Elizabeth Butler
Iter Press, 2022
Zachary Leader
Northwestern University Press, 2011
Lindsey Eckert
Bucknell University Press, 2022

Royal W. Rhodes
The Ohio State University Press, 1900
Alma Igra
University of Chicago Press, 2026
Reveals how nutrition science emerged from Britain’s attempts to mold the food chain to its imperial interests.
The Lion’s Share offers a biography of nutrition as a scientific discipline, from its imperial birth, through its rise to fame, to its integration into an environmental and political global order. Even though medical knowledge involved food since ancient times, at the beginning of the twentieth century, nutrition was not yet a scientific discipline in an institutional or practical sense. Nevertheless, by the 1930s, it was one of the most politically influential scientific fields, with nutritionists operating as medical diplomats within national, international, and imperial organizations. As historian Alma Igra explains, it is through the global networks of British power that a decidedly marginal field of technical knowledge concerned with agricultural productivity and animal feeding evolved into an area of expertise governing the human diet and related issues of public health, economic development, and humanitarian aid.
The Lion’s Share visits five pivotal moments that prompted new nutritional research at transnational meetings in Scotland, Iraq, Vienna, Geneva, and the Netherlands. Through the eyes of the experts, Igra tracks how nutrition became an international science, with mobile labs, collaborations among institutions, and a constant clash between local and imperial practices. Standardization of food measurement created new ways for food to be international and allowed politicians to imagine the world as one. Yet tensions remained that shaped international policy in the twentieth century and still affect international land policy today.
Edited by Muriel St. Clare Byrne
University of Chicago Press, 1981
Edited by Muriel St. Clare Byrne
University of Chicago Press, 1983

Robert M. Cooper
Ohio University Press, 1998
In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles’s French Lieutenant’s woman walked. Maps and information about restaurants and accommodations give the traveler the opportunity of having pints of “half and half” where Jane Austen dined or visiting the pub where Blake’s scuffle led to his trial for treason.
This newly revised and updated edition of Robert Cooper’s acclaimed handbook combines the utility of current travel information with the appeal of literary history, biography, and anecdote in a leisurely and flavorful guide to the broad sweep of southern England outside of London. A rich and reliable guide to the landscape that fostered one of our most cherished cultures, The Literary Guide and Companion to Southern England is an indispensable resource for those who wish to experience literature firsthand.
Tamara Ketabgian
University of Michigan Press, 2011
"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine."
---Jay Clayton, Vanderbilt University
Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture.
Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman.
The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies.
Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece.
DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library
Ronald Lyndsey Crawford
Aberdeen University Press, 2015
Emma Smith
Bodleian Library Publishing, 2015
Peter Hunt
Bodleian Library Publishing, 2018
Charlotte Berry
University of London Press, 2022
Stacy S. Klein
Arizona Center for Medieval and Renaissance Studies, 2014
Caroline Zilboorg
University of Missouri Press, 2001
Born Eileen Mary Challans in London in 1905, Mary Renault wrote six successful contemporary novels before turning to the historical fiction about ancient Greece for which she is best known. While Renault's novels are still highly regarded, her life and work have never been completely examined. Caroline Zilboorg seeks to remedy this in The Masks of Mary Renault by exploring Renault's identity as a gifted writer and a sexual woman in a society in which neither of these identities was clear or easy.
Although Renault's life was anything but ordinary, this fact has often been obscured by her writing. The daughter of a doctor, she grew up comfortably and attended a boarding school in Bristol. She received a degree in English from St. Hugh's College in Oxford in 1928, but she chose not to pursue an academic career. Instead, she decided to attend the Radcliffe Infirmary in Oxford, where she trained to be a nurse. With the outbreak of the Second World War, she was assigned to the Winford Emergency Hospital in Bristol and briefly worked with Dunkirk evacuees. She went on to work in the Radcliffe Infirmary's brain surgery ward and was there until 1945.
It was during her nurse's training that Renault met Julie Mullard, who became her lifelong companion. This important lesbian relationship both resolved and posed many problems for Renault, not the least of which was how she was to write about issues at once intensely personal and socially challenging. In 1939, Renault published her first novel under a pseudonym in order to mask her identity. It was a time when she was struggling not only with her vocation (nursing and writing), but also with her sexual identity in the social and moral context of English life during the war.
In 1948, Renault left England with Mullard for South Africa and never returned. It was in South Africa that she made the shift from her early contemporary novels of manners to the mature historical novels of Hellenic life. The classical settings allowed Renault to mask material too explosive to deal with directly while simultaneously giving her an "academic" freedom to write about subjects vital to her—among them war, peace, career, women's roles, female and male homosexuality, and bisexuality.
Renault's reception complicates an understanding of her achievement, for she has a special status within the academic community, where she is both widely read and little written about. Her interest in sexuality and specifically in homosexuality and bisexuality, in fluid gender roles and identities, warrants a rereading and reevaluation of her work. Eloquently written and extensively researched, The Masks of Mary Renault will be of special value to anyone interested in women's studies or English literature.
Stephen Wittek
University of Michigan Press, 2015
Edited by the Bodleian Library
Bodleian Library Publishing, 2007
Numerous documents attest to the horrific conditions endured by African slaves during the centuries of the Atlantic slave trade. Less well known is the perspective of those who wielded power during this dark time in human history. The Bodleian Library fills that gap here with the memoirs of a principal figure in the slave trade, Captain Hugh Crow.
The first-hand account of a man who commanded one of the last legal slave vessels to cross the Atlantic, Life and Times of a Slave Trade Captain offers a revealing if frequently troubling look into the psyche of a slave trader. His chronicle leaves nothing to the imagination, as he recounts the harsh routine of daily life on a slave vessel, where on average a fifth of the crew—let alone the human cargo—never survived the crossing. Crow portrays himself as an “enlightened” slaver, a claim he justifies through the link between his close attention to his “negroes” and his financial success, and the songs composed for him by the slaves. His account also includes commentary on the social propriety of the slave trade and notes about the conditions on West Indian and Caribbean plantations as well as on slave ships. John Pinfold’s illuminating introduction recounts the life of Hugh Crow and sets him in the rich historical context of eighteenth-century mercantilism and its battle with the abolitionist movement. An eye-opening read, Life and Times of a Slave Trade Captain reveals an often overlooked facet in the complicated history of transatlantic slavery.
Ronald McCrum
National University of Singapore Press, 2017
Peter Clark
Haus Publishing, 2023
Suzanne M. Hall
University of Minnesota Press, 2021
Connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street
In this richly observed account of migrant shopkeepers in five cities in the United Kingdom, Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins. Hall locates The Migrant’s Paradox on streets in the far-flung parts of de-industrialized peripheries, where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt.
Drawing on hundreds of in-person interviews on streets in Birmingham, Bristol, Leicester, London, and Manchester, Hall brings together histories of colonization with current forms of coloniality. Her six-year project spans the combined impacts of the 2008 financial crisis, austerity governance, punitive immigration laws and the Brexit Referendum, and processes of state-sanctioned regeneration. She incorporates the spaces of shops, conference halls, and planning offices to capture how official border talk overlaps with everyday formations of work and belonging on the street.
Original and ambitious, Hall’s work complicates understandings of migrants, demonstrating how migrant journeys and claims to space illuminate the relations between global displacement and urban emplacement. In articulating “a citizenship of the edge” as an adaptive and audacious mode of belonging, she shows how sovereignty and inequality are maintained and refuted.

Josef L. Altholz, Editor
University of Minnesota Press, 1976
The Mind and Art of Victorian England was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In a series of ten essays and a generous selection of illustrations, many in color, this volume depicts and assesses the mind and art of Victorian England. Multidisciplinary in approach, the essays deal with a variety of aspects in the history of the Victorian age.
Professor Altholz, the volume editor, writes: "It was an age not of revolution but of reform; political reform which admitted first the middle and then the working classes to the dominant share of the suffrage; economic and social reforms which proclaimed the triumph of laissez-faire while laying the foundations of the welfare state; moral reforms attempted if not achieved through education and religious revival; aesthetic reforms proposed if not achieved and, even in their failure, adding to the richness and diversity of Victorian England. It was an age whose problems cried out for reform; and, despite the prevailing complacency, virtually all the great Victorians were critics of their age. Their criticisms were diverse and often mutually incompatible, with each other -- and their public -- but they shared a high seriousness which gave character and substance to the flowering of their culture. Such was the Victorian age: the high-water mark of English history, the maturation of British culture, and the seedbed of our problems and our discontents."
The illustrations include color reproductions of some of the works discussed by Melvin Waldfogel in his essay "Narrative Painting," and a selection of architectural engravings and photographs.
Nicholas Tracy
Westholme Publishing, 2008
Gerrard, Steven
Rutgers University Press, 2017
William Rosen
University of Chicago Press, 2012
This bracing history uses the earth-shaking development of the steam engine to show how the very idea of intellectual property was essential to the entire Industrial Revolution.
Hardly a week passes without some high-profile court case that features intellectual property at its center. But how did the belief that one could own an idea come about? And how did that belief change the way humankind lives and works?
William Rosen, author of Justinian's Flea, seeks to answer these questions and more with The Most Powerful Idea in the World. A lively and passionate study of the engineering and scientific breakthroughs that led to the steam engine, this book argues that the very notion of intellectual property drove not only the invention of the steam engine but also the entire Industrial Revolution: history’s first sustained era of economic improvement. To do so, Rosen conjures up an eccentric cast of characters, including the legal philosophers who enabled most the inventive society in millennia, and the scientists and inventors—Thomas Newcomen, Robert Boyle, and James Watt—who helped to create and perfect the steam engine over the centuries. With wit and wide-ranging curiosity, Rosen explores the power of creativity, capital, and collaboration in the brilliant engineering of the steam engine and how this power source, which fueled factories, ships, and railroads, changed human history.
Deeply informative and never dull, Rosen's account of one of the most important inventions made by humans is a rollicking ride through history, with careful scholarship and fast-paced prose in equal measure.
Daniel J. Boorstin
University of Chicago Press, 1996
James Wood
Brandeis University Press, 2015
Edited by Aled Davies, Ben Jackson, and Florence Sutcliffe-Braithwaite
University College London, 2021
Courtenay Raia
University of Chicago Press, 2019
By Lynn H. Nelson
University of Texas Press, 1966
A frontier has been called "an area inviting entrance." For the Norman invaders of England the Welsh peninsula was such an area. Fertile forested lowlands invited agricultural occupation; a fierce but primitive and disunited native population was scarcely a formidable deterrent.
In The Normans in South Wales, Lynn H. Nelson provides a comprehensive history of the century during which the Normans accomplished this occupation. Skillfully he combines facts and statistics gleaned from a variety of original sources—The Anglo-Saxon Chronicle, the Domesday Book, Church records, charters of the kings and of the marcher lords, and more imaginative literary sources such as the chanson de geste and the frontier epic—to give a vivid picture of a century of strife. He describes the fluctuating conflict between Norman invaders in the lowlands and Welsh tribesmen in the highlands; the hard struggle of medieval frontiersmen to take from the new land a profit commensurate with their labors; the development of a Cambro-Norman society distinct and quite different from the Anglo-Norman culture which engendered it; and the attempt of the frontiersman to prevent the Anglo-Norman authorities from taking control of the lands he had won.
The turbulent Welsh tribes provided an ever present harassment along the frontier, and Nelson begins his presentation with an account of the failure of the Saxons to control them. He examines the methods adopted by William the Conqueror to cope with the problem—the creation of the great marcher lordships and the subsequent problems in controlling these lordships—and the weakness of some Anglo-Norman kings and the strength of others.
By 1171 the conquest of the Welsh frontier was complete; but as Nelson points out, this conquest was strangely limited. The frontier, which extended throughout the lowlands of Wales, stopped at the 600-foot contour line in the mountains. In his final chapter Nelson speculates upon the curious fact that large areas of seemingly inviting moorlands lying above this line remained closed to the Cambro-Norman, and his speculations lead him to some interesting inferences about the nature of the frontier's influence upon the civilization which moves in to occupy it.
Barbara Howard Traister
University of Chicago Press, 2000
Guy Chet
University of Massachusetts Press, 2014

Judith Collins
University of Chicago Press, 1984
Travis Curtright
Catholic University of America Press, 2012

Neil Davidson
Pluto Press, 2000

J.H. Stewart Reid
University of Minnesota Press, 1955
The Origins of the British Labour Party was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
What were the social and economic forces in England that gave rise to the British Labour Party? How did the party function in its formative years? How does the British labor movement compare with its American counterpart? If American labor enters politics as a separate party, is it likely to adopt a program resembling the socialism of the British Party?
Professor Reid's detailed account of the origins and development of the British Labour Party lays the groundwork for answers to questions like these, questions that are pertinent to the social and political issues of America as well as England. Since the appearance of a body of organized labor is a phenomenon occasioned by the process of industrialization, and since that process began in Great Britain almost a century earlier than on the American continent, the student of labor politics may well ponder whether something similar to the British experience lies ahead for America.
Professor Reid describes the conditions that brought about a specifically labor party, tells how it was established, and traces its first 20 years as a parliamentary party. He shows that the party began as an alliance of diverse forces having in common only the conviction that neither the Liberal nor the Conservative party would tackle such issues as housing, minimum wages, or unemployment insurance. He makes clear that, in working to achieve these short-term goals, the varied elements that made up the party finally worked out the peculiar compromise on policy and philosophy that is the basis of the British Labour Party today.
Guinn Batten
Duke University Press, 1998
John Carlos Rowe
Duke University Press, 1998
Maria del Pilar Kaladeen
Pluto Press, 2021

Maria del Pilar Kaladeen
Pluto Press, 2021
Michael R. Mahoney
Duke University Press, 2012
Benjamin Morgan
University of Chicago Press, 2017
Geremy Carnes
University of Delaware Press, 2017
Gene K. Rinkel and Margaret E. Rinkel
University of Illinois Press, 2000
Alex Owen
University of Chicago Press, 2004
Mary Elizabeth Leighton
Ohio University Press, 2018
In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.
These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role.
In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.
Brian McGrath
Northwestern University Press, 2012
Erik Irving Gray
University of Massachusetts Press, 2005
Skiles Howard
University of Massachusetts Press, 1998
Monica Prasad
University of Chicago Press, 2006
Leah S. Marcus
University of Chicago Press, 1989