Results by title

"People who live in California deny the past," asserts Alejandro Murguía. In a state where "what matters is keeping up with the current trends, fads, or latest computer gizmo," no one has "the time, energy, or desire to reflect on what happened last week, much less what happened ten years ago, or a hundred." From this oblivion of memory, he continues, comes a false sense of history, a deluded belief that the way things are now is the way they have always been.

In this work of creative nonfiction, Murguía draws on memories—his own and his family's reaching back to the eighteenth century—to (re)construct the forgotten Chicano-indigenous history of California. He tells the story through significant moments in California history, including the birth of the mestizo in Mexico, destruction of Indian lifeways under the mission system, violence toward Mexicanos during the Gold Rush, Chicano farm life in the early twentieth century, the Chicano Movement of the 1960s, Chicano-Latino activism in San Francisco in the 1970s, and the current rebirth of Chicano-Indio culture. Rejecting the notion that history is always written by the victors, and refusing to be one of the vanquished, he declares, "This is my California history, my memories, richly subjective and atavistic."

A bold new approach to medieval art and architecture’s shaping of psychosomatic experience.
​ 
In the medieval world, experiences of fear attained a mystical significance: monks, urban publics, and even emperors pursued horror and grief to explore the limits of fantasy, sensation, and catharsis. In this book, Ravinder S. Binning examines an expansive archive ranging from poetry and scientific treatises to artistic works in ivory and crystal to recover an aesthetic tradition centered on optical tension, spatial suspense, and tactile experience.  

Moving between early monastic spaces in Egypt and major urban centers like Constantinople from the fourth through the thirteenth centuries, The Medieval Art of Fear shows how the psychosomatic experience of fear became the deliberate object of mystical practices, meditation, and other embodied techniques across the medieval world. The result is a powerful exploration of the aesthetic effects behind some of the medieval world’s most ambitious works, whose influence extends well beyond the Middle Ages.

Why did enduring traditions of economic and political liberty emerge in Western Europe and not elsewhere? Representative democracy, constitutionalism, and the rule of law are crucial for establishing a just and prosperous society, which we usually treat as the fruits of the Renaissance and Enlightenment, as Western European societies put the Dark Ages behind them.

In The Medieval Constitution of Liberty, Salter and Young point instead to the constitutional order that characterized the High Middle Ages. They provide a historical account of how this constitutional order evolved following the fall of the Western Roman Empire. This account runs from the settlements of militarized Germanic elites within the imperial frontiers, to the host of successor kingdoms in the sixth and seventh centuries, and  through the short-lived Carolingian empire of the late eighth and ninth centuries and the so-called “feudal anarchy” that followed its demise. Given this unique historical backdrop, Salter and Young consider the resulting structures of political property rights. They argue that the historical reality approximated a constitutional ideal type, which they term polycentric sovereignty. Salter and Young provide a theoretical analysis of polycentric sovereignty, arguing that bargains between political property rights holders within that sort of constitutional order will lead to improvements in governance.

The Medieval Postcolonial Jew, In and Out of Time studies violent temporal clashes that are written into the medieval vision of annus domini [the year of our Lord]. Christian temporality represents Jewish time as queerly oddly outmoded and advocating uncivil and socially disruptive behavior. Jewish temporality, in turn, records a marginalized people who work to rescue their embattled temporality from becoming a time forgotten and colonized. Through a select group of literature in Middle English, Latin, and Hebrew, as well as sixteen manuscript pictorials, author Miriamne Ara Krummel confronts the notion that annus domini time (whether disguised as CE or AD) figures as the universal standard. Krummel’s argument details how Other temporalities—ones outside and not like annus domini time—are cast as nonstandard and imagined as wholly devised out of stories that promote fear and terror, and are positioned as putative threats to the fabric of the temporal empire of Latin Christendom. Ultimately, the book reflects on the ways in which “common” time both marks and silences marginal identities and cultures and shows to what extent the dynamics of the medieval environment materialize in our modern world.

As one of the five pillars of Islam the pilgrimage to Mecca (the Hajj) is central to the life of all Muslims. A network of roads radiates from the Hijaz like a giant spider's web, connecting Mecca to all parts of the Muslim world. Historically the most significant of these routes starts at Damascus in Syria, and is a direct continuation of the ancient trade route connecting Arabia to the Levant. The Prophet Muhammad is known to have used this route when he travelled as a merchant from Mecca to Bosra in Syria. In more recent times this was the route chosen for the Hijaz railway which figured prominently in the great Arab Revolt. A significant part of this route runs through Jordan, from the wide grasslands of the north to the sandy desert of the far south. This book documents the archaeological and architectural remains which line this route, paying particular attention to the forts and cisterns built and maintained by the Ottoman rulers from the 16th century onwards. A series of introductory chapters provide the historical context, with an emphasis on the political and military significance of the route from the 16th to the 18th centuries. In addition to the detailed coverage of Jordanian Hajj forts, the book also describes the sites and path of the route through Syria and Saudi Arabia. The final part of the book describes the results of excavations at one of the forts, which gives an insight into the material culture of both the pilgrims and the soldiers who manned the forts.

Over a mere three decades, the video game became the entertainment medium of choice for millions of people, who now spend more time in the interactive virtual world of games than they do in watching movies or even television. The release of new games or game-playing equipment, such as the PlayStation 2, generates great excitement and even buying frenzies. Yet, until now, this giant on the popular culture landscape has received little in-depth study or analysis.

In this book, Mark J. P. Wolf and four other scholars conduct the first thorough investigation of the video game as an artistic medium. The book begins with an attempt to define what is meant by the term "video game" and the variety of modes of production within the medium. It moves on to a brief history of the video game, then applies the tools of film studies to look at the medium in terms of the formal aspects of space, time, narrative, and genre. The book also considers the video game as a cultural entity, object of museum curation, and repository of psychological archetypes. It closes with a list of video game research resources for further study.

The fifty-year history of the Mee-Ow Show at Northwestern University and its influence on contemporary comedy

In the fall of 1973, two students at Northwestern University resolved to create something on stage that was wholly their own. Soon, they would be joined by a cohort of performers, musicians, and staff, and the resulting production would go on to launch the careers of scores of entertainment professionals, including some of the most well-known and awarded names in comedy today. This book is not only an account of the rebellious fifty-year history of the Mee-Ow Show, now the longest-running student sketch comedy and improv show in the country, but also its far-reaching influence. The storied group’s alumni include such household names as Craig Bierko, Ana Gasteyer, Julia Louis-Dreyfus, John Cameron Mitchell, Dermot Mulroney, Seth Meyers, and Kristen Schaal.

Based on more than a hundred new interviews with group members, presenting their words alongside never-before-published photographs and ephemera, The Mee-Ow Show at 50 provides a chronicle of the last half-century of the American undergraduate experience—and reveals how, from New York to Los Angeles, contemporary comedy can trace its roots to an upstart student production in Evanston, Illinois.

A rare primary-source account of Indigenous diplomacy and imperial transition in British West Florida, 1763–1765.

Historians of the Gulf Coast have long delighted in the romance of Spanish discovery and French settlement. The period of British occupation was relatively brief, fruitless, and prosaic, if we are to believe the older authorities. Today the availability of materials which were closed to an earlier generation enables us to re-create the story of British West Florida in terms more precise, with details more personal, and with no less dramatic coloration than has long been given-with less accuracy-to the earlier epochs.

In The Memoire Justificatif of Chevalier Monberaut, the translators have undertaken the resurrection of one of those gallant Frenchmen of the ancient regime who remained be­hind to serve the new Anglo-Saxon masters of West Florida. The Chevalier Montault de Monberaut is not unknown to historians of the colonial scene, but he has never enjoyed a full portrayal of his contribution nor a balanced evaluation of his role. By concentrating our attention upon the man as well as his milieu, we have been able to present in greater detail than before the circumstances and procedure of Indian diplomacy on the Gulf Coast at the begin­ning of the British period. By placing Monberaut against the back­drop of British colonial government and its problems, we have replaced some of the romantic fallacies with historic realities. The resulting clarity adds to the picture's significance and appeal.
 

An in-depth look at the diverse group of men who comprised Britain’s first Labour Party in 1924.

In January of 1924, the cabinet of the first Labour government consisted of twenty white, middle-aged men, as it had for generations. But the election also represented a radical departure from government by the ruling class. Most members of the administration had left school by the age of fifteen. Five of them had started work by the time they were twelve years old. Three were working down the mines before they entered their teens. Two were illegitimate, one was abandoned at birth, and three were of Irish immigrant descent. For the first time in Britain’s history, the cabinet could truly be said to represent all of Britain’s social classes. This unheralded revolution in representation is the subject of Peter Clark’s fascinating new book, The Men of 1924. Who were these men? Clark’s vivid portrayal is full of evocative portraits of a new breed of politician, the forerunners of all those who, later in the last century and this one, overcame a system from which they had been excluded for too long.
 

In November 1532, a group of 168 Spaniards seized the Inca emperor Atahuallpa in the town of Cajamarca, in the northern Peruvian highlands. Their act, quickly taken as a symbol of the conquest of a vast empire, brought them unprecedented rewards in gold and silver; it made them celebrities, gave them first choice of positions of honor and power in the new Peru of the Spaniards, and opened up the possibility of a splendid life at home in Spain, if they so desired. Thus they became men of consequence, at the epicenter of a swift and irrevocable transformation of the Andean region. Yet before that memorable day in Cajamarca they had been quite unexceptional, a reasonable sampling of Spaniards on expeditions all over the Indies at the time of the great conquests.

The Men of Cajamarca is perhaps the fullest treatment yet published of any group of early Spaniards in America. Part I examines general types, characteristics, and processes visible in the group as representative Spanish immigrants, central to the establishment of a Spanish presence in the New World’s richest land. The intention is to contribute to a changing image of the Spanish conqueror, a man motivated more by pragmatic self-interest than by any love of adventure, capable and versatile as often as illiterate and rough. Aiming at permanence more than new landfalls, these men created the governmental units and settlement distribution of much of Spanish America and set lasting patterns for a new society.

Part II contains the men’s individual biographies, ranging from a few lines for the most obscure to many pages of analysis for the best-documented figures. The author traces the lives of the men to their beginnings in Spain and follows their careers after the episode in Cajamarca.

Upends entrenched thinking about cities, demonstrating how urban economies are defined—or constrained—by the fiscal imagination of policymakers, activists, and residents.
 
Many local policymakers make decisions based on a deep-seated belief: what’s good for the rich is good for cities. Convinced that local finances depend on attracting wealthy firms and residents, municipal governments lavish public subsidies on their behalf. Whatever form this strategy takes—tax-exempt apartments, corporate incentives, debt-financed mega projects—its rationale remains consistent and assumed to be true. But this wasn’t always the case. Between the 1870s and the 1970s, a wide range of activists, citizens, and intellectuals in New York City connected local fiscal crises to the greed and waste of the rich. These figures saw other routes to development, possibilities rooted in alternate ideas about what was fiscally viable.
 
In The Menace of Prosperity, Daniel Wortel-London argues that urban economics and politics are shaped by what he terms the “fiscal imagination” of policymakers, activists, advocates, and other figures. His survey of New York City during a period of explosive growth shows how residents went beyond the limits of redistributive liberalism to imagine how their communities could become economically viable without the largesse of the wealthy. Their strategies—which included cooperatives, public housing, land-value taxation, public utilities, and more—centered the needs and capabilities of ordinary residents as the basis for local economies that were both prosperous and just.
 
Overturning stale axioms about economic policy, The Menace of Prosperity shows that not all growth is productive for cities. Wortel-London’s ambitious history demonstrates the range of options we’ve abandoned and hints at the economic frameworks we could still realize—and the more democratic cities that might result.

This is an auto-narrated audiobook version of this book.

Upends entrenched thinking about cities, demonstrating how urban economies are defined—or constrained—by the fiscal imagination of policymakers, activists, and residents.
 
Many local policymakers make decisions based on a deep-seated belief: what’s good for the rich is good for cities. Convinced that local finances depend on attracting wealthy firms and residents, municipal governments lavish public subsidies on their behalf. Whatever form this strategy takes—tax-exempt apartments, corporate incentives, debt-financed mega projects—its rationale remains consistent and assumed to be true. But this wasn’t always the case. Between the 1870s and the 1970s, a wide range of activists, citizens, and intellectuals in New York City connected local fiscal crises to the greed and waste of the rich. These figures saw other routes to development, possibilities rooted in alternate ideas about what was fiscally viable.
 
In The Menace of Prosperity, Daniel Wortel-London argues that urban economics and politics are shaped by what he terms the “fiscal imagination” of policymakers, activists, advocates, and other figures. His survey of New York City during a period of explosive growth shows how residents went beyond the limits of redistributive liberalism to imagine how their communities could become economically viable without the largesse of the wealthy. Their strategies—which included cooperatives, public housing, land-value taxation, public utilities, and more—centered the needs and capabilities of ordinary residents as the basis for local economies that were both prosperous and just.
 
Overturning stale axioms about economic policy, The Menace of Prosperity shows that not all growth is productive for cities. Wortel-London’s ambitious history demonstrates the range of options we’ve abandoned and hints at the economic frameworks we could still realize—and the more democratic cities that might result.

LAJSA Book Award Winner, 2017, Latin American Jewish Studies Association

As Cuba industrialized in the nineteenth century, an epochal realignment of the social order occurred. In this period of change, two seemingly disparate, yet nevertheless intertwined, ideological forces appeared: anti-Semitism and abolitionism. As the antislavery movement became organized in Cuba, the argument grew that Jews participated in the African slave trade and in New World slavery, and that this participation gave Jews extraordinary influence in the new Cuban economy and culture. What was remarkable about this anti-Semitism was the decidedly small Jewish population on the island in this era. This form of anti-Semitism, Silverstein reveals, sprang almost exclusively from mythological beliefs.

Although the fourteenth-century Italian merchant Francesco Datini has received attention from business historians, there has previously been no full study of his wife, Margherita Datini. Drawing on a sizable trove of Margherita’s correspondence held in the Archivio di Stato di Prato, including hundreds of letters she exchanged with Francesco, Ann Crabb investigates the social and economic importance of women’s roles as wives and mothers, early modern European views on honor, and the practice of letter writing in Margherita’s world.

Engineering the battlefield—one armored advance at a time.

For centuries sailing vessels crept along the coastline, ready to flee ashore in case of danger or trouble; this worked well until weather or poor sailing drove these ships against an unforgiving coast. Saviors and salvors (often the same people) struggled to rescue both humans and cargo, often with results as tragic for them as for the sailors and passengers.

Joseph Francis (b. Boston, Massachusetts, 1801) was an inventor who also had the ability to organize a business to produce his inventions and the salesmanship to sell his products. His metal lifeboats, first used in survey expeditions in Asia Minor and Central America, came into demand among the world’s merchant marine, the U.S. Navy, and the U.S. Revenue Service. His corrugated “life car” was the keystone to development of the U.S. Life-Saving Service. Francis’s metal bateaux and lifeboats played an important role in the Third Seminole War in Florida. His metal pontoon army wagons served in the trans-Mississippi campaigns against the Indians.

In Europe, he was acclaimed as a genius and sold patent rights to shipyards in Liverpool and the Woolwich Arsenal in England, Le Havre seaport in France, in the free city of Hamburg, and in the Russian Empire. But while Francis was busy in Europe, Captain Douglass Ottinger, U.S. Revenue Marine Service, claimed to be the inventor of Francis’s life car and obtained support in the U.S. Congress and the Patent Office for his claim. Francis had to battle for decades to prove his rights, and Americans remained generally unfamiliar with his devices, thereby condemning Civil War armies to inferior copies while Europe was using, and acclaiming, his inventions.

In 1930, a remote corner of southwest Arkansas witnessed the discovery of cinnabar, the ore from which mercury is extracted. Upon the arrival of “the metal of a thousand uses,” a wave of hope and ambition swept through the foothills of the Ouachita Mountains as mercury mining promised economic revival for the struggling state. Despite the known dangers of the industry, Arkansans greeted the prospect of a mercury boom with unbridled enthusiasm, seeing it as a potential solution to their economic woes amid the Great Depression.

In The Metal of a Thousand Uses: Mercury Mining in Arkansas, 1930–1946, Terry S. Reynolds charts the dramatic rise and fall of the state’s mercury mining district, from the euphoria of discovery to the logistical and financial challenges of industrialization. Drawing on deep archival research, Reynolds explores the experiences of the miners and managers whose fates became bound to the companies that sought to commercialize mercury refining in the Ouachita Mountains. The result is a vivid account of a little-known chapter in American mineral-resource history.

Metafisica della Conoscenza e Politica in S. Tommaso d’Aquino was originally published in Bologna in 1985 by the Centro Studi Europa Orientale. This English translation has been prepared with the explicit permission and encouragement of Buttiglione. The work grew from a series of lectures Buttiglione gave on the relationship between metaphysics, knowledge, and politics based on a critical reading of Thomas Aquinas’s Commentary on Aristotle’s Politics and other relevant texts. His aim was to advance Thomistic thinking by incorporating the insights of modern philosophy on subjectivity and relationality. 

In addition to its primary audience of philosophers, theologians, and political theorists, the book surprisingly enjoyed a wide general readership in Italy at the time of its publication. It represented an exciting attempt to harmonize medieval philosophy and the insights of personalism that had already had a deep impact on European intellectual life. Buttiglione was able to describe this attempt in a way accessible to a general readership, and in a way that confronted the political challenges Italy had been confronting for the last forty years.

Now, thirty-five years after the book’s initial publication, the conclusions Buttiglione draws from reading Thomas Aquinas’s commentary on Aristotle’s Politics––and the connections he makes between philosophy, theology, and political theory––are more relevant than ever. He argues that the traditional definition of “person” as rationalis naturae individua substantia––an individual substance or substrate (hypokeimenon) of a rational nature––“lacks that certain element that makes Augustine’s approach to personhood so appealing.” Hence Aquinas’s definition “is left wanting since it fails to elaborate on the crucial aspect of interpersonal relationship.”

The ingenuous way in which Buttiglione enlivens Thomistic political thinking with personalist philosophy helps to explain not only why free societies are more stable, tolerant, and respectful of human rights than totalitarian states, but theocratic ones as well. Only by raising the interpersonal aspects of political society to an ontological level—indeed, only by affirming and esteeming the self-transcendence of the human person as evidenced through ontological analysis—do the personal relationships that root and enliven the human person also lead to a realistic, dynamic, and convincing vision of the person’s real existence. 

Buttiglione was startlingly prescient of the problems we confront at the beginning of the third millennium. This book will spark new discussions as it explains the importance of both the medieval tradition and twentieth-century personalism. The book also draws on a wide range of secondary sources unavailable to English readers that I and will have the unique ability to introduce readers to the “Italian” way of relating speculative and political philosophy in a relatively slim volume. 

Where sound speaks louder than meaning—Stevens’s poetry as a metaphysical echo.

Wallace Stevens dedicated his poetry to challenging traditional notions about reality, truth, knowledge, and the role of language as a means of representation. Rosu demonstrates that Stevens's experimentation with sound is not only essential to his poetics but also profoundly linked to the pragmatist ideas that informed his way of thinking about language. Her readings of Stevens's poems focus on revealing the dynamic through which meaning emerges in language patterns—a dynamic she calls "images of sound."

Rosu argues that the formal aspects of poetry are deeply ingrained in cultural realities and are, in fact, generated by their context. The sound pattern pervading Stevens's poems at once addresses and violates the reader's assumptions about the functioning of language and, along with them, ideas about reality, knowledge, and subjectivity. Sound is thus the starting point of an argument concerned with Stevens's epistemology and poetics—the way his poems insist on a movement past or through a normal poetic representation of the world to gesture toward a reality that lies outside or beyond systems of representation.

The relationship between sound and meaning isolated and analyzed in The Metaphysics of Sound in Wallace Stevens is firmly situated among critical debates concerning the poet's aesthetic and philosophical convictions. Rosu claims that Stevens's poetry is not ultimately about the powerlessness of language, nor is it a deconstructive enterprise of destabilizing culturally consecrated truths; rather it achieves meaning most frequently through patterns of sound. Sound helps Stevens make a deeply philosophical point in a language unavailable to philosophers.