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This first biography of Selina Campbell opens a window onto the experience of women in one of the most dynamic religious groups of 19th-century America

Loretta M. Long examines the life and influence of Selina Campbell, one of the most visible women in the 19th-century Disciples of Christ movement. Best known as the wife of Alexander Campbell, founder of the Disciples, Selina Campbell both shaped and exemplified the role of women in this dynamic religious group (also known as the Stone-Campbell movement). Her story demonstrates the importance of faith in the lives of many women during this era and adds a new dimension to the concept of the “separate spheres” of men and women, which women like Campbell interpreted in the context of their religious beliefs.

A household manager, mother, writer, and friend, Campbell held sway primarily in the domestic sphere, but she was not held captive by it. Her relationship with her husband was founded on a deep sense of partnership conditioned by their strong faith in an all-powerful God. Each of them took on complementary roles according to the perceived natural abilities of their genders: Alexander depended on Selina to manage his property and raise the children while he traveled the country preaching. Campbell outlived her husband by 30 years, and during that time published several newspaper articles and supported new causes, such as women in missions.

In the end, as Long amply demonstrates, Selina Campbell was neither her husband’s shadow nor solely a domestic worker. She was, in her husband’s eyes, a full partner and a “fellow soldier” in the cause of Restoration.
 

A study of women’s lives in the public sphere of the ancient city of Pompeii.

Pompeii’s well-preserved remains provide a unique opportunity for the close study of ancient lives. Drawing on statues, inscriptions, graffiti, wall paintings, and the architecture of tombs, sanctuaries, houses, and public spaces, The Lives and Deaths of Women in Ancient Pompeii examines the public lives of women in Pompeii. Art historian Brenda Longfellow explores how historical women of all social backgrounds acted in public and exerted agency on behalf of themselves and others, ultimately finding that female initiatives in Pompeii were not only accepted but desired by the community to a greater extent than has previously been recognized.

Longfellow centers her study on a few key women—including the city’s most notable female patron, Eumachia—and uses them to examine female roles in postmortem commemorations, civic patronage and benefactions, commerce, the priesthood, and the home. By following these individuals, Longfellow examines women’s lives in Pompeii in both abstract and concrete ways, allowing readers to better understand their importance to the city and society. The result is a groundbreaking book that foregrounds the agency of women in everyday Pompeii.

    Charlotte Perkins Gilman (1869-1935) was one of the leading intellectuals of the American women's movement in the first two decades of the twentieth century.  Moving beyond the struggle for suffrage, Gilman confronted an even larger problem—economic and social discrimination against women.  Her book, Women and Economics, published in 1898, was repeatedly printed and translated into seven languages.  She was a tireless traveler, lecturer, and writer and is perhaps best known for her dramatic short story, "The Yellow Wallpaper."  Gilman's autobiography gives us access to the life of a remarkable and courageous woman.
    Originally published in 1935, soon after Gilman's death, The Living of Charlotte Perkins Gilman has been out of print for several years.  This edition includes a new introduction by Gilman's noted biographer, Anne J. Lane.

Centered around Lena Wu, a middle-aged Taiwanese immigrant and divorcee, the novel is a recursively structured interrogation of the contingencies between past and present; memory and self-understanding; and memoir and fiction.

Investigating Mary Ellen Pleasant's convoluted legacy

Mary Ellen Pleasant arrived in Gold Rush-era San Francisco a free black woman with abolitionist convictions and a predilection for entrepreneurial success. Behind the convenient and trusted disguise of "Mammy," she transformed domestic labor into enterprise, amassed remarkable real estate, wealth, and power, and gained notoriety for her work in fighting Jim Crow.

Pleasant's legacy is steeped in scandals and lore. Was she a voodoo queen who traded in sexual secrets? A madam? A murderer? In The Making of "Mammy Pleasant," Lynn M. Hudson examines the folklore of Pleasant's real and imagined powers. Emphasizing the significance of her life in the context of how it has been interpreted or ignored in the larger trends of American history, Hudson integrates fact and speculation culled from periodicals, court cases, diaries, letters, Pleasant's interviews with the San Francisco press, and various biographical and fictional accounts.

Addressing the lack of a historical record of black women's lives, the author argues that the silences and mysteries of Pleasant's past, whether never recorded or intentionally omitted, reveal as much about her life as what has been documented. Through Pleasant's life, Hudson also interrogates the constructions of race, gender, and sexuality during the formative years of California's economy and challenges popular mythology about the liberatory sexual culture of the American West.

One of the five Hungarian scientific geniuses dubbed "the Martians" by their colleagues, John von Neumann is often hailed as the greatest mathematician of the twentieth century and even as the greatest scientist after Einstein. He was a key figure in the Manhattan Project; the inventor of game theory; the pioneer developer of the modern stored-program electronic computer; and an adviser to the top echelons of the American military establishment. In The Martian's Daughter, Marina von Neumann Whitman reveals intimate details about the famed scientist and explores how the cosmopolitan environment in which she was immersed, the demanding expectations of her parents, and her own struggles to emerge from the shadow of a larger-than-life parent shaped her life and work.

Unfortunately, von Neumann did not live to see his daughter rise to become the first or highest-ranking woman in a variety of arenas. Whitman became a noted academic during the 1960s and '70s, casting her teaching and writing in the framework of globalization before the word had been invented; became the first woman ever to serve on the President's Council of Economic Advisers and participated actively in U.S. efforts to reshape the international monetary and financial system during the early 1970s; pioneered the role of women on the boards of leading multinational corporations; and became the highest-ranking female executive in the American auto industry in the 1980s. In her memoir, Whitman quotes from personal letters from her father and describes her interactions with such figures as Roger Smith of GM and President Nixon. She also details the difficulties she encountered as an early entrant into a world dominated by men and how she overcame the obstacles to, in her words, "have it all."

Mary Lincoln is a lightning rod for controversy. Stories reveal widely different interpretations, and it is impossible to write a definitive version of her life that will suit everyone. The thirteen engaging essays in this collection introduce Mary Lincoln’s complex nature and show how she is viewed today.

The authors’ explanations of her personal and private image stem from a variety of backgrounds, and through these lenses—history, theater, graphic arts, and psychiatry—they present their latest research and assessments. Here they reveal the effects of familial culture and society on her life and give a broader assessment of Mary Lincoln as a woman, wife, and mother. Topics include Mary’s childhood in Kentucky, the early years of her marriage to Abraham, Mary’s love of travel and fashion, the presidential couple’s political partnership, and Mary’s relationship with her son Robert.

The fascinating epilogue meditates on Mary Lincoln’s universal appeal and her enigmatic personality, showcasing the dramatic differences in interpretations. With gripping prose and in-depth documentation,  this anthology will capture the imagination of all readers.

University Press Books for Public and Secondary Schools 2013 edition

At the Ndola Muto Salon Douala, Cameroon, women slip behind closed doors to seek pleasure, refuge, and one another. When young Violette begins work there as a courtesan for women to support her family, she enters a world her mother cannot accept, where desire moves quietly but powerfully. Part sanctuary, part hidden house of pleasure, the salon becomes a mirror of empowerment, longing, and possibility beyond the restrictions of Cameroonian society. Within its walls, Violette encounters a constellation of women who shape her awakening: Lady Budu, the formidable owner; Caroline, who first opens her to joy; and the enigmatic Lady with Sexy Toes, who urges her to imagine a life of her own making. As these lives intertwine in this evocative novel, the salon reveals how tenderness between women can become an act of resistance, defying patriarchy, class, and convention in small but profound revolutions.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Unlocking a vital understanding of how literary studies and media studies overlap and are bound together

A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, Jonathan E. Abel offers a new model for media studies while explaining the deep and ongoing imbrication of Japan in the history of new media.

From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji.

By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world.

"In The New Woman International, editors Elizabeth Otto and Vanessa Rocco have gathered a group of intellectually stimulating and provocative essays that present the emergence, both tentative and triumphant, of this new global icon and her increasingly multicultural image. Written largely by historians of art and film, these essays emphasize visual analysis of the photographic and film media that carried the new woman's influential message."
---Norma Broude, American University

"The New Woman International focuses on the New Woman not simply as an image to be analyzed but also as a producer of images and text. This groundbreaking anthology represents a theoretically sophisticated set of essays that thoroughly examine the phenomenon of the New Woman in previously unexplored ways."
---Sarah E. Chinn, Hunter College, CUNY

Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky---all embodiments of the dashing New Woman---symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Additionally, these original essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world.

The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades. Arranged both chronologically and thematically, these essays show how controversial female ideals figured in discourses including those on gender norms, race, technology, sexuality, female agency, science, media representation, modernism, commercial culture, internationalism, colonialism, and transnational modernity. In exploring these topics through images that range from montages to newspapers' halftone prints to film stills, this book investigates the terms of gendered representation as a process in which women were as much agents as allegories. Inaugurating a new chapter in the scholarship of representation and New Womanhood and spanning North America, Western and Eastern Europe, Asia, and the colonial contexts of Africa and the Pacific, this volume reveals the ways in which a feminine ideal circled the globe to be translated into numerous visual languages.

With a foreword from the eminent feminist art historian Linda Nochlin, this collection includes contributions by Jan Bardsley, Matthew Biro, Gianna Carotenuto, Melody Davis, Kristine Harris, Karla Huebner, Kristen Lubben, Maria Makela, Elizabeth Otto, Martha H. Patterson, Vanessa Rocco, Clare I. Rogan, Despina Stratigakos, Brett M. Van Hoesen, Kathleen M. Vernon, and Lisa Jaye Young.

DIGITALCULTUREBOOKS: a collaborative imprint of the University of Michigan Press and the University of Michigan Library

How Alabama women reshaped public life during the Progressive Era.

Between 1890 and 1920, middle-class white and black Alabama women created many clubs and organizations that took them out of the home and provided them with roles in the public sphere. Beginning with the Alabama Woman’s Christian Temperance Union in the 1880s and followed by the Alabama Federation of Women’s Clubs and the Alabama Federation of Colored Women’s Clubs in the 1890s, women spearheaded the drive to eliminate child labor, worked to improve the educational system, upgraded the jails and prisons, and created reform schools for both boys and girls.

Suffrage was also an item on the Progressive agenda. After a brief surge of activity during the 1890s, the suffrage drive lay dormant until 1912, when women created the Alabama Equal Suffrage Association. During their campaigns in the 1915 and 1919 to persuade the legislature to enfranchise women, the leaders learned the art of politics—how to educate, organize, lobby, and count votes. Women seeking validation for their roles as homemakers and mother demanded a hearing in the political arena for issues that affected them and their families. In the process they began to erase the line between the public world of men and the private world of women. These were the New Women who tackled the problems created by the industrialization and urbanization of the New South. By 1920 Alabama women had created new public spaces for themselves in these voluntary associations. As a consequence of their involvement in reform crusades, the women’s club movement, and the campaign for woman suffrage, women were no longer passive and dependent. They were willing and able to be rightful participants.
 

Thomas’s book is the first of its kind to focus on the reform activities of women during the Progressive Era, and the first to consider the southern woman and all the organizations of middle-class black and white women in the South and particularly in Alabama. It is also the first to explore the drive of Alabama women to obtain the vote. The development of political power among southern women progressed slowly. Demolishing as it did the myth of the “Southern Lady.” Traditionally confined to the domestic sphere, southern women had no experience in public decision making and were discouraged from attaining the skills necessary for participation in public debate. The division of women by race and class further impeded their political education. But through their participation in so-called women’s issues—child labor laws, temperance, and educational reform—women gained experience in influencing political leaders. Black and white women’s clubs provided the framework for state-wide lobbying.

Only in the wake of their success with domestic issues tackled through club organizations and temperance unions did women dare seek the right to vote. They learned how to wield political power through acceptable “ladylike” avenues, and it was this experience that led to their long but eventually successful drive for woman suffrage. The New Woman eventually found a way to replace the Southern Lady.

Women workers and the revolutionary origins of the modern welfare state

In May 1790, the French National Assembly created spinning workshops (ateliers de filature) for thousands of unemployed women in Paris. These ateliers disclose new aspects of the process which transformed Old Regime charity into revolutionary welfare initiatives characterized by secularization, centralization, and entitlements based on citizenship. This study is the first to examine women and the welfare state in its formative period at a time when modern concepts of human rights were elaborated.

In The Origins of the Welfare State, Lisa DiCaprio reveals how the women working in the ateliers, municipal welfare officials, and the national government vied to define the meaning of revolutionary welfare throughout the Revolution. Presenting demands for improved wages and working conditions to a wide array of revolutionary officials, the women workers exercised their rights as "passive citizens" capaciously and shaped the meanings of work, welfare, and citizenship. Looking backward to the Old Regime and forward to the nineteenth century, this study explores the interventionist spirit that characterized liberalism in the eighteenth century and serves as a bridge to the history of entitlements in the nineteenth and twentieth centuries.