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Recovering the stage work of one of America's finest black female writers

This volume collects twelve of Georgia Douglas Johnson's one-act plays, including two never-before-published scripts found in the Library of Congress.  As an integral part of Washington, D.C.'s, thriving turn-of-the-century literary scene, Johnson hosted regular meetings with Harlem Renaissance writers and other artists, including Countee Cullen, Langston Hughes, May Miller, and Jean Toomer, and was herself considered among the finest writers of the time.  Johnson also worked for U.S. government agencies and actively supported women's and minorities' rights.

As a leading authority on Johnson, Judith L. Stephens provides a brief overview of Johnson's career and significance as a playwright; sections on the creative environment in which she worked; her S Street Salon; "The Saturday Nighters," and its significance to the New Negro Theatre; selected photographs; and a discussion of Johnson's genres, themes, and artistic techniques.

Exploring who benefits and who pays when different narratives are accepted as true, Pride offers a step-by-step account of how Mobile's culture changed each time a new and more forceful narrative was used to justify inequality. More than a retelling of Mobile's story of desegregation, The Political Use of Racial Narratives promotes the value of rhetorical and narrative analysis in the social sciences and history.

A nuanced examination of the salience of skin tone within African American politics.

Research shows that skin tone is associated with significant differences in life experiences. On average, African Americans with darker skin earn lower wages, suffer worse health outcomes, and endure more negative criminal justice experiences than lighter-skinned African Americans. Nicole D. Yadon conceptualizes skin tone as one facet of the multidimensional construct of race that powerfully influences racialized experiences which, in turn, can influence political identities and attitudes.

Drawing on evidence from one hundred in-depth interviews, multiple surveys, and a survey experiment, The Politics of Skin Tone investigates the political associations of skin tone. Yadon finds that skin tone correlates with political attitudes, particularly on issues where color-based disparities are especially pronounced such as criminal justice. Moreover, a sizable number of African Americans adopt a skin tone-based identity. In an era of shifting racial boundaries and growing color-based discrimination, The Politics of Skin Tone examines the implications for both scholars and policymakers.

There is a long history of sororities such as Alpha Kappa Alpha (AKA) and Delta Sigma Theta (Delta) participating in activism and social justice efforts—from the Civil Rights Movement in the 1960s to Kamala Harris’s recent political campaigns. But radical movements like Black Lives Matter have posed more challenging questions for these organizations.

In The Power We Need Right Now, Aisha Upton Azzam investigates the legacies of AKA and Delta to understand the considerations that weigh on their engagement with present day Black movements. These organizations wield a significant amount of political power to mobilize in support of their causes. The response each sorority has had to movements fifty years apart is strikingly similar—even if their approaches are quite different.

Using a Black feminist theoretical framework, Upton Azzam brings context and meaning to the interactions of these sororities with Black radical movements. She highlights the costs communities bear from sororities’ adherence to respectability and racial uplift ideologies by tracing each sorority’s history and response to emerging Black feminist and Black Power movements during the tumultuous 1970s.

The Power We Need Right Now emphasizes that Black communities still have the ability to wield their political power and influence to further the struggle for Black liberation.

Ronald Walters is Distinguished Leadership Scholar and Director, African American Leadership Program and Professor of Government and Politics, University of Maryland.

A complex articulation of the ways blackness and nonnormative gender intersect—and a deeper understanding of how subjectivities are formed

A deep meditation on and expansion of the figure of the Negro and insurrectionary effects of the “X” as theorized by Nahum Chandler, The Problem of the Negro as a Problem for Gender thinks through the problematizing effects of blackness as, too, a problematizing of gender. Through the paraontological, the between, and the figure of the “X” (with its explicit contemporary link to nonbinary and trans genders) Marquis Bey presents a meditation on black feminism and gender nonnormativity. Chandler’s text serves as both an argumentative tool for rendering the “radical alternative” in and as blackness as well as demonstrating the necessarily trans/gendered valences of that radical alternative.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Gerald Horne weaves Barnett's fascinating life story through a groundbreaking history of the ANP, including its deep dedication to Pan-Africanism. An activist force in journalism, Barnett also helped send doctors and teachers to Africa, advised African governments, gave priority to foreign newsgathering, and saw the African American struggle in global terms. Yet Horne also confronts Barnett's contradictions. A member of the African American elite, Barnett's sympathies with black aspirations often clashed with his ethics and a powerful desire to join the upper echelons of business and government. In the end, Barnett's activist success undid his work. Horne traces the dramatic story of the ANP's collapse as the mainstream press, retreating from Jim Crow, finally covered black issues and hired African American journalists.

Revelatory and entertaining, The Rise and Fall of the Associated Negro Press tells the story of a forgotten pioneer and the ambitious black institution he created.