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In The Protestant Ethic Revisited, pioneering sociologist Philip Gorski revisits the question raised by Max Weber in The Protestant Ethic and the Spirit of Capitalism about how the Christian West was reshaped by world-changing energies of the Calvinist movement. Gorski not only considers the perennial debate about religion and capitalism, but he also devotes particular attention to the influence of Calvinism on the political development of the West.

The Protestant Ethic Revisited is a masterful new collection of Gorski's essays on religion and comparative historical sociology. Reflecting the aim of much of Gorski's work, this anthology shows how nationalism, secularism, politics, and religion in public life are either older—or less stable—than previously thought.

The Provisions of War examines how soldiers, civilians, communities, and institutions have used food and its absence as both a destructive weapon and a unifying force in establishing governmental control and cultural cohesion during times of conflict. Historians as well as scholars of literature, regional studies, and religious studies problematize traditional geographic boundaries and periodization in this essay collection, analyzing various conflicts of the nineteenth and twentieth centuries through a foodways lens to reveal new insights about the parameters of armed interactions.

The subjects covered are as varied and inclusive as the perspectives offered—ranging from topics like military logistics and animal disease in colonial Africa, Indian vegetarian identity, and food in the counterinsurgency of the Malayan Emergency, to investigations of hunger in Egypt after World War I and American soldiers’ role in the making of US–Mexico borderlands. Taken together, the essays here demonstrate the role of food in shaping prewar political debates and postwar realities, revealing how dietary adjustments brought on by military campaigns reshape national and individual foodways and identities long after the cessation of hostilities

Aslanbeigui and Oakes demonstrate that Robinson’s professional identity was thoroughly embedded in a local scientific culture in which the Cambridge economists A. C. Pigou, John Maynard Keynes, Dennis Robertson, Piero Sraffa, Richard Kahn (Robinson’s closest friend on the Cambridge faculty), and her husband Austin Robinson were important figures. Although the economists Joan Robinson most admired—Pigou, Keynes, and their mentor Alfred Marshall—had discovered ideas of singular greatness, she was convinced that each had failed to grasp the essential theoretical significance of his own work. She made it her mission to recast their work both to illuminate their major contributions and to redefine a Cambridge tradition of economic thought. Based on the extensive correspondence of Robinson and her colleagues, The Provocative Joan Robinson is the story of a remarkable woman, the intellectual and social world of a legendary group of economists, and the interplay between ideas, ambitions, and disciplinary communities.

Margolis provides readings of fiction by Hawthorne and James as well as Susan Warner, Mark Twain, Charles Chesnutt, and Pauline Hopkins. In these writers’ works, she traces a distinctive novelistic tradition that viewed social developments—such as changes in political partisanship and childhood education and the rise of new politico-legal forms like negligence law—as means for understanding how individuals were shaped by their interactions with society. The Public Life of Privacy in Nineteenth-Century American Literature adds a new level of complexity to understandings of nineteenth-century American culture by illuminating a literary tradition full of accidents, mistakes, and unintended consequences—one in which feelings and desires were often overshadowed by all that was external to the self.

This book offers much-needed critical awareness of the less easily recognized ways in which ultrasound technology is profoundly social and political in the United States today.

Prison writings from twenty-two Kurdish women who were elected to office in Turkey and then imprisoned by the state on political grounds.

Gültan Kışanak, a Kurdish journalist and former MP, was elected co-mayor of Diyarbakır in 2014. Two years later, the Turkish state arrested and imprisoned her. Her story is remarkable, but not unique. While behind bars, she wrote about her own experiences and collected similar accounts from other Kurdish women, all co-chairs, co-mayors, and MPs in Turkey; all incarcerated on political grounds.

The Purple Colour of Kurdish Politics is a one-of-a-kind collection of prison writings from twenty-two Kurdish women politicians. Here they reflect on their personal and collective struggles against patriarchy and anti-Kurdish repression in Turkey; on the radical feminist principles and practices through which they transformed the political structures and state offices in which they operated. They discuss what worked and what didn’t, and the ways in which Turkey’s anti-capitalist and socialist movements closely informed their political stances and practices.

Demonstrating Kurdish women’s ceaseless political determination and refusal to be silenced – even when behind bars – the book ultimately hopes to inspire women living under even the most unjust conditions to engage in collective resistance.

As an avid baseball fan, Carter draws on his experiences listening to and participating in discussions of baseball in Cuba (particularly in Havana) and among Cubans living abroad to describe how baseball provides the ground for negotiations of national, masculine, and class identities wherever Cubans gather. He considers the elaborate spectacle of Cuban baseball as well as the relationship between the socialist state and the enormously popular sport. Carter provides a detailed history of baseball in Cuba, analyzing players, policies, rivalries, and fans, and he describes how the sport has forged connections (or reinforced divisions) between Cuba and other nations. Drawing on insights from cultural studies, political theory, and anthropology, he maintains that sport and other forms of play should be taken seriously as crucibles of social and cultural experience.

Engaging and challenging the work of sociologists, legal theorists, and historians, Stockton coins the term “growing sideways” to describe ways of growing that defy the usual sense of growing “up” in a linear trajectory toward full stature, marriage, reproduction, and the relinquishing of childish ways. Growing sideways is a mode of irregular growth involving odd lingerings, wayward paths, and fertile delays. Contending that children’s queerness is rendered and explored best in fictional forms, including literature, film, and television, Stockton offers dazzling readings of works ranging from novels by Henry James, Radclyffe Hall, Virginia Woolf, Djuna Barnes, and Vladimir Nabokov to the movies Guess Who’s Coming to Dinner, The Hanging Garden, Heavenly Creatures, Hoop Dreams, and the 2005 remake of Willy Wonka and the Chocolate Factory. The result is a fascinating look at children’s masochism, their interactions with pedophiles and animals, their unfathomable, hazy motives (leading them at times into sex, seduction, delinquency, and murder), their interracial appetites, and their love of consumption and destruction through the alluring economy of candy.

Eighteen essays provide an accessible, entertaining look into a system of millennia-old legends and beliefs.

Mythology is one of the great creations of humankind. It forms the core of sacred books and reflects the deepest preoccupations of human beings, their most intimate secrets, their glories, and their infamies.

In 1990, Alfredo López Austin, one of the foremost scholars of ancient Mesoamerican thought, began a series of essays about mythology in the Mesoamerican tradition, published in México Indígena. Although his articles were written for general readers, they were also intended to engage specialists. They span a divers subject matter: myths and names, eclipses, stars, left and right, Méxican origins, Aztec incantations, animals, and the incorporation of Christian elements into the living mythologies of Mexico. The title essay relates the Mesoamerican myth explaining why there is a rabbit o the moon’s face to a Buddhist image and suggests the importance of the profound mythical concepts presented by each image.

The eighteen essays in this volume are unified by their basis in Mesoamerican tradition and provide an accessible, entertaining look into a system of millennia-old legends and beliefs.