855 books match the query 'Architecture' and 170 start with t

cover of The Making of American Resorts: Saratoga Springs, Ballston Spa, and Lake George

The Making of American Resorts

Saratoga Springs, Ballston Spa, and Lake George

Corbett, Theodore

Rutgers University Press, 2001

What factors create a successful resort? How did the rise of lavish hotels and spas reflect the changing values of American society as the nineteenth century progressed? Historians have argued that resorts were created to meet the demands of a leisured social elite. Theodore Corbett offers a fresh, compelling argument, demonstrating that resorts created and re-created themselves to keep pace with changing times. Success came with anticipating demands, not just reacting to them.
 
Using an impressive variety of historical documents, Corbett focuses on the conditions underlying the rise—and the demise—of the resorts at Ballston Spa and Caldwell on Lake George. Both towns’ major landlord–developers saw tourism as only one vehicle that could lead to success. As a result of their divided policies, neither town invested in the proper infrastructure to make tourism an immediate succes. Both places were soon overshadowed by Saratoga Springs, which became the premier resort of the upper and middle class.
 
Due to complex interwoven influences, Saratoga Springs was able to supply the amenities needed to attract and retain the patronage of the well heeled. The town provided visitors with lavish hotels, parks, public squares, pleasure gardens, and convenient service alleys. Saratoga Springs also had a work force that was available for the five-month period per year that the spas were active. Corbett examines the history and participation of various ethnic groups in the resort’s service sector: African Americans, Irish, and Native Americans.
 
Corbett also stresses middle-class America’s emulation of the leisure habits of the English aristocracy. Even though these pursuits (hunting, fishing, horse racrting) were dominaterd by men, social rituals were dominated by women, and resorts that accommodated “public domesticity” thrived as the century progressed. The Making of American Resorts offers a window into shifting public values and the structure of commercial tourism.

 

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cover of The Making of Measure and the Promise of Sameness

The Making of Measure and the Promise of Sameness

Emanuele Lugli

University of Chicago Press, 2019

An interdisciplinary history of standardized measurements.

Measurement is all around us—from the circumference of a pizza to the square footage of an apartment, from the length of a newborn baby to the number of miles between neighboring towns. Whether inches or miles, centimeters or kilometers, measures of distance stand at the very foundation of everything we do, so much so that we take them for granted. Yet, this has not always been the case.

This book reaches back to medieval Italy to speak of a time when measurements were displayed in the open, showing how such a deceptively simple innovation triggered a chain of cultural transformations whose consequences are visible today on a global scale. Drawing from literary works and frescoes, architectural surveys, and legal compilations, Emanuele Lugli offers a history of material practices widely overlooked by historians. He argues that the public display of measurements in Italy’s newly formed city republics not only laid the foundation for now centuries-old practices of making, but also helped to legitimize local governments and shore up church power, buttressing fantasies of exactitude and certainty that linger to this day.

This ambitious, truly interdisciplinary book explains how measurements, rather than being mere descriptors of the real, themselves work as powerful molds of ideas, affecting our notions of what we consider similar, accurate, and truthful.
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cover of The Meaning of the Built Environment: A Nonverbal Communication Approach

The Meaning of the Built Environment

A Nonverbal Communication Approach

Amos Rapoport

University of Arizona Press, 1990

"Rapoport is concerned with the meanings which buildings, their contents, and their inhabitants convey, and the conclusions which can be drawn therefrom for procedures of architectural design to satisfy the people who will ultimately live in these buildings. . . . A challenging book on a subject that has had insufficient attention in the past." —Man and Environment

"Fills a significant gap: it introduces the notion of environmental meaning so clearly that no reader will doubt the basic premise that the environment holds meaning as part of a cultural system of symbols, and influences our actions and our determinations of social order." —Design Book Review

"This is the second edition of a book first published in 1982. . . . Enthusiastic and inquiring as the reader is brought into the writer's thought processes." —Progress in Human Geography (England)

"It has merits not to be found in any other book in this much-discussed and little understood subject, to wit: it is short, it is simple, and it is useful. It is even, in parts, entertaining....a book which will help architects to do their job better." —Architecture Australia
 
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cover of The Metropolis in Latin America, 1830-1930: Cityscapes, Photographs, Debates

The Metropolis in Latin America, 1830-1930

Cityscapes, Photographs, Debates

Idurre Alonso

J. Paul Getty Trust, The, 2021

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis.

In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis.

Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.
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cover of The Modernist City: An Anthropological Critique of Brasilia

The Modernist City

An Anthropological Critique of Brasilia

James Holston

University of Chicago Press, 1989

The utopian design and organization of Brasília—the modernist new capital of Brazil—were meant to transform Brazilian society. In this sophisticated, pioneering study of Brasília from its inception in 1957 to the present, James Holston analyzes this attempt to change society by building a new kind of city and the ways in which the paradoxes of constructing an imagined future subvert its utopian premises. Integrating anthropology with methods of analysis from architecture, urban studies, social history, and critical theory, Holston presents a critique of modernism based on a powerfully innovative ethnography of the city.
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cover of The Mosaic Decoration of San Marco, Venice

The Mosaic Decoration of San Marco, Venice

Otto Demus

University of Chicago Press, 1988

Decorated with the richest, most beautiful mosaics in the world, the Venetian church of San Marco is quite literally a treasure house of medieval art. The domes and walls of the church, encrusted with stone, glass, and gold, have been recognized, over the centuries, as a glorious historical and artistic record. Peopled with hundreds and figures—Adam and Eve, Noah and his progeny, Isaiah, Christ, Mark, of course, and other holy men and women of Venice—these mosaics create a cosmic panorama. The Mosaic Decoration of San Marco, Venice brings these unrivaled mosaics into breathtaking focus, combining a descriptive history of their creation and repair over the ages with close-up photographs revealing their iconographic detail.
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cover of The Mosaics of San Marco in Venice

The Mosaics of San Marco in Venice

Otto Demus

University of Chicago Press, 1984

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cover of The Music of Stones

The Music of Stones

Sohail Hashmi

Seagull Books, 2025

An essay that deftly deconstructs the history of ‘Islamic architecture’, challenging colonial narratives and promoting an inclusive understanding of Islam.

In The Music of Stones, Sohail Hashmi delves into the intricate history and misconceptions surrounding Islamic architecture and culture. Challenging colonial and orientalist narratives, Hashmi reveals that iconic elements like domes and minarets were not originally part of early Islamic structures but later additions influenced by various cultures, primarily Persian and Turkish. Through engaging anecdotes and thought-provoking theories, Hashmi deconstructs the monolithic view of Islamic culture, emphasizing its rich and diverse heritage shaped by Sufi, Central Asian, and other regional influences. He highlights the importance of historical context and the dangers of oversimplifying complex cultural identities.

The Music of Stones invites readers to reconsider the architectural and cultural legacy of Islam, advocating for a more inclusive and evidence-based understanding that transcends reductive labels and celebrates the richness of its diverse traditions.
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cover of The Nazi Perpetrator: Postwar German Art and the Politics of the Right

The Nazi Perpetrator

Postwar German Art and the Politics of the Right

Paul B. Jaskot

University of Minnesota Press, 2012

Who was responsible for the crimes of the Nazis? Party leaders and members? Rank-and-file soldiers and bureaucrats? Ordinary Germans? This question looms over German disputes about the past like few others. It also looms over the art and architecture of postwar Germany in ways that have been surprisingly neglected. In The Nazi Perpetrator, Paul B. Jaskot fundamentally reevaluates pivotal developments in postwar German art and architecture against the backdrop of contentious contemporary debates over the Nazi past and the difficulty of determining who was or was not a Nazi perpetrator.

Like their fellow Germans, postwar artists and architects grappled with the Nazi past and the problem of defining the Nazi perpetrator—a problem that was thoroughly entangled with contemporary conservative politics and the explosive issue of former Nazis living in postwar Germany. Beginning with the formative connection between Nazi politics and art during the 1930s, The Nazi Perpetrator traces the dilemma of identifying the perpetrator across the entire postwar period. Jaskot examines key works and episodes from West Germany and, after 1989, reunified Germany, showing how the changing perception of the perpetrator deeply impacted art and architecture, even in cases where artworks and buildings seem to have no obvious relation to the Nazi past. The book also reinterprets important periods in the careers of such major figures as Gerhard Richter, Anselm Kiefer, and Daniel Libeskind.

Combining political history with a close analysis of specific works, The Nazi Perpetrator powerfully demonstrates that the ongoing influence of Nazi Germany after 1945 is much more central to understanding a wide range of modern German art and architecture than cultural historians have previously recognized.

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cover of The Necessity for Ruins and Other Topics

The Necessity for Ruins and Other Topics

J. B. Jackson

University of Massachusetts Press, 1980

Essays examine the way we perceive landscape, the effect of gardens and cities of the past on the landscapes of the present, and the way American architecture has broken with tradition. Discussion relates the importance of space to relativism throughout time.
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cover of The New American Small Town: Lessons for Sustainable Urban Futures

The New American Small Town

Lessons for Sustainable Urban Futures

Jennifer Mapes

West Virginia University Press, 2025

2026 Winner of John Brinckerhoff Jackson Prize awarded by the Association of American Geographers (AAG)

What makes a sustainable city? When planners and politicians talk about making cities more sustainable, they often describe changes to large urban centers like New York City or Los Angeles. Yet when they suggest solutions for sustainable living, they talk about walkable neighborhoods, traditional architecture, and diverse land uses; they talk about small towns. Planners and developers are now working to introduce a “small-town feel” into our large cities and suburbs in hopes that it will provide a sense of community and reduce the use of automobiles.

So, what of small towns themselves? We don’t talk about these places as much. They are often assumed to be utopias of the past or crumbling ghost towns of the present day rather than places with potential for sustainable living. This book critically examines narratives of American small towns, contrasting them with lived experiences in these places, and considers both the myth and reality in the context of current urban challenges. Interweaving stories from and about U.S. small towns, it offers lessons in sustainable urbanism that can be applied both in the towns themselves and to the larger cities and suburbs where most Americans now live.
 

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cover of The New Suburban History

The New Suburban History

Edited by Kevin M. Kruse and Thomas J. Sugrue

University of Chicago Press, 2006

America has become a nation of suburbs. Confronting the popular image of suburbia as simply a refuge for affluent whites, The New Suburban History rejects the stereotypes of a conformist and conflict-free suburbia. The seemingly calm streets of suburbia were, in fact, battlegrounds over race, class, and politics. With this collection, Kevin Kruse and Thomas Sugrue argue that suburbia must be understood as a central factor in the modern American experience. 

Kruse and Sugrue here collect ten essays—augmented by their provocative introduction—that challenge our understanding of suburbia. Drawing from original research on suburbs across the country, the contributors recast important political and social issues in the context of suburbanization. Their essays reveal the role suburbs have played in the transformation of American liberalism and conservatism; the contentious politics of race, class, and ethnicity; and debates about the environment, land use, and taxation. The contributors move the history of African Americans, Latinos, Asians, and blue-collar workers from the margins to the mainstream of suburban history.

From this broad perspective, these innovative historians explore the way suburbs affect—and are affected by—central cities, competing suburbs, and entire regions. The results, they show, are far-reaching: the emergence of a suburban America has reshaped national politics, fostered new social movements, and remade the American landscape. The New Suburban History offers nothing less than a new American history—one that claims the nation cannot be fully understood without a history of American suburbs at its very center.
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cover of The Northwest Gardens of Lord and Schryver

The Northwest Gardens of Lord and Schryver

Valencia Libby

Oregon State University Press, 2021

Foreword by Bill Noble
Published in Cooperation with the Lord & Schryver Conservancy

Lord & Schryver, the first landscape architecture firm founded and operated by women in the Pacific Northwest, designed more than two hundred gardens in Oregon and Washington, including residential, civic, and institutional landscapes. Elizabeth Lord and Edith Schryver met as young women and in 1929 established their highly successful firm in Salem; their work is acknowledged as one of the milestones in the history of garden design in the Northwest and beyond. Theirs is the only Oregon firm recognized in Pioneers of Landscape Architecture, compiled by the National Park Service. The Cultural Landscape Foundation describes them as “consummate professionals in the broadest sense, as they worked to raise the profile of landscape architects by involving an audience beyond their clients. Their work represented a transition from a formal symmetrical style of garden design to one which responded in a distinctive way to the unique features of Northwest climate, soil, topography, and plant material.”

Gaiety Hollow, their purpose-built Salem home, garden, and studio, is now owned by the Lord & Schryver Conservancy and is open to the public. The conservancy has lovingly restored the gardens at Gaiety Hollow according to Lord & Schryver’s original plans. They have also restored and now maintain the gardens at Deepwood, a former residence that is now a public park.

Students of landscape architecture, garden design, Pacific Northwest history, ornamental horticulture, and general readers who are interested in the contributions of women to once male-dominated professions will find inspiration in these pages.

Learn more about Elizabeth Lord and Edith Schryver at www.lordschryver.org
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cover of The Oak Park Studio of Frank Lloyd Wright

The Oak Park Studio of Frank Lloyd Wright

Lisa D. Schrenk

University of Chicago Press, 2021

Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career.
 
With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum.
 
Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
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cover of The Old Barn Book: A Field Guide to North American Barns & Other Farm Structures

The Old Barn Book

A Field Guide to North American Barns & Other Farm Structures

Noble, Allen G

Rutgers University Press, 1996

Barns give character to the countryside. Their structures reflect the ethnic heritage of a region's settlers and the nature of the land itself. With The Old Barn Book, you'll be able to spot the difference between a Dutch barn and a Swedish barn, a barn for cows and a barn for tobacco. You'll find out why some barns have hipped roofs and others gables, why some have doors at the end and others have them on the side, why some are wood and some are stone, why some are round. Whether you are nostalgic for farm life or like to drive out in the country or want to join in the barn preservation movement, you will find this book an indispensable guide.
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cover of The Open-Ended City: David Dillon on Texas Architecture

The Open-Ended City

David Dillon on Texas Architecture

By Kathryn E. Holliday; foreword by Robert Decherd

University of Texas Press, 2019

Texas Historical Commission Award of Excellence in Media Achievement, Texas Historical Commission

In 1980, David Dillon launched his career as an architectural critic with a provocative article that asked “Why Is Dallas Architecture So Bad?” Over the next quarter century, he offered readers of the Dallas Morning News a vision of how good architecture and planning could improve quality of life, combatting the negative effects of urban sprawl, civic fragmentation, and rapacious real estate development typical in Texas cities. The Open-Ended City gathers more than sixty key articles that helped establish Dillon’s national reputation as a witty and acerbic critic, showing readers why architecture matters and how it can enrich their lives.

Kathryn E. Holliday discusses how Dillon connected culture, commerce, history, and public life in ways that few columnists and reporters ever get the opportunity to do. The articles she includes touch on major themes that animated Dillon’s writing: downtown redevelopment, suburban sprawl, arts and culture, historic preservation, and the necessity of aesthetic quality in architecture as a baseline for thriving communities. While the specifics of these articles will resonate with those who care about Dallas, Fort Worth, and other Texas cities, they are also deeply relevant to all architects, urbanists, and citizens who engage in the public life and planning of cities. As a collection, The Open-Ended City persuasively demonstrates how a discerning critic helped to shape a landmark city by shaping the conversation about its architecture.

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cover of The Peregrine Returns: The Art and Architecture of an Urban Raptor Recovery

The Peregrine Returns

The Art and Architecture of an Urban Raptor Recovery

Mary Hennen with Peggy Macnamara

University of Chicago Press, 2017

Peregrine falcons have their share of claims to fame. With a diving speed of over two hundred miles per hour, these birds of prey are the fastest animals on earth or in the sky, and they are now well known for adapting from life on rocky cliffs to a different kind of mountain: modern skyscrapers. But adaptability only helps so much. In 1951, there were no peregrines left in Illinois, for instance, and it looked as if the species would be wiped out entirely in North America. Today, however, peregrines are flourishing.

In The Peregrine Returns, Mary Hennen gives wings to this extraordinary conservation success story. Drawing on the beautiful watercolors of Field Museum artist-in-residence Peggy Macnamara and photos by Field Museum research assistant Stephanie Ware, as well as her own decades of work with peregrines, Hennen uses a program in Chicago as a case study for the peregrines’ journey from their devastating decline to the discovery of its cause (a thinning of eggshells caused by a by-product of DDT), through to recovery, revealing how the urban landscape has played an essential role in enabling falcons to return to the wild—and how people are now learning to live in close proximity to these captivating raptors.

Both a model for conservation programs across the country and an eye-opening look at the many creatures with which we share our homes, this richly illustrated story is an inspiring example of how urban architecture can serve not only our cities’ human inhabitants, but also their wild ones.
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cover of The Petrine Revolution in Russian Architecture

The Petrine Revolution in Russian Architecture

James Cracraft

University of Chicago Press, 1988

In this highly original book James Cracraft provides a major case study of the cultural revolution in Russia initiated by Peter the Great, tsar and first emperor (1682-1725). He recounts in fascinating detail how modern standards of architecture supplanted traditional norms in Russia following a massive injection of European expertise and indicates how, thereby, the modern Russian built world came into being. The first comprehensive study of the Petrine revolution in Russian architecture to be published in any language, the book includes nearly 250 illustrations, many of them original photographs appearing here for the first time.
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cover of The Physical and the Digital City: Invisible Forces, Data and Manifestations

The Physical and the Digital City

Invisible Forces, Data and Manifestations

Edited by Silvio Carta

Intellect Books, 2024

An introduction to the physical and digital foundations of urban environment.

The Physical and the Digital City is a unique collection of projects wherein researchers and designers show how the theories of technology that underpin digital urban assemblages are applied in practical and spatial terms. The authors are experts in their respective fields who pursue cutting-edge solutions for city-making and consider the theoretical premise critically.

The book is designed to be a self-contained and interdisciplinary reference text to introduce students, designers, and scholars to the idea of urban application and its relation to the physical and the digital. Accessible to both urban planners and cultural theorists, the book will clarify the role of digital technologies within the city, along with its possible implications for people and communities. While the work is oriented to the academic and professional communities interested in architectural, urban, and digital design from different angles, it will appeal to anyone interested in how metropolises embrace digital technologies for more operational efficiency.
 
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cover of The Placemakers of Hong Kong

The Placemakers of Hong Kong

Roger Nissim

Hong Kong University Press, 2025

The story of Hong Kong’s urban development.

The Placemakers of Hong Kong pays homage to what local development companies, charitable organizations, as well as the government have been able to achieve in contributing to the enhancement of Hong Kong’s evolving urban and rural landscape. Far from being solely profit-driven, developers and urban planners have been vital to the community by creating and designing urban spaces for the public, increasing walkability, and embracing sustainable design—a process called ‘placemaking.’ The book also recognizes that the subsequent placekeeping activities necessary to keep each project site relevant and up-to-date are just as important.

Featuring five case studies from the past and one that examines the ambitious and far-reaching plans for the Northern Metropolis, this book tells the story of Hong Kong’s miraculous urban development over the past few decades.
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cover of The Plan of Chicago: Daniel Burnham and the Remaking of the American City

The Plan of Chicago

Daniel Burnham and the Remaking of the American City

Carl Smith

University of Chicago Press, 2006

Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s fascinating history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. 

Smith’s concise and accessible narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment. 

Richly illustrated and incisively written, his insightful book will be indispensable to our understanding of Chicago, Daniel Burnham, and the emergence of the modern city.

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cover of The Politics of Design in French Colonial Urbanism

The Politics of Design in French Colonial Urbanism

Gwendolyn Wright

University of Chicago Press, 1991

Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity.

Gwendolyn Wright focuses on three French colonies—Indochina, Morocco, and Madagascar—that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad.

With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts—the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments—still challenge us today.
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cover of The Politics of Urban Beauty: New York and Its Art Commission

The Politics of Urban Beauty

New York and Its Art Commission

Michele H. Bogart

University of Chicago Press, 2006

Since its founding in 1898, the Art Commission of the City of New York (ACNY) has served as the city’s aesthetic gatekeeper, evaluating all works of art intended for display on city property. And over the years, the commission’s domain has expanded dramatically to include everything from parks and courthouses to trash cans and sidewalks. In ThePolitics of Urban Beauty, Michele H. Bogart argues that this unprecedented authority has made the commission host to some complex negotiations—involving artists, architects, business leaders, activists, and politicians—about not only the role of art in urban design, but also the shape and meaning of the city and its public spaces. 

A former vice president of the ACNY, Bogart tells its story here from an insider’s perspective, tracing the commission’s history from its origins as an outgrowth of progressive reform to its role in New York’s reconstruction after 9/11. Drawing on archival correspondence, drawings, and photographs from commission collections, Bogart presents bracing examples of works—ranging from New Deal murals to Louis Kahn’s unbuilt Memorial to Six Million Jewish Martyrs—that illuminate the ACNY’s subtle yet powerful role in shaping New York’s identity. 

The Politics of Urban Beauty is thus a fascinating history of a New York art world that paralleled—and sometimes unpredictably intersected with—the more familiar realm of prominent architects, painters, galleries, and museums. Bogart’s fresh view adds a critical dimension to our understanding of “the city beautiful” and makes an important and lively contribution to the study of art history, urban design, and New York City itself.

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cover of The Poorhouse: Subsidized Housing in Chicago

The Poorhouse

Subsidized Housing in Chicago

Devereux Bowly Jr.

Southern Illinois University Press, 2012

Chicago seems an ideal environment for public housing because of the city’s relatively young age among major cities and well-deserved reputation for technology, innovation, and architecture. Yet The Poorhouse: Subsidized Housing in Chicago shows that the city’s experience on the whole has been a negative one, raising serious questions about the nature of subsidized housing and whether we should have it and, if so, in what form.

Bowly, a native of the city, provides a detailed examination of subsidized housing in the nation’s third-largest city. Now in its second edition, The Poorhouse looks at the history of public housing and subsidized  housing in Chicago from 1895 to the present day. Five new chapters that cover the decline and federal takeover of the Chicago Housing Authority, and its more recent “transformation,” which involved the  demolition of the CHA family high-rise buildings and in some cases their replacement with low-risemixed income housing on the same sites. Fifty new photos supplement this edition.

Certificate of Excellence from the Illinois State Historical Society, 2013

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cover of The Porch: Meditations on the Edge of Nature

The Porch

Meditations on the Edge of Nature

Charlie Hailey

University of Chicago Press, 2021

Come with us for a moment out onto the porch. Just like that, we’ve entered another world without leaving home. In this liminal space, an endless array of absorbing philosophical questions arises: What does it mean to be in a place? How does one place teach us about the world and ourselves? What do we—and the things we’ve built—mean in this world? In a time when reflections on the nature of society and individual endurance are so paramount, Charlie Hailey’s latest book is both a mental tonic and a welcome provocation. Solidly grounded in ideas, ecology, and architecture, The Porch takes us on a journey along the edges of nature where the outside comes in, hosts meet guests, and imagination runs wild.
 
Hailey writes from a modest porch on the Homosassa River in Florida. He sleeps there, studies the tides, listens for osprey and manatee, welcomes shipwrecked visitors, watches shadows on its screens, reckons with climate change, and reflects on his own acclimation to his environment. The profound connections he unearths anchor an armchair exploration of past porches and those of the future, moving from ancient Greece to contemporary Sweden, from the White House roof to the Anthropocene home. In his ruminations, he links up with other porch dwellers including environmentalist Rachel Carson, poet Wendell Berry, writers Eudora Welty and Zora Neale Hurston, philosopher John Dewey, architect Louis Kahn, and photographer Paul Strand.

As close as architecture can bring us to nature, the porch is where we can learn to contemplate anew our evolving place in a changing world—a space we need now more than ever. Timeless and timely, Hailey’s book is a dreamy yet deeply passionate meditation on the joy and gravity of sitting on the porch.
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cover of The Public Papers

The Public Papers

Louis Sullivan

University of Chicago Press, 1988

This volume brings together for the first time all the papers Louis Sullivan intended for a public audience, from his first interview in 1882 to his last essay in 1924. Organized chronologically, these speeches, interviews, essays, letters to editors, and committee reports enable readers to trace Sullivan's development from a brash young assistant to Dankmar Adler to an architectural elder statesman. Robert Twombly, an authority on Sullivan's work and life, has introduced each document with a headnote explaining its significance, locating it in time and place, and examining its immediate context. He has also provided a general introduction that analyzes Sullivan's writing style and objectives, his major philosophical themes, and the sources of his ideas. With the help of headnotes and introduction, readers will get a thorough sense of Sullivan's concerns, discover how his ideas evolved and changed, and appreciate the circumstances under which new interests emerged.

This collection is a handy introduction to the full range of Sullivan's thinking, the book with which readers interested in the architect's writings should begin. As a companion volume to Robert Twombly's biography of Sullivan, it gives a comprehensive picture of one of America's most important architects and cultural figures.
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cover of The Real Life of the Parthenon

The Real Life of the Parthenon

Patricia Vigderman

The Ohio State University Press, 2018


Ownership battles over the marbles removed from the Parthenon by Lord Elgin have been rumbling into invective, pleading, and counterclaims for two centuries. The emotional temperature around them is high, and steering across the vast past to safe anchor in a brilliant heritage is tricky. The stories around antiquities become distorted by the pull of ownership, and it is these stories that urge Patricia Vigderman into her own exploration of their inspiring legacy in her compelling extended essay, The Real Life of the Parthenon.
 
Vigderman’s own journey began at the Parthenon, but curiosity edged her further onto the sea between antiquity and the present. She set out to seek the broken temples and amphorae, the mysterious smiles of archaic sculpture, and the finely hammered gold of a funeral wreath among the jumbled streets of modern Athens, the fertile fields of Sicily, the mozzarella buffalo of Paestum. Guided along the way toward the enduring landscapes and fractured history by archeologists, classicists, historians, and artists—and by the desire they inspire—she was caught by ongoing, contemporary local life among the ruins. Gathering present meaning and resonance for the once and future remains of vanished glory, The Real Life of the Parthenon illuminates an important but shadowy element of our common cultural life: the living dynamic between loss and delight.
 
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cover of The Remittance Landscape: Spaces of Migration in Rural Mexico and Urban USA

The Remittance Landscape

Spaces of Migration in Rural Mexico and Urban USA

Sarah Lynn Lopez

University of Chicago Press, 2014

Immigrants in the United States send more than $20 billion every year back to Mexico—one of the largest flows of such remittances in the world. With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages.

Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas. Through careful ethnographic and architectural analysis, and fieldwork on both sides of the border, Lopez brings migrant hometowns to life and positions them within the larger debates about immigration.
 
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cover of The Rent of Form: Architecture and Labor in the Digital Age

The Rent of Form

Architecture and Labor in the Digital Age

Pedro Fiori Arantes

University of Minnesota Press, 2019

A critique of prominent architects’ approach to digitally driven design and labor practices over the past two decades


With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry’s Guggenheim Bilbao and the “Bilbao effect,” in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the “rent of form.”

Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this “architecture of exception” has come to dominate today’s industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry.

Significantly, Arantes’s viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.

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cover of The Reredos of All Souls College Oxford

The Reredos of All Souls College Oxford

Edited by Peregrine Horden

Paul Holberton Publishing, 2021

The reredos of the fifteenth-century chapel of All Souls College Oxford, with its combination of medieval niches and statuary by George Gilbert Scott, has remained one of the unsung glories of both medieval perpendicular architecture and Victorian restoration. Informed by recent scientific investigation of its stonework and its surviving medieval polychromy, this volume follows the reredos from the phases of its medieval and early Tudor construction, through its covering up with a succession of baroque and neoclassical decorative schemes, to its uncovering and restoration in the 1870s. Through a sweeping survey of the chapel’s architectural and decorative history, this book provides a novel and revealing vantage point on the artistic, cultural, and ecclesiological history of Britain across four centuries.
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cover of The Restoration of the Roman Forum in Late Antiquity: Transforming Public Space

The Restoration of the Roman Forum in Late Antiquity

Transforming Public Space

By Gregor Kalas

University of Texas Press, 2015

In The Restoration of the Roman Forum in Late Antiquity, Gregor Kalas examines architectural conservation during late antiquity period at Rome’s most important civic center: the Roman Forum. During the fourth and fifth centuries CE—when emperors shifted their residences to alternate capitals and Christian practices overtook traditional beliefs—elite citizens targeted restoration campaigns so as to infuse these initiatives with political meaning. Since construction of new buildings was a right reserved for the emperor, Rome’s upper echelon funded the upkeep of buildings together with sculptural displays to gain public status. Restorers linked themselves to the past through the fragmentary reuse of building materials and, as Kalas explores, proclaimed their importance through prominently inscribed statues and monuments, whose placement within the existing cityscape allowed patrons and honorees to connect themselves to the celebrated history of Rome.

Building on art historical studies of spolia and exploring the Forum over an extended period of time, Kalas demonstrates the mutability of civic environments. The Restoration of the Roman Forum in Late Antiquity maps the evolution of the Forum away from singular projects composed of new materials toward an accretive and holistic design sensibility. Overturning notions of late antiquity as one of decline, Kalas demonstrates how perpetual reuse and restoration drew on Rome’s venerable past to proclaim a bright future.

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cover of The Road to Blair Mountain: Saving a Mine Wars Battlefield from King Coal

The Road to Blair Mountain

Saving a Mine Wars Battlefield from King Coal

Charles B. Keeney

West Virginia University Press, 2021

“Keeney delivers a riveting and propulsive story about a nine-year battle to save sacred ground that was the site of the largest labor uprising in American history. . . . He unveils a powerful playbook on successful activism that will inspire countless others for generations to come.” —Eric Eyre, Pulitzer Prize winner and author of Death in Mud Lick: A Coal Country Fight against the Drug Companies That Delivered the Opioid Epidemic

In 1921 Blair Mountain in southern West Virginia was the site of the country’s bloodiest armed insurrection since the Civil War, a battle pitting miners led by Frank Keeney against agents of the coal barons intent on quashing organized labor. It was the largest labor uprising in US history. Ninety years later, the site became embroiled in a second struggle, as activists came together to fight the coal industry, state government, and the military- industrial complex in a successful effort to save the battlefield—sometimes dubbed “labor’s Gettysburg”—from destruction by mountaintop removal mining.

The Road to Blair Mountain is the moving and sometimes harrowing story of Charles Keeney’s fight to save this irreplaceable landscape. Beginning in 2011, Keeney—a historian and great-grandson of Frank Keeney—led a nine-year legal battle to secure the site’s placement on the National Register of Historic Places. His book tells a David-and-Goliath tale worthy of its own place in West Virginia history. A success story for historic preservation and environmentalism, it serves as an example of how rural, grassroots organizations can defeat the fossil fuel industry.
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cover of The Robie House of Frank Lloyd Wright

The Robie House of Frank Lloyd Wright

Joseph Connors

University of Chicago Press, 1984

The Robie House in Chicago is one of the world's most famous houses, a masterpiece from the end of Frank Lloyd Wright's early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright's own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author's points, and a bibliography on Wright is provided.
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cover of The Ruins Lesson: Meaning and Material in Western Culture

The Ruins Lesson

Meaning and Material in Western Culture

Susan Stewart

University of Chicago Press, 2019

How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms.

Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.
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cover of The Ruins of Ani: A Journey to Armenia's Medieval Capital and its Legacy

The Ruins of Ani

A Journey to Armenia's Medieval Capital and its Legacy

Krikor Balakian

Rutgers University Press, 2019

Winner of the 2019 Dr. Sona Aronian Book Prize for Excellence in Armenian Studies (NAASR)

From the tenth to the thirteenth centuries, the city of Ani was the jewel of the Armenian kingdom, renowned far and wide for its magnificent buildings. Known as the city of 1001 churches, Ani was a center for artistic innovation, and its architecture is a potential missing link between Byzantine and Gothic styles. By the fifteenth century, Ani was virtually abandoned, its stunning buildings left to crumble. Yet its ruins have remained a symbol of cultural accomplishment that looms large in the Armenian imagination.
 
The Ruins of Ani is a unique combination of history, art criticism, and travel memoir that takes readers on a thousand-year journey in search of past splendors. Today, Ani is a popular tourist site in Turkey, but the city has been falsified in its presentation by the Turkish government in order to erase Armenian history in the wake of the Armenian Genocide. This timely publication also raises questions about the preservation of major historic monuments in the face of post atrocity campaigns of cultural erasure.
 
Originally written by young priest Krikor Balakian in 1910, just a few years before the Armenian genocide, this book offers a powerful and poignant counterpart to Balakian’s acclaimed genocide memoir Armenian Golgotha. This new translation by the author’s great-nephew, Pulitzer Prize-winning poet Peter Balakian, eloquently renders the book’s vivid descriptions and lyrical prose into English. Including a new introduction that explores Ani’s continued relevance in the twenty-first century, The Ruins of Ani will give readers a new appreciation for this lost city’s status as a pinnacle of both Armenian civilization and human achievement.  
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cover of The San Francisco Civic Center: A History of the Design, Controversies, and Realization of a City Beautiful Masterpiece

The San Francisco Civic Center

A History of the Design, Controversies, and Realization of a City Beautiful Masterpiece

James Haas

University of Nevada Press, 2019

San Francisco is known and loved around the world for its iconic man-made structures, such as the Golden Gate Bridge, cable cars, and Transamerica Pyramid. Yet its Civic Center, with the grandest collection of monumental municipal buildings in the United States, is often overlooked, drawing less global and local interest, despite its being an urban planning marvel featuring thirteen government office and cultural buildings.

In The San Francisco Civic Center, James Haas tells the complete story of San Francisco’s Civic Center and how it became one of the most complete developments envisioned by any American city. Originally planned and designed by John Galen Howard in 1912, the San Francisco Civic Center is considered in both design and materials one of the finest achievements of the American reformist City Beautiful movement, an urban design movement that began more than a century ago.

Haas meticulously unravels the Civic Center’s story of perseverance and dysfunction, providing an understanding and appreciation of this local and national treasure. He discusses why the Civic Center was built, how it became central to the urban planning initiatives of San Francisco in the early twentieth century, and how the site held onto its founders’ vision despite heated public debates about its function and achievement. He also delves into the vision for the future and related national trends in city planning and the architectural and art movements that influenced those trends.

Riddled with inspiration and leadership as well as controversy, The San Francisco Civic Center, much like the complex itself, is a stunning manifestation of the confident spirit of one of America’s most dynamic and creative cities.
 
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cover of The Shape of Inca History: Narrative and Architecture in an Andean Empire

The Shape of Inca History

Narrative and Architecture in an Andean Empire

Susan A. Niles

University of Iowa Press, 1999

In The Shape of Inca History, Susan Niles considers the ways in which the Inca concept of history informed their narratives, rituals, and architecture. Using sixteenth-century chronicles of Inca culture, legal documents from the first generation of conquest, and field investigation of architectural remains, she strategically explores the interplay of oral and written histories with the architectural record and provides a new and exciting understanding of the lives of the royal families on the eve of conquest.
Niles focuses on the life of Huayna Capac, the Inca king who ruled at the time of the first European incursions on the Andean coast. Because he died just a few years before the Spaniards overturned the Inca world, eyewitness accounts of his deeds as recorded by the invaders can be used to separate fact from propaganda. The rich documentary sources telling of his life include extraordinarily detailed legal records that inventory lands on his estate in the Yucay Valley. These sources provide a basis—unique in the Andes—for reconstructing the social and physical plan of the estate and for dating its construction exactly.
Huayna Capac's country palace shows a design different from that devised by his ancestors. Niles argues that the radical stylistic and technical innovations documented in the buildings themselves can be understood by referring to the turbulent political atmosphere prevalent at the time of his accession. Illustrated with numerous photographs and reconstruction drawings, The Shape of Inca History breaks new ground by proposing that Inca royal style was dynamic and that the design of an Inca building can best be interpreted by its historical context. In this way it is possible to recreate the development of Inca architectural style over time.
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cover of The Shape of Utopia: The Architecture of Radical Reform in Nineteenth-Century America

The Shape of Utopia

The Architecture of Radical Reform in Nineteenth-Century America

Irene Cheng

University of Minnesota Press, 2023

How nineteenth-century social reformers devised a new set of radical blueprints for society

In the middle of the nineteenth century, a utopian impulse flourished in the United States through the circulation of architectural and urban plans predicated on geometrically distinct designs. Though the majority of such plans remained unrealized, The Shape of Utopia emphasizes the enduring importance of these radical propositions and their ability to visualize alternatives to what was then a newly emerging capitalist nation.

Drawing diagrammatic plans for structures such as octagonal houses, a hexagonal anarchist city, and circular centers of equitable commerce, these various architectural utopians applied geometric forms to envision a more just and harmonious society. Highlighting the inherent political capacity of architecture, Irene Cheng showcases how these visionary planners used their blueprints as persuasive visual rhetoric that could mobilize others to share in their aspirations for a better world.

Offering an extensive and uniquely focused view of mid-nineteenth-century America’s rapidly changing cultural landscape, this book examines these utopian plans within the context of significant economic and technological transformation, encompassing movements such as phrenology, anarchism, and spiritualism. Engaging equally with architectural history, visual culture studies, and U.S. history, The Shape of Utopia documents a pivotal moment in American history when ordinary people ardently believed in the potential to reshape society.

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cover of The Singular Objects of Architecture

The Singular Objects of Architecture

Jean Baudrillard

University of Minnesota Press, 2005

What is a singular object? An idea, a building, a color, a sentiment, a human being. Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. 

Among the topics the two speakers take up are the city of tomorrow and the ideal of transparency, the gentrification of New York City and Frank Gehry’s surprising Guggenheim Museum in Bilbao. As Nouvel prompts Baudrillard to reflect on some of his signature concepts (the virtual, transparency, fatal strategies, oblivion, and seduction, among others), the confrontation between such philosophical concerns and the specificity of architecture gives rise to novel and striking formulations—and a new way of establishing and understanding the connections between the practitioner and the philosopher, the object and the idea. 

This wide-ranging conversation builds a bridge between the fields of architecture and philosophy. At the same time it offers readers an intimate view of the meeting of objects and ideas in which the imagined, constructed, and inhabited environment is endlessly changing, forever evolving. 

Jean Baudrillard is one of the most influential thinkers of his generation and author of The Vital Illusion (2001). 

Jean Nouvel has designed buildings throughout the world, including the new Guthrie Theater in Minneapolis, and is a recipient of France’s Grand Prix d’Architecture. 

Robert Bononno, a translator and teacher, lives in New York City.
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cover of The Skyscraper and the City: The Woolworth Building and the Making of Modern New York

The Skyscraper and the City

The Woolworth Building and the Making of Modern New York

Gail Fenske

University of Chicago Press, 2008

Once the world’s tallest skyscraper, the Woolworth Building is noted for its striking but incongruous synthesis of Beaux-Arts architecture, fanciful Gothic ornamentation, and audacious steel-framed engineering. Here, in the first history of this great urban landmark, Gail Fenske argues that its design serves as a compelling lens through which to view the distinctive urban culture of Progressive-era New York.
             Fenske shows here that the building’s multiplicity of meanings reflected the cultural contradictions that defined New York City’s modernity. For Frank Woolworth—founder of the famous five-and-dime store chain—the building served as a towering trademark, for advocates of the City Beautiful movement it suggested a majestic hotel de ville, for technological enthusiasts it represented the boldest of experiments in vertical construction, and for tenants it provided an evocative setting for high-style consumption. Tourists, meanwhile, experienced a spectacular sightseeing destination and avant-garde artists discovered a twentieth-century future. In emphasizing this faceted significance, Fenske illuminates the process of conceiving, financing, and constructing skyscrapers as well as the mass phenomena of consumerism, marketing, news media, and urban spectatorship that surround them.
            As the representative example of the skyscraper as a “cathedral of commerce,” the Woolworth Building remains a commanding presence in the skyline of lower Manhattan, and the generously illustrated Skyscraper and the City is a worthy testament to its importance in American culture.
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cover of The Social and Political Life of Latin American Infrastructures

The Social and Political Life of Latin American Infrastructures

Edited by Jonathan Alderman and Geoff Goodwin

University of London Press, 2022

Understanding Latin American identity, history, and politics through its infrastructure and architecture.

From roads, railways, statues, and bridges, infrastructure provides a unique lens through which to view our own national histories and societies. Serving as an important conduit between individuals and the state, infrastructure can help mediate citizenship, reshape social relations between people both within and across communities, and has the capacity to underpin—or indeed, undermine—nation-building.

Over the last century, infrastructure has transformed Latin America. Roads, railways, and airports have increased connectivity between spaces, peoples, and markets. Cables, switches, and tunnels have connected households to electricity grids, water systems, and digital technology. Public buildings, parks, and monuments have reshaped towns and cities and emerged as sites to construct and contest citizenship. Infrastructure has been welcomed and celebrated in Latin America, but it has also been resisted and destroyed.

Based on recent, original research, the essays in this collection cover a range of pressing infrastructural considerations, including sustainability, water conflict, extractive mining, and public housing in Brazil, Chile, Cuba, Colombia, Ecuador, and Mexico to better understand how infrastructure has reshaped Latin America over the past century.
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cover of The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between

The Stages of Memory

Reflections on Memorial Art, Loss, and the Spaces Between

James E. Young

University of Massachusetts Press, 2016

Winner of the 2017 National Council on Public History Book Award
From around the world, whether for New York City's 9/11 Memorial, at exhibits devoted to the arts of Holocaust memory, or throughout Norway's memorial process for the murders at ‎Utøya, James E. Young has been called on to help guide the grief stricken and survivors in how to mark their losses. This poignant, beautifully written collection of essays offers personal and professional considerations of what Young calls the “stages of memory,” acts of commemoration that include spontaneous memorials of flowers and candles as well as permanent structures integrated into sites of tragedy. As he traces an arc of memorial forms that spans continents and decades, Young returns to the questions that preoccupy survivors, architects, artists, and writers: How to articulate a void without filling it in? How to formalize irreparable loss without seeming to repair it?

Richly illustrated, the volume is essential reading for those engaged in the processes of public memory and commemoration and for readers concerned about how we remember terrible losses.

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cover of The Transatlantic Collapse of Urban Renewal: Postwar Urbanism from New York to Berlin

The Transatlantic Collapse of Urban Renewal

Postwar Urbanism from New York to Berlin

Christopher Klemek

University of Chicago Press, 2011

The Transatlantic Collapse of Urban Renewal examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Berlin, Philadelphia, and Toronto, among others, Christopher Klemek traces changing responses to the challenging issues that most affected the lives of the world’s cities. 

In the postwar decades, the principles of modernist planning came to be challenged—in the grassroots revolts against the building of freeways through urban neighborhoods, for instance, or by academic critiques of slum clearance policy agendas—and then began to collapse entirely. Over the 1960s, several alternative views of city life emerged among neighborhood activists, New Left social scientists, and neoconservative critics. Ultimately, while a pessimistic view of urban crisis may have won out in the United States and Great Britain, Klemek demonstrates that other countries more successfully harmonized urban renewal and its alternatives. Thismuch anticipated book provides one of the first truly international perspectives on issues central to historians and planners alike, making it essential reading for anyone engaged with either field.

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cover of The Type V City: Codifying Material Inequity in Urban America

The Type V City

Codifying Material Inequity in Urban America

Jeana Ripple

University of Texas Press, 2025

How building codes shaped material, social, and environmental landscapes in American cities.

Almost every American city contains neighborhoods dominated by wood frame construction—light, cheap, combustible, and requiring the lowest upfront investment of labor and material in the building industry. Known as a Type V (five) construction in the terminology of building codes, these buildings became ubiquitous in the American urban landscape thanks to the abundance of timber, housing affordability aspirations, and the adoption of a uniform code.

In The Type V City, Jeana Ripple examines the social and spatial history of building codes and material patterns in five cities—New York, Tampa, Chicago, Philadelphia, and Seattle—to reframe the stories of America’s building priorities, methods, negotiations, and assumptions. By examining the development of building materials and codes alongside the environmental, social, economic, and political context of each city’s development, Ripple reveals previously overlooked connections between the power structures underpinning regulatory evolution and the impacts that lay just beyond the frame of city builders’ priorities. Handsomely illustrated and informed by both archival research and insights enabled by contemporary data analysis, The Type V City critiques the homogenous construction practices underlying US urbanization and raises pointed questions for future generations of data-driven city planners and architects.

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cover of The Umayyad Mosque of Damascus: Art, Faith and Empire in Early Islam

The Umayyad Mosque of Damascus

Art, Faith and Empire in Early Islam

Alain George

Gingko, 2020

An expansive illustrated history of the historic Umayyad Mosque in Damascus.

The Umayyad Mosque of Damascus is one of the oldest continuously used religious sites in the world. The mosque we see today was built in 705 CE by the Umayyad caliph al-Walid on top of a fourth-century Christian church that had been erected over a temple of Jupiter. Incredibly, despite the recent war, the mosque has remained almost unscathed, but over the centuries has been continuously rebuilt after damage from earthquakes and fires. In this comprehensive biography of the Umayyad Mosque, Alain George explores a wide range of sources to excavate the dense layers of the mosque’s history, also uncovering what the structure looked like when it was first built with its impressive marble and mosaic-clad walls. George incorporates a range of sources, including new information he found in three previously untranslated poems written at the time the mosque was built, as well as in descriptions left by medieval scholars. He also looks carefully at the many photographs and paintings made by nineteenth-century European travelers, particularly those who recorded the building before the catastrophic fire of 1893.
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cover of The University of Alabama: A Guide to the Campus and Its Architecture

The University of Alabama

A Guide to the Campus and Its Architecture

Robert Oliver Mellown

University of Alabama Press, 2013

The University of Alabama: A Guide to the Campusand Its Architecture is a richly illustrated guidebook to the architecture and development of the University of Alabama’s campus as it has evolved over the last two centuries.

In 1988 the University of Alabama Press published Robert Oliver Mellown’s The University of Alabama: A Guide to the Campus, a culmination of a decade’s worth of research into both the facts and the legends surrounding the architecture, history, and traditions of the Capstone.

Over twenty years later, this new guide brings to light the numerous additions, expansions, and renovations the university has undergone on its spacious grounds in Tuscaloosa. In addition to updated sections devoted to the university’s historic landmarks—such as Foster Auditorium, where “the stand in the schoolhouse door” occurred; Denny Chimes,where the handprints and footprints of famous Tide athletes are memorialized in concrete; and the Gorgas House, which with stood the destruction of Union troops at the end of the Civil War—new sections account for the acquisition of Bryce Hospital’s campus, the expansions at Bryant-Denny Stadium to accommodate the growing Crimson Tide fan base, and the burgeoning student recreation facilities, playing fields, and residential communities.

Chapters are arranged into various campus tours for walking or driving—Antebellum, Victorian, Early Twentieth-Century, East Quad, West Quad, Science and Engineering Corridor, Student Life, Bryce, Medical, Southeast, Athletics, and Off Campus. Alumni, prospective students and their parents, new faculty, out-of-state visitors, and foreign dignitaries will all welcome this useful, compact, and colorful guide to one of the most beautiful campuses in the country.
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cover of The University of Iowa Guide to Campus Architecture

The University of Iowa Guide to Campus Architecture

John Beldon Scott

University of Iowa Press, 2006

The University of Iowa boasts an outstanding ensemble of buildings whose stylistic diversity reflects the breadth of Iowa’s contributions to research, education, and creative activities. In this first comprehensive guide to the university’s architecture, authors John Scott and Rodney Lehnertz reveal the artistic integrity, intellectual inspiration, and cutting-edge function of the campus buildings.Scott and Lehnertz highlight seventy-eight buildings that they consider architecturally significant, from the Greek Revival style of Old Capitol at the center of the Pentacrest, designed by John Francis Rague of Springfield, Illinois, to Art Building West, a work of art in itself designed by Steven Holl of New York City. The buildings are arranged in eleven campus zones, each illustrated with a map: Pentacrest, Iowa Avenue Campus, Main Campus North, Main Campus South, River Valley Campus, Arts Campus, Near West Campus, Medical Campus, University of Iowa Hospitals and Clinics Campus, Athletics Campus, and Oakdale Research Campus. Each building is presented with one or two pages of text, giving its architectural history and its noteworthy features, and one to three photographs, most of which were taken especially for this publication. The introductory essays provide both personal recollections and historical information about the diverse styles of campus architecture. Particularly valuable are the lists of all the extant campus buildings that the authors considered worthy of inclusion organized by building names, the names of their principal and project architects, and the date completed or occupied; another list contains information about notable campus sculptures. Also included are an essay about long-time campus architect George Horner and a highly useful glossary.Current students and their parents, alumni, and professional and amateur architecture enthusiasts will appreciate this copiously illustrated, accessible, and informative tour of the University of Iowa’s distinctive campus.
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cover of The University of Iowa Guide to Campus Architecture, Second Edition

The University of Iowa Guide to Campus Architecture, Second Edition

John Beldon Scott and Rodney P. Lehnertz

University of Iowa Press, 2016

In this guide to the University of Iowa’s architecture, revised and updated to reflect the numerous changes following the 2008 flood, John Beldon Scott and Rodney P. Lehnertz discuss and illustrate an ensemble of buildings whose stylistic diversity reflects the breadth of Iowa’s contributions to research, education, and creative activities. Current students and their parents, alumni, and professional and amateur architecture enthusiasts will appreciate this informative tour of the university’s distinctive campus. 
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cover of The Unreal Estate Guide to Detroit

The Unreal Estate Guide to Detroit

Andrew Herscher

University of Michigan Press, 2012

Intense attention has been paid to Detroit as a site of urban crisis. This crisis, however, has not only yielded the massive devaluation of real estate that has so often been noted; it has also yielded an explosive production of seemingly valueless urban property that has facilitated the imagination and practice of alternative urbanisms. The first sustained study of Detroit’s alternative urban cultures, The Unreal Estate Guide to Detroit initiates a new focus on Detroit as a site not only of urban crisis but also of urban possibility.

The Guide documents art and curatorial practices, community and guerilla gardens, urban farming and forestry, cultural platforms, living archives, evangelical missions, temporary public spaces, intentional communities, furtive monuments, outsider architecture, and other work made possible by the ready availability of urban space in Detroit. The Guide poses these spaces as “unreal estate”: urban territory that has slipped through the free- market economy and entered other regimes of value, other contexts of meaning, and other systems of use. The appropriation of this territory in Detroit, the Guide suggests, offers new perspectives on what a city is and can be, especially in a time of urban crisis.
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cover of The Urban Apparatus: Mediapolitics and the City

The Urban Apparatus

Mediapolitics and the City

Reinhold Martin

University of Minnesota Press, 2017

Urbanization is a system of power and knowledge, and today’s city functions through the expansive material infrastructures of the urban order. In The Urban Apparatus, Reinhold Martin analyzes urbanization and the contemporary city in aesthetic, socioeconomic, and mediapolitical terms. He argues that understanding the city as infrastructure reveals urbanization to be a way of imparting functional, aesthetic, and cognitive order to a contradictory, doubly bound neoliberal regime.

Blending critical philosophy, political theory, and media theory, The Urban Apparatus explores how the aesthetics of cities and their political economies overlap. In a series of ten essays, with a detailed theoretical introduction, Martin explores questions related to urban life, drawn from a wide range of global topics—from the fiscal crisis in Detroit to speculative development in Mumbai to the landscape of Mars, from discussions of race and the environment to housing and economic inequality. Each essay proposes a particular “mediator” (or a material complex) that is shaped by imaginative practices, each answering the question “What is a city, today?” 

The Urban Apparatus serves as an “urban” bookend to the architectural questions explored by Martin in his earlier book Utopia’s Ghost, and ultimately offers readers a way to think politically about urbanization.

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