lacking a homeland, spread to various parts of the world, making the Jewish diaspora paradigmatic. But after the establishment of Israel in 1948, a different kind of diaspora emerged, as more than a tenth of Israeli citizens have chosen to leave their newly established state and resettle. Meanwhile, about half of all Palestinians, including Palestinian citizens of Israel, now reside in exile, predominantly as a result of the ongoing Palestinian-Israeli conflict.

Recognizing that Israeli-Jewish and Palestinian-Arab societies coexist and are engaged in constant relations, Nahum Karlinsky has assembled an impressive array of contributors to explore these diasporas alongside one another and in dialogue with other diasporic communities. The collected essays cover such topics as Palestinian exiles and diasporas, the demographics of today’s Israeli diaspora, immigrant enterprises, transnationalism and development, the unique place of Israeli Jews in the United States, the literature of Palestinian transnationals, and the emergence of Berlin as a queer Israeli-Jewish immigrant enclave.The Modern Israeli and Palestinian Diasporas challenges and reimagines the very notion of a homeland.

[more]
cover of The Moment of Self-Portraiture in German Renaissance Art

The Moment of Self-Portraiture in German Renaissance Art

Joseph Leo Koerner

University of Chicago Press, 1993

In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany.

"[A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." — Anthony Grafton, New Republic

"Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self-
Portrait it holds up a mirror to the modern fable of identity." — Bruce Boucher, The Times

"Remarkable and densely argued." — Marcia Pointon, British Journal of Aesthetics

"Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." — Larry Silver, Sixteenth Century Journal

"May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." — Willibald Sauerlander, New York Review of Books
[more]
cover of The Moral Meaning of Nature: Nietzsche’s Darwinian Religion and Its Critics

The Moral Meaning of Nature

Nietzsche’s Darwinian Religion and Its Critics

Peter J. Woodford

University of Chicago Press, 2018

What, if anything, does biological evolution tell us about the nature of religion, ethical values, or even the meaning and purpose of life? The Moral Meaning of Nature sheds new light on these enduring questions by examining the significance of an earlier—and unjustly neglected—discussion of Darwin in late nineteenth-century Germany.
 
We start with Friedrich Nietzsche, whose writings staged one of the first confrontations with the Christian tradition using the resources of Darwinian thought. The lebensphilosophie, or “life-philosophy,” that arose from his engagement with evolutionary ideas drew responses from other influential thinkers, including Franz Overbeck, Georg Simmel, and Heinrich Rickert. These critics all offered cogent challenges to Nietzsche’s appropriation of the newly transforming biological sciences, his negotiation between science and religion, and his interpretation of the implications of Darwinian thought. They also each proposed alternative ways of making sense of Nietzsche’s unique question concerning the meaning of biological evolution “for life.” At the heart of the discussion were debates about the relation of facts and values, the place of divine purpose in the understanding of nonhuman and human agency, the concept of life, and the question of whether the sciences could offer resources to satisfy the human urge to discover sources of value in biological processes. The Moral Meaning of Nature focuses on the historical background of these questions, exposing the complex ways in which they recur in contemporary philosophical debate.
[more]
cover of The Moral Triangle: Germans, Israelis, Palestinians

The Moral Triangle

Germans, Israelis, Palestinians

Sa'red Atshan and Katharina Galor

Duke University Press, 2020

Berlin is home to Europe’s largest Palestinian diaspora community and one of the world’s largest Israeli diaspora communities. Germany’s guilt about the Nazi Holocaust has led to a public disavowal of anti-Semitism and strong support for the Israeli state. Meanwhile, Palestinians in Berlin report experiencing increasing levels of racism and Islamophobia. In The Moral Triangle Sa’ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews with Israelis, Palestinians, and Germans in Berlin to explore these asymmetric relationships in the context of official German policies, public discourse, and the private sphere. They show how these relationships stem from narratives surrounding moral responsibility, the Holocaust, the Israel/Palestine conflict, and Germany’s recent welcoming of Middle Eastern refugees. They also point to spaces for activism and solidarity among Germans, Israelis, and Palestinians in Berlin that can help foster restorative justice and account for multiple forms of trauma. Highlighting their interlocutors’ experiences, memories, and hopes, Atshan and Galor demonstrate the myriad ways in which migration, trauma, and contemporary state politics are inextricably linked.
[more]
cover of The Mortal Storm

The Mortal Storm

Phyllis Bottome

Northwestern University Press, 1998

A highly acclaimed anti-fascist novel, The Mortal Storm was Phyllis Bottome's dramatic warning against the warmongering, antisemitism, and misogyny of the Nazis. The story pits the developing political and feminist consciousness of Freya Roth against the Nazi machine that will destroy the fabric of her family and nation. In its combination of adventure and love story, political analysis and history, The Mortal Storm remains a powerful reminder of the greatest crisis of the twentieth century, as well as a riveting personal saga.
[more]
cover of The Museum in the Cultural Sciences: Collecting, Displaying, and Interpreting Material Culture in the Twentieth Century

The Museum in the Cultural Sciences

Collecting, Displaying, and Interpreting Material Culture in the Twentieth Century

Edited by Peter N. Miller

Bard Graduate Center, 2021

In early twentieth-century Berlin, Wilhelm von Bode sparked a controversy with his sweeping proposal to reorganize a group of the city’s museums. Debates about the role and structure of museums played out in 1907 and 1910 with two striking series of articles that appeared in the journal Museumskunde: Journal for the Administration and Technology of Public and Private Collections. The first was a six-part essay by Otto Lauffer on history museums, and the second was a ten-part piece by Oswald Richter regarding ethnographic museums. Together, they initiated a century of significant dialogue.

The Museum in the Cultural Sciences offers the first full English translations of these articles, which remain influential in conversations about the implications of art, historical, and ethnographic museums. They show how sophisticated the discussion of museums and museum display was in the early twentieth century and how much could be gained from revisiting these reflections today. Accompanied by short commentaries from museum professionals, these articles offer an intervention into and intensification of the current debate about the function and purpose of museums.
[more]
cover of The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars Through the Third Reich

The Nationalization of the Masses

Political Symbolism and Mass Movements in Germany from the Napoleonic Wars Through the Third Reich

George L. Mosse

University of Wisconsin Press, 2023

First published in 1975, The Nationalization of the Masses is George L. Mosse’s major statement about political symbols and the means of their diffusion. Focusing on Germany and, to a lesser degree, France and Italy, Mosse analyzes the role of symbols in fueling mass politics, mass movements, and nationalism in a way that is broadly applicable and as relevant today as it was almost fifty years ago. In this analysis Mosse introduces terms like “secular religion,” “political liturgy,” “national mystique,” “the new politics,” and “the aesthetics of politics” that are now standard in studies of nationalism and fascism, demonstrating the importance of his cultural, anthropologically informed lens to contemporary discourse. This new edition contains a critical introduction by Victoria de Grazia, Moore Collegiate Professor of History at Columbia University, contextualizing Mosse’s research and exploring its powerful influence on subsequent generations of historians.
[more]
cover of The Nazi Olympics

The Nazi Olympics

Richard D. Mandell

University of Illinois Press, 1987

The Nazi Olympics is the unsurpassed exposé of one of the most bizarre festivals in sport history. Not only does it provide incisive portraits of such key figures as Adolf Hitler, Jesse Owens, Leni Riefenstahl, Helen Stephens, Kee Chung Sohn, and Avery Brundage, it also vividly conveys the entire dazzling charade that reinforced and mobilized the hysterical patriotism of the German masses.
    
 
[more]
cover of The Nazi Olympics: Sport, Politics, and Appeasement in the 1930s

The Nazi Olympics

Sport, Politics, and Appeasement in the 1930s

Edited by Arnd Krüger and William Murray

University of Illinois Press, 2003

The 1936 Olympic Games played a key role in the development of both Hitler’s Third Reich and international sporting competition. The Nazi Olympics gathers essays by modern scholars from prominent participating countries and lays out the issues--sporting as well as political--surrounding the involvement of individual nations. 

The volume opens with an analysis of Germany’s preparations for the Games and the attempts by the Nazi regime to allay the international concerns about Hitler’s racist ideals and expansionist ambitions. Essays follow on the United States, Great Britain, and France--top-tier Olympian nations with misgivings about participation--as well as Germany's future Axis partners Italy and Japan. Other contributions examine the issues involved for Finland, Sweden, Norway, Denmark, and the Netherlands. Throughout, the authors reveal the high political stakes surrounding the Games and how the Nazi Olympics distilled critical geopolitical issues of the time into a spectacle of sport.

[more]
cover of The Nazi Perpetrator: Postwar German Art and the Politics of the Right

The Nazi Perpetrator

Postwar German Art and the Politics of the Right

Paul B. Jaskot

University of Minnesota Press, 2012

Who was responsible for the crimes of the Nazis? Party leaders and members? Rank-and-file soldiers and bureaucrats? Ordinary Germans? This question looms over German disputes about the past like few others. It also looms over the art and architecture of postwar Germany in ways that have been surprisingly neglected. In The Nazi Perpetrator, Paul B. Jaskot fundamentally reevaluates pivotal developments in postwar German art and architecture against the backdrop of contentious contemporary debates over the Nazi past and the difficulty of determining who was or was not a Nazi perpetrator.

Like their fellow Germans, postwar artists and architects grappled with the Nazi past and the problem of defining the Nazi perpetrator—a problem that was thoroughly entangled with contemporary conservative politics and the explosive issue of former Nazis living in postwar Germany. Beginning with the formative connection between Nazi politics and art during the 1930s, The Nazi Perpetrator traces the dilemma of identifying the perpetrator across the entire postwar period. Jaskot examines key works and episodes from West Germany and, after 1989, reunified Germany, showing how the changing perception of the perpetrator deeply impacted art and architecture, even in cases where artworks and buildings seem to have no obvious relation to the Nazi past. The book also reinterprets important periods in the careers of such major figures as Gerhard Richter, Anselm Kiefer, and Daniel Libeskind.

Combining political history with a close analysis of specific works, The Nazi Perpetrator powerfully demonstrates that the ongoing influence of Nazi Germany after 1945 is much more central to understanding a wide range of modern German art and architecture than cultural historians have previously recognized.

[more]
cover of The Nazi Symbiosis: Human Genetics and Politics in the Third Reich

The Nazi Symbiosis

Human Genetics and Politics in the Third Reich

Sheila Faith Weiss

University of Chicago Press, 2010

The Faustian bargain—in which an individual or group collaborates with an evil entity in order to obtain knowledge, power, or material gain—is perhaps best exemplified by the alliance between world-renowned human geneticists and the Nazi state. Under the swastika, German scientists descended into the moral abyss, perpetrating heinous medical crimes at Auschwitz and at euthanasia hospitals. But why did biomedical researchers accept such a bargain?

The Nazi Symbiosis offers a nuanced account of the myriad ways human heredity and Nazi politics reinforced each other before and during the Third Reich. Exploring the ethical and professional consequences for the scientists involved as well as the political ramifications for Nazi racial policies, Sheila Faith Weiss places genetics and eugenics in their larger international context. In questioning whether the motives that propelled German geneticists were different from the compromises that researchers from other countries and eras face, Weiss extends her argument into our modern moment, as we confront the promises and perils of genomic medicine today.

[more]
cover of The New Berlin: Memory, Politics, Place

The New Berlin

Memory, Politics, Place

Karen E. Till

University of Minnesota Press, 2005

“The New Berlin is a notable contribution to human geography and to the interdisciplinary literature on social memory and place making. Till’s methods and scholarship have provided the conceptual groundwork for the exploration and development of place making, social memory, and spatial haunting through the particular practices and politics of the new Berlin. Her readable style is marked by a narrative economy in which every word and sentence serves the larger purposes of the book. I recommend this book to anyone—student, scholar, or practitioner—who is interested in the social dynamics of memory formation and place making.” —The Professional Geographer

“This book is a well-written ‘first-hand’ account, though it also thoroughly covers academic literature, contemporary news accounts, and archival records.” —German Studies Review

“Karen E. Till's The New Berlin describes the modern metropolis and the ghosts of the past that it has to deal with.” —German World

“Well illustrated and copiously footnoted, this is a cutting-edge study of the power of identity-construction/analysis. Highly recommended.” —CHOICE

[more]
cover of The New Jewish Diaspora: Russian-Speaking Immigrants in the United States, Israel, and Germany

The New Jewish Diaspora

Russian-Speaking Immigrants in the United States, Israel, and Germany

Gitelman, Zvi

Rutgers University Press, 2016

In 1900 over five million Jews lived in the Russian empire; today, there are four times as many Russian-speaking Jews residing outside the former Soviet Union than there are in that region. The New Jewish Diaspora is the first English-language study of the Russian-speaking Jewish diaspora. This migration has made deep marks on the social, cultural, and political terrain of many countries, in particular the United States, Israel, and Germany. The contributors examine the varied ways these immigrants have adapted to new environments, while identifying the common cultural bonds that continue to unite them. 
 
Assembling an international array of experts on the Soviet and post-Soviet Jewish diaspora, the book makes room for a wide range of scholarly approaches, allowing readers to appreciate the significance of this migration from many different angles. Some chapters offer data-driven analyses that seek to quantify the impact Russian-speaking Jewish populations are making in their adoptive countries and their adaptations there. Others take a more ethnographic approach, using interviews and observations to determine how these immigrants integrate their old traditions and affiliations into their new identities. Further chapters examine how, despite the oceans separating them, members of this diaspora form imagined communities within cyberspace and through literature, enabling them to keep their shared culture alive.  
 
Above all, the scholars in The New Jewish Diaspora place the migration of Russian-speaking Jews in its historical and social contexts, showing where it fits within the larger historic saga of the Jewish diaspora, exploring its dynamic engagement with the contemporary world, and pointing to future paths these immigrants and their descendants might follow.  
 
[more]
cover of The Night of the Physicists: Operation Epsilon: Heisenberg, Hahn, Weizsäcker and the German Bomb

The Night of the Physicists

Operation Epsilon: Heisenberg, Hahn, Weizsäcker and the German Bomb

Richard von Schirach

Haus Publishing, 2015

In the spring of 1945 the Allies arrested the physicists they believed had worked on the German nuclear programme. Interned in an English country house owned by MI6, their conversations were secretly recorded. Operation Epsilon sought to determine how close Nazi Germany had come to building an atomic bomb. It was in this quiet setting – Farm Hall, near Cambridge – that the interned physicists first heard of the attack on Hiroshima. Aside from changing the course of history, that night was also one of great shock and personal defeat for the physicists – they were under the assumption that they alone had discovered nuclear fission. This is the story of Nazi Germany’s hunt for a nuclear bomb. It is a tale of the genius and guilt of lauded, respected scientists.
[more]
cover of The Organs of J.S. Bach: A Handbook

The Organs of J.S. Bach

A Handbook

Christoph Wolff and Markus Zepf

University of Illinois Press, 2012

The Organs of J. S. Bach is a comprehensive and fascinating guide to the organs encountered by Bach throughout Germany in his roles as organist, concert artist, examiner, teacher, and visitor. Newly revised and updated, the book's entries are listed alphabetically by geographical location, from Arnstadt to Zschortau, providing an easy-to-reference overview.
 
Includes detailed organ-specific information:
high-quality color photographs
each instrument's history, its connection to Bach, and its disposition as Bach would have known it
architectural histories of the churches housing the instruments
identification of church organists
 
Lynn Edwards Butler's graceful translation of Christoph Wolff and Markus Zepf's volume incorporates new research and many corrections and updates to the original German edition. Bibliographical references are updated to include English-language sources, and the translation includes an expanded essay by Christoph Wolff on Bach as organist, organ composer, and organ expert.
 
The volume includes maps, a timeline of organ-related events, transcriptions of Bach's organ reports, a guide to examining organs attributed to Saxony's most famous organ builder Gottfried Silbermann, and biographical information on organ builders.
 
Publication of this volume is supported by the American Bach Society.
[more]
cover of The Origins of Christian Democracy: Politics and Confession in Modern Germany

The Origins of Christian Democracy

Politics and Confession in Modern Germany

Maria D. Mitchell

University of Michigan Press, 2012

This book is a pioneering contribution to the history of the founding of the West German political system after the Second World War. The political cooperation between Catholics and Protestants that resulted in the formation of the Christian Democratic Union (CDU) in occupied and early West Germany represented a significant change from a long history of hostility in confessional relations. Given that the CDU went on to dominate politics in West Germany well into the 1960s, Maria D. Mitchell argues that an understanding of what made this interconfessional party possible is crucial to an exploration of German history in the postwar period. She examines the political history of party formation as well as the religious beliefs and motivations that shaped the party's philosophy and positions. She provides an authoritative guide to the complex processes of maneuvering and negotiation that produced the CDU during 1945-46. The full range of political possibilities is discussed, including the suppressed alternatives to the Adenauer/Erhard axis that eventually defined the party's trajectory during the 1950s and the abortive Christian Socialism associated with Jacob Kaiser.

[more]
cover of The Origins of the Authoritarian Welfare State in Prussia: Conservatives, Bureaucracy, and the Social Question, 1815-70

The Origins of the Authoritarian Welfare State in Prussia

Conservatives, Bureaucracy, and the Social Question, 1815-70

Hermann Beck

University of Michigan Press, 1997

Prussia's social and political structure, institutions, and values were in many ways formative for German history after 1871. After unification Prussia accounted for roughly two-thirds of the empire's size and population, but its weight within Germany was even greater because Prussia in large part molded the German identity and shaped Germany's image abroad. The Origins of the Authoritarian Welfare State in Prussia examines this Prussian/German identity. It investigates the complex traditions of ideas, institutions, and social policy measures that lay at the root of the conservative Prussian welfare state. The examination of the ideas and policies of Prussian officials brings out a peculiar welfare state mentality of benevolence and patriarchal concern, pervaded by authoritarian streaks, that was unique in nineteenth-century Europe. In addition, the study analyzes the historiographical implications of the question of continuity and discontinuity in German history. The Origins of the Authoritarian Welfare State in Prussia is of interest to scholars and students of German history as well as to students of governmental social policy and of the workings of a welfare state. Hermann Beck is Associate Professor of History, University of Miami.
[more]
cover of The People's Own Landscape: Nature, Tourism, and Dictatorship in East Germany

The People's Own Landscape

Nature, Tourism, and Dictatorship in East Germany

Scott Moranda

University of Michigan Press, 2014

East Germany’s Socialist Unity Party aimed to placate a public well aware of the higher standards of living enjoyed elsewhere by encouraging them to participate in outdoor activities and take vacations in the countryside. Scott Moranda considers East Germany’s rural landscapes from the perspective of both technical experts (landscape architects, biologists, and physicians) who hoped to dictate how vacationers interacted with nature, and the vacationers themselves, whose outdoor experience shaped their understanding of environmental change. As authorities eliminated traditional tourist and nature conservation organizations, dissident conservationists demanded better protection of natural spaces. At the same time, many East Germans shared their government’s expectations for economic development that had real consequences for the land. By the 1980s, environmentalists saw themselves as outsiders struggling against the state and a public that had embraced mainstream ideas about limitless economic growth and material pleasures.

[more]
cover of The Photographic Fix: Memory, Ideology, and the First World War in the Weimar Republic

The Photographic Fix

Memory, Ideology, and the First World War in the Weimar Republic

Justin Court

University of Michigan Press, 2026

The Photographic Fix explores how photographs from World War I were used in personal photo albums and mass-market picture books to determine the meaning and legacy of the postwar Weimar Republic. Due to their publication success and wide reception, picture books should be considered no small part of this broad struggle of ideas to cement the war’s legacy in the Weimar era. Drawing from a large archive of photographs created during the war by amateur soldier-photographers and professional reporters alike, Justin Court explores how visual depictions of the war were used to construct and distort memory in the highly contested realm of war commemoration in the Weimar. These books of photography reveal an effort to shape how the war was visually remembered in order to influence public opinion on myriad matters following in the war’s wake, including notions of German guilt and responsibility, the legitimacy of the Republic, and the political future of the German nation. By utilizing relatively neglected sources, The Photographic Fix expands scholarship on German war photography to illuminate how images from the war and Weimar period reflected the public’s understanding of the medium at the time.
[more]