1861 books match the query 'Social life and customs' and 358 start with t

cover of The Bodo of Assam: Revisiting a Classical Study from 1951

The Bodo of Assam

Revisiting a Classical Study from 1951

Halfdan Siiger

National University of Singapore Press, 2015

The Bodo (or Boros) are one of the indigenous tribal peoples of Assam. During colonial times they resisted Christianization and in recent decades they have been involved both in interethnic violence and separatist insurgencies. Much research has gone into understanding the Boros and their aspirations but an issue has been that earlier accounts of this once-animist people are meagre and date from the colonial period. The rediscovery and publication of the ethnographic material based on fieldwork carried out by Halfdan Siiger among the Boros in 1949–50 is thus hugely important. Siiger’s manuscript is unique, offering detailed descriptions of the social and ritual life of the Boros and new insights into the traditions and myths as they were told in the village he studied before the transformation of religious life in recent decades. Thanks to Siiger’s diligent translation and interpretation, the manuscript also preserves a number of ritual formulas and songs in the Boro language. Siiger’s manuscript is given even greater relevance by the inclusion of more recent material contributed by the editors and other contemporary scholars. In addition, his original photos are augmented by new photos from the village and by rare images from the collections of the National Museum of Denmark.
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cover of The Bottom Rung: African American Family Life on Southern Farms

The Bottom Rung

African American Family Life on Southern Farms

Stewart E. Tolnay

University of Illinois Press, 1999

The Bottom Rung presents an in-depth investigation of a population that is becoming extinct in American society: the black farmer.
 
Tracing patterns of marriage and childbearing among both whites and blacks during the first decades of this century, Stewart Tolnay pursues questions about how black southern farm families were formed and dissolved, how they educated their children or put them to work in the fields, and how they migrated in search of opportunity. Further, he considers the possible legacy of these experiences for family life in contemporary urban environments.
 
Making revealing and innovative use of public records from the early part of the twentieth century, Tolnay challenges the widely held idea that southern migrants to northern cities carried with them a dysfunctional family culture. He demonstrates the powerful impact of economic conditions on family life and views patterns of marriage and childbearing as responsive to prevailing social, economic, and political conditions. In a provocative extension of this perspective, Tolnay argues that current high levels of single-parenthood among urban African American families likewise reflect rational responses to the socio-economic environment and government policies.
 
By placing post-World War II demographic developments in a wider historical perspective, The Bottom Rung sheds new light on recent discussions of the difficulties faced by the modern black urban family. The text is enhanced by Dorothea Lange's and Russell Lee's poignant photographs.
 
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cover of The Brazilian Photographs of Genevieve Naylor, 1940–1942

The Brazilian Photographs of Genevieve Naylor, 1940–1942

Robert M. Levine

Duke University Press, 1998

In the early 1940s as the conflict between the Axis and the Allies spread worldwide, the U.S. State Department turned its attention to Axis influence in Latin America. As head of the Office of Inter-American Affairs, Nelson Rockefeller was charged with cultivating the region’s support for the Allies while portraying Brazil and its neighbors as dependable wartime partners. Genevieve Naylor, a photojournalist previously employed by the Associated Press and the WPA, was sent to Brazil in 1940 by Rockefeller’s agency to provide photographs that would support its need for propaganda. Often balking at her mundane assignments, an independent-minded Naylor produced something far different and far more rich—a stunning collection of over a thousand photographs that document a rarely seen period in Brazilian history. Accompanied by analysis from Robert M. Levine, this selection of Naylor’s photographs offers a unique view of everyday life during one of modern Brazil’s least-examined decades.
Working under the constraints of the Vargas dictatorship, the instructions of her employers, and a chronic shortage of film and photographic equipment, Naylor took advantage of the freedom granted her as an employee of the U.S. government. Traveling beyond the fashionable neighborhoods of Rio de Janeiro, she conveys in her work the excitement of an outside observer for whom all is fresh and new—along with a sensibility schooled in depression-era documentary photography of Dorothea Lange and Walker Evans, as well as the work of Cartier-Bresson and filmmaker Serge Eisenstein. Her subjects include the very rich and the very poor, black Carnival dancers, fishermen, rural peasants from the interior, workers crammed into trolleys—ordinary Brazilians in their own setting—rather than simply Brazilian symbols of progress as required by the dictatorship or a population viewed as exotic Latins for the consumption of North American travelers.
With Levine’s text providing details of Naylor’s life, perspectives on her photographs as social documents, and background on Brazil’s wartime relationship with the United States, this volume, illustrated with more than one hundred of Naylor’s Brazilian photographs will interest scholars of Brazilian culture and history, photojournalists and students of photography, and all readers seeking a broader perspective on Latin American culture during World War II.

Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York’s Museum of Modern Art. She served as Eleanor Roosevelt’s personal photographer and, in the 1950s and 1960s became well known for her work in Harper’s Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.

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cover of The Buenos Aires Reader: History, Culture, Politics

The Buenos Aires Reader

History, Culture, Politics

Diego Armus and Lisa Ubelaker Andrade, editors

Duke University Press, 2024

The Buenos Aires Reader offers an insider’s look at the diverse lived experiences of the people, politics, and culture of Argentina’s capital city primarily from the nineteenth century to the present. Refuting the tired cliché that Buenos Aires is the “Paris of South America,” this book gives a nuanced view of a city that has long been attentive to international trends yet never ceases to celebrate its local culture. The vibrant opinions, reflections, and voices of Buenos Aires come to life through selections that range from songs, poems, letters, and essays to interviews, cartoons, paintings, and historical documents, many of which have been translated into English for the first time. These selections tell the story of the city’s culture of protest and celebration, its passion for soccer and sport, its gastronomy and food traditions, its legendary nightlife, and its musical, literary, and artistic cultures. Providing an unparalleled look at Buenos Aires’s history, culture, and politics, this volume is an ideal companion for anyone interested in this dynamic, disruptive, and inventive city.
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cover of The Buried City: Unearthing the Real Pompeii

The Buried City

Unearthing the Real Pompeii

Gabriel Zuchtriegel

University of Chicago Press, 2025

The director of the Pompeii Archaeological Park offers a vivid view of daily life in the lost city, shares the latest discoveries, and reflects on preserving heritage.
 
In The Buried City, Gabriel Zuchtriegel takes us on a behind-the-scenes tour of Pompeii and reveals new archaeological finds that are being unearthed at the site’s biggest dig in a generation. As director of the Pompeii Archaeological Park, Zuchtriegel presents a uniquely intimate perspective on this city that was tragically destroyed and frozen in time by the eruption of Mount Vesuvius in 79 CE. Among the ruins, we find unmade beds, dishes left drying, and bodies of victims encased in ash, but Zuchtriegel shows that we’ve only begun to understand this fascinating place, as a third of the site remains unexcavated.
 
Zuchtriegel leads us into the heart of the city, reconstructing Pompeii as it would have been, showing us who lived there, what mattered to them, and what happened in their final hours. The Buried City reveals the latest discoveries unearthed at Pompeii—including a banquet hall with murals of Greek gods, a fresco of what appears to be a pizza, and the remains of individuals crushed by debris—all buried for almost two thousand years. Zuchtriegel offers a vivid portrait of this World Heritage site as a vibrant and diverse city, connecting us to a past that is much closer than we think and inviting us to reflect on our role as keepers of the site and its history.
 
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cover of The Burning And Other Stories

The Burning And Other Stories

Jack Cady

University of Iowa Press, 1972

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cover of The Calusa: Linguistic and Cultural Origins and Relationships

The Calusa

Linguistic and Cultural Origins and Relationships

Julian Granberry

University of Alabama Press, 2012

Presents a full phonological and morphological analysis of the total corpus of surviving Calusa language data left by a literate Spanish captive held by the Calusa from his early youth to adulthood

The linguistic origins of Native American cultures and the connections between these cultures as traced through language in prehistory remain vexing questions for scholars across multiple disciplines and interests.  Native American linguist Julian Granberry defines the Calusa language, formerly spoken in southwestern coastal Florida, and traces its connections to the Tunica language of northeast Louisiana.

Archaeologists, ethnologists, and linguists have long assumed that the Calusa language of southwest Florida was unrelated to any other Native American language. Linguistic data can offer a unique window into a culture’s organization over space and time; however, scholars believed the existing lexical data was insufficient and have not previously attempted to analyze or define Calusa from a linguistic perspective.

In The Calusa: Linguistic and Cultural Origins and Relationships, Granberry presents a full phonological and morphological analysis of the total corpus of surviving Calusa language data left by a literate Spanish captive held by the Calusa from his early youth to adulthood. In addition to further defining the Calusa language, this book presents the hypothesis of language-based cultural connections between the Calusa people and other southeastern Native American cultures, specifically the Tunica. Evidence of such intercultural connections at the linguistic level has important implications for the ongoing study of life among prehistoric people in North America. Consequently, this thoroughly original and meticulously researched volume breaks new ground and will add new perspectives to the broader scholarly knowledge of ancient North American cultures and to debates about their relationships with one another.

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cover of The Cape Herders: A History of the Khoikhoi of Southern Africa

The Cape Herders

A History of the Khoikhoi of Southern Africa

Emile Boonzaier

Ohio University Press, 1996

The Cape Herders provides the first comprehensive picture of the Khoikhoi people. In doing so, it fills a long-standing gap in the resources of Southern African studies, and at a time when interest in the indigenous populations of South Africa is growing daily.

Combining the insights of archaeology, history, and anthropology, this account ranges from the origins of the Khoikhoi in Southern Africa to the contemporary politics of the Namaqualand “reserves.” Its authors have produced a scholarly, yet accessible, book, lavishly illustrated and supplemented with short biographies and fascinating detail.

The Cape Herders explodes a variety of South African myths—not least those surrounding the negative stereotype of the “Hottentot” and those which contribute to the idea that the Khoikhoi are by now “a vanished people.” The story it tells instead is one of enduring interest—the history of a herding people in Southern Africa, its society, economy, and culture, its relationship to the indigenous hunters of the Cape, its encounters with European expeditions, and its subsequent exposure to the first effects of colonization. It is a story of change and adaptation, and it confirms the Khoikhoi’s central role in the making of today’s South Africa.

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cover of The Cassowary's Revenge: The Life and Death of Masculinity in a New Guinea Society

The Cassowary's Revenge

The Life and Death of Masculinity in a New Guinea Society

Donald Tuzin

University of Chicago Press, 1997

Donald Tuzin first studied the New Guinea village of Ilahita in 1972. When he returned many years later, he arrived in the aftermath of a startling event: the village’s men voluntarily destroyed their secret cult that had allowed them to dominate women for generations. The cult’s collapse indicated nothing less than the death of masculinity, and Tuzin examines the labyrinth of motives behind this improbable, self-devastating act. The villagers' mythic tradition provided a basis for this revenge of Woman upon the dominion of Man, and, remarkably, Tuzin himself became a principal figure in its narratives. The return of the magic-bearing "youngest brother" from America had been prophesied, and the villagers believed that Tuzin’s return "from the dead" signified a further need to destroy masculine traditions.

The Cassowary's Revenge is an intimate account of how Ilahita’s men and women think, emote, dream, and explain themselves. Tuzin also explores how the death of masculinity in a remote society raises disturbing implications for gender relations in our own society. In this light Tuzin's book is about men and women in search of how to value one another, and in today's world there is no theme more universal or timely.
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cover of The Centenary Edition of the Works of Nathaniel Hawthorne: VOL. IX, TWICE-TOLD TALES

The Centenary Edition of the Works of Nathaniel Hawthorne

VOL. IX, TWICE-TOLD TALES

Nathaniel Hawthorne

The Ohio State University Press, 1974

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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cover of The Centenary Edition of the Works of Nathaniel Hawthorne: VOL. V, OUR OLD HOME

The Centenary Edition of the Works of Nathaniel Hawthorne

VOL. V, OUR OLD HOME

Nathaniel Hawthorne

The Ohio State University Press, 1970

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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cover of The Centenary Edition of the Works of Nathaniel Hawthorne: VOL. VIII, THE AMERICAN NOTEBOOKS

The Centenary Edition of the Works of Nathaniel Hawthorne

VOL. VIII, THE AMERICAN NOTEBOOKS

Nathaniel Hawthorne

The Ohio State University Press, 1972

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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cover of The Centenary Edition of the Works of Nathaniel Hawthorne: VOL. X, MOSSES FROM AN OLD MANSE

The Centenary Edition of the Works of Nathaniel Hawthorne

VOL. X, MOSSES FROM AN OLD MANSE

Nathaniel Hawthorne

The Ohio State University Press, 1974

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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cover of The Centenary Edition of the Works of Nathaniel Hawthorne: Vol. XI, The Snow Image and Uncollected Tales

The Centenary Edition of the Works of Nathaniel Hawthorne

Vol. XI, The Snow Image and Uncollected Tales

Nathaniel Hawthorne

The Ohio State University Press, 1974

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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cover of The Challenge of Modernity: German Social and Cultural Studies, 1890-1960

The Challenge of Modernity

German Social and Cultural Studies, 1890-1960

Adelheid von Saldern

University of Michigan Press, 2002

Adelheid von Saldern is one of the most productive, thoughtful, and innovative researchers in the field of twentieth-century German history. Her already long career has been distinguished by a willingness to take intellectual risks by participating in new historiographical movements, borrowing from cultural anthropology, focusing on the social and cultural history of everyday life, and demonstrating the importance of gender history. In this volume, she expressly focuses on the various challenges modernity posed to German society between 1900 and 1960. Throughout, von Saldern is particularly concerned with public perceptions, debates, and attitudes.
The essays contained in The Challenge of Modernity cover three distinct subject areas: the history of the Social Democratic labor movement, housing, and popular and mass culture. More specifically, von Saldern addresses the self-modernizing Social Democratic Party; Social Democrats' and Communists' opposing views of modernization; social rationalization in the private sphere (particularly with regard to women and hygiene); sport; the arrival of "trashy" literature, movies, and radio in Germany; and cultural conservatives' attempts to enhance a national and Volks-culture in opposition to mass-culture, Americanization, and the avant-garde. The variety of responses to the modernization process, as well as von Saldern's focus on social agents, makes this book unique.
Required reading for scholars of social, cultural, and gender history, The Challenge of Modernity will also find an audience among urban anthropologists, political scientists, and sociologists. Von Saldern's ability to combine a strong theoretical framework with concrete historical examples will also make this outstanding reading for undergraduate and graduate students seeking to familiarize themselves with the history of German society and culture.
Adelheid von Saldern is Professor of Modern History and Director, Historisches Seminar, Universität Hanover.
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cover of The Chican@ Hip Hop Nation: Politics of a New Millennial Mestizaje

The Chican@ Hip Hop Nation

Politics of a New Millennial Mestizaje

Pancho McFarland

Michigan State University Press, 2013

The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexican@/Chican@ culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chican@ rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chican@ or Mexican@ today. While some identify as Mexican mestizos, others identify as indigenous people or base their identities on their class and racial/ethnic makeup. No less significant is the intimate level of contact between Chican@s and black Americans. Via a firm theoretical foundation, Pancho McFarland explores the language and ethos of Chican@/Mexican@ hip hop and sheds new light on three distinct identities reflected in the music: indigenous/Mexica, Mexican nationalist/immigrant, and street hopper. With particular attention to the intersection of black and Chicano cultures, the author places exciting recent developments in music forms within the context of progressive social change, social justice, identity, and a new transnational, polycultural America.
[more]
cover of The Chicken and the Quetzal: Incommensurate Ontologies and Portable Values in Guatemala's Cloud Forest

The Chicken and the Quetzal

Incommensurate Ontologies and Portable Values in Guatemala's Cloud Forest

Paul Kockelman

Duke University Press, 2016

In The Chicken and the Quetzal Paul Kockelman theorizes the creation, measurement, and capture of value by recounting the cultural history of a village in Guatemala's highland cloud forests and its relation to conservation movements and ecotourism. In 1990 a group of German ecologists founded an NGO to help preserve the habitat of the resplendent quetzal—the strikingly beautiful national bird of Guatemala—near the village of Chicacnab. The ecotourism project they established in Chicacnab was meant to provide new sources of income for its residents so they would abandon farming methods that destroyed quetzal habitat. The pressure on villagers to change their practices created new values and forced negotiations between indigenous worldviews and the conservationists' goals. Kockelman uses this story to offer a sweeping theoretical framework for understanding the entanglement of values as they are interpreted and travel across different and often incommensurate ontological worlds. His theorizations apply widely to studies of the production of value, the changing ways people make value portable, and value's relationship to ontology, affect, and selfhood. 
 
 
[more]
cover of The Chinese Question: Ethnicity, Nation, and Region in and Beyond the Philippines

The Chinese Question

Ethnicity, Nation, and Region in and Beyond the Philippines

Caroline S. Hau

National University of Singapore Press, 2014

The rising strength of mainland China has spurred a revival of “Chineseness” in the Philippines. Perceived during the Cold War era as economically dominant, politically disloyal, and culturally different, the “Chinese” presented themselves as an integral part of the Filipino imagined community. Today, as Filipinos seek associations with China, many of them see the local Chinese community as key players in East Asian regional economic development.


        With the revaluing of Chineseness has come a repositioning of  “Chinese” racial and cultural identity. Philippine mestizos (people of mixed ancestry) form an important sub-group of the Filipino elite, but their Chineseness was occluded as they disappeared into the emergent Filipino nation. In the twentieth century, mestizos defined themselves and based claims to privilege on “white” ancestry, but mestizos are now actively reclaiming their “Chinese” heritage. At the same time, so-called “pure Chinese” are parlaying their connections into cultural, social, symbolic, or economic capital, and leaders of mainland Chinese state companies have entered into politico-business alliances with the Filipino national elite. As the meanings of  “Chinese” and “Filipino” evolve, intractable contradictions are appearing in the concepts of citizenship and national belonging.


        Through an examination of cinematic and literary works, The Chinese Question shows how race, class, ideology, nationality, territory, sovereignty, and mobility are shaping the discourses of national integration, regional identification, and global cosmopolitanism.
[more]
cover of The City at Its Limits: Taboo, Transgression, and Urban Renewal in Lima

The City at Its Limits

Taboo, Transgression, and Urban Renewal in Lima

Daniella Gandolfo

University of Chicago Press, 2009

In 1996, against the backdrop of Alberto Fujimori’s increasingly corrupt national politics, an older woman in Lima, Peru—part of a group of women street sweepers protesting the privatization of the city’s cleaning services—stripped to the waist in full view of the crowd that surrounded her. Lima had just launched a campaign to revitalize its historic districts, and this shockingly transgressive act was just one of a series of events that challenged the norms of order, cleanliness, and beauty that the renewal effort promoted. The City at Its Limits employs a novel and fluid interweaving of essays and field diary entries as Daniella Gandolfo analyzes the ramifications of this act within the city’s conflicted history and across its class divisions. She builds on the work of Georges Bataille to explore the relation between taboo and transgression, while Peruvian novelist and anthropologist José María Arguedas’s writings inspire her to reflect on her return to her native city in movingly intimate detail. With its multiple perspectives—personal, sociological, historical, and theoretical—The City at Its Limits is a pioneering work on the cutting edge of ethnography.
[more]
cover of The Clerk's Tale: Young Men and Moral Life in Nineteenth-Century America

The Clerk's Tale

Young Men and Moral Life in Nineteenth-Century America

Thomas Augst

University of Chicago Press, 2003

Thousands of men left their families for the bustling cities of nineteenth-century America, where many of them found work as clerks. The Clerk's Tale recounts their remarkable story, describing the struggle of aspiring businessmen to come of age at the dawn of the modern era. How did these young men understand the volatile world of American capitalism and make sense of their place within it?

Thomas Augst follows clerks as they made their way through the boarding houses, parlors, and offices of the big city. Tracing the course of their everyday lives, Augst shows how these young men used acts of reading and writing to navigate the anonymous world of market culture and claim identities for themselves within it. Clerks, he reveals, calculated their prospects in diaries, composed detailed letters to friends and family, attended lectures by key thinkers of the day, joined libraries where they consumed fiction, all while wrestling with the boredom of their work. What results, then, is a poignant look at the literary practices of ordinary people and an affecting meditation on the moral lives of men in antebellum America.
[more]
cover of The Collected Short Stories of Harriette Simpson Arnow

The Collected Short Stories of Harriette Simpson Arnow

Harriette Simpson Arnow

Michigan State University Press, 2005

Harriette Simpson Arnow is an American treasure. Of the twenty-five stories in this collection, fifteen were previously unpublished. Until now, the short fiction of Arnow has remained relatively obscure despite the literary acclaim given to her novels The Dollmaker and Hunter’s Horn. These stories, written early in her career for the most part, reveal an artistic vision and narrative skill and serve as harbingers for her later work. They echo her interest in both agrarian and urban communities, the sharpening of her social conscience, and her commitment to creating credible and complex characters. This collection is organized against the backdrop of her life, from Kentucky in the 1920s to Ohio and Kentucky in the 1930s and to Michigan in the 1940s. As Arnow fans read these early gems, they will be led from gravel roads to city pavement and open layers of Arnow’s development as a novelist to expose the full range of her contributions to American literature.
     In 1938, Esquire purchased "The Hunters," which was eventually published as "The Two Hunters," a chilling story of a seventeen-year- old boy’s confrontation with a deputy sheriff. At the time, Esquire did not accept submissions from women, and its editors had no idea that writer H. L. Simpson was not a man. Years later, she admitted in an interview, "it worried me a little, that big lie, but I thought if they wanted a story, let them have it." Esquire paid her $125 for this story. The contributor’s notes at the back of the magazine include a photo of "H.L.Simpson," actually a photo of one of her brothers-in-law. It was her little joke on a publisher that discriminated against women....
—from the Introduction

[more]
cover of The Community of Nuchi Du Takara ("Life Is the Ultimate Treasure") in Postwar Okinawa: Local Subjectivity within and against Empire

The Community of Nuchi Du Takara ("Life Is the Ultimate Treasure") in Postwar Okinawa

Local Subjectivity within and against Empire

Masamichi (Marro) Inoue

University of Michigan Press, 2025

Against the background of the prolonged US military presence in post–World War II Okinawa, The Community of Nuchi Du Takara (“Life Is the Ultimate Treasure”) in Postwar Okinawa explores the conflict between Okinawa and the US-Japan alliance. Developing the local notion of nuchi du takara into an analytical concept, Inoue examines how Okinawan activists, artists, writers, and other social actors have resisted US military presence, particularly the planned construction of a new military facility in northern Okinawa. The concept of nuchi du takara also helps Inoue explore complex negotiations Okinawa has had with Washington and Tokyo beyond resistance and protest, a process that involves developing a local communal capacity to embrace diverse and often contradictory attitudes toward the US military. Inoue’s grounded investigation underscores the possibility of small yet significant, incremental social changes from below, a possibility that ultimately points toward the World Republic—an international politics built upon peace, democracy, and shared affluence—against the sovereignty of global capitalism.
[more]
cover of The Complete Tales of Nikolai Gogol, Volume 1

The Complete Tales of Nikolai Gogol, Volume 1

Nikolai Gogol

University of Chicago Press, 1985

The complete tales of one of the most creative, incisive, and entertaining of the Russian masters
 
Nikolai Gogol was an artist who, like Rabelais, Cervantes, Swift, and Sterne, "knew how to walk upside down in our valley of sorrows so as to make it to a merry place." The list of writers who credit his absurd, bitingly satirical, wildly funny work as an influence includes Dostoevsky, Kafka, Mikhail Bulgakov, Nabokov, Flannery O'Connor, and many more. 
 
This two-volume edition at last brings all of Gogol's fiction (except his novel Dead Souls) together in paperback. Volume 1 includes Evenings on a Farm near Dikanka, the early Ukrainian folktales that first brought Gogol fame, as well as "Nevsky Prospekt" and "Diary of a Madman." 
 
[more]
cover of The Complete Tales of Nikolai Gogol, Volume 2

The Complete Tales of Nikolai Gogol, Volume 2

Nikolai Gogol

University of Chicago Press, 1983

The complete tales of one of the most creative, incisive, and entertaining of the Russian masters
 
Nikolai Gogol was an artist who, like Rabelais, Cervantes, Swift, and Sterne, "knew how to walk upside down in our valley of sorrows so as to make it to a merry place." The list of writers who credit his absurd, bitingly satirical, wildly funny work as an influence includes Dostoevsky, Kafka, Mikhail Bulgakov, Nabokov, Flannery O'Connor, and many more. 
 
This two-volume edition at last brings all of Gogol's fiction (except his novel Dead Souls) together in paperback. Volume 2 of The Complete Tales includes Gogol's Mirgorod stories—among them that masterpiece of grotesque comedy, "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich," the wonderfully satiric "Old World Landowners," and the Cossak epic "Taras Bulba." Here also is "The Nose," Gogol's final effort in the realm of the fantastic, as well as "The Coach," "The Portrait" (in its final version), and the most influential of his Petersburg stories, "The Overcoat."
[more]
cover of The Complex Friendships of Alexander the Great: Loyalty, Love, Advantage, and Intrigue

The Complex Friendships of Alexander the Great

Loyalty, Love, Advantage, and Intrigue

Joseph Roisman

University of Texas Press, 2026

A first-of-its-kind study of Alexander the Great that examines the diverse manifestations and pivotal role of friendship in his campaigns, decisions, and enduring legacy.

Modern scholarship has illuminated nearly every aspect of Alexander the Great’s life and campaigns––but Joseph Roisman turns to a dimension of Alexander’s world that has yet to receive sustained analysis: the structure and function of friendship in the king’s regime. In this first-of-its-kind study, The Complex Friendships of Alexander the Great explores the central role friendship played in Alexander’s social, political, and cultural world. Moving beyond utilitarian perspectives, Roisman shows that friendship with the king involved affective, noninstrumental bonds that shaped his decisions, successes, and failures.

Using Aristotle’s philosophy of friendship as a starting point, Roisman examines the making, breaking, and remaking of bonds with Macedonian companions, including his closest allies, as well as with foreigners encountered during his campaigns. The book concludes with the first comprehensive list of Alexander’s friends drawn from ancient sources. Combining meticulous scholarship with new interpretive insight, this study reevaluates how we understand Alexander the Great’s leadership, social networks, and legacy.

[more]
cover of The Conjure Woman and Other Conjure Tales

The Conjure Woman and Other Conjure Tales

Charles W. Chesnutt

Duke University Press, 1993

The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work.
In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman.
Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.
[more]
cover of The Cord Keepers: Khipus and Cultural Life in a Peruvian Village

The Cord Keepers

Khipus and Cultural Life in a Peruvian Village

Frank Salomon

Duke University Press, 2004

None of the world’s “lost writings” have proven more perplexing than the mysterious script in which the Inka Empire kept its records. Ancient Andean peoples encoded knowledge in knotted cords of cotton or wool called khipus. In The Cord Keepers, the distinguished anthropologist Frank Salomon breaks new ground with a close ethnography of one Andean village where villagers, surprisingly, have conserved a set of these enigmatic cords to the present day. The “quipocamayos,” as the villagers call them, form a sacred patrimony. Keying his reading to the internal life of the ancient kin groups that own the khipus, Salomon suggests that the multicolored cords, with their knots and lavishly woven ornaments, did not mimic speech as most systems of writing do, but instead were anchored in nonverbal codes. The Cord Keepers makes a compelling argument for a close intrinsic link between rituals and visual-sign systems. It indicates that, while Andean graphic representation may differ radically from familiar ideas of writing, it may not lie beyond the reach of scholarly interpretation.

In 1994, Salomon witnessed the use of khipus as civic regalia on the heights of Tupicocha, in Peru’s central Huarochirí region. By observing the rich ritual surrounding them, studying the village’s written records from past centuries, and analyzing the khipus themselves, Salomon opens a fresh chapter in the quest for khipu decipherment. He draws on a decade’s field research, early colonial records, and radiocarbon and fiber analysis. Challenging the prevailing idea that the use of khipus ended under early Spanish colonial rule, Salomon reveals that these beautiful objects served, apparently as late as the early twentieth century, to document households’ contribution to their kin groups and these kin groups’ contribution to their village. The Cord Keepers is a major contribution to Andean history and, more broadly, to understandings of writing and literacy.

[more]
cover of The Courthouse Square in Texas

The Courthouse Square in Texas

By Robert E. Veselka

University of Texas Press, 2000

With its dignified courthouse set among shade trees and lawns dotted with monuments to prominent citizens and fallen veterans, the courthouse square remains the civic center in a majority of the county seats of Texas. Yet the squares themselves vary in form and layout, reflecting the different town-planning traditions that settlers brought from Europe, Mexico, and the United States. In fact, one way to trace settlement patterns and ethnic dispersion in Texas is by mapping the different types of courthouse squares.

This book offers the first complete inventory of Texas courthouse squares, drawn from extensive archival research and site visits to 139 of the 254 county seats. Robert Veselka classifies every existing plan by type and origin, including patterns and variants not previously identified. He also explores the social and symbolic functions of these plans as he discusses the historical and modern uses of the squares. He draws interesting new conclusions about why the courthouse square remains the hub of commercial and civic activity in the smaller county seats, when it has lost its prominence in others.

[more]
cover of The Cowgirls

The Cowgirls

Joyce Gibson Roach

University of North Texas Press, 1990

[more]
cover of The Cree Language is Our Identity: The La Ronge lectures of Sarah Whitecalf

The Cree Language is Our Identity

The La Ronge lectures of Sarah Whitecalf

Sarah Whitecalf

University of Manitoba Press, 1983

[more]
cover of The Crisis of Masculinity in the Age of Augustus

The Crisis of Masculinity in the Age of Augustus

Melanie Racette-Campbell

University of Wisconsin Press, 2023

The political rupture caused by the ascension of Augustus Caesar in ancient Rome, which ended the centuries-old Republic, had drastic consequences for the performance and understanding of masculinity in a markedly androcentric society. Previously, masculinity was established and maintained through the frame of competition, in both public and private spheres—but the total accumulation of power by one man foreclosed most avenues of, and even appreciation for, competition. Melanie Racette-Campbell examines how Rome’s elite men navigated this liminal moment between Republic and Empire and shows that the process was neither linear nor uniform.

Careful reading of contemporary texts reveals a decades-long process as tumultuous and unsteady as the political events they echoed, one in which multiple and competing strategies for reconceiving the nature of masculinity were tested, employed, discarded, and adopted in a complex public-private discourse. The eventual reconstitution of a definition of Roman manhood was not easily agreed upon. Masculinity in both the Republic and the Empire are well-studied subjects, but by shining a light on the precise moment of transition Racette-Campbell unveils the complexity, contours, and nuances of the Augustan crisis of masculinity.
[more]
cover of The Cult of Health and Beauty in Germany: A Social History, 1890-1930

The Cult of Health and Beauty in Germany

A Social History, 1890-1930

Michael Hau

University of Chicago Press, 2003

From the 1890s to the 1930s, a growing number of Germans began to scrutinize and discipline their bodies in a utopian search for perfect health and beauty. Some became vegetarians, nudists, or bodybuilders, while others turned to alternative medicine or eugenics. In The Cult of Health and Beauty in Germany, Michael Hau demonstrates why so many men and women were drawn to these life reform movements and examines their tremendous impact on German society and medicine.

Hau argues that the obsession with personal health and fitness was often rooted in anxieties over professional and economic success, as well as fears that modern industrialized civilization was causing Germany and its people to degenerate. He also examines how different social groups gave different meanings to the same hygienic practices and aesthetic ideals. What results is a penetrating look at class formation in pre-Nazi Germany that will interest historians of Europe and medicine and scholars of culture and gender.
[more]
cover of The Culture of Cursilería: Bad Taste, Kitsch, and Class in Modern Spain

The Culture of Cursilería

Bad Taste, Kitsch, and Class in Modern Spain

Noel Valis

Duke University Press, 2002

Not easily translated, the Spanish terms cursi and cursilería refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture.

Valis finds evidence in literature, cultural objects, and popular customs to
argue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering from nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class exaggerated their own social status in an attempt to protect their cultural capital. While the resulting manifestations of cursilería were often provincial, indeed backward, the concept was—and still is—closely associated with a sense of home. Ultimately, Valis shows how cursilería embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity.

The Culture of Cursiler
ía will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.

[more]
cover of The Culture of Islam: Changing Aspects of Contemporary Muslim Life

The Culture of Islam

Changing Aspects of Contemporary Muslim Life

Lawrence Rosen

University of Chicago Press, 2002

Having worked for several decades in North Africa, anthropologist Lawrence Rosen is uniquely placed to ask what factors contribute to the continuity and changes characterizing the present-day Muslim world. In The Culture of Islam, he brings his erudition and his experiences to illuminating key aspects of Muslim life and how central tenets of that life are being challenged and culturally refashioned.

Through a series of poignant tales—from the struggle by a group of friends against daily corruption to the contest over a saint's identity, from nostalgia for the departed Jews to Salman Rushdie's vision of doubt in a world of religious certainty—Rosen shows how a dazzling array of potential changes are occurring alongside deeply embedded continuity, a process he compares to a game of chess in which infinite variations of moves can be achieved while fundamental aspects of "the game" have had a remarkably enduring quality. Whether it is the potential fabrication of new forms of Islam by migrants to Europe (creating a new "Euro-Islam," as Rosen calls it), the emphasis put on individuals rather than institutions, or the heartrending problems Muslims may face when their marriages cross national boundaries, each story and each interpretation offers a window into a world of contending concepts and challenged coherence.

The Culture of Islam is both an antidote to simplified versions of Islam circulating today and a consistent story of the continuities that account for much of ordinary Muslim life. It offers, in its human stories and its insights, its own contribution, as the author says, "to the mutual understanding and forgiveness that alone will make true peace possible."
[more]
cover of The Culture of San Sepolcro during the Youth of Piero della Francesca

The Culture of San Sepolcro during the Youth of Piero della Francesca

James R. Banker

University of Michigan Press, 2003

The paintings of Piero della Francesca have remained intriguing because of their distinctive three-dimensional space and unemotional figures, but the artist himself remains a mystery. Curiously, his activities were not confined to painting. He wrote treatises on perspective, commercial arithmetic, and geometry, all without ever settling in any of the centers of great intellectual achievement. James R.Banker has unearthed previously undiscovered documents that make it possible for him to write a social biography of the artist that accounts for his early formation. The Culture of San Sepolcro during the Youth of Piero della Francesca examines the culture of the southeastern Tuscan town of Piero's youth. Analyses of San Sepolcro's political and social organization and its specific religious culture serve to enhance our understanding of Piero's early career prior to his experiences in Florence.
Piero della Francesca has remained an enigma because of the contradictions observed in his life and art. Banker's archival research has enabled him to clear away some of the obscurities. This book situates Piero in the earliest social and intellectual worlds within which he moved. Heretofore, writers on Piero have begun his putative formation in Florence in 1439. Banker demonstrates that the young painter's formation began prior to 1439, when he was surrounded by his family and the local artisans' community.
The Culture of San Sepolcro during the Youth of Piero della Francesca integrates social and art history in order to better understand the formation of a Renaissance artist. It will be vital to scholars and historians of the Italian Renaissance city states, as well as to art historians and those interested in the relationship of art and society.
James R. Banker is Professor of History, North Carolina State University.
[more]
cover of The Daily Lives of the Anglo-Saxons

The Daily Lives of the Anglo-Saxons

Carole Biggam

Arizona Center for Medieval and Renaissance Studies, 2017

Essays in Anglo-Saxon Studies v.8 (Glasgow, 2015).

Insights into the lives of any group of historical people are provided by three main types of evidence: their language, their literature and their material culture. The contributors to this volume draw on all three types of evidence in order to present new research into the lives of the Anglo-Saxons. The particular focus is on daily life – the ordinary rather than the extraordinary, the normal rather than the exceptional. Rather than attempting an overview, the essays address individual scenarios in greater depth, but with an emphasis on shared experience.

The following scholars have contributed essays to this collection:

Martha Bayless
University of Oregon

Carole P. Biggam
University of Glasgow

Paul Cavill
University of Nottingham

Amy W. Clark
University of California, Berkeley

James Graham-Campbell
University College London

Antonina Harbus
Macquarie University, Sydney

Carole Hough
University of Glasgow

Daria Izdebska
Liverpool Hope University

Karen Louise Jolly
University of Hawai‘i at Mānoa

Alexandra Lester-Makin
University of Manchester

Elisabeth Okasha
University College, Cork

Phyllis Portnoy
University of Manitoba

Jane Roberts
University of London
[more]
cover of The Day the Dancers Stayed: Performing in the Filipino/American Diaspora

The Day the Dancers Stayed

Performing in the Filipino/American Diaspora

Theodore S. Gonzalves

Temple University Press, 2009

Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances—and parodies of them—these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification.

Gonzalves traces a genealogy of performance repertoire from the 1930s to the present. Culture nights serve several functions: as exercises in nostalgia, celebrations of rigid community entertainment, and occasionally forums for political intervention. Taking up more recent parodies of Pilipino Cultural Nights, Gonzalves discusses how the rebellious spirit that enlivened the original seditious performances has been stifled.

[more]
cover of The Death of Aztec Tenochtitlan, the Life of Mexico City

The Death of Aztec Tenochtitlan, the Life of Mexico City

By Barbara E. Mundy

University of Texas Press, 2015

Winner, Book Prize in Latin American Studies, Colonial Section of Latin American Studies Association (LASA), 2016
ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016

The capital of the Aztec empire, Tenochtitlan, was, in its era, one of the largest cities in the world. Built on an island in the middle of a shallow lake, its population numbered perhaps 150,000, with another 350,000 people in the urban network clustered around the lake shores. In 1521, at the height of Tenochtitlan’s power, which extended over much of Central Mexico, Hernando Cortés and his followers conquered the city. Cortés boasted to King Charles V of Spain that Tenochtitlan was “destroyed and razed to the ground.” But was it?

Drawing on period representations of the city in sculptures, texts, and maps, The Death of Aztec Tenochtitlan, the Life of Mexico City builds a convincing case that this global capital remained, through the sixteenth century, very much an Amerindian city. Barbara E. Mundy foregrounds the role the city’s indigenous peoples, the Nahua, played in shaping Mexico City through the construction of permanent architecture and engagement in ceremonial actions. She demonstrates that the Aztec ruling elites, who retained power even after the conquest, were instrumental in building and then rebuilding the city. Mundy shows how the Nahua entered into mutually advantageous alliances with the Franciscans to maintain the city's sacred nodes. She also focuses on the practical and symbolic role of the city’s extraordinary waterworks—the product of a massive ecological manipulation begun in the fifteenth century—to reveal how the Nahua struggled to maintain control of water resources in early Mexico City.

[more]
cover of The Death of Mr. Baltisberger

The Death of Mr. Baltisberger

Bohumil Hrabal

Northwestern University Press, 2010

Originally published as The Death of Mr. Baltisberger, the fourteen stories in Romance showcase the breadth of Bohumil Hrabal’s considerable gifts: his humor of the grotesque, his often surprising warmth, and his hard-edged, fast-paced style. In the story "Romance," a plumber’s apprentice and a gypsy girl reach toward a tentative connection across the chasm that separates their worlds. Another unlikely love story, "World Cafeteria," features a romance between a young man whose girlfriend has just committed suicide and a bride whose husband lands in jail on their wedding night. The tone turns to the absurd in "The Death of Mr. Baltisberger," where a crippled ex-motorcyclist and three people he meets at the track exchange wildly improbably reminiscences, while a fatal Grand Prix motorcycle race rages around them. Hrabal’s psychological insight into quotidian interactions saturates stories such as "A Dull Afternoon," where a mysterious, self-absorbed stranger disrupts the psychic calm of a neighborhood tavern and becomes the silent catalyst for an unwanted truth. Throughout the collection, noted translator Michael Henry Heim captures the quirky speech patterns and idiosyncratic takes on life that have made Hrabal’s characters an indispensable part of world literature.
[more]
cover of The Decapitated Chicken and Other Stories

The Decapitated Chicken and Other Stories

By Horacio Quiroga

University of Texas Press, 1976

Tales of horror, madness, and death, tales of fantasy and morality: these are the works of South American master storyteller Horacio Quiroga. Author of some 200 pieces of fiction that have been compared to the works of Poe, Kipling, and Jack London, Quiroga experienced a life that surpassed in morbidity and horror many of the inventions of his fevered mind. As a young man, he suffered his father's accidental death and the suicide of his beloved stepfather. As a teenager, he shot and accidentally killed one of his closest friends. Seemingly cursed in love, he lost his first wife to suicide by poison. In the end, Quiroga himself downed cyanide to end his own life when he learned he was suffering from an incurable cancer.

In life Quiroga was obsessed with death, a legacy of the violence he had experienced. His stories are infused with death, too, but they span a wide range of short fiction genres: jungle tale, Gothic horror story, morality tale, psychological study. Many of his stories are set in the steaming jungle of the Misiones district of northern Argentina, where he spent much of his life, but his tales possess a universality that elevates them far above the work of a regional writer.

The first representative collection of his work in English, The Decapitated Chicken and Other Stories provides a valuable overview of the scope of Quiroga's fiction and the versatility and skill that have made him a classic Latin American writer.

[more]
cover of The Devil's Book of Culture: History, Mushrooms, and Caves in Southern Mexico

The Devil's Book of Culture

History, Mushrooms, and Caves in Southern Mexico

By Benjamin Feinberg

University of Texas Press, 2003

Since the 1950s, the Sierra Mazateca of Oaxaca, Mexico, has drawn a strange assortment of visitors and pilgrims—schoolteachers and government workers, North American and European spelunkers exploring the region's vast cave system, and counterculturalists from hippies (John Lennon and other celebrities supposedly among them) to New Age seekers, all chasing a firsthand experience of transcendence and otherness through the ingestion of psychedelic mushrooms "in context" with a Mazatec shaman. Over time, this steady incursion of the outside world has significantly influenced the Mazatec sense of identity, giving rise to an ongoing discourse about what it means to be "us" and "them."

In this highly original ethnography, Benjamin Feinberg investigates how different understandings of Mazatec identity and culture emerge through talk that circulates within and among various groups, including Mazatec-speaking businessmen, curers, peasants, intellectuals, anthropologists, bureaucrats, cavers, and mushroom-seeking tourists. Specifically, he traces how these groups express their sense of culture and identity through narratives about three nearby yet strange discursive "worlds"—the "magic world" of psychedelic mushrooms and shamanic practices, the underground world of caves and its associated folklore of supernatural beings and magical wealth, and the world of the past or the past/present relationship. Feinberg's research refutes the notion of a static Mazatec identity now changed by contact with the outside world, showing instead that identity forms at the intersection of multiple transnational discourses.

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cover of The Devil's Church and Other Stories

The Devil's Church and Other Stories

By Joaquim Maria Machado de Assis

University of Texas Press, 1977

The modem Brazilian short story begins with the mature work of Joaquim Maria Machado de Assis (1839-1908), acclaimed almost unanimously as Brazil's greatest writer. Collectively, these nineteen stories are representative of Machado's unique style and world view, and this translation doubles the number of his stories previously available in English.

The stories in this volume reflect Machado's post-1880 emphasis on social satire and experimentation in psychological realism. If he had continued to produce the moralistic love stories and parlor intrigues of his earlier fiction, Machado's legacy would have been an entertaining but inconsequent body of work. However, by 1880 he had begun a devastating satirical assault on society through his fiction. In spite of his ruthlessness, Machado does at times reveal an ironic sympathy for his characters. He is not indifferent to human conflict but uses humor and irony to stress the absurdity of these conflicts, acted out against the backdrop of an indifferent universe. Such a spectacle creates a sense of helplessness that can only inspire wistful amusement.

In his technical mastery of the short story. Machado was decades ahead of his contemporaries and can still be considered more modern than most of the modernists themselves. That his stories elicit such strong and diverse reactions today is a tribute to their richness, complexity, and significance.

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cover of The Dialogue of Earth and Sky: Dreams, Souls, Curing, and the Modern Aztec Underworld

The Dialogue of Earth and Sky

Dreams, Souls, Curing, and the Modern Aztec Underworld

Timothy J. Knab

University of Arizona Press, 2004

In Mexico’s Sierra Norte de Puebla, beliefs that were held before the coming of Europeans continue to guide the lives of modern Aztecs. For residents of San Martín Zinacapan, life in and on the earth is animated by the same forces, through which people seek to maintain a cohesive view of the relationship of mankind, the cosmos, and the natural world. This delicate balance of the human spirit maintains the health and well-being of villagers, and is an essential part of the social and ideological framework that makes a person’s life whole. This book describes the basic elements of a belief system that has survived the onslaught of Catholicism, colonialism, and the modern world. Timothy Knab has spent thirty years working in this area of Mexico, learning of the Most Holy Earth and following what its people there call "the good path." He was initiated as a dreamer, learned the prayers and techniques for curing maladies of the human soul, and from his long association with the Sanmartinos has constructed a thorough account of their beliefs and practices. Learning to recount dreams, forming a dreamtale, and "carrying it on one’s back" to the waking world is the first part of the practitioner’s labor in curing. But dreamtales are shown to be more than parables in this world, for they embody the ethos and cosmovision that link Sanmartinos with their traditions and the Most Holy Earth. Building on this background, Knab describes how the open-ended interpretation of dreams is the practitioner’s primary instrument for restoring a client’s soul to its proper equilibrium, thus providing a practical approach to finding and resolving everyday problems. Many anthropologists hold that such beliefs have long since disappeared into the nebulous past, but in San Martín they remain alive and well. The underworld of the ancestors, talocan or Tlalocan for the Aztecs, is still a vital part of everyday life for the people of the Sierra Norte de Puebla. The Dialogue of Earth and Sky is an important record of a culture that has maintained a precolumbian cosmovision for nearly 500 years, revealing that this system is as resonant today with the ethos of Mesoamerican peoples as it was for their ancestors.
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The Dianshizhai Pictorial

Shanghai Urban Life, 1884–1898

Ye Xiaoqing

University of Michigan Press, 2003

While twentieth-century Shanghai has received extensive scholarly treatment, the nineteenth century has remained understudied, even though it encompasses the first half-century of Shanghai's growth as a treaty port and the early years of Chinese-foreign contact. Published in the last quarter of the nineteenth century, the Dianshizhai Pictorial provides a record of the new urban popular culture that emerged in Shanghai's foreign settlements during this period.
In this study, Ye Xiaoqing provides a comprehensive view into the Dianshizhai's detailed illustrations of everyday life at home, in commercial establishments, and in Shanghai's public areas. Her introduction to more than one hundred drawings points to the social background, lifestyle, and intellectual outlook of the Dianshizhai's literati writers and artists, the weakness of gentry control in the foreign settlements, and the commercialization and “modern” material culture that made Shanghai distinctive. The drawings and commentaries of the Dianshizhai contrast the settlements with “traditional” culture and urban life in the adjacent Chinese city and vividly convey items of interest—from the quotidian to the bizarre—highlighting local fascination with and anxiety at the rapid changes in Shanghai's increasingly cosmopolitan society.
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cover of The Disturbing Profane: Hip Hop, Blackness, and the Sacred

The Disturbing Profane

Hip Hop, Blackness, and the Sacred

Joseph R. Winters

Duke University Press, 2025

In The Disturbing Profane, Joseph R. Winters explores how hip hop’s religiosity is found in qualities associated with the dark sacred. Rather than purity and wholeness, this expression of the sacred signifies death and pleasure, opacity and contamination, exorbitance and anguish. Winters brings religious studies, black studies, black feminist thought, and critical theory to bear on hip hop to trouble distinctions between the sacred and the profane. He shows how artists like Notorious B.I.G., Lauryn Hill, Kendrick Lamar, Lupe Fiasco, and Nicki Minaj undermine stable meanings of the sacred to reveal listeners’ investments in unpleasant realities. Hip hop opens its audience to a volatile notion of the sacred and the unruly qualities of blackness. Moreover, Winters demonstrates that hip hop’s dark sacrality makes it inseparable from its expression of, participation in, and resistance to the antiblack and black gendered violence that organizes the social world. 
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cover of The Dog's Children: Anishinaabe Texts told by Angeline Williams

The Dog's Children

Anishinaabe Texts told by Angeline Williams

Leonard Bloomfield

University of Manitoba Press, 1991

These are a collection of 20 stories, dictated in 1941 to Bloomfield's linguistics class, edited from manuscripts now in the National Anthropological Archives at the Smithsonian Institution, and published for the first time. In Ojibwe, with English translations by Bloomfield. Ojibwe-English glossary and other linguistic study aids.
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cover of The Dominican Racial Imaginary: Surveying the Landscape of Race and Nation in Hispaniola

The Dominican Racial Imaginary

Surveying the Landscape of Race and Nation in Hispaniola

Ricourt, Milagros

Rutgers University Press, 2016

Honorable mention, 2017 Gordon K. and Sybil Lewis Award from the Caribbean Studies Association

This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history? 
 
Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage.  
 
Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy. 
 
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The Dominican Republic Reader

History, Culture, Politics

Eric Paul Roorda, Lauren Derby, and Raymundo González , eds.

Duke University Press, 2014

Despite its significance in the history of Spanish colonialism, the Dominican Republic is familiar to most outsiders through only a few elements of its past and culture. Non-Dominicans may be aware that the country shares the island of Hispaniola with Haiti and that it is where Christopher Columbus chose to build a colony. Some may know that the country produces talented baseball players and musicians; others that it is a prime destination for beach vacations. Little else about the Dominican Republic is common knowledge outside its borders. This Reader seeks to change that. It provides an introduction to the history, politics, and culture of the country, from precolonial times into the early twenty-first century. Among the volume's 118 selections are essays, speeches, journalism, songs, poems, legal documents, testimonials, and short stories, as well as several interviews conducted especially for this Reader. Many of the selections have been translated into English for the first time. All of them are preceded by brief introductions written by the editors. The volume's eighty-five illustrations, ten of which appear in color, include maps, paintings, and photos of architecture, statues, famous figures, and Dominicans going about their everyday lives.
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cover of The Ecology of the Barí: Rainforest Horticulturalists of South America

The Ecology of the Barí

Rainforest Horticulturalists of South America

By Stephen Beckerman and Roberto Lizarralde

University of Texas Press, 2013

Inhabiting the rainforest of the southwest Maracaibo Basin, split by the border between Colombia and Venezuela, the Barí have survived centuries of incursions. Anthropologist Roberto Lizarralde began studying the Barí in 1960, when he made the first modern peaceful contact with this previously unreceptive people; he was joined by anthropologist Stephen Beckerman in 1970. The Ecology of the Barí showcases the findings of their singular long-term study.

Detailing the Barí’s relations with natural and social environments, this work presents quantitative subsistence data unmatched elsewhere in anthropological publications. The authors’ lengthy longitudinal fieldwork provided the rare opportunity to study a tribal people before, during, and after their aboriginal patterns of subsistence and reproduction were eroded by the modern world. Of particular interest is the book’s exploration of partible paternity—the widespread belief in lowland South America that a child can have more than one biological father. The study illustrates its quantitative findings with an in-depth biographical sketch of the remarkable life of an individual Barí woman and a history of Barí relations with outsiders, as well as a description of the rainforest environment that has informed all aspects of Barí history for the past five hundred years. Focusing on subsistence, defense, and reproduction, the chapters beautifully capture the Barí’s traditional culture and the loss represented by its substantial transformation over the past half-century.

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cover of The Edge of Islam: Power, Personhood, and Ethnoreligious Boundaries on the Kenya Coast

The Edge of Islam

Power, Personhood, and Ethnoreligious Boundaries on the Kenya Coast

Janet McIntosh

Duke University Press, 2009

In this theoretically rich exploration of ethnic and religious tensions, Janet McIntosh demonstrates how the relationship between two ethnic groups in the bustling Kenyan town of Malindi is reflected in and shaped by the different ways the two groups relate to Islam. While Swahili and Giriama peoples are historically interdependent, today Giriama find themselves literally and metaphorically on the margins, peering in at a Swahili life of greater social and economic privilege. Giriama are frustrated to find their ethnic identity disparaged and their versions of Islam sometimes rejected by Swahili.

The Edge of Islam explores themes as wide-ranging as spirit possession, divination, healing rituals, madness, symbolic pollution, ideologies of money, linguistic code-switching, and syncretism and its alternatives. McIntosh shows how the differing versions of Islam practiced by Swahili and Giriama, and their differing understandings of personhood, have figured in the growing divisions between the two groups. Her ethnographic analysis helps to explain why Giriama view Islam, a supposedly universal religion, as belonging more deeply to certain ethnic groups than to others; why Giriama use Islam in their rituals despite the fact that so many do not consider the religion their own; and how Giriama appropriations of Islam subtly reinforce a distance between the religion and themselves. The Edge of Islam advances understanding of ethnic essentialism, religious plurality, spirit possession, local conceptions of personhood, and the many meanings of “Islam” across cultures.

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