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Over one hundred and fifty years after it began, the Civil War still fascinates us—the vast armies marching to war, iconic leaders like Abraham Lincoln and Robert E. Lee, the drama of a nation divided. But the Civil War was also about individuals, the hundreds of thousands of ordinary men and boys who fought and died on either side and the families and friends left at home.

This Wicked Rebellion: Wisconsin Civil War Soldiers Write Home tells this other side of the story. Drawing from over 11,000 letters in the Wisconsin Historical Society’s Civil War collection, it gives a unique and intimate glimpse of the men and women who took part in the War for the Union. Follow Wisconsin soldiers as they sign up or get drafted, endure drill and picket duty, and get their first experiences of battle. Join them as they fight desperation and fear, encounter the brutality of slavery, and struggle with the reasons for war.

From impressions of army life and the South to the hardships of disease and battle, these letters tell the story of the war through the eyes and pens of those who fought in it. This Wicked Rebellion brings to life the heroism and heartache, mayhem and misery of the Civil War, and the powerful role Wisconsin played in it.

Thomas F. Walsh tells the story of one of the West's wealthiest mining magnates - an Irish American prospector and lifelong philanthropist who struck it rich in Ouray County, Colorado.

In the first complete biography of Thomas Walsh, John Stewart recounts the tycoon's life from his birth in 1850 and his beginnings as a millwright and carpenter in Ireland to his tenacious, often fruitless mining work in the Black Hills and Colorado, which finally led to his discovery of an extremely rich vein of gold ore in the Imogene Basin. Walsh's Camp Bird Mine yielded more than $20 million worth of gold and other minerals in twenty years, and the mine's 1902 sale to British investors made Walsh very wealthy.

He achieved national prominence, living with his family in mansions in Colorado and Washington, D.C., and maintaining a rapport with Presidents McKinley, Theodore Roosevelt, and Taft, as well as King Leopold II of Belgium.

Despite his fame and lavish lifestyle, Walsh is remembered as an unassuming and philanthropic man who treated his employees well. In addition to making many anonymous donations, he established the Walsh Library in Ouray and a library near his Irish birthplace, and helped establish a research fund for the study of radium and other rare western minerals at the Colorado School of Mines. Walsh gave his employees at the Camp Bird Mine top pay and lodged them in an alpine boardinghouse featuring porcelain basins, electric lighting, and excellent food.

Stewart's engaging account explores the exceptional path of this Colorado mogul in detail, bringing Walsh and his time to life.

Thomas H. Begay was one of the young Navajo men who, during World War II, invented and used a secret, unbreakable communications code based on their native Diné language to help win the war in the Pacific. Although the book includes anecdotes from other code talkers, its central narrative revolves around Begay. It tells his story, from his birth near the Navajo reservation, his childhood spent herding sheep, his adolescence in federally mandated boarding schools, and ultimately, his decision to enlist in the US Marine Corps. Alysa Landry relies heavily on interviews with Begay, who, as of this writing, is in his late nineties and one of only three surviving code talkers. Begay’s own voice and sense of humor make this book particularly significant in that it is the only Code Talker biography for young readers told from a soldier’s perspective. Begay was involved with the book every step of the way, granting Landry unlimited access to his military documents, personal photos, and oral history. Additionally, Begay’s family contributed by reading and fact-checking the manuscript. This truly is a unique collaborative project.

Thomas Hauser is best known as Muhammad Ali's biographer and for his recording of the contemporary boxing scene. Booklist called Hauser "the most respected boxing journalist working today and perhaps the best ever." Robert Lipsyte said Hauser is "the best boxing writer of our time." Still, Hauser's love of sports began not with boxing but with baseball. Long before he turned to the sweet science, America's national pastime had captured his heart. His childhood allegiance was to the New York Yankees. Growing up in the suburbs of New York, he cheered for the Giants in football and Knicks in basketball. In college, the often-hapless Columbia Lions became his cause. Thomas Hauser on Sports brings together Hauser's articles on sports other than boxing. It combines personal memories with issue-oriented commentary and an intimate look at some of the most remarkable athletes of modern times. Hauser has dealt one-on-one with Ted Williams, Mickey Mantle, Arnold Palmer, Pete Rose, Arthur Ashe, Wilt Chamberlain, and other giants of sports. He has crossed swords with the likes of Marvin Miller and Howard Cosell. Thomas Hauser on Sports is a remarkable journey that begins in the days of Hauser's youth and follows the games we play into the era of steroids and multi-billion-dollar television contracts.

Often featuring lighthouses, bridges, or quaint country homes, Thomas Kinkade’s soft-focus landscapes have permeated American visual culture during the past twenty years, appearing on everything from Bibles to bedsheets to credit cards. Kinkade sells his work through his shopping-mall galleries, QVC, the Internet, and Christian stores. He is quite possibly the most collected artist in the United States. While many art-world and academic critics have dismissed him as a passing fad or marketing phenomenon, the contributors to this collection do not. Instead, they explore his work and its impact on contemporary art as part of the broader history of American visual culture. They consider Kinkade’s imagery and career in relation to nineteenth-century Currier and Ives prints and Andres Serrano’s Piss Christ, the collectibles market and the fine-art market, the Thomas Kinkade Museum and Cultural Center, and “The Village at Hiddenbrooke,” a California housing development inspired by Kinkade’s paintings. The conceptual artist Jeffrey Vallance, the curator of the first major museum exhibition of Kinkade’s art and collectibles, recounts his experiences organizing that show. All of the contributors draw on art history, visual culture, and cultural studies as they seek to understand Kinkade’s significance for both art and audiences. Along the way, they delve into questions about beauty, class, kitsch, religion, and taste in contemporary art.

Contributors. Julia Alderson, Alexis L. Boylan , Anna Brzyski, Seth Feman, Monica Kjellman-Chapin, Micki McElya, Karal Ann Marling, David Morgan, Christopher Pearson, Andrea Wolk Rager, Jeffrey Vallance

Thomas Merton (1915-1968) was a Roman Catholic priest, a Trappist monk, a social activist, and a poet. Author of the celebrated autobiography The Seven Storey Mountain, Merton has been described as the most important American religious writer of the past hundred years. One of the notable characteristics of Merton's writing, both in poetry and in prose, was his seamless intermingling of religious and Romantic elements, an intermingling that, because of his gifts as a writer and because of his enormous influence, has had the effect of making widespread a distinctive form of religious thought and expression. In Thomas Merton and the Inclusive Imagination, Ross Labrie reveals the breadth of Merton's intellectual reach by taking an original and systematic look at Merton's thought, which is generally regarded as eclectic and unsystematic.

What captured Merton's attention about Romanticism and mysticism and what held his attention virtually all his life was his consciousness of the ontological significance of unity and wholeness. Even though he was far from being a systematic thinker, Merton's writings form a coherent whole when considered from the point of view of his emphasis on unity and wholeness. Labrie skillfully examines Merton's letters, journals, and individual works to show the full expanse of his contribution. By using insights from the Romantic literary tradition and from the mystical tradition, the author is able to make sense of Merton's writings from all periods of his life. Although Labrie covers such sweeping topics as consciousness, self, being, nature, time, myth, culture, and individuation, remaining focused on Merton's specific, unique contributions in each area.

This thought-provoking work, which takes into account material from the recent full publication of Merton's journals and from his Columbia University notebooks on Romanticism, not only shows Merton's intellectual growth but provides a look at his expansive interests as well. Thomas Merton and the Inclusive Imagination will make a significant contribution to Merton studies.

An anthology of Thomas Wolfe’s short stories, novel excerpts, and plays illuminating the Civil War

This collection of Thomas Wolfe’s writings demonstrates the centrality of the Civil War to Wolfe’s literary concerns and identity. From Look Homeward, Angel to The Hill Beyond and The Web and the Rock, Wolfe perpetually returned to the themes of loss, dissolution, sorrow, and romance engendered in the minds of many southerners by the Civil War and its lingering aftermath. His characters reflect time and again on Civil War heroes and dwell on ghostlike memories handed down by their mothers, fathers, and grandfathers. Wolfe and his protagonists compare their contemporary southern landscape to visions they have conjured of its appearance before and during the war, thereby merging the past with the present in an intense way. Ultimately, Wolfe’s prose style—incantatory and rhapsodic—is designed to evoke the national tragedy on an emotional level.

Selections of Wolfe’s writings in this collection include short stories ("Chickamauga," "Four Lost Men," "The Plumed Knight"), excerpts from his novels (O Lost, the restored version of Look Homeward, Angel, The Hills Beyond, and Of Time and the River) and a play, Mannerhouse, edited and introduced by David Madden. Madden, who makes the provocative claim that everything a southern writer writes derives from the Civil War experience, also highlights many issues essential to understanding Wolfe’s absorption with the Civil War.
 

More than any other Transcendentalist of his time, Henry David Thoreau (1817–1862) embodied the full complement of the movement’s ideals and vocations: author, advocate for self-reform, stern critic of society, abolitionist, philosopher, and naturalist. The Thoreau of our time—valorized anarchist, founding environmentalist, and fervid advocate of civil disobedience—did not exist in the nineteenth century. In this rich and appealing collection, Sandra Harbert Petrulionis untangles Thoreau’s multiple identities by offering a wide range of nineteenth-century commentary as the opinions of those who knew him evolved over time.

The forty-nine recollections gathered in Thoreau in His Own Time demonstrate that it was those who knew him personally, rather than his contemporary literati, who most prized Thoreau’s message, but even those who disparaged him respected his unabashed example of an unconventional life. Included are comments by Ralph Waldo Emerson—friend, mentor, Walden landlord, and progenitor of the spin on Thoreau’s posthumous reputation; Nathaniel Hawthorne, who could not compliment Thoreau without simultaneously denigrating him; and John Weiss, whose extended commentary on Thoreau’s spirituality reflects unusual tolerance. Selections from the correspondence of Caroline Healey Dall, Maria Thoreau, Sophia Hawthorne, Sarah Alden Bradford Ripley, and Amanda Mather amplify our understanding of the ways in which nineteenth-century women viewed Thoreau. An excerpt by John Burroughs, who alternately honored and condemned Thoreau, asserts his view that Thoreau was ever searching for the unattainable.

The dozens of primary sources in this crisply edited collection illustrate the complexity of Thoreau’s iconoclastic singularity in a way that no one biographer could. Each entry is introduced by a headnote that places the selection in historical and cultural context. Petrulionis’s comprehensive introduction and her detailed chronology of personal and literary events in Thoreau’s life provide a lively and informative gateway to the entries themselves. The collaborative biography that Petrulionis creates in Thoreau in His Own Time contextualizes the strikingly divergent views held by his contemporaries and highlights the reasons behind his profound legacy.

 Recent Thoreau studies have shifted to an emphasis on the green" Thoreau, on Thoreau the environmentalist, rooted firmly in particular places and interacting with particular objects. In the wake of Buell's Environmental Imagination, the nineteen essayists in this challenging volume address the central questions in Thoreau studies today: how “green,” how immersed in a sense of place, was Thoreau really, and how has this sense of place affected the tradition of nature writing in America?

Best known for his two-year sojourn at Walden Pond in Massachusetts, Henry David Thoreau is often considered a recluse who emerged from solitude only occasionally to take a stand on the issues of his day. In Thoreau’s Democratic Withdrawal, Shannon L. Mariotti explores Thoreau’s nature writings to offer a new way of understanding the unique politics of the so-called hermit of Walden Pond. Drawing imaginatively from the twentieth-century German social theorist Theodor W. Adorno, she shows how withdrawal from the public sphere can paradoxically be a valuable part of democratic politics.
    Separated by time, space, and context, Thoreau and Adorno share a common belief that critical inquiry is essential to democracy but threatened by modern society. While walking, huckleberrying, and picking wild apples, Thoreau tries to recover the capacities for independent perception and thought that are blunted by “Main Street,” conventional society, and the rapidly industrializing world that surrounded him. Adorno’s thoughts on particularity and the microscopic gaze he employs to work against the alienated experience of modernity help us better understand the value of Thoreau’s excursions into nature. Reading Thoreau with Adorno, we see how periodic withdrawals from public spaces are not necessarily apolitical or apathetic but can revitalize our capacity for the critical thought that truly defines democracy.
    In graceful, readable prose, Mariotti reintroduces us to a celebrated American thinker, offers new insights on Adorno, and highlights the striking common ground they share. Their provocative and challenging ideas, she shows, still hold lessons on how we can be responsible citizens in a society that often discourages original, critical analysis of public issues.

On the eve of Martin Luther King Jr.’s 1963 March on Washington, W. E. B. Du Bois died in exile in Ghana at the age of 95, more than a half century after cofounding the NAACP. Five years after his death, residents of Great Barrington, the small Massachusetts town where Du Bois was born in 1868, proposed recognizing his legacy through the creation of a memorial park on the site of his childhood home. Supported by the local newspaper and prominent national figures including Harry Belafonte and Sydney Poitier, the effort to honor Du Bois set off an acrimonious debate that bitterly divided the town. Led by the local chapter of the Veterans of Foreign Wars, opponents compared Du Bois to Hitler, vilifying him as an anti-American traitor for his communist sympathies, his critique of American race relations, and his pan-Africanist worldview.

In Those About Him Remained Silent, Amy Bass provides the first detailed account of the battle over Du Bois and his legacy, as well as a history of Du Bois’s early life in Massachusetts. Bass locates the roots of the hostility to memorialize Du Bois in a cold war worldview that reduced complicated politics to a vehement hatred of both communism and, more broadly, anti-Americanism. The town’s reaction was intensified, she argues, by the racism encoded within cold war patriotism.

Showing the potency of prevailing, often hidden, biases, Those About Him Remained Silent is an unexpected history of how racism, patriotism, and global politics played out in a New England community divided on how—or even if—to honor the memory of its greatest citizen.

When the rural poor prioritize issues such as the right to bear arms, and disapprove of welfare despite their economic concerns, they are often dismissed as uneducated and backward by academics and political analysts. In Those Who Work, Those Who Don't, Jennifer Sherman offers a much-needed sympathetic understanding of poor rural Americans, persuasively arguing that the growing cultural significance of moral values is a reasonable and inevitable response to economic collapse and political powerlessness.

Those Who Work, Those Who Don't is based on the intimate interviews and in-depth research Sherman conducted while spending a year living in "Golden Valley," a remote logging town in Northern California. Economically devastated by the 1990 ruling that listed the northern spotted owl as a threatened species, Golden Valley proved to be a rich case study for Sherman. She looks at how the members of the community coped with downward mobility caused by the loss of timber industry jobs and examines a wide range of reactions. She shows how substance abuse, domestic violence, and gender roles fluctuated under the town's economic strain.

Compellingly written, shot through with honesty and empathy, Those Who Work, Those Who Don't is a rare firsthand account that studies the rural poor. As incomes erode and the American dream becomes more and more inaccessible, Sherman reveals that moral values and practices become a way for the poor to gain status and maintain a sense of dignity in the face of economic ruin.

In the first book-length history of the Italian American syndicalist movement—the Italian Socialist Federation—Michael Miller Topp presents a new way of understanding the Progressive Era labor movement in relation to migration, transnationalism, gender, and class identity. Those without a Country demonstrates that characterizations of "old" (pre-1960s) social movements as predominantly class-based are vastly oversimplified—and contribute to current debates about the implications of identity politics for the American Left and American culture generally.

    

Topp traces the rise and fall of the Italian American syndicalist movement from the turn of the twentieth century to the executions of Sacco and Vanzetti in 1927. His use of Italian-language sources, combined with his attention to transnationalism and masculinity, provides new vantage points on a range of related topics, including the 1912 Lawrence, Massachusetts, textile workers’ strike, the impact of World War I on this immigrant community, and the genesis of both fascism and antifascism. Those without a Country brings forward fascinating new material to revise and refine our views of not only Progressive Era radicalism but immigration, gender, and working-class history as well.

Americans have been shocked by media reports of the dismal working conditions in factories that make clothing for U.S. companies. But while well intentioned, many of these reports about child labor and sweatshop practices rely on stereotypes of how Third World factories operate, ignoring the complex economic dynamics driving the global apparel industry.

To dispel these misunderstandings, Jane L. Collins visited two very different apparel firms and their factories in the United States and Mexico. Moving from corporate headquarters to factory floors, her study traces the diverse ties that link First and Third World workers and managers, producers and consumers. Collins examines how the transnational economics of the apparel industry allow firms to relocate or subcontract their work anywhere in the world, making it much harder for garment workers in the United States or any other country to demand fair pay and humane working conditions.

Putting a human face on globalization, Threads shows not only how international trade affects local communities but also how workers can organize in this new environment to more effectively demand better treatment from their distant corporate employers.

Child abuse, incest, child molestation, Halloween sadism, child pornography: although clearly not new problems, they have attracted more attention than ever before. Threatened Children asks why. Joel Best analyzes the rhetorical tools used by child advocates when making claims aimed at raising public anxiety and examines the media's role in transmitting reformers' claims and the public's response to the frightening statistics, compelling examples, and expanding definitions it confronts. Drawing on a wide range of sources, from criminal justice records to news stories, from urban legends to public opinion surveys, Best reveals how the cultural construction of social problems evolves.

A vital reminder of the importance of academic freedom, Threatening Anthropology offers a meticulously detailed account of how U.S. Cold War surveillance damaged the field of anthropology. David H. Price reveals how dozens of activist anthropologists were publicly and privately persecuted during the Red Scares of the 1940s and 1950s. He shows that it was not Communist Party membership or Marxist beliefs that attracted the most intense scrutiny from the fbi and congressional committees but rather social activism, particularly for racial justice. Demonstrating that the fbi’s focus on anthropologists lessened as activist work and Marxist analysis in the field tapered off, Price argues that the impact of McCarthyism on anthropology extended far beyond the lives of those who lost their jobs. Its messages of fear and censorship had a pervasive chilling effect on anthropological investigation. As critiques that might attract government attention were abandoned, scholarship was curtailed.

Price draws on extensive archival research including correspondence, oral histories, published sources, court hearings, and more than 30,000 pages of fbi and government memorandums released to him under the Freedom of Information Act. He describes government monitoring of activism and leftist thought on college campuses, the surveillance of specific anthropologists, and the disturbing failure of the academic community—including the American Anthropological Association—to challenge the witch hunts. Today the “war on terror” is invoked to license the government’s renewed monitoring of academic work, and it is increasingly difficult for researchers to access government documents, as Price reveals in the appendix describing his wrangling with Freedom of Information Act requests. A disquieting chronicle of censorship and its consequences in the past, Threatening Anthropology is an impassioned cautionary tale for the present.

O'Gorman discusses the individual and collective achievement of the recognized trinity of American architecture: Henry Hobson Richardson (1838-86), Louis Sullivan (1856-1924), and Frank Lloyd Wright (1867-1959). He traces the evolution of forms created during these architects' careers, emphasizing the interrelationships among them and focusing on the designs and executed buildings that demonstrate those interrelationships. O'Gorman also shows how each envisioned the building types demanded by the growth of nineteenth-century cities and suburbs—the downtown skyscraper and the single-family home.

[A] brilliant analysis . . . a major contribution to our understanding of the beginnings of modern American architecture."—David Hamilton Eddy, Times Higher Education Supplement.

 "Three Capitals is an in-depth study of Alabama's first three seats of government--St. Stephens, Huntsville, and Cahawba.... The University of Alabama Press has reprinted the book in a handsome new edition with a pertinent introduction by Malcolm C. McMillan. Brantley's study is a tribute to the accomplishments of an amateur historian and contains a wealth of useful information."

--Bulletin of the History of the Early American Republic

This book is a tribute to "an incomparable triumvirate." "One was a naturalist, one a historian, and one a chronicler, but each of them was each of these. The manly love between them, a handsome thing in times and places blighted by great ugliness and banality, shone from them into their friends and contemporaries, and they shared themselves freely with those younger than they who went to them wishing to learn from them." Most of this collection of writing by friends of Roy Bedichek, Walter Prescott Webb, and J. Frank Dobie originally appeared in special editions of the Texas Observer devoted to each of the three men. Some pieces were, however, written expressly for this volume.

This translation of an eyewitness account by a major participant offers valuable information about all three attempts to establish a French colony on the south Atlantic coast of North America.

Rene Laudonniere's account of the three attempts by France to colonize what is now the United States is uniquely valuable because
he played a major role in each of the ventures—first, in 1562, as second in command during the founding of the ill-fated Charlesport, then as commander for the establishment of Fort Caroline on Florida's St. Johns River in 1564, and finally as the one to welcome French reinforcements the following year. It was also Laudonniere's destiny to witness the tragic fall of Fort Caroline to Spanish claims one month later.

Laudonniere wrote his chronicle, L'histoire Notable de la Floride, in 1565 following the fall of Fort Caroline as he recuperated in England. Much more than an account of his feelings and adventures, Laudonniere's history reveals him to be an exceedingly able and accurate geographer with a highly developed interest in anthropology.

The first English translation was published by Richard Hakluyt in 1587. Charles E. Bennett's graceful and accurate rendering in modern English was first published in 1975 by the University Press of Florida. Besides the account, thoroughly annotated and with present-day names identifying sites visited by the Frenchman, this volume includes a valuable introductory essay. The appendices to the volume are four noteworthy documents, the last of which—a guide to plants of 16th-century Florida—will be of exceptional interest to naturalists, gardeners, and students of folklore. The account itself will fascinate professional historians and anthropologists as well as general readers interested in the exciting and often moving
events of early European settlement in the New World.

Rene Laudonniere was a French adventurer and explorer of the 16th century who wrote L'histoire Notable de la Floride. Charles E. Bennett is a historian and former Florida congressman. He was coauthor of the Moss-Bennett legislation and was instrumental in the establishment of the Fort Caroline National Memorial and the Timucuan Ecological and Historical Preserve. Jerald T. Milanich is Curator in Archaeology at the Florida Museum of Natural History.

How do our schools take bright, active, ordinary children, who happen to be poor and black, and turn them into ill-educated and violent delinquents? Lois Stalvey’s book will show you how it is done. In 1962, the Stalveys, a middle-class white family, moved from Omaha to an integrated urban neighborhood in Philadelphia, where the three children enrolled in public schools. For twelve years, Lois Stalvey watched her children and their predominantly African American classmates as both a parent and a volunteer teacher. What she saw was shocking. When her own children misbehaved or had learning problems, they were granted patience and understanding. In contrast, African American children were treated, by both black and white teachers, as naughty, dangerous, obstinate, or stupid. Though more than twenty years have passed since the first publication of this book, the tragedy is that the message Lois Stalvey shares with her readers can only be more important today. “Why bother moving children’s bodies around to achieve integrated education,” she asks, “if, like the children in our school, they cannot escape teachers with segregating eyes?”

"A significant contribution to our understanding of minor parties and party system change. The authors develop a new theory and provide strong empirical evidence in support of it. They show that the Perot's candidacy has had a strong and lasting impact on partisan competition in elections.
---Paul Herrnson, Director, Center for American Politics and Citizenship Professor, Department of Government and Politics, University of Maryland

"Powerfully persuasive in its exhaustive research, Three's a Crowd may surprise many by revealing the long- ignored but pivotal impact of Perot voters on every national election since 1992."
---Clay Mulford, Jones Day and General Counsel to the 1992 Perot Presidential Campaign and to the Reform Party.

"Rapaport and Stone have written an engaging and important book. They bring fresh perspectives, interesting data, and much good sense to this project. Three's a Crowd is fundamentally about political change, which will, in turn, change how scholars and pundits think of Ross Perot in particular, and third parties in general."
---John G. Geer, Professor of Political Science at Vanderbilt University and Editor of The Journal of Politics

"The definitive analysis of the Perot movement, its role in the 1994 GOP victory, and the emergence of an enduring governing majority."
---L. Sandy Maisel, Director, Goldfarb Center for Public Affairs, Colby College

Three's a Crowd begins with the simple insight that third parties are creatures of the American two-party system, and derive their support from the failures of the Democratic and Republican parties.

While third parties flash briefly in the gaps left by those failures, they nevertheless follow a familiar pattern: a sensation in one election, a disappointment in the next. Rapoport and Stone conclude that this steep arc results from one or both major parties successfully absorbing the third party's constituency. In the first election, the third party raises new issues and defines new constituencies; in the second, the major parties move in on the new territory. But in appropriating the third party's constituents, the major parties open themselves up to change. This is what the authors call the "dynamic of third parties."

The Perot campaign exemplified this effect in 1992 and 1996. Political observers of contemporary electoral politics missed the significance of Perot's independent campaign for the presidency in 1992. Rapoport and Stone, who had unfettered-and unparalleled-access to the Perot political machine, show how his run perfectly embodies the third-party dynamic. Yet until now no one has considered the aftermath of the Perot movement through that lens.

For anyone who seeks to understand the workings of our stubbornly two-party structure, this eagerly awaited and definitive analysis will shed new light on the role of third parties in the American political system.

How can the world's most powerful nations cooperate despite their conflicting interests? In Three-Way Street, Joshua S. Goldstein and John R. Freeman analyze the complex intersection defined by relations among the United States, the Soviet Union, and China over the past forty years.

The authors demonstrate that three major schools of international relations theory—all game-theoretic, psychological, and quantitative-empirical approaches—have all advocated a strategy that employs cooperative initiatives and reciprocal responses in order to elicit cooperation from other countries. Critics have questioned whether such approaches can model how countries actually behave, but Goldstein and Freeman provide a wealth of detailed empirical evidence showing the existence and effectiveness of strategic reciprocity among the three countries between 1948 and 1989. Specifically, they establish that relations among the three countries have improved in recent decades through a "two steps forward, one step back" pattern. Their innovative and remarkably accessible synthesis of leading theoretical perspectives brilliantly illuminates the nature and workings of international cooperation.

In today's consumer-driven society, extolling the virtues of thrift might seem like a quaint relic of a bygone era. Americans have embraced the ideas of easy credit, instant gratification, and spending as a tool to combat everything from recessions to the effects of natural disasters and terrorist attacks. In David Blankenhorn's new compendium, Thrift: A Cyclopedia, he reminds readers of a time when thrift was one of America's most cherished cultural values.

 

In 2001, the Smithsonian Institution presented the landmark photographic exhibition History Through Deaf Eyes, representing nearly 200 years of United States deaf history. Drawing heavily on the extensive archives at Gallaudet University, the curators created an exhibition that drew more than 400,000 people viewed at the Smithsonian and in 12 cities during a five-year national tour. Its popularity prompted the production of a documentary film for national broadcast on the Public Broadcasting System. Now, the photographs, quotes, and stories from this remarkable exhibit and documentary have been assembled in a book of stunning beauty and poignant images, Through Deaf Eyes: A Photographic History of an American Community.

       Featuring more than 200 full-color photographs, Through Deaf Eyes depicts the story of Deaf America and also affords readers the opportunity to learn about the nation’s broader history. The values and judgments of society have had an impact on the education, employment, and family life of deaf people, while historical eras often can be illuminated by examination through a Deaf lens. Photographs reveal the character of Deaf people in school settings, the workplace, during wartime, and using their cultural signature, American Sign Language. For both deaf and hearing readers, the Deaf community portrayed in Through Deaf Eyes offers a unique and fascinating perspective on the value of human difference.

How have African American men interpreted and what meaning have they given to social conditions that position them as the primary perpetrators of violence? How has this shaped the ways they see themselves and engaged the world? Through Our Eyes provides a view of black men’s experiences that challenges scholars, policy makers, practitioners, advocates, and students to grapple with the reality of race, gender, and violence in America.This multi-level analysis explores the chronological life histories of eight black men from the aftermath of World War II through the Cold War and into today. Gail Garfield identifies the locations, impact, and implications of the physical, personal, and social violence that enters the lives of African American men. She addresses questions critical to understanding how race, gender, and violence are insinuated into black men’s everyday lives and how experiences are constructed, reconstructed, and interpreted. By appreciating the significance of how African American men live through what it means to be black and male in America, this book envisions the complicated dynamics that devalue their lives, those of their family, and society.

Based in the Boston area, F. Holland Day (1864–1933) was a central figure in artistic circles on both sides of the Atlantic. Publisher of Oscar Wilde and Stephen Crane, mentor to a young Kahlil Gibran, adviser and friend to photographers Alvin Langdon Coburn and Edward Steichen, Day lived a life devoted to art and beauty. At the turn of the twentieth century, his reputation rivaled that of Alfred Stieglitz. A pioneer in the field of pictorial photography, Day was also an influential book publisher in the Arts and Crafts tradition. He cofounded the publishing company of Copeland and Day, which issued more than a hundred titles between 1893 and 1899. In addition, he embraced a unique sense of social responsibility and a commitment to historic preservation. Colorful and sometimes eccentric, Day was best known for his stunningly original, brilliantly executed, and sometimes controversial photographic images of blacks, children, and allegorical subjects. His determination to promote photography as a fine art led him to create photographic representations of the crucifixion of Christ, studies for which he was his own model. Although he continued to mentor young artists until his death, ill health caused Day to spend the last fourteen years of his life inside his home in Norwood, Massachusetts. By the time he died in 1933, he was virtually unknown, but in recent years there has been a resurgence of interest in his art. Responding to this renewed interest, Patricia Fanning has written an impressive biography—one that draws on previously unavailable archival material and is attuned to the historical and cultural contexts in which Day lived and worked. The book is illustrated with more than a hundred photographs, including 32 duotone illustrations of the artist's work.

Now that it has become so commonplace, we rarely blink an eye at camera footage framed by the crosshairs of a sniper’s gun or from the perspective of a descending smart bomb. But how did this weaponized gaze become the norm for depicting war, and how has it influenced public perceptions?
 
Through the Crosshairs traces the genealogy of this weapon’s-eye view across a wide range of genres, including news reports, military public relations images, action movies, video games, and social media posts. As he tracks how gun-camera footage has spilled from the battlefield onto the screens of everyday civilian life, Roger Stahl exposes how this raw video is carefully curated and edited to promote identification with military weaponry, rather than with the targeted victims. He reveals how the weaponized gaze is not only a powerful propagandistic frame, but also a prime site of struggle over the representation of state violence.  

One of twelve children in a close-knit, affluent Catholic Belgian family, Jan Vansina began life in a seemingly sheltered environment. But that cocoon was soon pierced by the escalating tensions and violence that gripped Europe in the 1930s and 1940s. In this book Vansina recalls his boyhood and youth in Antwerp, Bruges, and the Flemish countryside as the country was rocked by waves of economic depression, fascism, competing nationalisms, and the occupation of first Axis and then Allied forces.
            Within the vast literature on World War II, a much smaller body of work treats the everyday experiences of civilians, particularly in smaller countries drawn into the conflict. Recalling the war in Belgium from a child’s-eye perspective, Vansina describes pangs of hunger so great as to make him crave the bitter taste of cod-liver oil. He vividly remembers the shock of seeing severely wounded men on the grounds of a field hospital, the dangers of crossing fields and swimming in ponds strafed by planes, and his family’s interactions with occupying and escaping soldiers from both sides. After the war he recalls emerging numb from the cinema where he first saw the footage of the Nazi death camps, and he describes a new phase of unrest marked by looting, vigilante justice, and the country’s efforts at reunification.
            Vansina, a historian and anthropologist best known for his insights into oral tradition and social memory, draws on his own memories and those of his siblings to reconstruct daily life in Belgium during a tumultuous era.

Best Special Interest Books, selected by the American Association of School Librarians

Best Books for General Audiences, selected by the Public Library Reviewers

Professor Jay Ladin made headlines around the world when, after years of teaching literature at Yeshiva University, he returned to the Orthodox Jewish campus as a woman—Joy Ladin. In Through the Door of Life, Joy Ladin takes readers inside her transition as she changed genders and, in the process, created a new self.
    With unsparing honesty and surprising humor, Ladin wrestles with both the practical problems of gender transition and the larger moral, spiritual, and philosophical questions that arise. Ladin recounts her struggle to reconcile the pain of her experience living as the “wrong” gender with the pain of her children in losing the father they love. We eavesdrop on her lifelong conversations with the God whom she sees both as the source of her agony and as her hope for transcending it. We look over her shoulder as she learns to walk and talk as a woman after forty-plus years of walking and talking as a man. We stare with her into the mirror as she asks herself how the new self she is creating will ever become real.
    Ladin’s poignant memoir takes us from the death of living as the man she knew she wasn’t, to the shattering of family and career that accompanied her transition, to the new self, relationships, and love she finds when she opens the door of life.


2012 Finalist for the National Jewish Book Award for Biography, Autobiography, or Memoir