1441 books match the query 'Great Britain' and 342 start with t

cover of The Letters of the First Duchess of Ormonde

The Letters of the First Duchess of Ormonde

Elizabeth Butler

Iter Press, 2022

This volume is the first to bring together the entire extant correspondence of one of the most significant women in early modern Ireland, Elizabeth Butler, first Duchess of Ormonde. She was the wife of James Butler, twelfth Earl and first Duke of Ormonde, who, as Ireland’s only duke and three times its lord lieutenant, was a figure of considerable importance in seventeenth-century Ireland. But far from being overshadowed by her powerful husband, Butler was a person of significant power and influence in her own right. Descended from the tenth Earl of Ormonde, she brought a hefty portion of the Ormonde estate to the marriage. As Countess, Marchioness, then Duchess of Ormonde, as well as three times vicereine and a high-status courtier, she sat at the pinnacle of Irish and English society, unmatched by any other Irish woman of the period in terms of her wealth, social standing, and power. Her surviving correspondence reveals her importance within the Ormonde-Butler family and in the social, cultural, and political life of seventeenth-century Ireland.

The volume comprises more than three hundred letters written by Ormonde to her husband and family, agents and servants, and friends and clients. Spanning six decades, these letters are meticulously transcribed, edited, and annotated, and the volume includes a substantial scholarly introduction, family trees, a glossary, and other resources.
 
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cover of The Life of Kingsley Amis

The Life of Kingsley Amis

Zachary Leader

Northwestern University Press, 2011

Kingsley Amis was not only the finest comic novelist of his generation, but also a dominant figure in post–World War II British writing as a novelist, poet, critic, and polemicist. Zachary Leader’s definitive, authorized biography conjures in vivid detail the life of one of the most controversial figures of twentieth-century literature, renowned for his blistering intelligence, savage wit, and belligerent fierceness of opinion. 

In The Life of Kingsley Amis, Leader, the acclaimed editor of The Letters of Kingsley Amis, draws not only on published and unpublished works and correspondence, but also on interviews with a wide range of Amis’s friends, relatives, fellow writers, students, and colleagues, many of whom have never spoken publicly before. The result is a compulsively readable account of Amis’s childhood, school days, and life as a student at Oxford, teacher, critic, political and cultural commentator, professional author, husband, father, and lover. Neither evading nor sensationalizing the more salacious aspects of Amis’s life, Leader explores the writer’s phobias, self-doubts, and ambitions; the controversies in which he was embroiled; and the role that drink played in a life bedeviled by erotic entanglements, domestic turbulence, and personal disaster. 

Here is the biography that its subject deserves. Like Amis himself, it is incisive and unsentimental, deeply appreciative of aesthetic achievement, and a great source of amusing anecdotes. Dazzling for its thoroughness, psychological acuity, and elegant style, The Life of Kingsley Amis is exemplary: literary biography at its very best.
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cover of The Limits of Familiarity: Authorship and Romantic Readers

The Limits of Familiarity

Authorship and Romantic Readers

Lindsey Eckert

Bucknell University Press, 2022

Finalist for the British Association of Romantic Studies First Book Prize 

What did Wordsworth wear, and where did he walk? Who was Byron’s new mistress, and how did his marriage fare? Answers—sometimes accurate, sometimes not—were tantalizingly at the ready in the Romantic era, when confessional poetry, romans à clef, personal essays, and gossip columns offered readers exceptional access to well-known authors. But at what point did familiarity become overfamiliarity? Widely recognized as a social virtue, familiarity—a feeling of emotional closeness or comforting predictability—could also be dangerous, vulgar, or boring. In The Limits of Familiarity, Eckert persuasively argues that such concerns shaped literary production in the Romantic period. Bringing together reception studies, celebrity studies, and literary history to reveal how anxieties about familiarity shaped both Romanticism and conceptions of authorship, this book encourages us to reflect in our own fraught historical moment on the distinction between telling all and telling all too much.
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cover of The Lion and the Cross: Early Christianity in Victorian Novels

The Lion and the Cross

Early Christianity in Victorian Novels

Royal W. Rhodes

The Ohio State University Press, 1900

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cover of The Lion's Share: Scientific Nutrition and the British World System

The Lion's Share

Scientific Nutrition and the British World System

Alma Igra

University of Chicago Press, 2026

Reveals how nutrition science emerged from Britain’s attempts to mold the food chain to its imperial interests.

The Lion’s Share offers a biography of nutrition as a scientific discipline, from its imperial birth, through its rise to fame, to its integration into an environmental and political global order. Even though medical knowledge involved food since ancient times, at the beginning of the twentieth century, nutrition was not yet a scientific discipline in an institutional or practical sense. Nevertheless, by the 1930s, it was one of the most politically influential scientific fields, with nutritionists operating as medical diplomats within national, international, and imperial organizations. As historian Alma Igra explains, it is through the global networks of British power that a decidedly marginal field of technical knowledge concerned with agricultural productivity and animal feeding evolved into an area of expertise governing the human diet and related issues of public health, economic development, and humanitarian aid. 

The Lion’s Share visits five pivotal moments that prompted new nutritional research at transnational meetings in Scotland, Iraq, Vienna, Geneva, and the Netherlands. Through the eyes of the experts, Igra tracks how nutrition became an international science, with mobile labs, collaborations among institutions, and a constant clash between local and imperial practices. Standardization of food measurement created new ways for food to be international and allowed politicians to imagine the world as one. Yet tensions remained that shaped international policy in the twentieth century and still affect international land policy today.

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cover of The Lisle Letters

The Lisle Letters

Edited by Muriel St. Clare Byrne

University of Chicago Press, 1981

The Lisle Letters consist of the personal, official, and business correspondence of the household of Arthur Plantagenet, Viscount Lisle, the illegitimate but acknowledged son of Edward IV, during the years 1533 to 1540 when he was Lord Deputy of Calais. These seven critical years in English history were marked by the rise, ascendency, and fall of Thomas Cromwell and the letters reflect the mixture of passion, terror, and politics that was the court of Henry VIII. They also present the everyday concerns of the Lisle household. No other source provides such an abundance of detail about daily life - marriage, child rearing, education, clothing, food, and furnishing. The Lisle Letters are the Tudor world in microcosm.
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cover of The Lisle Letters: An Abridgement

The Lisle Letters

An Abridgement

Edited by Muriel St. Clare Byrne

University of Chicago Press, 1983

In a one-volume abridgement, these sixteenth-century letters paint a magnificent portrait of family life amidst the intrigue, terror, and politics of the court of Henry VIII. The culmination of Lord Lisle's imprisonment in the Tower of London.
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cover of The Literary Guide and Companion to Southern England: Revised Edition

The Literary Guide and Companion to Southern England

Revised Edition

Robert M. Cooper

Ohio University Press, 1998

In a series of intriguing routes through the English countryside, Professor Robert Cooper notes those attractions that the casual tourist might unknowingly pass by, such as the house where Dickens wrote A Tale of Two Cities, or the windswept quay where John Fowles’s French Lieutenant’s woman walked. Maps and information about restaurants and accommodations give the traveler the opportunity of having pints of “half and half” where Jane Austen dined or visiting the pub where Blake’s scuffle led to his trial for treason.

This newly revised and updated edition of Robert Cooper’s acclaimed handbook combines the utility of current travel information with the appeal of literary history, biography, and anecdote in a leisurely and flavorful guide to the broad sweep of southern England outside of London. A rich and reliable guide to the landscape that fostered one of our most cherished cultures, The Literary Guide and Companion to Southern England is an indispensable resource for those who wish to experience literature firsthand.

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cover of The Lives of Machines: The Industrial Imaginary in Victorian Literature and Culture

The Lives of Machines

The Industrial Imaginary in Victorian Literature and Culture

Tamara Ketabgian

University of Michigan Press, 2011

"The Lives of Machines is intelligent, closely argued, and persuasive, and puts forth a contention that will unsettle the current consensus about Victorian attitudes toward the machine."
---Jay Clayton, Vanderbilt University

Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture.

Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman.

The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies.

Cover image: "Power Loom Factory of Thomas Robinson," from Andrew Ure, The Philosophy of Manufactures (London: Charles Knight, 1835), frontispiece.

DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library

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cover of The Lost World of John Witherspoon: Unravelling the Snodgrass affair, 1762 to 1776

The Lost World of John Witherspoon

Unravelling the Snodgrass affair, 1762 to 1776

Ronald Lyndsey Crawford

Aberdeen University Press, 2015

John Witherspoon (1723 – 1794) is remembered today as one of only two Scots among the 56 ‘signers’ of the Declaration of American Independence and the only clergyman to have added his name to the list of founding fathers of the nation that was set to become the United States. On that basis alone, Witherspoon earns his place as an important figure in the early history of the ‘Empire of Liberty’ – even though he has been described by some American scholars as the ‘forgotten Founder.’But Witherspoon had two careers. His American career (as College President at Princeton and an influential politician in the revolutionary and immediate post-revolutionary war period) has understandably tended to overshadow his earlier career in Scotland as a leading light within the Popular (or Evangelical) party in the Church of Scotland at a time when the Kirk was dominated by the Moderates led by such men as William Robertson, Hugh Blair and Alexander ‘Jupiter’ Carlyle. This study shows that he had few friends among the preponderance of Moderate ministerial colleagues in the Presbytery of Paisley.The ground-breaking research underpinning this book reveals for the first time the full astonishing story of Witherspoon’s involvement in an action against him in the Court of Session in Edinburgh, a process that was begun by a lawyer, John Snodgrass, and five others in 1762 and was not determined until 1776, by which time the Paisley minister had long left Scotland for a new life as sixth President of the College of New Jersey. The process would engage the professional skills of some of the most celebrated figures in Scottish advocacy of the period, including George Wallace, Henry Dundas, David Dalrymple, Charles Hay and Andrew Crosbie.In an important ‘Concluding Essay’ the author makes a convincing case for the Snodgrass affair having influenced Witherspoon’s decision to make a new life for himself and his family in America, demolishing the traditional view that it was somehow irrelevant to that decision.
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cover of The Making of Shakespeare's First Folio

The Making of Shakespeare's First Folio

Emma Smith

Bodleian Library Publishing, 2015

Shakespeare is synonymous with English literature. Well-loved the world over, his work endures for its ability to speak powerfully to the follies and foibles of human nature. We endlessly debate not only the finer points of each of his plays and sonnets but also the identity of the Bard himself. Yet no fanfare surrounded the initial publication of Shakespeare’s First Folio—no queue of eager readers, no launch to the top of the best seller list. It wasn’t until four hundred years after Shakespeare’s death that the book would be the subject of a national book tour.
           
The Making of Shakespeare’s First Folio offers the first comprehensive biography of the earliest collected edition of Shakespeare’s plays. In November 1623, the book arrived in the bookshop of the London publisher Edward Blount at the Black Bear. Long in the making, Master William Shakespeare’s Comedies, Histories, and Tragedies—as the First Folio was then known—appeared seven years after Shakespeare’s death. Nearly one thousand pages in length, the collection comprised thirty-six plays, half of which had never been previously published. Emma Smith tells the story of the First Folio’s origins, locating it within the social and political context of Jacobean London and bringing in the latest scholarship on the seventeenth-century book trade.
           
Extensively illustrated, The Making of Shakespeare’s First Folio is a landmark addition to the copious literature on Shakespeare. It will shed much-needed light on the birth of the First Folio—of which fewer than 250 copies remain—and the birth of Shakespeare’s towering reputation.
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cover of The Making of The Wind in the Willows

The Making of The Wind in the Willows

Peter Hunt

Bodleian Library Publishing, 2018

The adventures of Mole, Ratty, Mr. Toad, and Mr. Badger—and their tangles with the Weasels—have been adored by children for more than a century. Yet, with its oddly bureaucratic town dramas and the esoteric hobbies of its protagonists, The Wind in the Willows was originally intended almost entirely for adults. Though first inspired by bedtime stories Kenneth Grahame told to his son Alastair, as he wrote them down, the tales of these woodland creatures developed into something much more sophisticated.
            Peter Hunt explores the unusual trajectory of The Wind in the Willows through previously unpublished archival materials, original drawings, and fan letters (including one from Theodore Roosevelt). He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger, and Toad, and explores the literary genres of boating, caravanning, and motoring on which the author drew. He also recounts the extraordinary correspondence surrounding the book’s first publication and the influence of two determined women—publisher’s agent Constance Smedley and the author’s wife, Elspeth Grahame—who helped turn the book into the classic for children we know and love today. Generously illustrated throughout, this book celebrates one of the most beloved works of children’s literature ever published.
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cover of The Margins of Late Medieval London, 1430–1540

The Margins of Late Medieval London, 1430–1540

Charlotte Berry

University of London Press, 2022

A powerful study of medieval London’s urban fringe.

The Margins of Late Medieval London seeks to unpack the complexity of urban life in the medieval age, offering a detailed and novel approach to understanding London beyond its grand institutions and social bodies. Using a combination of experimental digital, quantitative, and qualitative methodologies, the volume casts new light on urban life at the level of the neighborhood and considers the differences in economy, society, and sociability which existed in different areas of a vibrant premodern city. This book focuses on the dynamism and mobility that shaped city life, integrating the experiences of London’s poor and migrant communities and how they found their place within urban life. It describes how people found themselves marginalized in the city, and the strategies they would employ to mitigate that precarious position.
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cover of The Maritime World of the Anglo-Saxons

The Maritime World of the Anglo-Saxons

Stacy S. Klein

Arizona Center for Medieval and Renaissance Studies, 2014

The twenty-first century has been marked by an “oceanic turn” and by groundbreaking new research on the previously hidden depths of maritime life, literature, and culture. The Maritime World of the Anglo-Saxons builds upon these new areas of research as the first major volume of essays to explore Anglo-Saxon England’s complex relationship to its maritime history, economy, and sensibilities. Individual essays focus on maritime travel, Viking invasions by sea, littoral culture, the archeology of the whale, and literary mythologies of monstrous sea creatures, bringing together insights from a range of disciplines: archeology, history, literature, paleography, linguistics, art history, critical theory, geography, and cultural studies.
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cover of The Masks of Mary Renault: A Literary Biography

The Masks of Mary Renault

A Literary Biography

Caroline Zilboorg

University of Missouri Press, 2001

Born Eileen Mary Challans in London in 1905, Mary Renault wrote six successful contemporary novels before turning to the historical fiction about ancient Greece for which she is best known. While Renault's novels are still highly regarded, her life and work have never been completely examined. Caroline Zilboorg seeks to remedy this in The Masks of Mary Renault by exploring Renault's identity as a gifted writer and a sexual woman in a society in which neither of these identities was clear or easy.

Although Renault's life was anything but ordinary, this fact has often been obscured by her writing. The daughter of a doctor, she grew up comfortably and attended a boarding school in Bristol. She received a degree in English from St. Hugh's College in Oxford in 1928, but she chose not to pursue an academic career. Instead, she decided to attend the Radcliffe Infirmary in Oxford, where she trained to be a nurse. With the outbreak of the Second World War, she was assigned to the Winford Emergency Hospital in Bristol and briefly worked with Dunkirk evacuees. She went on to work in the Radcliffe Infirmary's brain surgery ward and was there until 1945.

It was during her nurse's training that Renault met Julie Mullard, who became her lifelong companion. This important lesbian relationship both resolved and posed many problems for Renault, not the least of which was how she was to write about issues at once intensely personal and socially challenging. In 1939, Renault published her first novel under a pseudonym in order to mask her identity. It was a time when she was struggling not only with her vocation (nursing and writing), but also with her sexual identity in the social and moral context of English life during the war.

In 1948, Renault left England with Mullard for South Africa and never returned. It was in South Africa that she made the shift from her early contemporary novels of manners to the mature historical novels of Hellenic life. The classical settings allowed Renault to mask material too explosive to deal with directly while simultaneously giving her an "academic" freedom to write about subjects vital to her—among them war, peace, career, women's roles, female and male homosexuality, and bisexuality.

Renault's reception complicates an understanding of her achievement, for she has a special status within the academic community, where she is both widely read and little written about. Her interest in sexuality and specifically in homosexuality and bisexuality, in fluid gender roles and identities, warrants a rereading and reevaluation of her work. Eloquently written and extensively researched, The Masks of Mary Renault will be of special value to anyone interested in women's studies or English literature.

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cover of The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News

The Media Players

Shakespeare, Middleton, Jonson, and the Idea of News

Stephen Wittek

University of Michigan Press, 2015

The Media Players: Shakespeare, Middleton, Jonson, and the Idea of News builds a case for the central, formative function of Shakespeare’s theater in the news culture of early modern England. In an analysis that combines historical research with recent developments in public sphere theory, Dr. Stephen Wittek argues that the unique discursive space created by commercial theater helped to foster the conceptual framework that made news possible.

Dr. Wittek’s analysis focuses on the years between 1590 and 1630, an era of extraordinary advances in English news culture that begins with the first instance of serialized news in England and ends with the emergence of news as a regular, permanent fixture of the marketplace. Notably, this period of expansion in news culture coincided with a correspondingly extraordinary era of theatrical production and innovation, an era that marks the beginning of commercial theater in London, and has left us with the plays of William Shakespeare, Ben Jonson, and Thomas Middleton.
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cover of The Memoirs of Captain Hugh Crow: The Life and Times of a Slave Trade Captain

The Memoirs of Captain Hugh Crow

The Life and Times of a Slave Trade Captain

Edited by the Bodleian Library

Bodleian Library Publishing, 2007

Numerous documents attest to the horrific conditions endured by African slaves during the centuries of the Atlantic slave trade. Less well known is the perspective of those who wielded power during this dark time in human history. The Bodleian Library fills that gap here with the memoirs of a principal figure in the slave trade, Captain Hugh Crow.

The first-hand account of a man who commanded one of the last legal slave vessels to cross the Atlantic, Life and Times of a Slave Trade Captain offers a revealing if frequently troubling look into the psyche of a slave trader. His chronicle leaves nothing to the imagination, as he recounts the harsh routine of daily life on a slave vessel, where on average a fifth of the crew—let alone the human cargo—never survived the crossing. Crow portrays himself as an “enlightened” slaver, a claim he justifies through the link between his close attention to his “negroes” and his financial success, and the songs composed for him by the slaves. His account also includes commentary on the social propriety of the slave trade and notes about the conditions on West Indian and Caribbean plantations as well as on slave ships. John Pinfold’s illuminating introduction recounts the life of Hugh Crow and sets him in the rich historical context of eighteenth-century mercantilism and its battle with the abolitionist movement. An eye-opening read, Life and Times of a Slave Trade Captain reveals an often overlooked facet in the complicated history of transatlantic slavery.

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cover of The Men Who Lost Singapore, 1938-1942

The Men Who Lost Singapore, 1938-1942

Ronald McCrum

National University of Singapore Press, 2017

The British military failure against the Japanese invasion of Singapore in 1942 is a well-documented and closely examined episode. But far less attention has been paid to the role of the colonial governor and his staff during this period, an oversight Ronald McCrum corrects with this insightful history. As McCrum shows, the failure of the civil authorities in conjunction with the military to fully prepare the country for the possibility of war was a key factor in the defeat.
 
In The Men Who Lost Singapore, McCrum closely examines the role and responsibilities of the colonial authorities before and during the war. He argues that the poor and occasionally hostile relations that developed between the local government and the British military hierarchy prevented the development and implementation of a strategic and unified plan of defense against the growing threat of the Japanese. Consequently, this indecisive and ineffective leadership led to significant losses and civilian casualties that could have been prevented.
 
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cover of The Men of 1924: Britain’s First Labour Government

The Men of 1924

Britain’s First Labour Government

Peter Clark

Haus Publishing, 2023

An in-depth look at the diverse group of men who comprised Britain’s first Labour Party in 1924.

In January of 1924, the cabinet of the first Labour government consisted of twenty white, middle-aged men, as it had for generations. But the election also represented a radical departure from government by the ruling class. Most members of the administration had left school by the age of fifteen. Five of them had started work by the time they were twelve years old. Three were working down the mines before they entered their teens. Two were illegitimate, one was abandoned at birth, and three were of Irish immigrant descent. For the first time in Britain’s history, the cabinet could truly be said to represent all of Britain’s social classes. This unheralded revolution in representation is the subject of Peter Clark’s fascinating new book, The Men of 1924. Who were these men? Clark’s vivid portrayal is full of evocative portraits of a new breed of politician, the forerunners of all those who, later in the last century and this one, overcame a system from which they had been excluded for too long.
 
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cover of The Migrant's Paradox: Street Livelihoods and Marginal Citizenship in Britain

The Migrant's Paradox

Street Livelihoods and Marginal Citizenship in Britain

Suzanne M. Hall

University of Minnesota Press, 2021

Connects global migration with urban marginalization, exploring how “race” maps onto place across the globe, state, and street

In this richly observed account of migrant shopkeepers in five cities in the United Kingdom, Suzanne Hall examines the brutal contradictions of sovereignty and capitalism in the formation of street livelihoods in the urban margins. Hall locates The Migrant’s Paradox on streets in the far-flung parts of de-industrialized peripheries, where jobs are hard to come by and the impacts of historic state underinvestment are deeply felt. 

Drawing on hundreds of in-person interviews on streets in Birmingham, Bristol, Leicester, London, and Manchester, Hall brings together histories of colonization with current forms of coloniality. Her six-year project spans the combined impacts of the 2008 financial crisis, austerity governance, punitive immigration laws and the Brexit Referendum, and processes of state-sanctioned regeneration. She incorporates the spaces of shops, conference halls, and planning offices to capture how official border talk overlaps with everyday formations of work and belonging on the street.

Original and ambitious, Hall’s work complicates understandings of migrants, demonstrating how migrant journeys and claims to space illuminate the relations between global displacement and urban emplacement. In articulating “a citizenship of the edge” as an adaptive and audacious mode of belonging, she shows how sovereignty and inequality are maintained and refuted. 

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cover of The Mind and Art of Victorian England

The Mind and Art of Victorian England

Josef L. Altholz, Editor

University of Minnesota Press, 1976

The Mind and Art of Victorian England was first published in 1976. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In a series of ten essays and a generous selection of illustrations, many in color, this volume depicts and assesses the mind and art of Victorian England. Multidisciplinary in approach, the essays deal with a variety of aspects in the history of the Victorian age.

Professor Altholz, the volume editor, writes: "It was an age not of revolution but of reform; political reform which admitted first the middle and then the working classes to the dominant share of the suffrage; economic and social reforms which proclaimed the triumph of laissez-faire while laying the foundations of the welfare state; moral reforms attempted if not achieved through education and religious revival; aesthetic reforms proposed if not achieved and, even in their failure, adding to the richness and diversity of Victorian England. It was an age whose problems cried out for reform; and, despite the prevailing complacency, virtually all the great Victorians were critics of their age. Their criticisms were diverse and often mutually incompatible, with each other -- and their public -- but they shared a high seriousness which gave character and substance to the flowering of their culture. Such was the Victorian age: the high-water mark of English history, the maturation of British culture, and the seedbed of our problems and our discontents."

The illustrations include color reproductions of some of the works discussed by Melvin Waldfogel in his essay "Narrative Painting," and a selection of architectural engravings and photographs.

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cover of The Miracle of the Kent: A Tale of Courage, Faith, and Fire

The Miracle of the Kent

A Tale of Courage, Faith, and Fire

Nicholas Tracy

Westholme Publishing, 2008

An Extraordinary Rescue and One of the Greatest Human Interest Stories of All Time

“A naturally gripping adventure tale.”—Publishers Weekly 
“Powerful and intensely focused.”—Booklist 
“Tracy's satisfying narrative constitutes the first modern account. A finely detailed maritime history.”—Kirkus Reviews

In 1825, the Kent, an East Indiaman, set sail from England for India with a crew and nearly 600 men, women, and children on board. North of Spain, the ship was slammed by a ferocious gale, and while a sailor was inspecting the hold for damage, his lantern ignited a cask of spirits. A fire quickly erupted, and even with the desperate expedient of opening hatches and flooding the ship, the fire burned out of control. As night wore on, the ship became an inferno, with the flames moving toward stores of gunpowder. At this point, everyone on board knew that they would perish, and they began preparing for their ghastly deaths. Despite the raging tempest a sailor climbed one last time to the top of the Kent’s mainmast and—miraculously—a sail was sighted on the horizon. It was the Cambria, a small brig on its way to Mexico. The Cambriaspied the burning Kentand through determination and dogged seamanship in towering seas, the little brig closed the doomed vessel. Launching their boats, the Kent’s and Cambria’s crews were able to transfer nearly all of the children, women, and men to the brig and pull away before the Kent exploded. Dangerously overloaded, the Cambriamade the Cornish coast three days later.
In The Miracle of the Kent: A Tale of Courage, Faith, and Fire, award-winning historian Nicholas Tracy reconstructs this extraordinary tale through records left by the participants, revealing how those aboard the Kent faced their deaths, and their reactions to being offered a second chance. The story of the Kentis both a page-turning adventure and an inspirational homage to the capacity of the human spirit.
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cover of The Modern British Horror Film

The Modern British Horror Film

Gerrard, Steven

Rutgers University Press, 2017

When you think of British horror films, you might picture the classic Hammer Horror movies, with Christopher Lee, Peter Cushing, and blood in lurid technicolor. Yet British horror has undergone an astonishing change and resurgence in the twenty-first century, with films that capture instead the anxieties of post-Millennial viewers. 

Tracking the revitalization of the British horror film industry over the past two decades, media expert Steven Gerrard also investigates why audiences have flocked to these movies. To answer that question, he focuses on three major trends: “hoodie horror” movies responding to fears about Britain’s urban youth culture; “great outdoors” films where Britain’s forests, caves, and coasts comprise a terrifying psychogeography; and psychological horror movies in which the monster already lurks within us. 

Offering in-depth analysis of numerous films, including The Descent, Outpost, and The Woman in Black, this book takes readers on a lively tour of the genre’s highlights, while provocatively exploring how these films reflect viewers’ gravest fears about the state of the nation. Whether you are a horror buff, an Anglophile, or an Anglophobe, The Modern British Horror Film is sure to be a thrilling read.  
 
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cover of The Most Powerful Idea in the World: A Story of Steam, Industry, and Invention

The Most Powerful Idea in the World

A Story of Steam, Industry, and Invention

William Rosen

University of Chicago Press, 2012

This bracing history uses the earth-shaking development of the steam engine to show how the very idea of intellectual property was essential to the entire Industrial Revolution.

Hardly a week passes without some high-profile court case that features intellectual property at its center. But how did the belief that one could own an idea come about? And how did that belief change the way humankind lives and works?

William Rosen, author of Justinian's Flea, seeks to answer these questions and more with The Most Powerful Idea in the World. A lively and passionate study of the engineering and scientific breakthroughs that led to the steam engine, this book argues that the very notion of intellectual property drove not only the invention of the steam engine but also the entire Industrial Revolution: history’s first sustained era of economic improvement. To do so, Rosen conjures up an eccentric cast of characters, including the legal philosophers who enabled most the inventive society in millennia, and the scientists and inventors—Thomas Newcomen, Robert Boyle, and James Watt—who helped to create and perfect the steam engine over the centuries. With wit and wide-ranging curiosity, Rosen explores the power of creativity, capital, and collaboration in the brilliant engineering of the steam engine and how this power source, which fueled factories, ships, and railroads, changed human history.   

Deeply informative and never dull, Rosen's account of one of the most important inventions made by humans is a rollicking ride through history, with careful scholarship and fast-paced prose in equal measure.

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cover of The Mysterious Science of the Law: An Essay on Blackstone's Commentaries

The Mysterious Science of the Law

An Essay on Blackstone's Commentaries

Daniel J. Boorstin

University of Chicago Press, 1996

Referred to as the "bible of American lawyers," Blackstone's Commentaries on the Laws of England shaped the principles of law in both England and America when its first volume appeared in 1765. For the next century that law remained what Blackstone made of it. Daniel J. Boorstin examines why Commentaries became the most essential knowledge that any lawyer needed to acquire. Set against the intellectual values of the eighteenth century-and the notions of Reason, Nature, and the Sublime—Commentaries is at last fitted into its social setting. Boorstin has provided a concise intellectual history of the time, illustrating all the elegance, social values, and internal contradictions of the Age of Reason.
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cover of The Nearest Thing to Life

The Nearest Thing to Life

James Wood

Brandeis University Press, 2015

In this remarkable blend of memoir and criticism, James Wood, the noted contributor to the New Yorker, has written a master class on the connections between fiction and life. He argues that of all the arts, fiction has a unique ability to describe the shape of our lives and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of activities, and there are brilliant discussions of individual works—among others, Chekhov’s story “The Kiss,” The Emigrants, by W. G. Sebald, and The Blue Flower, by Penelope Fitzgerald. Wood reveals his own intimate relationship with the written word: we see the development of a boy from the provinces growing up in a charged Christian environment, the secret joy of his childhood reading, the links he draws between reading and blasphemy, or between literature and music. The final section discusses fiction in the context of exile and homelessness. More than a tightly argued little book by a man commonly regarded as our finest living critic, The Nearest Thing to Life is an exhilarating personal account that reflects on, and embodies, the fruitful conspiracy between reader and writer (and critic), and asks us to reconsider everything that is at stake when we read and write fiction.
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cover of The Neoliberal Age?: Britain Since the 1970s

The Neoliberal Age?

Britain Since the 1970s

Edited by Aled Davies, Ben Jackson, and Florence Sutcliffe-Braithwaite

University College London, 2021

A new history of British neoliberalism that looks beyond right-wing actors.
 
The rise of British neoliberalism—a renewed emphasis on privatization and market-oriented economics—over the last fifty years is often characterized as the product of right-wing political economists, think tanks, and politicians. The Neoliberal Age? argues that this pat narrative ignores broader forces in British left-wing culture that collaborated to transform twentieth-century social life. Through a variety of case studies, the authors demonstrate that our austere, individualistic age emerged from more complex sociopolitical negotiations than typically described.  
 
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cover of The New Prometheans: Faith, Science, and the Supernatural Mind in the Victorian Fin de Siècle

The New Prometheans

Faith, Science, and the Supernatural Mind in the Victorian Fin de Siècle

Courtenay Raia

University of Chicago Press, 2019

The Society for Psychical Research was established in 1882 to further the scientific study of consciousness, but it arose in the surf of a larger cultural need. Victorians were on the hunt for self-understanding. Mesmerists, spiritualists, and other romantic seekers roamed sunken landscapes of entrancement, and when psychology was finally ready to confront these altered states, psychical research was adopted as an experimental vanguard. Far from a rejected science, it was a necessary heterodoxy, probing mysteries as diverse as telepathy, hypnosis, and even séance phenomena. Its investigators sought facts far afield of physical laws: evidence of a transcendent, irreducible mind.
 
The New Prometheans traces the evolution of psychical research through the intertwining biographies of four men: chemist Sir William Crookes, depth psychologist Frederic Myers, ether physicist Sir Oliver Lodge, and anthropologist Andrew Lang. All past presidents of the society, these men brought psychical research beyond academic circles and into the public square, making it part of a shared, far-reaching examination of science and society. By layering their papers, textbooks, and lectures with more intimate texts like diaries, letters, and literary compositions, Courtenay Raia returns us to a critical juncture in the history of secularization, the last great gesture of reconciliation between science and sacred truths.
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cover of The Normans in South Wales, 1070–1171

The Normans in South Wales, 1070–1171

By Lynn H. Nelson

University of Texas Press, 1966

A frontier has been called "an area inviting entrance." For the Norman invaders of England the Welsh peninsula was such an area. Fertile forested lowlands invited agricultural occupation; a fierce but primitive and disunited native population was scarcely a formidable deterrent.

In The Normans in South Wales, Lynn H. Nelson provides a comprehensive history of the century during which the Normans accomplished this occupation. Skillfully he combines facts and statistics gleaned from a variety of original sources—The Anglo-Saxon Chronicle, the Domesday Book, Church records, charters of the kings and of the marcher lords, and more imaginative literary sources such as the chanson de geste and the frontier epic—to give a vivid picture of a century of strife. He describes the fluctuating conflict between Norman invaders in the lowlands and Welsh tribesmen in the highlands; the hard struggle of medieval frontiersmen to take from the new land a profit commensurate with their labors; the development of a Cambro-Norman society distinct and quite different from the Anglo-Norman culture which engendered it; and the attempt of the frontiersman to prevent the Anglo-Norman authorities from taking control of the lands he had won.

The turbulent Welsh tribes provided an ever present harassment along the frontier, and Nelson begins his presentation with an account of the failure of the Saxons to control them. He examines the methods adopted by William the Conqueror to cope with the problem—the creation of the great marcher lordships and the subsequent problems in controlling these lordships—and the weakness of some Anglo-Norman kings and the strength of others.

By 1171 the conquest of the Welsh frontier was complete; but as Nelson points out, this conquest was strangely limited. The frontier, which extended throughout the lowlands of Wales, stopped at the 600-foot contour line in the mountains. In his final chapter Nelson speculates upon the curious fact that large areas of seemingly inviting moorlands lying above this line remained closed to the Cambro-Norman, and his speculations lead him to some interesting inferences about the nature of the frontier's influence upon the civilization which moves in to occupy it.

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cover of The Notorious Astrological Physician of London: Works and Days of Simon Forman

The Notorious Astrological Physician of London

Works and Days of Simon Forman

Barbara Howard Traister

University of Chicago Press, 2000

Quack, conjurer, sex fiend, murderer—Simon Forman has been called all these things, and worse, ever since he was implicated (two years after his death) in the Overbury poisoning scandal that rocked the court of King James. But as Barbara Traister shows in this fascinating book, Forman's own unpublished manuscripts—considered here in their entirety for the first time—paint a quite different picture of the works and days of this notorious astrological physician of London.

Although he received no formal medical education, Forman built a thriving practice. His success rankled the College of Physicians of London, who hounded Forman with fines and jail terms for nearly two decades. In addition to detailing case histories of his medical practice—the first such records known from London—as well as his run-ins with the College, Forman's manuscripts cover a wide variety of other matters, from astrology and alchemy to gardening and the theater. His autobiographical writings are among the earliest English examples of their genre and display an abiding passion for reworking his personal history in the best possible light, even though they show little evidence that Forman ever intended to publish them.

Fantastic as many of Forman's manuscripts are, it is their more mundane aspects that make them such a priceless record of what daily life was like for ordinary inhabitants of Shakespeare's London. Forman's descriptions of the stench of a privy, the paralyzed limbs of a child, a lost bitch dog with a velvet collar all offer tantalizing glimpses of a world that seems at once very far away and intimately familiar. Anyone who wants to reclaim that world will enjoy this book.
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cover of The Ocean Is a Wilderness: Atlantic Piracy and the Limits of State Authority, 1688-1856

The Ocean Is a Wilderness

Atlantic Piracy and the Limits of State Authority, 1688-1856

Guy Chet

University of Massachusetts Press, 2014

Historians have long maintained that the rise of the British empire brought an end to the great age of piracy, turning the once violent Atlantic frontier into a locus of orderly commerce by 1730. In this book, Guy Chet reassesses that view by documenting the persistence of piracy, smuggling, and other forms of illegal trade throughout the eighteenth century despite ongoing governmental campaigns to stamp it out. The failure of the Royal Navy to police oceanic trade reflected the state's limited authority and legitimacy at port, in the courts, and in the hearts and minds of Anglo-American constituents.

Chet shows how the traditional focus on the growth of the modern state overlooked the extent to which old attitudes and cultural practices continued to hold sway. Even as the British government extended its naval, legal, and bureaucratic reach, in many parts of the Atlantic world illegal trade was not only tolerated but encouraged. In part this was because Britain's constabulary command of the region remained more tenuous than some have suggested, and in part because maritime insurance and wartime tax policies ensured that piracy and smuggling remained profitable. When Atlantic piracy eventually waned in the early nineteenth century, it had more to do with a reduction in its profitability at port than with forceful confrontation at sea.

Challenging traditional accounts that chronicle forces of civilization taming a wild Atlantic frontier, this book is a valuable addition to a body of borderlands scholarship reevaluating the relationship between the emerging modern state and its imperial frontiers.
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cover of The Omega Workshops

The Omega Workshops

Judith Collins

University of Chicago Press, 1984

[more]
cover of The One Thomas More

The One Thomas More

Travis Curtright

Catholic University of America Press, 2012

The One Thomas More carefully studies the central humanist and polemical texts written by More to illustrate a coherent development of thought.
[more]
cover of The Origins of Scottish Nationhood

The Origins of Scottish Nationhood

Neil Davidson

Pluto Press, 2000

[more]
cover of The Origins of the British Labour Party

The Origins of the British Labour Party

J.H. Stewart Reid

University of Minnesota Press, 1955

The Origins of the British Labour Party was first published in 1955. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

What were the social and economic forces in England that gave rise to the British Labour Party? How did the party function in its formative years? How does the British labor movement compare with its American counterpart? If American labor enters politics as a separate party, is it likely to adopt a program resembling the socialism of the British Party?

Professor Reid's detailed account of the origins and development of the British Labour Party lays the groundwork for answers to questions like these, questions that are pertinent to the social and political issues of America as well as England. Since the appearance of a body of organized labor is a phenomenon occasioned by the process of industrialization, and since that process began in Great Britain almost a century earlier than on the American continent, the student of labor politics may well ponder whether something similar to the British experience lies ahead for America.

Professor Reid describes the conditions that brought about a specifically labor party, tells how it was established, and traces its first 20 years as a parliamentary party. He shows that the party began as an alliance of diverse forces having in common only the conviction that neither the Liberal nor the Conservative party would tackle such issues as housing, minimum wages, or unemployment insurance. He makes clear that, in working to achieve these short-term goals, the varied elements that made up the party finally worked out the peculiar compromise on policy and philosophy that is the basis of the British Labour Party today.

[more]
cover of The Orphaned Imagination: Melancholy and Commodity Culture in English Romanticism

The Orphaned Imagination

Melancholy and Commodity Culture in English Romanticism

Guinn Batten

Duke University Press, 1998

Studies of the English Romantic poets generally portray them either as transcending the workings of capitalism or as working in complicity with an entrepreneurial economy. In The Orphaned Imagination, Guinn Batten challenges standard accounts of Romantic poetry and argues that Wordsworth, Byron, Blake, Shelley, Keats, and Coleridge—each of whom suffered the loss of a father or father-figure at an early age—possessed an orphan’s special insight into the dynamics and aesthetics of commodity culture and its symptomatic melancholia.
Building on the theoretical insights of Slavoj Zizek, Judith Butler, Julia Kristeva, and Eve Kosofsky Sedgwick, Batten interweaves the discourses of psychoanalysis, economics, biography, sexuality, melancholy, value, and exchange to question accepted ideas of how Romantic poetry works. She asserts that poetic labor is in fact paradigmatic of the kinds of production—and the kinds of desire—that capitalist culture renders invisible. If symbolic exchange, in cash or in words, requires the surrender of a beloved object, if healthy mourning requires an orphan to “work through” emotional loss through the consolation of art or a love for the living, then the rebellious Romantic poet, Batten contends, possessed unique insight into the alternative authority of a poetic language that renounced a culture of denial. Batten urges that scholars move beyond critical approaches condemning allegedly regressive forms of pleasure, recognizing that they, too, are haunted by melancholic attachments to dead poets as they conduct their work.
The Orphaned Imagination will interest anyone concerned with the claims of the English Romantic poets to a distinctive, valuable form of knowledge and those who may wonder about the power of contemporary theory to illuminate a traditional field.


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cover of The Other Henry James

The Other Henry James

John Carlos Rowe

Duke University Press, 1998

In The Other Henry James, John Carlos Rowe offers a new vision of Henry James as a social critic whose later works can now be read as rich with homoerotic suggestiveness. Drawing from recent work in queer and feminist theory, Rowe argues that the most fruitful approach to James today is one that ignores the elitist portrait of the formalist master in favor of the writer as a vulnerable critic of his own confused and repressive historical moment.
Rowe traces a particular development in James’s work, showing how in his early writings James criticized women’s rights, same-sex relations, and other social and political trends now identified with modern culture; how he ambivalently explored these aspects of modernity in his writings of the 1880s; and, later, how he increasingly identified with such modernity in his heretofore largely ignored or marginally treated fiction of the 1890s. Building on recent scholarship that has shown James to be more anxious about gender roles, more conflicted, and more marginal a figure than previously thought, Rowe argues that James—through his treatment of women, children, and gays—indicts the values and conventions of the bourgeoisie. He shows how James confronts social changes in gender roles, sexual preferences, national affiliations, and racial and ethnic identifications in such important novels as The American, The Tragic Muse, What Maisie Knew, and In the Cage, and in such neglected short fiction as “The Last of the Valerii,” “The Death of the Lion,” and “The Middle Years.”
Positioning James’s work within an interpretive context that pits the social and political anxieties of his day against the imperatives of an aesthetic ideology, The Other Henry James will engage scholars, students, and teachers of American literature and culture, gay literature, and queer theory.


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cover of The Other Windrush: Legacies of Indenture in Britain's Caribbean Empire

The Other Windrush

Legacies of Indenture in Britain's Caribbean Empire

Maria del Pilar Kaladeen

Pluto Press, 2021

Between the arrival of the HMT Empire Windrush in 1948 and the passing of the 1971 Immigration Act, half a million people came to the UK from the Caribbean. In the aftermath of the 2018 Windrush Scandal, the story of the Windrush Generation is more widely known than ever. But is it the whole story? Through a series of biographical essays, poems and articles, The Other Windrush shines a light on the hidden history of a 'minority within a minority': Indian and Chinese Caribbean migrants - often the descendants of indentured labourers - who were the 'invisible passengers' of the Windrush generation. Both highlighting the diversity of their lives and cultural backgrounds, and delving into the largely forgotten history of the system of indenture in the British Caribbean, The Other Windrush makes a unique addition to the literature on migration and the British Empire.
[more]
cover of The Other Windrush: Legacies of Indenture in Britain's Caribbean Empire

The Other Windrush

Legacies of Indenture in Britain's Caribbean Empire

Maria del Pilar Kaladeen

Pluto Press, 2021

'This illuminating, vivid volume is a fitting tribute to the experiences of migration' - Hanif Kureishi
Between the arrival of the HMT Empire Windrush in 1948 and the passing of the 1971 Immigration Act, half a million people came to the UK from the Caribbean. In the aftermath of the 2018 Windrush Scandal, the story of the Windrush Generation is more widely known than ever. But is it the whole story?
 
 Through a series of biographical essays, poems and articles, The Other Windrush shines a light on the hidden history of a 'minority within a minority': Caribbean migrants of Indian and Chinese descent - often the descendants of indentured labourers - who were the 'invisible passengers' of the Windrush generation.
 
 Both highlighting the diversity of their lives and cultural backgrounds, and delving into the largely forgotten history of the system of indenture in the British Caribbean, The Other Windrush makes a unique addition to the literature on migration and the British Empire.
[more]
cover of The Other Zulus: The Spread of Zulu Ethnicity in Colonial South Africa

The Other Zulus

The Spread of Zulu Ethnicity in Colonial South Africa

Michael R. Mahoney

Duke University Press, 2012

In 1879, the British colony of Natal invaded the neighboring Zulu kingdom. Large numbers of Natal Africans fought with the British against the Zulus, enabling the British to claim victory and, ultimately, to annex the Zulu kingdom. Less than thirty years later, in 1906, many of those same Natal Africans, and their descendants, rebelled against the British in the name of the Zulu king. In The Other Zulus, a thorough history of Zulu ethnicity during the colonial period, Michael R. Mahoney shows that the lower classes of Natal, rather than its elites, initiated the transformation in ethnic self-identification, and they did so for multiple reasons. The resentment that Natal Africans felt toward the Zulu king diminished as his power was curtailed by the British. The most negative consequences of colonialism may have taken several decades to affect the daily lives of most Africans. Natal Africans are likely to have experienced the oppression of British rule more immediately and intensely in 1906 than they had in 1879. Meanwhile, labor migration to the gold mines of Johannesburg politicized the young men of Natal. Mahoney's fine-grained local history shows that these young migrants constructed and claimed a new Zulu identity, both to challenge the patriarchal authority of African chiefs and to fight colonial rule.
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cover of The Outward Mind: Materialist Aesthetics in Victorian Science and Literature

The Outward Mind

Materialist Aesthetics in Victorian Science and Literature

Benjamin Morgan

University of Chicago Press, 2017

Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
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cover of The Papist Represented: Literature and the English Catholic Community, 1688-1791

The Papist Represented

Literature and the English Catholic Community, 1688-1791

Geremy Carnes

University of Delaware Press, 2017

Most eighteenth-century literary scholarship implicitly or explicitly associates the major developments in English literature and culture during the rise of modernity with a triumphant and increasingly tolerant Protestantism while assuming that the English Catholic community was culturally moribund and disengaged from Protestant society and culture. However, recent work by historians has shown that the English Catholic community was a dynamic and adaptive religious minority, its leaders among the aristocracy cosmopolitan, its intellectuals increasingly attracted to Enlightenment ideals of liberty and skepticism, and its membership growing among the middle and working classes. This community had an impact on the history of the English nation out of all proportion with its size—and yet its own history is glimpsed only dimly, if at all, in most modern accounts of the period.

The Papist Represented reincorporates the history of the English Catholic community into the field of eighteenth-century literary studies. It examines the intersections of literary, religious, and cultural history as they pertain to the slow acceptance by both Protestants and Catholics of the latter group’s permanent minority status. By focusing on the Catholic community’s perspectives and activities, it deepens and complicates our understanding of the cultural processes that contributed to the significant progress of the Catholic emancipation movement over the course of the century. At the same time, it reveals that this community’s anxieties and desires (and the anxieties and desires it provoked in Protestants) fuel some of the most popular and experimental literary works of the century, in forms and modes including closet drama, elegy, the novel, and the Gothic. By returning the Catholic community to eighteenth-century literary history, The Papist Represented challenges the assumption that eighteenth-century literature was a fundamentally Protestant enterprise.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
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cover of The Picshuas of H. G. Wells: A Burlesque Diary

The Picshuas of H. G. Wells

A Burlesque Diary

Gene K. Rinkel and Margaret E. Rinkel

University of Illinois Press, 2000

[more]
cover of The Place of Enchantment: British Occultism and the Culture of the Modern

The Place of Enchantment

British Occultism and the Culture of the Modern

Alex Owen

University of Chicago Press, 2004

By the end of the nineteenth century, Victorians were seeking rational explanations for the world in which they lived. The radical ideas of Charles Darwin had shaken traditional religious beliefs. Sigmund Freud was developing his innovative models of the conscious and unconscious mind. And anthropologist James George Frazer was subjecting magic, myth, and ritual to systematic inquiry. Why, then, in this quintessentially modern moment, did late-Victorian and Edwardian men and women become absorbed by metaphysical quests, heterodox spiritual encounters, and occult experimentation?

In answering this question for the first time, The Place of Enchantment breaks new ground in its consideration of the role of occultism in British culture prior to World War I. Rescuing occultism from its status as an "irrational indulgence" and situating it at the center of British intellectual life, Owen argues that an involvement with the occult was a leitmotif of the intellectual avant-garde. Carefully placing a serious engagement with esotericism squarely alongside revolutionary understandings of rationality and consciousness, Owen demonstrates how a newly psychologized magic operated in conjunction with the developing patterns of modern life. She details such fascinating examples of occult practice as the sex magic of Aleister Crowley, the pharmacological experimentation of W. B. Yeats, and complex forms of astral clairvoyance as taught in secret and hierarchical magical societies like the Hermetic Order of the Golden Dawn.

Through a remarkable blend of theoretical discussion and intellectual history, Owen has produced a work that moves far beyond a consideration of occultists and their world. Bearing directly on our understanding of modernity, her conclusions will force us to rethink the place of the irrational in modern culture.

“An intelligent, well-argued and richly detailed work of cultural history that offers a substantial contribution to our understanding of Britain.”—Nick Freeman, Washington Times

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cover of The Plot Thickens: Illustrated Victorian Serial Fiction from Dickens to du Maurier

The Plot Thickens

Illustrated Victorian Serial Fiction from Dickens to du Maurier

Mary Elizabeth Leighton

Ohio University Press, 2018

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role.

In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.

[more]
cover of The Poetics of Unremembered Acts: Reading, Lyric, Pedagogy

The Poetics of Unremembered Acts

Reading, Lyric, Pedagogy

Brian McGrath

Northwestern University Press, 2012

Poems—specifically romantic poems, such as those by Thomas Gray, William Wordsworth, and John Keats—link what goes unremembered in our reading to ethics. In "Tintern Abbey," for example, Wordsworth finds in "little . . . unremembered . . . acts" the chance to hear the "still, sad music of humanity."In The Poetics of Unremembered Acts, Brian McGrath shows that poetry’s capacity to address its reader stages an ethical dilemma of continued importance. Situating romantic poems in relation to Enlightenment debate over how to teach reading, specifically debate about the role of poetry in the process of learning to read, The Poetics of Unremembered Acts develops an alternative understanding of poetry’s role in education. McGrath also explores the ways poetry makes ethics possible through its capacity to pass along what we do not remember and cannot know about our reading.
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cover of The Poetry of Indifference: From the Romantics to the Rubaiyat

The Poetry of Indifference

From the Romantics to the Rubaiyat

Erik Irving Gray

University of Massachusetts Press, 2005

Indifference is a common, even indispensable element of human experience. But it is rare in poetry, which is traditionally defined by its direct opposition to indifference—by its heightened emotion, consciousness, and effort. This definition applies especially to English poets of the nineteenth century, heirs to an age that predicated aesthetics on moral sentiment or feeling. Yet it was in this period, Erik Gray argues, that a concentrated strain
of poetic indifference began to emerge.

The Poetry of Indifference analyzes nineteenth-century works by Wordsworth, Keats, Byron, Tennyson, Robert Browning, and Edward FitzGerald, among others—works that do not merely declare themselves to be indifferent but formally enact the indifference they describe. Each poem consciously disregards some aspect of poetry that is usually considered to be crucial or definitive, even at the risk of seeming "indifferent" in the sense of "mediocre." Such gestures discourage critical attention, since the poetry of indifference refuses to make claims for itself.

This is particularly true of FitzGerald's Rubáiyát, one of the most popular poems of the nineteenth century, but one that recent critics have almost entirely ignored. In concentrating on this underexplored mode of poetry, Gray not only traces a major shift in recent literary history, from a Romantic poetics of sympathy to a Modernist poetics of alienation, but also considers how this literature can help us understand the sometimes embarrassing but unavoidable presence of indifference in our lives.
[more]
cover of The Politics of Courtly Dancing in Early Modern England

The Politics of Courtly Dancing in Early Modern England

Skiles Howard

University of Massachusetts Press, 1998

This book argues that in early modern England, dance was not merely a pleasant pastime, but an intricate network of bodily negotiations of power, sex, and territory as well. Traditionally a vital part of popular festivals and seasonal celebrations, dancing moved from public, open spaces into the confines of the court during the early Tudor era and became an important means of aristocratic self-fashioning.

Skiles Howard examines the social and semiotic complexities of dancing as it changed over time and performed different work in court, city, and playhouse. She shows how dancing reflected and shaped wider social changes: the performance of gender roles facilitated the formation of the patriarchal family, the execution of physical tropes of hierarchy supported the rise of a centralized state, and rehearsals of spatial mastery assisted the project of national expansion. As a visual and kinetic discourse by which social norms were circulated, dancing inevitably became a site of contestation; as elite and popular practices collided, interacted, and were transformed, countervailing social forces found expression through the medium of dancing.

Interdisciplinary in its approach, this study draws on court masque and popular drama, dancing manuals, Puritan pamphlets, and educational and medical treatises to explore issues of power and the body, gender and rank, popular culture and European expansion.
[more]
cover of The Politics of Free Markets: The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States

The Politics of Free Markets

The Rise of Neoliberal Economic Policies in Britain, France, Germany, and the United States

Monica Prasad

University of Chicago Press, 2006

The attempt to reduce the role of the state in the market through tax cuts, decreases in social spending, deregulation, and privatization—“neoliberalism”—took root in the United States under Ronald Reagan and in Britain under Margaret Thatcher. But why did neoliberal policies gain such prominence in these two countries and not in similarly industrialized Western countries such as France and Germany?

In The Politics of Free Markets, a comparative-historical analysis of the development of neoliberal policies in these four countries,Monica Prasad argues that neoliberalism was made possible in the United States and Britain not because the Left in these countries was too weak, but because it was in some respects too strong. At the time of the oil crisis in the 1970s, American and British tax policies were more punitive to business and the wealthy than the tax policies of France and West Germany; American and British industrial policies were more adversarial to business in key domains; and while the British welfare state was the most redistributive of the four, the French welfare state was the least redistributive. Prasad shows that these adversarial structures in the United States and Britain created opportunities for politicians to find and mobilize dissatisfaction with the status quo, while the more progrowth policies of France and West Germany prevented politicians of the Right from anchoring neoliberalism in electoral dissatisfaction.

[more]
cover of The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes

The Politics of Mirth

Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes

Leah S. Marcus

University of Chicago Press, 1989

"Leah Marcus's The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes is a fascinating study of why James and Charles promoted some types of rural sport and festival and of how certain literary texts participated in promoting or critiquing royal policy. . . . Marcus provocatively links texts not often studied in conjunction with one another, and she provides strong and detailed readings of those texts."—Jean E. Howard
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