1218 books match the query 'African Americans' and 234 start with t

cover of The Will of a People: A Critical Anthology of Great African American Speeches

The Will of a People

A Critical Anthology of Great African American Speeches

Edited with Introductions by Richard W. Leeman and Bernard K. Duffy

Southern Illinois University Press, 2012

Normal0falsefalsefalseEN-USX-NONEX-NONE

Drawing upon nearly two hundred years of recorded African American oratory, The Will of a People: A Critical Anthology of Great African American Speeches,edited by Richard W. Leeman and Bernard K. Duffy, brings together in one unique volume some of this tradition’s most noteworthy speeches, each paired with an astute introduction designed to highlight its most significant elements.

Arranged chronologically, from Maria Miller Stewart’s 1832 speech “Why Sit Ye Here and Die?” to President Barack Obama’s 2009 inaugural address, these orations are tied to many of the key themes and events of American history, as well as the many issues and developments in American race relations. These themes, events, and issues include the changing roles of women, Native American relations, American “manifest destiny,” abolitionism, the industrial revolution, Jim Crow, lynching, World War I and American self-determination, the rise of the New Deal and government social programs, the Civil Rights Movement and desegregation, the Vietnam War, Nixon and Watergate, gay and lesbian rights, immigration, and the rise of a mediated culture. Leeman and Duffy have carefully selected the most eloquent and relevant speeches by African Americans, including those by Sojourner Truth, Frederick Douglass, Frances Ellen Watkins Harper, Ida B. Wells-Barnett, Booker T. Washington, Mary Church Terrell, W. E. B. Du Bois, Marcus Garvey, Martin Luther King Jr., Malcolm X, Stokely Carmichael, Barbara Jordan, Jesse Jackson, and Marian Wright Edelman, many of which have never received significant scholarly attention.

The Will of a People is the first book to pair the full texts of the most important African American orations with substantial introductory essays intended to guide the reader’s understanding of the speaker, the speech, its rhetorical interpretation, and the historical context in which it occurred. Broadly representative of the African American experience, as well as what it means to be American, this valuable collectionwill serve as an essential guide to the African American oratory tradition.

[more]
cover of The World of W.E.B. Du Bois: A Quotation Sourcebook

The World of W.E.B. Du Bois

A Quotation Sourcebook

Meyer Weinberg

University of Massachusetts Press, 2012

W.E.B. Du Bois (1868–1963) was one of the leading public figures of his time—an African American sociologist, historian, civil rights activist, author, and editor. He organized, protested, laid out programs, petitioned, and raised questions of long-term strategy and short-term tactics. He also wrote numerous books and articles and was a commanding speaker and a prodigious correspondent.

Meyer Weinberg created The World of W.E.B. Du Bois to provide a short journey through Du Bois's views on virtually all aspects of twentieth-century life. More than one thousand quotations from his published writings and correspondence are included, arranged into twenty topical chapters. Each quotation begins with a heading designed to summarize its main theme. A subject index provides additional access to the ideas of this complex figure.
[more]
cover of There Is a Tree More Ancient Than Eden

There Is a Tree More Ancient Than Eden

Leon Forrest

University of Chicago Press, 2001

Leon Forrest, acclaimed author of Divine Days, uses a remarkable verbal intensity to evoke human tragedy, injustice, and spirituality in his writing. As Toni Morrison has said, "All of Forrest's novels explore the complex legacy of Afro-Americans. Like an insistent tide this history . . . swells and recalls America's past. . . . Brooding, hilarious, acerbic and profoundly valued life has no more astute observer than Leon Forrest." All of that is on display here in two novels that give readers a breathtaking view of the human experience, filled with humor and pathos.
[more]
cover of These Colored United States: African American Essays from the 1920s

These Colored United States

African American Essays from the 1920s

Lutz, Tom

Rutgers University Press, 1996

"This series of essays from a crucial journal of the Harlem Renaissance epitomizes the diversity of middle-class African American intellectual culture of the 1920s, while the headnotes and introduction deftly articulate the complex social and institutional matrix from which the series emerged."––George Hutchinson, University of Tennessee, author of The Harlem Renaissance in Black and White

Originally published in The Messenger, “the most vibrant and controversial black journal in the nation” at the time, these essays represent an unexamined chapter in African American cultural history and provide a unique overview of social and cultural life during this crucial decade for race relations in the United States. While most scholarly attention on African American culture in the 1920s has focused on life in the major East Coast cities or the South, these essays are written by a highly diverse, eclectic group of African American writers from thirty different states, charged with assessing African American life in their home state. Socialists and pro-business writers, cultural nationalists and assimilationists, fiction writers, sociologists, theater critics, representatives of the New Negro group, the NAACP, and the union movement, and a series of idiosyncratic, nonaligned writers help give a full sense of the diversity of African American intellectual and cultural life in the 1920s.

Amont the essayists are Anita Scott Coleman, WIlliam H. Ferris, Alice Dunbar-Nelson, Charles S. Johnson, E. Franklin Frazier, Theophilus Lewis, Wallace Thurman, Roy Wilkins, George Schuyler, and Mamie Elaine Francis. The focus on the actual lived experience of African Americans across the nation provides copious materials for cultural study unavailable in any other collection.

[more]
cover of Thicker Than Blood: How Racial Statistics Lie

Thicker Than Blood

How Racial Statistics Lie

Tukufu Zuberi

University of Minnesota Press, 2003

A hard-hitting investigation of the racist uses of statistics—now in paperback!

Tukufu Zuberi offers a concise account of the historical connections between the development of the idea of race and the birth of social statistics. Zuberi describes how race-differentiated data are misinterpreted in the social sciences and asks searching questions about the ways racial statistics are used. He argues that statistical analysis can and must be deracialized, and that this deracialization is essential to the goal of achieving social justice for all.

[more]
cover of Thinking While Black: Translating the Politics and Popular Culture of a Rebel Generation

Thinking While Black

Translating the Politics and Popular Culture of a Rebel Generation

Daniel McNeil

Rutgers University Press, 2023

Thinking While Black brings together the work and ideas of the most notorious film critic in America, one of the most influential intellectuals in the United Kingdom, and a political and cultural generation that consumed images of rebellion and revolution around the world as young Black teenagers in the late 1960s. Drawing on hidden and little known archives of resistance and resilience, it sheds new light on the politics and poetics of young people who came together, often outside of conventional politics, to rock against racism in the 1970s and early ‘80s. It re-examines debates in the 1980s and ‘90s about artists who “spread out” to mount aggressive challenges to a straight, white, middle-class world, and entertainers who “sold out” to build their global brands with performances that attacked the Black poor, rejected public displays of introspection, and expressed unambiguous misogyny and homophobia. Finally, it thinks with and through the work of writers who have been celebrated and condemned as eminent intellectuals and curmudgeonly contrarians in the twenty-first century. In doing so, it delivers the smartest and most nuanced investigation into thinkers such as Paul Gilroy and Armond White as they have evolved from “young soul rebels” to “middle-aged mavericks” and “grumpy old men,” lamented the debasement and deskilling of Black film and music in a digital age, railed against the discourteous discourse and groupthink of screenies and Internet Hordes, and sought to stimulate some deeper and fresher thinking about racism, nationalism, multiculturalism, political correctness and social media.

Listen along with this 
Spotify playlist inspired by the book!

For copyright reasons, this book is available in the U.S.A only.
 
[more]
cover of Third Worlds Within: Multiethnic Movements and Transnational Solidarity

Third Worlds Within

Multiethnic Movements and Transnational Solidarity

Daniel Widener

Duke University Press, 2024

In Third Worlds Within, Daniel Widener expands conceptions of the struggle for racial justice by reframing antiracist movements in the United States in a broader internationalist context. For Widener, antiracist struggles at home are connected to and profoundly shaped by similar struggles abroad. Drawing from an expansive historical archive and his own activist and family history, Widener explores the links between local and global struggles throughout the twentieth and twenty-first centuries. He uncovers what connects seemingly disparate groups like Japanese American and Black communities in Southern California or American folk musicians and revolutionary movements in Asia. He also centers the expansive vision of global Indigenous movements, the challenges of Black/Brown solidarity, and the influence of East Asian organizing on the US Third World Left. In the process, Widener reveals how the fight against racism unfolds both locally and globally and creates new forms of solidarity. Highlighting the key strategic role played by US communities of color in efforts to defeat the conjoined forces of capitalism, racism, and imperialism, Widener produces a new understanding of history that informs contemporary social struggle.
[more]
cover of This Bright Light of Ours: Stories from the Voting Rights Fight

This Bright Light of Ours

Stories from the Voting Rights Fight

Maria Gitin

University of Alabama Press, 2014

Combining memoir with oral history, creates a vivid and searing portrait of the Freedom Summer of 1965.

This Bright Light of Ours offers a tightly focused insider’s view of the community-based activism that was the heart of the civil rights movement. A celebration of grassroots heroes, this book details through first-person accounts the contributions of ordinary people who formed  the nonviolent army that won the fight for voting rights.

Combining memoir and oral history, Maria Gitin fills a vital gap in civil rights history by focusing on the neglected Freedom Summer of 1965 when hundreds of college students joined forces with local black leaders to register thousands of new black voters in the rural South. Gitin was an idealistic nineteen-year-old college freshman from a small farming community north of San Francisco who felt called to action when she saw televised images of brutal attacks on peaceful demonstrators during Bloody Sunday, in Selma, Alabama.

Atypical among white civil rights volunteers, Gitin came from a rural low-income family. She raised funds to attend an intensive orientation in Atlanta featuring now-legendary civil rights leaders. Her detailed letters include the first narrative account of this orientation and the only in-depth field report from a teenage Summer Community Organization and Political Education (SCOPE) project participant.

Gitin details the dangerous life of civil rights activists in Wilcox County, Alabama, where she was assigned. She tells of threats and arrests, but also of forming deep friendships and of falling in love. More than four decades later, Gitin returned to Wilcox County to revisit the people and places that she could never forget and to discover their views of the “outside agitators” who had come to their community. Through conversational interviews with more than fifty Wilcox County residents and former civil rights workers, she has created a channel for the voices of these unheralded heroes who formed the backbone of the civil rights movement.

[more]
cover of This Far and No Further: Photographs Inspired by the Voting Rights Movement

This Far and No Further

Photographs Inspired by the Voting Rights Movement

By William Abranowicz; foreword by Nikole Hannah-Jones

University of Texas Press, 2021

Standing on the Edmund Pettus Bridge in Selma, Alabama, in 2017, photographer William Abranowicz was struck by the weight of historical memory at this hallowed site of one of the civil rights movement's defining episodes: 1965's “Bloody Sunday,” when Alabama police officers attacked peaceful marchers. To Abranowicz’s eye, Selma seemed relatively unchanged from its apperance in the photographs Walker Evans made there in the 1930s. That, coupled with an awareness of renewed voter suppression efforts at state and federal levels, inspired Abranowicz to explore the living legacy of the civil and voting rights movement through photographing locations, landscapes, and individuals associated with the struggle, from Rosa Parks and Harry Belafonte to the barn where Emmett Till was murdered.

The result is This Far and No Further, a collection of photographs from Abranowicz's journey through the American South. Through symbolism, metaphor, and history, he unearths extraordinary stories of brutality, heroism, sacrifice, and redemption hidden within ordinary American landscapes, underscoring the crucial necessity of defending—and exercising—our right to vote at this tenuous moment for American democracy.

[more]
cover of This Is Not Dixie: Racist Violence in Kansas, 1861-1927

This Is Not Dixie

Racist Violence in Kansas, 1861-1927

Brent M.S. Campney

University of Illinois Press, 2018

Often defined as a mostly southern phenomenon, racist violence existed everywhere. Brent M. S. Campney explodes the notion of the Midwest as a so-called land of freedom with an in-depth study of assaults both active and threatened faced by African Americans in post–Civil War Kansas. Campney's capacious definition of white-on-black violence encompasses not only sensational demonstrations of white power like lynchings and race riots, but acts of threatened violence and the varied forms of pervasive routine violence--property damage, rape, forcible ejection from towns--used to intimidate African Americans. As he shows, such methods were a cornerstone of efforts to impose and maintain white supremacy. Yet Campney's broad consideration of racist violence also lends new insights into the ways people resisted threats. African Americans spontaneously hid fugitives and defused lynch mobs while also using newspapers and civil rights groups to lay the groundwork for forms of institutionalized opposition that could fight racist violence through the courts and via public opinion. Ambitious and provocative, This Is Not Dixie rewrites fundamental narratives on mob action, race relations, African American resistance, and racism's grim past in the heartland.
[more]
cover of This Is Not For You: An Activist's Journey of Resistance and Resilience

This Is Not For You

An Activist's Journey of Resistance and Resilience

Richard Brown

Oregon State University Press, 2021

This Is Not For You tells the story of activist and photographer Richard Brown, a Black Portlander who has spent decades working to bridge the divide between police and the Black community. His memoir brings readers with him into the streets with fellow activists, into squad cars with the rank-and-file, and to regular meetings with mayors and police chiefs. There are very few people doing the kind of work Richard Brown has done. And that, as he sees it, is a big problem.

The book finds Brown approaching his eightieth birthday and reflecting on his life. As he recalls his childhood in 1940s Harlem, his radicalization in the newly desegregated Air Force, and his decades of activism in one of America’s whitest cities, he questions how much longer he’ll do this work, and he wonders who, if anyone, will take his place.

This is a book about how and why to become an engaged, activist citizen, and how activists can stay grounded, no matter how deeply they immerse themselves in the work. It also offers an intimate, firsthand look at policing: what policing is and could be, how civilians can have a say, and how police can and should be responsive to and inclusive of civilian voices. This Is Not For You speaks on every page about being Black in America: about Black pride; Black history, art, and culture; and the experience of resisting white supremacy. It also stands as a much-needed counternarrative to Portlandia, telling a different story about the city and who has shaped it.

Over fifty percent of royalties earned on this book will be donated to organizations working on behalf of Black Portlanders.
[more]
cover of Thomas and Beulah

Thomas and Beulah

Rita Dove

Carnegie Mellon University Press, 1986

A collection of poetry by Rita Dove.
[more]
cover of To Be Suddenly White: Literary Realism and Racial Passing

To Be Suddenly White

Literary Realism and Racial Passing

Steven J. Belluscio

University of Missouri Press, 2006

To Be Suddenly White explores the troubled relationship between literary passing and literary realism, the dominant aesthetic motivation behind the late-nineteenth and early-twentieth-century ethnic texts considered in this study. Steven J. Belluscio uses the passing narrative to provide insight into how the representation of ethnic and racial subjectivity served, in part, to counter dominant narratives of difference.  

To Be Suddenly White offers new readings of traditional passing narratives from the African American literary tradition, such as James Weldon Johnson’s The Autobiography of an Ex-Coloured Man, Nella Larsen’s Passing, and George Schuyler’s Black No More. It is also the first full-length work to consider a number of Jewish American and Italian American prose texts, such as Mary Antin’s The Promised Land, Anzia Yezierska’s Bread Givers, and Guido d’Agostino’s Olives on the Apple Tree, as racial passing narratives in their own right. Belluscio also demonstrates the contradictions that result from the passing narrative’s exploration of racial subjectivity, racial difference, and race itself.

When they are seen in comparison, ideological differences begin to emerge between African American passing narratives and “white ethnic” (Jewish American and Italian American) passing narratives. According to Belluscio, the former are more likely to engage in a direct critique of ideas of race, while the latter have a tendency to become more simplistic acculturation narratives in which a character moves from a position of ethnic difference to one of full American identity.

The desire “to be suddenly white” serves as a continual point of reference for Belluscio, enabling him to analyze how writers, even when overtly aware of the problematic nature of race (especially African American writers), are also aware of the conditions it creates, the transformations it provokes, and the consequences of both. Byexamining the content and context of these works, Belluscio elucidates their engagement with discourses of racial and ethnic differences, assimilation, passing, and identity, an approach that has profound implications for the understanding of American literary history.
[more]
cover of To Care for the Sick and Bury the Dead: African American Lodges and Cemeteries in Tennessee

To Care for the Sick and Bury the Dead

African American Lodges and Cemeteries in Tennessee

Leigh Ann Gardner

Vanderbilt University Press, 2022

Benevolent Orders, the Sons of Ham, Prince Hall Freemasons—these and other African American lodges created a social safety net for members across Tennessee. During their heyday between 1865 and 1930, these groups provided members with numerous resources, such as sick benefits and assurance of a proper burial, opportunities for socialization and leadership, and the chance to work with local churches and schools to create better communities. Many of these groups gradually faded from existence, but their legacy endures in the form of the cemeteries the lodges left behind.

These Black cemeteries dot the Tennessee landscape, but few know their history or the societies of care they represent. To Care for the Sick and Bury the Dead is the first book-length look at these cemeteries and the lodges that fostered them.

This book is a must-have for genealogists, historians, and family members of the people buried in these cemeteries.
[more]
cover of To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes

To Do Justice

The Civil Rights Ministry of Reverend Robert E. Hughes

Randall C. Jimerson

University of Alabama Press, 2022

A minister’s call to justice in the struggle for civil rights.

A native Alabamian, Reverend Robert E. Hughes worked full-time in the civil rights movement as executive director of the Alabama Council of Human Relations, where he developed a close relationship with Dr. Martin Luther King Jr. After facing backlash from the Ku Klux Klan, spending four days in jail for refusing to disclose ACHR membership lists, and ultimately being forced to leave the state of Alabama, he served as a Methodist missionary in Southern Rhodesia (now part of Zimbabwe). After two years of organizing Black liberation groups, he was banned as a “prohibited immigrant” by the Ian Smith government. His lifelong commitment to social justice, racial equality, and peaceful resolution of conflicts marks a fascinating career richly documented in this comprehensive biography.

To Do Justice: The Civil Rights Ministry of Reverend Robert E. Hughes traces the life and career of an admirable and lesser-known civil rights figure who fought injustice on two continents. This account presents valuable new evidence about the civil rights movement in the United States as well as human rights and liberation issues in colonial Southern Rhodesia in the years leading up to independence and self-rule. It provides an intimate portrait of a courageous individual who worked outside of the public spotlight but provided essential support and informational resources to public activists and news reporters

Randall C. Jimerson explores the interwoven threads of race relations and religious beliefs on two continents, focusing on the dual themes of the American civil rights movement and the African struggles for decolonization and majority rule. The life and career of Robert Hughes provide insight into the international dimensions of racial prejudice and discrimination that can be viewed in comparative context to similar oppressions in other colonial lands.

 

[more]
cover of To Heal the Scourge of Prejudice: The Life and Writings of Hosea Easton

To Heal the Scourge of Prejudice

The Life and Writings of Hosea Easton

Hosea Easton

University of Massachusetts Press, 1999

How did racial prejudice originate and why has it been so deeply rooted in American culture? What have been the long-term effects of prejudice on the intellectual, communal, and psychological resources of African Americans? How might the nightmare of racial domination be truly brought to an end? Still pertinent today, these were among the key questions addressed more than a century and a half ago by Hosea Easton (1799–1837), an important yet long neglected activist and intellectual. 

A black minister from New England, Easton rose to prominence during the 1820s and 1830s by joining in the struggle of free African Americans to resist southern slavery and secure racial equality. From this experience he developed a deep understanding of the problem of "race" in the United States and became a trenchant critic of white supremacy and its devastating consequences. This volume brings back into print the only extended writings of Easton that have survived into our time: his insightful, almost prescient A Treatise on the Intellectual Character, and the Civil and Political Condition of the Colored People of the U. States, first published in 1837; and his passionate 1828 Thanksgiving Day “Address.” The book also provides a biographical portrait of Easton and his family, drawn from primary documents as well as secondary sources in the areas of biography, genealogy, and social history.

[more]
cover of To Make Negro Literature: Writing, Literary Practice, and African American Authorship

To Make Negro Literature

Writing, Literary Practice, and African American Authorship

Elizabeth McHenry

Duke University Press, 2021

In To Make Negro Literature Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly. She locates this history in books sold by subscription, in lists and bibliographies of African American authors and books assembled at the turn of the century, in the act of ghostwriting, and in manuscripts submitted to publishers for consideration and the letters of introduction that accompanied them. By attending to these sites and prioritizing overlooked archives, McHenry reveals a radically different literary landscape, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.
[more]
cover of To Raise Up a Nation: John Brown, Frederick Douglass, and the Making of a Free Country

To Raise Up a Nation

John Brown, Frederick Douglass, and the Making of a Free Country

William S. King

Westholme Publishing, 2013

A Choice Academic Book of the Year: The Sweeping Story of the Men and Women Who Fought to End Slavery in America
Drawing on decades of research, and demonstrating remarkable command of a great range of primary sources, William S. King has written an important history of African Americans’ own contributions and points of crossracial cooperation to end slavery in America. Beginning with the civil war along the border of Kansas and Missouri, the author traces the life of John Brown and the personal support for his ideas from elite New England businessmen, intellectuals such as Emerson and Thoreau, and African Americans, including his confidant, Frederick Douglass, and Harriet Tubman. Throughout, King links events that contributed to the growing antipathy in the North toward slavery and the South’s concerns for its future, including Nat Turner’s insurrection, the Amistad affair, the Fugitive Slave law, the Kansas-Nebraska Act, and the Dred Scott decision. The author also effectively describes the debate within the African American community as to whether the U.S. Constitution was colorblind or if emigration was the right course for the future of blacks in America.
Following Brown’s execution after the failed raid on Harper’s Ferry in 1859, King shows how Brown’s vision that only a clash of arms would eradicate slavery was set into motion after the election of Abraham Lincoln. Once the Civil War erupted on the heels of Brown’s raid, the author relates how black leaders, white legislators, and military officers vigorously discussed the use of black manpower for the Union effort as well as plans for the liberation of the “veritable Africa” within the southern United States. Following the Emancipation Proclamation of January 1863, recruitment of black soldiers increased and by war’s end they made up nearly ten percent of the Union army, and contributed to many important victories.
To Raise Up a Nation: John Brown, Frederick Douglass, and the Making of a Free Country is a sweeping history that explains how the destruction of American slavery was not directed primarily from the counsels of local and national government and military men, but rather through the grassroots efforts of extraordinary men and women. As King notes, the Lincoln administration ultimately armed black Americans, as John Brown had attempted to do, and their role was a vital part in the defeat of slavery.
[more]
cover of To Save My Race from Abuse: The Life of Samuel Robert Cassius

To Save My Race from Abuse

The Life of Samuel Robert Cassius

Edward J. Robinson

University of Alabama Press, 2009

The story of a fascinating and important figure in black American religious history
 
Samuel Robert Cassius was born to a slave mother and a white father in Virginia in 1853 and became a member of the Restorationist Movement (Disciples of Christ) while a coal miner in Indiana. For the rest of his long life (he died in 1931 at age 78), Cassius was an active evangelist, prolific publicist, dedicated leader of black Disciples, and an outspoken and uncompromising opponent of racism in religion and society.
 
An indefatigable preacher, Cassius ranged throughout the Midwest, California, and the southwestern states, founding and encouraging black Stone-Campbell Restorationist congregations. After entering the Oklahoma Territory in 1891, he worked for three decades as an educator, newspaper editor, social activist, postmaster, and Justice of the Peace. Because he consistently incorporated social and racial issues into his religious writings, Cassius often found himself at odds with whites in the Stone-Campbell Movement, the very people he relied on for monetary support. He advocated a Booker T. Washington-style self-help ethos while at the same time firmly resisting racism wherever he encountered it. Largely invisible in a world dominated by such towering figures as Washington, Frederick Douglass, Ida B. Wells, and W. E. B. DuBois, Cassius lived a life of virtual obscurity beyond the circle of the Stone-Campbell Movement. His story is important because, as a racial militant and separatist, he presaged the schism that would engulf and fracture the Churches of Christ in the 1960s, when blacks and whites went their separate ways and formed two distinct groups in one religious fellowship.
 
By combing through a plethora of primary sources that Cassius left behind in both religious and nonreligious journals, Edward J. Robinson has successfully reconstructed and recaptured the essence of Cassius’ complex and extraordinary life. This book offers the first full-length study of a man of remarkable attainment despite daily obstacles and resistance.
 
 
[more]
cover of To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement

To Stand Aside or Stand Alone

Southern Reform Rabbis and the Civil Rights Movement

P. Allen Krause, Edited by Mark K. Bauman with Stephen Krause

University of Alabama Press, 2016

A landmark collection of previously unpublished interviews with Reform rabbis concerning their roles in the civil rights movement.

In 1966, a young rabbinical student named P. Allen Krause conducted interviews with twelve Reform rabbis from southern congregations concerning their thoughts, principles, and activities as they related to the civil rights movement. Perhaps because he was a young seminary student or more likely because the interviewees were promised an embargo of twenty-five years before the interviews would be released to the public, the rabbis were extremely candid about their opinions on and their own involvement with what was still an incendiary subject. Now, in To Stand Aside or Stand Alone: Southern Reform Rabbis and the Civil Rights Movement, their stories help elucidate a pivotal moment in time.
 
After a distinguished rabbinical career, Krause wrote introductions to and annotated the interviews. When Krause succumbed to cancer in 2012, Mark K. Bauman edited the manuscripts further and wrote additional introductions with the assistance of Stephen Krause, the rabbi’s son. The result is a unique volume offering insights into these rabbis’ perceptions and roles in their own words and with more depth and nuance than hitherto available. This exploration into the lives of these teachers and civic leaders is supported by important contextual information on the local communities and other rabbis, with such background information forming the basis of a demographic profile of the Reform rabbis working in the South.
 
The twelve rabbis whom Krause interviewed served in Alabama, Georgia, Louisiana, Mississippi, Tennessee, and Virginia, and the substance and scope of their discussions cover some of the most crucial periods in the civil rights movement. Although some have provided accounts that appeared elsewhere or have written about their experiences themselves, several new voices appear here, suggesting that more southern rabbis were active than previously thought. These men functioned within a harsh environment: rabbis’ homes, synagogues, and Jewish community centers were bombed; one rabbi, who had been beaten and threatened, carried a pistol to protect himself and his family. The views and actions of these men followed a spectrum from gradualism to activism; while several of the rabbis opposed the evils of the separate and unequal system, others made peace with it or found reasons to justify inaction. Additionally, their approaches differed from their activist colleagues in the North even more than from each other.
 
Within these pages, readers learn about the attitudes of the rabbis toward each other, toward their congregants, toward national Jewish organizations, and toward local leaders of black and white and Protestant and Catholic groups. Theirs are dramatic stories of frustration, cooperation, and conflict.
[more]
cover of To Tell a Free Story: The First Century of Afro-American Autobiography, 1760-1865

To Tell a Free Story

The First Century of Afro-American Autobiography, 1760-1865

William L. Andrews

University of Illinois Press, 1986

To Tell A Free Story traces in unprecedented detail the history of Black autobiography from the colonial era through Emancipation. Beginning with the 1760 narrative by Briton Hammond, William L. Andrews explores first-person public writings by Black Americans. Andrews includes but also goes beyond slave narratives to analyze spiritual biographies, criminal confessions, captivity stories, travel accounts, interviews, and memoirs. As he shows, Black writers continuously faced the fact that northern whites often refused to accept their stories and memories as sincere, and especially distrusted portraits of southern whites as inhuman. Black writers had to silence parts of their stories or rely on subversive methods to make facts tellable while contending with the sensibilities of the white editors, publishers, and readers they relied upon and hoped to reach.
[more]
cover of Torn from the Root: A Memoir of a Black Transracial Adoptee

Torn from the Root

A Memoir of a Black Transracial Adoptee

Rhonda M. Roorda

Temple University Press, 2026

As a Black child adopted out of the New York foster care system as a toddler and raised by white evangelical parents, Rhonda Roorda had to learn how to walk in two different worlds. She often questioned “whether my skin was too dark” and if she “acted too white.” She recalls being haunted by feelings of shame and not being enough. Torn from the Root is her illuminating story of identity, belonging, and purpose and lays bare the deep pain she felt navigating life as a vulnerable Black girl and how she healed herself.

Roorda suffered trauma and abuse in her youth, but she also developed resilience. Eventually, she resolves to find her birth family and takes readers on her exciting and agonizing journey.

Torn from the Root thinks critically about the child welfare system and the long-term impacts of transracial adoption. Roorda helps readers understand her experience, posing necessary questions about the challenges of transracial adoption. Her emotional story, full of wisdom and reflection, recounts how she accepted the truth of her adoption and found balance, not discomfort, in her own skin.

[more]
cover of Toting the Lead Row: Ruby Pickens Tartt, Alabama Folklorist

Toting the Lead Row

Ruby Pickens Tartt, Alabama Folklorist

Virginia Pounds Brown

University of Alabama Press, 1981

Preserving voices from the back roads—Ruby Pickens Tartt and the folklore of Alabama’s Black Belt.

“You recall the expression ‘toting the lead row’, don’t you? In chopping cotton or corn there is always a leader, one who can chop the fastest of them all. When he finishes his row, he goes back and helps the other choppers finish theirs. The one who totes the lead row takes the lead place in the next row.”—Ruby Pickens Tartt

Toting the Lead Row is a powerful biographical and cultural tribute to Ruby Pickens Tartt, a white woman from Alabama’s Black Belt who devoted her life to preserving the oral traditions of rural Black communities. Born in 1880 in Livingston, Alabama, Tartt witnessed nearly a century of social transformation and made it her mission to document the songs, stories, and life histories of her African American neighbors. She believed that the soul of Sumter County resided not in its institutions, but in its cabins, fields, and voices.

During the Great Depression, Tartt worked with the Federal Writers’ Project, collaborating with renowned folklorists such as Carl Carmer and John Lomax. Her home became a hub for cultural preservation, attracting scholars and artists who recognized the depth of her fieldwork. The book’s title refers to a Southern agricultural phrase—“toting the lead row”—symbolizing leadership and support, a role Tartt embodied in her efforts to elevate the voices of those often overlooked.

This volume is divided into two parts: the first offers a detailed biography of Tartt and her work with the WPA, while the second presents a curated selection of her collected writings, including 18 life histories and 12 slave narratives. Through these stories, Tartt preserved a vital piece of Southern history and gave voice to generations whose experiences might otherwise have been lost.

Toting the Lead Row is both a celebration of a remarkable woman and a vital contribution to the study of folklore, race, and Southern identity.


 

[more]
cover of Toward Camden

Toward Camden

Mercy Romero

Duke University Press, 2021

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. She revisits lost and empty houses—her family's house, the Walt Whitman House, and the landscape of a vacant lot. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city's vacant lots withhold.

Duke University Press Scholars of Color First Book Award recipient
[more]
cover of Town and Country: Race Relations in an Urban-Rural Context, Arkansas, 1865–1905

Town and Country

Race Relations in an Urban-Rural Context, Arkansas, 1865–1905

John Graves

University of Arkansas Press, 1990

A thoroughly researched and extensively documented look at race relations in Arkansas druing the forty years after the Civil War, Town and Country focuses on the gradual adjustment of black and white Arkansans to the new status of the freedman, in both society and law, after generations of practicing the racial etiquette of slavery.

John Graves examines the influences of the established agrarian culture on the developing racial practices of the urban centers, where many blacks living in the towns were able to gain prominence as doctors, lawyers, successful entrepreneurs, and political leaders. Despite the tension, conflict, and disputes within and between the voice of the government and the voice of the people in an arduous journey toward compromise, Arkansas was one of the most progressive states during Reconstruction in desegregating its people.

Town and Country makes a significant contribution to the history of the postwar South and its complex engagement with the race issue.

[more]
cover of Trading Democracy for Justice: Criminal Convictions and the Decline of Neighborhood Political Participation

Trading Democracy for Justice

Criminal Convictions and the Decline of Neighborhood Political Participation

Traci Burch

University of Chicago Press, 2013

The United States imprisons far more people, total and per capita, and at a higher rate than any other country in the world. Among the more than 1.5 million Americans currently incarcerated, minorities and the poor are disproportionately represented. What’s more, they tend to come from just a few of the most disadvantaged neighborhoods in the country. While the political costs of this phenomenon remain poorly understood, it’s become increasingly clear that the effects of this mass incarceration are much more pervasive than previously thought, extending beyond those imprisoned to the neighbors, family, and friends left behind.

For Trading Democracy for Justice, Traci Burch has drawn on data from neighborhoods with imprisonment rates up to fourteen times the national average to chart demographic features that include information about imprisonment, probation, and parole, as well as voter turnout and volunteerism. She presents powerful evidence that living in a high-imprisonment neighborhood significantly decreases political participation. Similarly, people living in these neighborhoods are less likely to engage with their communities through volunteer work. What results is the demobilization of entire neighborhoods and the creation of vast inequalities—even among those not directly affected by the criminal justice system.
The first book to demonstrate the ways in which the institutional effects of imprisonment undermine already disadvantaged communities, Trading Democracy for Justice speaks to issues at the heart of democracy.

[more]
cover of Traveling without Moving: Essays from a Black Woman Trying to Survive in America

Traveling without Moving

Essays from a Black Woman Trying to Survive in America

Taiyon J. Coleman

University of Minnesota Press, 2024

A stunning lyrical commentary on the constructions of race, gender, and class in the fraught nexus of a Black woman’s personal experience and cultural history

 

The Fair Housing Act passed in 1968, and more than fifty years later, yours seems to be the only Black family on your block in Minneapolis. You and your Black African husband, both college graduates, make less money than some White people with a felony record and no high school diploma. You’re the only Black student in your graduate program. You just aren’t working hard enough. You’re too sensitive. Sandra Bland? George Floyd? Don't take everything so personally. Amid the White smiles of Minnesota Nice and the Minnesota Paradox—the insidious racism of an ostensibly inclusive place to live—what do you do? If you’re Taiyon J. Coleman, you write.

 

In Traveling without Moving, Coleman shares intimate essays from her life: her childhood in Chicago—growing up in poverty with four siblings and a single mother—and the empowering decision to leave her first marriage. She writes about being the only Black student in a prestigious and predominantly White creative writing program, about institutional racism and implicit bias in writing instruction, about the violent legacies of racism in the U.S. housing market, about the maternal health disparities seen across the country and their implication in her own miscarriage. She explores what it means to write her story and that of her family—an act at once a responsibility and a privilege—bringing forth the inherent contradictions between American ideals and Black reality.

 

Using a powerful blend of perspectives that move between a first-person lens of lived experience and a wider-ranging critique of U.S. culture, policy, and academia, Coleman’s writing evinces how a Black woman in America is always on the run, always Harriet Tubman, traveling with her babies in tow, seeking safety, desperate to survive, thrive, and finally find freedom.

 

 

Retail e-book files for this title are screen-reader friendly.

[more]
cover of Tributes to John Hope Franklin: Scholar, Mentor, Father, Friend

Tributes to John Hope Franklin

Scholar, Mentor, Father, Friend

Edited by Beverly Jarrett

University of Missouri Press, 2003

In 1947 John Hope Franklin, then a professor of history at North Carolina College for Negroes, wrote From Slavery to Freedom. Now in its eighth edition, that book, which redefined our understanding of American history, remains the preeminent record of the African American experience. With it and a dozen other books, Franklin has been established as the intellectual father of black studies.
Tributes to John Hope Franklin focuses on this esteemed scholar’s academic achievements, his humanitarian contributions, and his extraordinary legacy. This collection of comments by Franklin’s students, colleagues, family, and friends captures the man and his work for future generations. Tributes offered by Franklin’s admirers, Walter B. Hill Jr., David Levering Lewis, Alfred A. Moss Jr., Darlene Clark Hine, Loren Schweninger, Daryl Michael Scott, George M. Fredrickson, Mary Frances Berry, and many others, attest to Franklin’s commitment to his intellectual pursuits, to public service, and, most important, to his students.
Franklin’s dedication to mentoring those who sought his help, as well as providing for his family, is beyond compare. In one essay, John W. Franklin offers an inside view of growing up with John Hope and Aurelia Franklin, detailing the travels and associations that were a part of his experience as their son. Alfred Moss, coauthor of the last three editions of From Slavery to Freedom, shares special images of Franklin as mentor to a young Anglican priest.
Genna Rae McNeil shows us the quintessential teacher through the eyes of a passionate young scholar beginning her own voyage into the study of American history. George Fredrickson takes on the challenge of explaining the complexity of the work of this man who has been both a fervent proponent of racial equality and a practitioner of “detached, objective, dispassionate historical scholarship.”
Each of the pieces—by men and by women, by blacks and by whites, by several generations of participants in the twentieth century’s journey toward a better America—recalls for us what a vital role John Hope Franklin has played in that voyage. Tributes to John Hope Franklin is a joy to read and an incredible opportunity to celebrate a life and a body of historical work dedicated to achieving and sharing the wisdom that scholarly excellence provides.
[more]
cover of Troubled Ground: A Tale of Murder, Lynching, and Reckoning in the New South

Troubled Ground

A Tale of Murder, Lynching, and Reckoning in the New South

Claude A. Clegg III

University of Illinois Press, 2010

In Troubled Ground, Claude A. Clegg III revisits a violent episode in his hometown's history that made national headlines in the early twentieth century but disappeared from public consciousness over the decades. Moving swiftly between memory and history, between the personal and the political, Clegg offers insights into southern history, mob violence, and the formation of American race ideology while coming to terms on a personal level with the violence of the past. Three black men were killed in front of a crowd of thousands in Salisbury, North Carolina, in 1906, following the ax murder of a local white family for whom the men had worked. One of the lynchers was prosecuted for his role in the execution, the first conviction of its kind in North Carolina and one of the earliest in the country. Yet Clegg, an academic historian who grew up in Salisbury, had never heard of the case until 2002 and could not find anyone else familiar with the case. In this book, Clegg mines newspaper accounts and government records and links the victims of the 1906 case to a double-lynching in 1902, suggesting a complex history of lynching in the area while revealing the determination of the city to rid its history of a shameful and shocking chapter. The result is a multi-layered, deeply personal exploration of lynching and lynching prosecutions in the United States.
[more]
cover of Troubling Vision: Performance, Visuality, and Blackness

Troubling Vision

Performance, Visuality, and Blackness

Nicole R. Fleetwood

University of Chicago Press, 2010

Troubling Vision addresses American culture’s fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness?


Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles “Teenie” Harris to the “excess flesh” performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture.


“Troubling Vision is a path-breaking book that examines the problem of seeing blackness—the simultaneous hyper-visibility and invisibility of African Americans—in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois’s idea of double vision into a broad questioning of whether ‘representation itself will resolve the problem of the black body in the field of vision.’ With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of ‘non-iconicity’ in the photographs of Charles (Teenie) Harris, the ‘visible seams’ in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies.”—Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize

[more]
cover of Trustee for the Human Community: Ralph J. Bunche, the United Nations, and the Decolonization of Africa

Trustee for the Human Community

Ralph J. Bunche, the United Nations, and the Decolonization of Africa

Robert A. Hill

Ohio University Press, 2010

Ralph J. Bunche (1904–1971), winner of the Nobel Peace Prize in 1950, was a key U.S. diplomat in the planning and creation of the United Nations in 1945. In 1947 he was invited to join the permanent UN Secretariat as director of the new Trusteeship Department. In this position, Bunche played a key role in setting up the trusteeship system that provided important impetus for postwar decolonization ending European control of Africa as well as an international framework for the oversight of the decolonization process after the Second World War.

Trustee for the Human Community is the first volume to examine the totality of Bunche’s unrivalled role in the struggle for African independence both as a key intellectual and an international diplomat and to illuminate it from the broader African American perspective.

These commissioned essays examine the full range of Ralph Bunche’s involvement in Africa. The scholars explore sensitive political issues, such as Bunche’s role in the Congo and his views on the struggle in South Africa. Trustee for the Human Community stands as a monument to the profoundly important role of one of the greatest Americans in one of the greatest political movements in the history of the twentieth century.

Contributors: David Anthony, Ralph A. Austen, Abena P. A. Busia, Neta C. Crawford, Robert R. Edgar, Charles P. Henry, Robert A. Hill, Edmond J. Keller, Martin Kilson, Georges Nzongola-Ntalaja, Jon Olver, Pearl T. Robinson, Elliott P. Skinner, Crawford Young

[more]
cover of Tulsa Speaks: A City Council, Reparations, and Race in America Today

Tulsa Speaks

A City Council, Reparations, and Race in America Today

Kristal Brent Zook

Rutgers University Press, 2026

In 2021, the international media descended upon Tulsa, Oklahoma, for the centennial commemoration of the May 31–June 1, 1921, massacre in which a white mob killed more than three hundred African American residents, burned homes and businesses, and decimated a thriving town once referred to as “Black Wall Street.” 

Tulsa Speaks is about the ongoing work of the Tulsa City Council, both before the Centennial and afterward, when the cameras were no longer trained on the city. It dives deep into the interpersonal dynamics among the nine councilors, exploring the continuing fight for reparations and racial justice and the long-running efforts of councilor, Vanessa Hall-Harper of District 1, to bring repair to Greenwood.

Tulsa, like many municipal bodies across the country, serves as a hopeful sign of what we might become, as Americans and as a microcosm of race relations in America today. 

[more]
cover of Turning South Again: Re-Thinking Modernism/Re-Reading Booker T.

Turning South Again

Re-Thinking Modernism/Re-Reading Booker T.

Houston A. Baker Jr.

Duke University Press, 2001

In Turning South Again the distinguished and award-winning essayist, poet, and scholar of African American literature Houston A. Baker, Jr. offers a revisionist account of the struggle for black modernism in the United States. With a take on the work of Booker T. Washington and the Tuskegee Institute surprisingly different from that in his earlier book Modernism and the Harlem Renaissance, Baker combines historical considerations with psychoanalysis, personal memoir, and whiteness studies to argue that the American South and its regulating institutions—particularly that of incarceration—have always been at the center of the African American experience.
From the holds of slave ships to the peonage of Reconstruction to the contemporary prison system, incarceration has largely defined black life in the United States. Even Washington’s school at Tuskegee, Baker explains, housed and regulated black bodies no longer directly controlled by slave owners. He further implicates Washington by claiming that in enacting his ideas about racial “uplift,” Washington engaged in “mulatto modernism,” a compromised attempt at full citizenship. Combining autobiographical prose, literary criticism, psychoanalytic writing, and, occasionally, blues lyrics and poetry, Baker meditates on the consequences of mulatto modernism for the project of black modernism, which he defines as the achievement of mobile, life-enhancing participation in the public sphere and economic solvency for the majority of African Americans. By including a section about growing up in the South, as well as his recent return to assume a professorship at Duke, Baker contributes further to one of the book’s central concerns: a call to centralize the South in American cultural studies.
[more]
cover of Turning the Tide: The University of Alabama in the 1960s

Turning the Tide

The University of Alabama in the 1960s

Earl H. Tilford

University of Alabama Press, 2014

This book documents the period when a handful of University of Alabama student activists formed an alliance with President Frank A. Rose, his staff, and a small group of progressive-minded professors in order to transform the university during a time of social and political turmoil. Together they engaged in a struggle against Governor George Wallace and a state legislature that reflected the worst aspects of racism in a state where the passage of civil rights legislation in 1964 and 1965 did little to reduce segregation and much to inflame the fears and passions of many white Alabamians.

Earl H. Tilford details the origins of the student movement from within the Student Government Association, whose leaders included Ralph Knowles and future governor Don Siegelman, among others; the participation of key members of “The Machine,” the political faction made up of the powerful fraternities and sororities on campus; and the efforts of more radical non-Greek students like Jack Drake, Ed Still, and Sondra Nesmith. Tilford also details the political maneuverings that drove the cause of social change through multiple administrations at the university. Turning the Tide highlights the contributions of university presidents Frank A. Rose and David Mathews, as well as administrators like the dean of men John L. Blackburn, who supported the student leaders but also encouraged them to work within the system rather than against it.

Based on archival research, interviews with many of the principal participants, and the author’s personal experiences, Tilford’s Turning the Tide is a compelling portrait of a university in transition during the turbulence surrounding the civil rights and anti-war movements of the 1960s.
[more]