28167 books match the query 'History' and 6372 start with t

cover of The Object of Labor: Commodification in Socialist Hungary

The Object of Labor

Commodification in Socialist Hungary

Martha Lampland

University of Chicago Press, 1995

Did socialist policies leave the economies of Eastern Europe unprepared for current privatization efforts? Under communist rule, were rural villages truly left untouched by capitalism? In this historical ethnography of rural Hungary, Martha Lampland argues not only that the transition to capitalism was well under way by the 1930s, but that socialist policies themselves played a crucial role in the development of capitalism by transforming conceptions of time, money, and labor.

Exploring the effects of social change thrust upon communities against their will, Lampland examines the history of agrarian labor in Hungary from World War I to the early 1980s. She shows that rural workers had long been subject to strict state policies similar to those imposed by collectivization. Since the values of privatization and individualism associated with capitalism characterized rural Hungarian life both prior to and throughout the socialist period, capitalist ideologies of work and morality survived unscathed in the private economic practices of rural society. Lampland also shows how labor practices under socialism prepared the workforce for capitalism. By drawing villagers into factories and collective farms, for example, the socialist state forced farmers to work within tightly controlled time limits and to calculate their efforts in monetary terms. Indeed, this control and commodification of rural labor under socialism was essential to the transformation to capitalism.
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cover of The Object of Performance: The American Avant-Garde since 1970

The Object of Performance

The American Avant-Garde since 1970

Henry M. Sayre

University of Chicago Press, 1989

Sayre defines for the first time the apparently diffuse avant-garde art of the past two decades in terms of its distinctly postmodern concerns. The range of arts discussed here encompasses contemporary dance, photography, oral poetics, performance art, and earthworks.

"Sayre has written one of the most intelligent, sensible, and readable accounts of the tenents of Postmodern artmaking published to date."—Jeff Abell, New Art Examiner

"No one can read The Object of Performance without gaining a far better idea than before of what has happened to art, and, in some measure, why. . . . I find this book consistently illuminating."—Arthur C. Danto
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cover of The Objectivist Nexus: Essays in Cultural Poetics

The Objectivist Nexus

Essays in Cultural Poetics

Peter Quartermain

University of Alabama Press, 1999

Outstanding poets and critics present cultural readings of the Objectivist poets, a group whose works have been largely unexamined.

"Objectivist" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, antimythological worldview, Objectivists have retained their outsider status. Despite such status, however, the formal, intellectual, ideological, and ethical concerns of the Objectivist nexus have increasingly influenced poetry and poetics in the United States.

Thus, argue editors Rachel Blau DuPlessis and Peter Quartermain, the time has come for an anthology that unites essential works on Objectivist practices and presents Objectivist writing as an enlargement of the possibilities of poetry rather than as a determinable and definable literary movement. The authors' collective aim is to bring attention to this group of poets and to exemplify and specify cultural readings for poetic texts--readings alert to the material world, politics, society, and history, and readings concerned with the production, dissemination, and reception of poetic texts.

The contributors consider Basil Bunting, Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, and Louis Zukofsky within both their historical milieu and our own. The essays insist on poetry as a mode of thought; analyze and evaluate Objectivist politics; focus on the ethical, spiritual, and religious issues raised by certain Objectivist affiliations with Judaism; and explore the dissemination of poetic texts and the vagaries of Objectivist reception. Running throughout the book are two related threads: Objectivist writing as generally a practice aware of its own historical and social contingency and Objectivist writing as a site of complexity, contestation, interrogation, and disagreement.

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cover of The Obligation Toward the Difficult Whole: Postmodernist Long Poems

The Obligation Toward the Difficult Whole

Postmodernist Long Poems

Brian McHale

University of Alabama Press, 2003

A smart, eclectic analysis of nine long poems written by postmodernist poets
 
Addressing subjects as wide-ranging as angelology, the court masque, pop art, caricature, the cult of the ruin, hip-hop, Spense’'s Irish policy, and the aesthetics of silence, Brian McHale pulls varied threads together to identify a repertoire of postmodernist elements characteristic of the long poems he examines.

As critic Jed Rasula explains, “McHale is wonderfully resourceful in changing the subject from chapter to chapter to fit the poems discussed, and while his approach adheres to the conventions of textual exegesis, the chapters really shine as orchestrations of issues. For instance, James Merrill’s The Changing Light at Sandover works unexpectedly well in raising the subject of found poetry and procedural composition; Melvin Tolso’'s Harlem Gallery and Edward Dorn's Gunslinger are effectively paired to demonstrate the period flavor of pastiche; Geoffrey Hill’s Mercian Hymns and Armand Schwerner’s The Tablets explode the modernist fixation with depth; John Ashbery’s work is given a nuanced reading as proto-theory; Letter to an Imaginary Friend by Thomas McGrath provides a lucid backdrop to raise the question of political efficacy in approaching language poet Bruce Andrews; and Susan Howe's The Europe of Trusts is explored for its intertextual tapestry.”

McHale shows how elements from these long poems overlap, interfere, pull in different directions, jar against, and even contradict each other; and he demonstrates how they also echo, amplify, and reinforce each other. They do not slot smoothly together like pieces in a jigsaw puzzle, but they do form (what else?) a difficult whole.
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cover of The Occupied Clinic: Militarism and Care in Kashmir

The Occupied Clinic

Militarism and Care in Kashmir

Saiba Varma

Duke University Press, 2020

In The Occupied Clinic, Saiba Varma explores the psychological, ontological, and political entanglements between medicine and violence in Indian-controlled Kashmir—the world's most densely militarized place. Into a long history of occupations, insurgencies, suppressions, natural disasters, and a crisis of public health infrastructure come interventions in human distress, especially those of doctors and humanitarians, who struggle against an epidemic: more than sixty percent of the civilian population suffers from depression, anxiety, PTSD, or acute stress. Drawing on encounters between medical providers and patients in an array of settings, Varma reveals how colonization is embodied and how overlapping state practices of care and violence create disorienting worlds for doctors and patients alike. Varma shows how occupation creates worlds of disrupted meaning in which clinical life is connected to political disorder, subverting biomedical neutrality, ethics, and processes of care in profound ways. By highlighting the imbrications between humanitarianism and militarism and between care and violence, Varma theorizes care not as a redemptive practice, but as a fraught sphere of action that is never quite what it seems.
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cover of The Ocean Is a Wilderness: Atlantic Piracy and the Limits of State Authority, 1688-1856

The Ocean Is a Wilderness

Atlantic Piracy and the Limits of State Authority, 1688-1856

Guy Chet

University of Massachusetts Press, 2014

Historians have long maintained that the rise of the British empire brought an end to the great age of piracy, turning the once violent Atlantic frontier into a locus of orderly commerce by 1730. In this book, Guy Chet reassesses that view by documenting the persistence of piracy, smuggling, and other forms of illegal trade throughout the eighteenth century despite ongoing governmental campaigns to stamp it out. The failure of the Royal Navy to police oceanic trade reflected the state's limited authority and legitimacy at port, in the courts, and in the hearts and minds of Anglo-American constituents.

Chet shows how the traditional focus on the growth of the modern state overlooked the extent to which old attitudes and cultural practices continued to hold sway. Even as the British government extended its naval, legal, and bureaucratic reach, in many parts of the Atlantic world illegal trade was not only tolerated but encouraged. In part this was because Britain's constabulary command of the region remained more tenuous than some have suggested, and in part because maritime insurance and wartime tax policies ensured that piracy and smuggling remained profitable. When Atlantic piracy eventually waned in the early nineteenth century, it had more to do with a reduction in its profitability at port than with forceful confrontation at sea.

Challenging traditional accounts that chronicle forces of civilization taming a wild Atlantic frontier, this book is a valuable addition to a body of borderlands scholarship reevaluating the relationship between the emerging modern state and its imperial frontiers.
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cover of The Ocean Reader: History, Culture, Politics

The Ocean Reader

History, Culture, Politics

Eric Paul Roorda, editor

Duke University Press, 2020

From prehistoric times to the present, the Ocean has been used as a highway for trade, a source of food and resources, and a space for recreation and military conquest, as well as an inspiration for religion, culture, and the arts. The Ocean Reader charts humans' relationship to the Ocean, which has often been seen as a changeless space without a history. It collects familiar, forgotten, and previously unpublished texts from all corners of the world. Spanning antiquity to the present, the volume's selections cover myriad topics including the slave trade, explorers from China and the Middle East, shipwrecks and castaways, Caribbean and Somali pirates, battles and U-boats, narratives of the Ocean's origins, and the devastating effects of climate change. Containing gems of maritime writing ranging from myth, memoir, poetry, and scientific research to journalism, song lyrics, and scholarly writing, The Ocean Reader is the essential guide for all those wanting to understand the complex and long history of the Ocean that covers over 70 percent of the planet.
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cover of The Odyssey

The Odyssey

Homer, Translated by Rodney Merrill

University of Michigan Press, 2002

The Odyssey is considered to be one of the greatest pieces of world literature. Its basic story--the homecoming of Odysseus--is widely known. Although it has often been translated, earlier versions do not give the reader the full sense of its oral epic nature as a song that came into being through a long tradition of sung performances before writing was widely practiced. When finally written down, it retained its oral-formulaic nature in ways that are clearly discernible, and which this translation successfully captures. Rodney Merrill strictly adheres to the use of dactylic hexameter, the meter by which the formulaic language of Homeric poetry is rendered as musical phrasing rather than as a simple repetition of ideas. Reading this version--especially aloud--will grant both students and teachers fresh insight into the nature of Greek epic and Homer's song about one of the most famous characters of all time.
This epic began life as the music composed by a "singer of tales," not as words on a page. As such, its meter allows for pleasing variations with a strong basic "beat," thus providing a rhythmic impetus that carries the story swiftly forward. The resulting "music" has important repercussions for the reader's perception of the many repeated elements that provide structure for the poem and bring out significant themes, just as the repetitions in a piece of music do.
This edition of the Odyssey includes selections for further reading, a list of proper names (with a guide to pronunciation), and three maps. It also provides introductory discussions of how the work came into being and was transmitted until it became the work we read, how it is divided into six "performance sessions" of four books each, and how the poem's various themes are developed. Rodney Merrill's Odyssey is thus an ideal edition for students, teachers, and general readers.
The audiobook is available on twelve cassettes, and is read by Rodney Merrill. This version will bring Homer's epic masterpiece to life like never before. Perfect for the car or classroom!
Rodney Merrill is retired and an independent scholar. He has taught at Stanford University, the University of San Francisco, and the University of California, Berkeley.
Thomas R. Walsh, Senior Professor at Occidental College, has written articles on Homeric poetics, with a forthcoming book on anger in Homer.
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cover of The Odyssey of Ibn Battuta: Uncommon Tales of a Medieval Adventurer

The Odyssey of Ibn Battuta

Uncommon Tales of a Medieval Adventurer

David Waines

University of Chicago Press, 2010

Ibn Battuta was, without doubt, one of the world’s truly great travelers. Born in fourteenth-century Morocco, and a contemporary of Marco Polo, Ibn Battuta left an account in his own words of his remarkable journeys, punctuated by adventure and peril, throughout the Islamic world and beyond. Whether sojourning in Delhi and the Maldives, wandering through the mazy streets of Cairo and Damascus, or contesting with pirates and shipwreck, the indefatigable Ibn Battuta brought to vivid life a medieval world brimming with marvel and mystery. Carefully observing the great diversity of civilizations that he encountered, Ibn Battuta exhibited an omnivorous interest in such matters as food and drink; religious differences among Christians, Hindus, and Shia Muslims; and ideas about purity and impurity, disease, women, and sex.

David Waines offers here a graceful analysis of Ibn Battuta’s travelogue. This is a gripping treatment of the life and times of one of history’s most daring, and at the same time most human, adventurers.

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cover of The Odyssey of a Syriac Christian: A Life of Faith Between East and West

The Odyssey of a Syriac Christian

A Life of Faith Between East and West

Rev. Emmanuel Pataq Siman

Catholic University of America Press, 2026

The author, Emmanuel Pataq Siman, OP, was born on Christmas Day in the Syriac Christian town of Qaraqosh, Iraq. In this book he shares memories of his childhood, of growing up Christian in a Muslim (though secular) Arab society, and of his decision to enter the Dominican order. He shares with the reader the culture shock that attended that decision, his subsequent move to the Convent of Saint Jacques in Paris and, as someone who has experienced life as a member of a religious minority, his admiration for French secularism, or laïcité. He then narrates the history of the Syriac Church, beginning with its roots in ancient Mesopotamia and its close relationship with the Jewish Christian communities of the first century. He observers that the Syriac Church was never politically "established," and therefore was not exposed to imperial amendments in its formative years. And yet, though deprived of state support, the Syriac Church mounted a highly successful missionary effort throughout Central Asia and exercised a decisive influence over the early development of Islam. Siman's book concludes with a first-person, confessionally engaged presentation of the Pentecostal theology that is specific to the Syriac tradition. The result is a book that is eminently readable, yet scholarly, informative, and occasionally provocative. The original French version of the book was awarded the Prix littéraire de l’œuvre d’Orient, which was bestowed on the author beneath the vaults of Notre Dame Cathedral.
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cover of The Offense of Love: Ars Amatoria, Remedia Amoris, and Tristia 2

The Offense of Love

Ars Amatoria, Remedia Amoris, and Tristia 2

Ovid, A verse translation by Julia D. Hejduk, with introduction and notes

University of Wisconsin Press, 2014

Ovid's Art of Love (Ars Amatoria) and its sequel Remedies for Love (Remedia Amoris) are among the most notorious poems of the ancient world. In AD 8, the emperor Augustus exiled Ovid to the shores of the Black Sea for "a poem and a mistake." Whatever the mistake may have been, the poem was certainly the Ars Amatoria, which the emperor found a bit too immoral.
            In exile, Ovid composed Sad Things (Tristia), which included a defense of his life and work as brilliant and cheeky as his controversial love manuals. In a poem addressed to Augustus (Tristia 2), he argues, "Since all of life and literature is one long, steamy sex story, why single poor Ovid out?" While seemingly groveling at the emperor's feet, he creates an image of Augustus as capricious tyrant and himself as suffering artist that wins over every reader (except the one to whom it was addressed).
            Bringing together translations of the Ars Amatoria, Remedia Amoris, and Tristia 2, Julia Dyson Hejduk's The Offense of Love is the first book to include both the offense and the defense of Ovid's amatory work in a single volume. Hejduk's elegant and accurate translations, helpful notes, and comprehensive introduction will guide readers through Ovid's wickedly witty poetic tour of the literature, mythology, topography, religion, politics, and (of course) sexuality of ancient Rome.

Finalist, National Translation Award, American Literary Translators Association 

A Choice Outstanding Academic Book
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cover of The Ohio State University in the Sixties: The Unraveling of the Old Order

The Ohio State University in the Sixties

The Unraveling of the Old Order

William J. Shkurti

The Ohio State University Press, 2016

At 5:30 p.m. on May 6, 1970, an embattled Ohio State University President Novice G. Fawcett took the unprecedented step of closing down the university. Despite the presence of more than 1,500 armed highway patrol officers, Ohio National Guardsmen, deputy sheriffs, and Columbus city police, university and state officials feared they could not maintain order in the face of growing student protests. Students, faculty, and staff were ordered to leave; administrative offices, classrooms, and laboratories were closed. The campus was sealed off. Never in the first one hundred years of the university’s existence had such a drastic step been necessary.
 
Just a year earlier the campus seemed immune to such disruptions. President Nixon considered it safe enough to plan an address at commencement. Yet a year later the campus erupted into a spasm of violent protest exceeding even that of traditional hot spots like Berkeley and Wisconsin. How could conditions have changed so dramatically in just a few short months?
 
Using contemporary news stories, long overlooked archival materials, and first-person interviews, The Ohio State University in the Sixties explores how these tensions built up over years, why they converged when they did and how they forever changed the university.
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cover of The Ohio State University: An Illustrated History

The Ohio State University

An Illustrated History

Raimund E. Goerler

The Ohio State University Press, 2011

 Raimund E. Goerler, acclaimed archivist and historian, has written the definitive guidebook to the history of The Ohio State University, one of the world's largest universities and a prominent land-grant institution. Using a topical strategy—ranging widely through critical events in OSU's history, vignettes of prominent alumni, and stories of well known campus buildings, historic sites, presidents, student life, traditions, and athletics—The Ohio State University: An Illustrated History is the first one-volume history of the University to appear in more than fifty years.

 
Always entertaining and consistently informative, the book is lavishly illustrated with more than 300 rare photographs from the OSU Archives. The Ohio State University: An Illustrated History is a must-have for all who call themselves Buckeyes.
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cover of The Ojibwa of Western Canada 1780-1870

The Ojibwa of Western Canada 1780-1870

Laura Peers

University of Manitoba Press, 1994

Among the most dynamic Aboriginal peoples in western Canada today are the Ojibwa, who have played an especially vital role in the development of an Aboriginal political voice at both levels of government. Yet, they are relative newcomers to the region, occupying the parkland and prairies only since the end of the 18th century. This work traces the origins of the western Ojibwa, their adaptations to the West, and the ways in which they have coped with the many challenges they faced in the first century of their history in that region, between 1780 and 1870.

The western Ojibwa are descendants of Ojibwa who migrated from around the Great Lakes in the late 18th century. This was an era of dramatic change. Between 1780 and 1870, they survived waves of epidemic disease, the rise and decline of the fur trade, the depletion of game, the founding of non-Native settlement, the loss of tribal lands, and the government's assertion of political control over them. As a people who emerged, adapted, and survived in a climate of change, the western Ojibwa demonstrate both the effects of historic forces that acted upon Native peoples, and the spirit, determination, and adaptive strategies that the Native people have used to cope with those forces. This study examines the emergence of the western Ojibwa within this context, seeing both the cultural changes that they chose to make and the continuity within their culture as responses to historical pressures.

The Ojibwa of Western Canada differs from earlier works by focussing closely on the details of western Ojibwa history in the crucial century of their emergence. It is based on documents to which pioneering scholars did not have access, including fur traders' and missionaries' journals, letters, and reminiscences. Ethnographic and archaeological data, and the evidence of material culture and photographic and art images, are also examined in this well-researched and clearly written history.
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cover of The Old American: A Novel

The Old American

A Novel

Ernest Hebert

Dartmouth College Press, 2001

In 1746, Nathan Blake, the first frame house builder in Keene, New Hampshire, was abducted by Algonkians and held in Canada as a slave. Inspired by this dramatic slice of history, novelist Ernest Hebert has written a masterful new novel recreating those years of captivity. Set in New England and Canada during the French and Indian Wars, The Old American is driven by its complex, vividly imagined title character, Caucus-Meteor. By turns shrewd and embittered, ambitious and despairing, inspired and tormented, he is the self-styled "king" of the remnants of the first native tribes that encountered the English. Displaced and ravaged by disease, these refugees have been forced to bargain for land in Canada on which to live. Having hired himself out as interpreter to a raiding party of French and Iroquois, Caucus-Meteor returns from New Hampshire the unexpected possessor of a captive, Nathan Blake. He decides to bring the Englishman to his own village rather than sell him to the French. Ambivalent about his former life, Blake gradually fits into the routine of Conissadawaga. Meanwhile, Caucus-Meteor struggles to protect his people from the rapacious French governor. Constantly plotting and maneuvering, burdened by responsibility, the Old American exhibits cunning and courage. A gifted linguist who was forbidden to learn to read or write; a former slave who is now a king; a native leader who has seen more of London and Paris than his English captive, who knows more of European politics than the French colonial administrators, Caucus-Meteor is a brilliant, cantankerous, visionary figure whom readers will long remember.
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cover of The Old Beloved Path: Daily Life amond the Indians of the Chattahooche River Valley

The Old Beloved Path

Daily Life amond the Indians of the Chattahooche River Valley

William W. Winn

University of Alabama Press, 2008

The Old Beloved Path examines the lifestyles of the native American peoples of the Chattahoochee region of southeast Alabama and southwest Georgia. Organized chronologically, the book describes the region’s cultures in the Early, Middle, and Late Prehistoric periods. Fascinating essays illuminate origin myths, clan structures, townships (or tulwa), spirituality, diseases and medicine, social customs, and sports and games. The Old Beloved Path also describes foodways—native plants gathered and cultivated for food and game animals. Also included is a rich discussion of material culture and natural materials native Americans collected for food, clothing, shelter, and tools. 
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cover of The Old Country and the New: Essays on Swedes and America

The Old Country and the New

Essays on Swedes and America

H. Arnold Barton

Southern Illinois University Press, 2006

Documenting a rich Scandinavian American culture and ethnic perspective

This notable collection of seventeen essays and six editorials by renowned Swedish American historian H. Arnold Barton was compiled from writings published between 1974 and 2005. The result of three decades of extensive research in the United States and Sweden, The Old Country and the New: Essays on Swedes and America, covers Swedish emigration to North America as well as the history and culture of Swedes in their new country.

In this rich mosaic of American ethnicity and cultural history, Barton analyzes the multifaceted Swedish emigration/immigration story. Essays include a survey of the historiography of emigration from the Scandinavian countries and the Scandinavian immigration to North America, Swedish emigration before 1846, and the Eric-Janssonist religious sect and its colony at Bishop Hill, Illinois.

Because Swedish immigrants were highly literate people, they wrote numerous letters describing their experiences to relatives and friends at home. What these letters related—or omitted—is the subject of another essay. Barton discusses Swedish immigrants who returned permanently to their homeland, affecting both the old country and the new. He also traces relations between the United States and Sweden, post—World War II Swedish immigration, and genealogy as history.

Offering a broad Scandinavian American ethnic perspective, The Old Country and the New appeals to both scholars and lay readers. Sixteen illustrations and a complete bibliography of Barton’s publications on Swedish American history and culture enhance the volume.

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cover of The Old English Poem Seasons for Fasting: A Critical Edition

The Old English Poem Seasons for Fasting

A Critical Edition

Mary P. Richards

West Virginia University Press, 2014

Seasons for Fasting, a late Old English poem probably composed in the early eleventh century, focuses on proper fasting observances in England. This poem, composed in eight-line stanzas, survives only in a sixteenth-century transcript made by the antiquary Laurence Nowell. With its topics, vocabulary, sources, and style derived from those of contemporary ecclesiastical prose, it belongs to a school of late tenth/early eleventh century poetry that only now is coming to be recognized and defined.

The Old English Poem Seasons for Fasting: A Critical Edition provides a new text and translation of the poem, accompanied by an extensive introduction, commentary, and glossary. The introduction includes analyses of the poem’s manuscript origins, sources, language, meter, style, and structure. The text is collated with all previous editions. The commentary elucidates points of grammar and style, and justifies all editorial decisions. The glossary covers every instance of each word in the poem.

Since its discovery among the papers of Laurence Nowell in 1934, the poem has had only four editions, two of the text with basic notes, and two in doctoral theses with more commentary and analysis. This new edition brings the latest resources on manuscript study, lexicon (through the Concordance and Dictionary of Old English A-G), poetics, and cultural milieu to bear on this fascinating poem. The apparatus, including the glossary, will allow fellow scholars to extend these findings through links to their own work.

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cover of The Old Federal Road in Alabama: An Illustrated Guide

The Old Federal Road in Alabama

An Illustrated Guide

Kathryn H. Braund, Gregory A. Waselkov, and Raven M. Christopher

University of Alabama Press, 2019

A concise illustrated guidebook for those wishing to explore and know more about the storied gateway that made possible Alabama's development. 

Forged through the territory of the Creek Nation by the United States federal government, the Federal Road was developed as a communication artery linking the east coast of the United States with Louisiana. Its creation amplified already tense relationships between the government, settlers, and the Creek Nation, culminating in the devastating Creek War of 1813–1814, and thereafter it became the primary avenue of immigration for thousands of Alabama settlers.

Central to understanding Alabama’s territorial and early statehood years, the Federal Road was both a physical and symbolic thoroughfare that cut a swath of shattering change through the land and cultures it traversed. The road revolutionized Alabama’s expansion, altering the course of its development by playing a significant role in sparking a cataclysmic war, facilitating unprecedented American immigration, and enabling an associated radical transformation of the land itself.

The first half of The Old Federal Road in Alabama: An Illustrated Guide offers a narrative history that includes brief accounts of the construction of the road, the experiences of historic travelers, and descriptions of major changes to the road over time. The authors vividly reconstruct the course of the road in detail and make use of a wealth of well-chosen illustrations. Along the way they give attention to the very terrain it traversed, bringing to life what traveling the road must have been like and illuminating its story in a way few others have ever attempted.

The second half of the volume is divided into three parts—Eastern, Central, and Southern—and serves as a modern traveler’s guide to the Federal Road. This section includes driving tours and maps, highlighting historical sites and surviving portions of the old road and how to visit them.

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cover of The Old Formalism: Character and Contemporary American Poetry

The Old Formalism

Character and Contemporary American Poetry

Jonathan Holden

University of Arkansas Press, 1999

Our appreciation of American poetry is as influenced by the personas presented in the poems as by public perception of the poets themselves. Emily Dickinson peeking from behind a doorway with large dark eyes is an indelible image superimposed over her spare, enigmatic poems. The grand gestures of Walt Whitman's voice have much to do with our reading of "Song of Myself." And we cannot hear "Mending Wall" or "Mowing" without thinking of the image of the rustic, sly farmer-poet that Robert Frost so carefully cultivated. The moral authority of the poet reveals itself through the poems as well, and it is crucial to the meaning of the poem, Holden argues, if art is to elevate life. Part 1 of The Old Formalism,"The Practice," is a close study of some of the conventions and developments in contemporary American poetry, with such topics as "sex and poetry" "rhetoricity," and "sensibility." Holden shows lucidly how character—or lack of it—is revealed in poetry. In "Personae," the second part, he gives a studied reading of a group of several admired poets, such as Richard Hugo, Mary Kinzie, Ted Kooser, and William Stafford. Holden uses biographical references and personal contacts with the poets to strengthen the notion of character revealed in poetry. This book takes a decided stand in the ongoing debate of the past two decades about the relationship of American poetry to American culture. In an age when image dominates word, and the business of poetry is nearly as celebrity-laden as Hollywood, Holden takes us past the media glitz, backstage where the poems are waiting to be read. Quite simply, in a clear, incisive manner, he teaches us how to read well again.
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cover of The Old German Baptist Brethren: Faith, Farming, and Change in the Virginia Blue Ridge

The Old German Baptist Brethren

Faith, Farming, and Change in the Virginia Blue Ridge

Charles D. Thompson Jr.

University of Illinois Press, 2006

Since arriving nearly 250 years ago in Franklin County, Virginia, German Baptists have maintained their faith and farms by relying on their tightly knit community for spiritual and economic support. Today, with their land and livelihoods threatened by the encroachment of neighboring communities, the construction of a new highway, and competition from corporate megafarms, the German Baptists find themselves forced to adjust.
 
Charles D. Thompson Jr.'s The Old German Baptist Brethren combines oral history with ethnography and archival research--as well as his own family ties to the Franklin County community--to tell the story of the Brethren's faith on the cusp of impending change. The book traces the transformation of their operations from frontier subsistence farms to cash-based enterprises, connecting this with the wider confluence of agriculture and faith in colonial America. Using extensive interviews, Thompson looks behind the scenes at how individuals interpret their own futures in farming, their hope for their faith, and how the failure of religiously motivated agriculture figures in the larger story of the American farmer.
 
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cover of The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940

The Old Guard and the Avant-Garde

Modernism in Chicago, 1910-1940

Edited by Sue Ann Prince

University of Chicago Press, 1990

"The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 brings together the history and the critical reaction to the new developments in art and design, places them in the context of conservative yet innovative Chicago at the turn of the century, and explores the tensions between tradition and innovation. The individual essays present the best in specialized current research, yet one can clearly understand the impact of modernism on the broader intellectual and cultural life of the city. I eagerly await as cohesive and thorough an analysis of the subject for New York."—David Sokol, University of Chicago

"This is fresh and fascinating research about the ups and downs of modernism in Chicago, a city where art students reportedly once hung Matisse in effigy. Regional studies like this one broaden our understanding of how the art world has worked outside of New York and gives depth to a story we know too narrowly. Applause all the way around."—Wanda M. Corn, Stanford University
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cover of The Old Regime and the Revolution, Volume I: The Complete Text

The Old Regime and the Revolution, Volume I

The Complete Text

Alexis de Tocqueville

University of Chicago Press, 1998

The Old Regime and the Revolution is Alexis de Tocqueville's great meditation on the origins and meanings of the French Revolution. One of the most profound and influential studies of this pivotal event, it remains a relevant and stimulating discussion of the problem of preserving individual and political freedom in the modern world. Alan Kahan's translation provides a faithful, readable rendering of Tocqueville's last masterpiece, and includes notes and variants which reveal Tocqueville's sources and include excerpts from his drafts and revisions. The introduction by France's most eminent scholars of Tocqueville and the French Revolution, Françoise Mélonio and the late François Furet, provides a brilliant analysis of the work.
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cover of The Old Regime and the Revolution, Volume II: Notes on the French Revolution and Napoleon

The Old Regime and the Revolution, Volume II

Notes on the French Revolution and Napoleon

Alexis de Tocqueville

University of Chicago Press, 2001

The continuation of Alexis de Tocqueville’s great meditation on the origins and meanings of the French Revolution.

With his monumental work The Old Regime and the Revolution, Alexis de Tocqueville (1805–59)—best known for his classic Democracy in America—envisioned a multivolume philosophical study of the origins of modern France that would examine the implications of French history on the nature and development of democratic society. Volume I, which covered the eighteenth-century background to the Revolution, was published to great acclaim in 1856. On the continuation of this project, he wrote: "When this Revolution has finished its work, [this volume] will show what that work really was, and what the new society which has come from that violent labor is, what the Revolution has taken away and what it has preserved from that old regime against which it was directed."

Tocqueville died in the midst of this work. Here in Volume II is all that he had completed, including the chapters he started for a work on Napoleon, notes and analyses he made in the course of researching and writing the first volume, and his notes on his preparation for his continuation. More than ever before, readers will be able to glean how Tocqueville's account of the Revolution would have come out, had he lived to finish it. This handsomely produced volume completes the set and is essential reading for anyone interested in the French Revolution or in Tocqueville’s thought.
[more]
cover of The Old South Frontier: Cotton Plantations and the Formation of Arkansas Society, 1819–1861

The Old South Frontier

Cotton Plantations and the Formation of Arkansas Society, 1819–1861

Donald P. Mcneilly

University of Arkansas Press, 2000

In this deeply researched and well-written study, Donald P. McNeilly examines how moderately wealthy planters and sons of planters immigrated into the virtually empty lands of Arkansas, seeking their fortune and to establish themselves as the leaders of a new planter aristocracy west of the Mississippi River. These men, sometimes alone, sometimes with family, and usually with slaves, sought the best land possible, cleared it, planted their crops, and erected crude houses and other buildings. Life was difficult for these would-be leaders of society and their families, and especially hard for the slaves who toiled to create fields in which they labored to produce a crop. McNeilly argues that by the time of Arkansas's statehood in 1836, planters and large farmers had secured a hold over their frontier home, and that between 1840 and the Civil War, planters solidified their hold on politics, economics, and society in Arkansas. The author takes a topical approach to the subject, with chapters on migration, slavery, non-planter whites, politics, and the secession crisis of 1860–1861. McNeilly offers a first-rate analysis of the creation of a white, cotton-based society in Arkansas, shedding light not only on the southern frontier, but also on the established Old South before the Civil War.
[more]
cover of The Old Testament Pseudepigrapha: Fifty Years of the Pseudepigrapha Section at the SBL

The Old Testament Pseudepigrapha

Fifty Years of the Pseudepigrapha Section at the SBL

Matthias Henze

SBL Press, 2019

A history of research that changed scholarly perceptions of early Judaism

This collection of essays by some of the most important scholars in the fields of early Judaism and Christianity celebrates fifty years of the study of the Old Testament Pseudepigrapha at the Society of Biblical Literature and the pioneering scholars who introduced the Pseudepigrapha to the Society. Since its early days as a breakfast meeting in 1969, the Pseudepigrapha Section has provided a forum for a rigorous discussion of these understudied texts and their relevance for Judaism and Christianity. Contributors recount the history of the section's beginnings, critically examine the vivid debates that shaped the discipline, and challenge future generations to expand the field in new interdisciplinary directions.

Features:

  • Reflections from early members of the Pseudepigrapha Group
  • Essays that examine a methodological shift from capturing and preserving traditions to exploring the intellectual and social world of Jewish antiquity
  • Evaluations of past interactions with adjacent fields and the larger academic world
[more]
cover of The Old-Time Saloon: Not Wet - Not Dry, Just History

The Old-Time Saloon

Not Wet - Not Dry, Just History

George Ade

University of Chicago Press, 2016

Fancy a tipple? Then pull up a stool, raise a glass, and dip into this delightful paean to the grand old saloon days of yore. Written by Chicago-based journalist, playwright, and all-round wit George Ade in the waning years of Prohibition, The Old-Time Saloon is both a work of propaganda masquerading as “just history” and a hilarious exercise in nostalgia. Featuring original, vintage illustrations along with a new introduction and notes from Bill Savage, Ade's book takes us back to the long-gone men’s clubs of earlier days, when beer was a nickel, the pretzels were polished, and the sardines were free.
[more]
cover of The Oldest Cuisine in the World: Cooking in Mesopotamia

The Oldest Cuisine in the World

Cooking in Mesopotamia

Jean Bottéro

University of Chicago Press, 2004

In this intriguing blend of the commonplace and the ancient, Jean Bottéro presents the first extensive look at the delectable secrets of Mesopotamia. Bottéro’s broad perspective takes us inside the religious rites, everyday rituals, attitudes and taboos, and even the detailed preparation techniques involving food and drink in Mesopotamian high culture during the second and third millennia BCE, as the Mesopotamians recorded them. 

Offering everything from translated recipes for pigeon and gazelle stews, the contents of medicinal teas and broths, and the origins of ingredients native to the region, this book reveals the cuisine of one of history’s most fascinating societies. Links to the modern world, along with incredible recreations of a rich, ancient culture through its cuisine, make Bottéro’s guide an entertaining and mesmerizing read.

[more]
cover of The Oldest Legend: Acts of the Canonization Process, and Miracles of Saint Margaret of Hungary

The Oldest Legend

Acts of the Canonization Process, and Miracles of Saint Margaret of Hungary

Bence Péterfi

Central European University Press, 2018

This bilingual volume (Latin text with English translation) is the second in the series presenting hagiographical narratives from medieval Central Europe. It contains the most important hagiographical corpus of medieval Hungarian history: that of Saint Margaret (1242–1270), daughter of King Béla IV, who lived her life as a Dominican nun. Margaret’s cult started immediately after her death and the demand to examine her sanctity was first formulated in 1272. The canonization process recommenced in 1276, followed by further initiatives across the centuries. Margaret was eventually canonized only in 1943. Besides the full Latin text and the English translation of her oldest legend, written between 1272 and 1275, this volume contains the acts of the 110 testimonies of the papal investigation concerning her sainthood, recorded between July and October 1276 and prepared from existing source editions. In addition, the editors include a series of recently discovered documents, including a petition by the bishop of Várad (Oradea) to promote the cause, and the notarial records of a set of miracles that occurred at Margaret's grave in the second half of the fifteenth century. The annotated bilingual text is complemented by a select bibliography on Saint Margaret and her hagiography.
[more]
cover of The Olympics at the Millennium: Power, Politics, and the Games

The Olympics at the Millennium

Power, Politics, and the Games

Edited by Kay Schaffer

Rutgers University Press, 2000

The Olympics thrill the world with spectacle and drama. They also carry a cultural and social significance that goes beyond the stadium, athletes, and fans. The  Games are arenas in which individual and team athletic achievement intersect with the politics of national identity in a global context.

The Olympics at the Millennium offers groundbreaking essays that explore the cultural politics of the Games. The contributors investigate such topics as the emergence of women athletes as cultural commodities, the orchestrated spectacles of the opening and closing ceremonies, and the alternative sport culture offered via the Gay Games. Unforgettable events and decisions are discussed: Native American athlete Jim Thorpe winning—and losing—his two gold medals in 1912. Why America was one of the few countries to actually send Jewish athletes to the “Nazi Olympics.” The disqualification of champion Ewa Klobukowska from competing as a woman, due to chromosomal testing in 1967.

With the 2000 Sydney Games imminent, several essays address concerns with which every host country must contend, such as the threat of terrorism. Highlighting the difficult issues of racism and nationalism, another article explores the efforts of this country’s aboriginal people to define a role for themselves in the 2000 Games, as they struggle with ongoing discrimination. And with the world watching, Sydney faces profound pressure to implement a successful Olympics, as a matter of national pride.

[more]
cover of The Olympics that Never Happened: Denver '76 and the Politics of Growth

The Olympics that Never Happened

Denver '76 and the Politics of Growth

Adam Berg

University of Texas Press, 2023

A look back at how powerful politicians, business leaders, and a diverse cast of activists used a thwarted Olympics to shape the state of Colorado and the city of Denver.

If you don’t recall the 1976 Denver Olympic Games, it’s because they never happened. The Mile-High City won the right to host the winter games and then was forced by Colorado citizens to back away from its successful Olympic bid through a statewide ballot initiative. Adam Berg details the powerful Colorado regime that gained the games for Denver and the grassroots activism that brought down its Olympic dreams, and he explores the legacy of this milestone moment for the games and politics in the United States.

The ink was hardly dry on Denver’s host agreement when Mexican American and African American urbanites, white middle-class environmentalists, and fiscally concerned local politicians realized opposition to the Olympics provided them new political openings. The Olympics quickly became a platform for taking stands on a range of issues, from conservation to urban livability to the very idea of growth, which for decades had been unquestioned in Colorado. The Olympics That Never Happened argues that hostility to the Olympics galvanized and empowered diverse citizens in a major US city, with long-term ramifications for Colorado and political activism elsewhere. The Olympics themselves were changed forever, compelling organizers to take seriously competing interests from subgroups within their communities.

[more]
cover of The Olympics: A History of the Modern Games

The Olympics

A History of the Modern Games

Allen Guttmann

University of Illinois Press, 1992

The classic account of the modern Olympic movement

This second edition of Guttmann's critically acclaimed history discusses the intended and actual effects of the modern Olympic Games from 1896 to 2000. The glories and fiascoes, the triumphs and tragedies--Guttmann weaves them all into a vivid and entertaining social history. As Guttmann shows, politics has always been one of the Olympics' major events. He also delves into the colorful history of the athletics, from the Paris marathon course that invited French runners to take shortcuts to the odyssey of Egyptian gym teacher Youssef Nagui Assad, who made three different Olympic teams only to be recalled home each time due to boycotts. Guttmann also provides insight into the byzantine maneuvering involved in site selection, as well as little known facts about the Games' history and figures like longtime Olympics czar Avery Brundage.
[more]
cover of The Omega Workshops

The Omega Workshops

Judith Collins

University of Chicago Press, 1984

[more]
cover of The One Creator God in Thomas Aquinas and Contemporary Theology

The One Creator God in Thomas Aquinas and Contemporary Theology

Michael J. Dodds, OP

Catholic University of America Press, 2020

This book provides a fundamental introduction to Aquinas's theology of the One Creator God. Aimed at making that thought accessible to contemporary audiences, it gives a basic explanation of his theology while showing its compatibility with contemporary science and its relevance to current theological issues. Opening with a brief account of Aquinas’s life, it then describes the purpose and nature of the Summa Theologica and gives a short review of current varieties of Thomism. Without neglecting other works, it then focuses primarily on the discussion of the One God in the first part of the Summa Theologica. God's transcendence and immanence is a recurrent theme in that discussion. Evidence of God's immanent causality in the natural world grounds Aquinas's five arguments for the existence of God (the Five Ways) which then open onto God's transcendence. The subsequent discussion of the divine attributes builds on the modes of God's causality established in the Five Ways. It also shows the need for a language of analogy to preserve God's transcendence and prevent us from reducing God to the level of creatures, even as qualities such as "goodness" and "love," which we first know from creatures, are applied to God. The discussion of God's providence and governance establishes that the transcendent Creator God is most intimately present in creation. God acts in all creatures in a way that does not diminish their proper causality, but is rather its source. As there is no contradiction between God's transcendence and immanence, so there is no competition between the primary causality of God and the secondary causality of creatures. Empirical science, which is limited by its method to the secondary causality of creatures, is shown to be compatible with the broader discipline of theology which also embraces the primary causality of the Creator.
[more]
cover of The One and the Many: Contemporary Collaborative Art in a Global Context

The One and the Many

Contemporary Collaborative Art in a Global Context

Grant H. Kester

Duke University Press, 2011

Collaborative and collective art practices have proliferated around the world over the past fifteen years. In The One and the Many, Grant H. Kester provides an overview of the broader continuum of collaborative art, ranging from the work of artists and groups widely celebrated in the mainstream art world, such as Thomas Hirschhorn, Superflex, Francis Alÿs, and Santiago Sierra, to the less-publicized projects of groups, such as Park Fiction in Hamburg, Networking and Initiatives for Culture and the Arts in Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and Dialogue in central India. The work of these groups often overlaps with the activities of NGOs, activists, and urban planners. Kester argues that these parallels are symptomatic of an important transition in contemporary art practice, as conventional notions of aesthetic autonomy are being redefined and renegotiated. He describes a shift from a concept of art as something envisioned beforehand by the artist and placed before the viewer, to the concept of art as a process of reciprocal creative labor. The One and the Many presents a critical framework that addresses the new forms of agency and identity mobilized by the process of collaborative production.
[more]
cover of The One-State Solution: A Breakthrough for Peace in the Israeli-Palestinian Deadlock

The One-State Solution

A Breakthrough for Peace in the Israeli-Palestinian Deadlock

Virginia Tilley

University of Michigan Press, 2010

“A clear, trenchant book on a topic of enormous importance... Overall this is a courageous plunge
into boiling waters. If it helps propel forward a debate that has hardly begun in this country it will
have performed a signal scholarly and political function.”
—Tony Judt, New York University

“. . . a pioneering text. . . . [A]s such it will take pride of place in a brewing debate.”
—Gary Sussman, Tel Aviv University

The One-State Solution demonstrates that Israeli settlements have already encroached on the occupied territory of the West Bank and Gaza Strip to the extent that any Palestinian state in those areas is unviable. It reveals the irreversible impact of Israel’s settlement grid by summarizing its physical, demographic, financial, and political dimensions. Virginia Tilley explains why we should assume that this grid will not be withdrawn—or its expansion reversed—by reviewing the
role of the key political actors: the Israeli government, the United States, the Arab states, and the European Union. Finally, the book addresses the daunting obstacles to a one-state solution—including major revision of the Zionist dream but also Palestinian and other regional resistance—and offers some ideas about how those obstacles might be addressed.

 
Virginia Tilley is Chief Research Specialist in the Democracy and Governance Division of the Human Research Council in Cape Town, South Africa.
[more]
cover of The Ongoing Civil War: New Versions of Old Stories

The Ongoing Civil War

New Versions of Old Stories

Edited & Intro by Herman Hattaway & Ethan S. Rafuse

University of Missouri Press, 2004

In 1997, John Stanchak, an editor at Cowles Enthusiast Media (now part of Primedia), realized his vision of “a publication that contained the best, most up-to-date scholarship on the [Civil] war, but was edited with the amateur historian in mind,” with the publication of Columbiad: A Quarterly Review of the War between the States. In the four years the journal was published, it strived to lessen the rift between the scholarly world of professional historians and the “popular” history with which the general reader is more familiar. Now, a selection of the essays that best represent the successful balance between “serious scholarship” and a narrative reading style preferred by the educated layman has been collected in The Ongoing Civil War.

The nine essays, written by such distinguished scholars as John Marszalek, Albert Castel, Archer Jones, Mark Snell, Noah Trudeau, and others, provide deeper insight into the war, introduce the general reader to unsung heroes, and correct some popular misrepresentations of history. They cover a range of topics as diverse as conflict among commanders, the supply runs vital to the Union victory at Gettysburg, the network of scouts and spies used by Robert E. Lee, and the painstaking process of organizing and publishing the Official Records. The synergy of sophisticated research combined with a compelling narrative style makes The Ongoing Civil War an enjoyable, informative work suitable for scholars and the general reader alike.
[more]
cover of The Only One Living to Tell: The Autobiography of a Yavapai Indian

The Only One Living to Tell

The Autobiography of a Yavapai Indian

Mike Burns; Edited by Gregory McNamee

University of Arizona Press, 2012

Mike Burns—born Hoomothya—was around eight years old in 1872 when the US military murdered his family and as many as seventy-six other Yavapai men, women, and children in the Skeleton Cave Massacre in Arizona. One of only a few young survivors, he was adopted by an army captain and ended up serving as a scout in the US army and adventuring in the West. Before his death in 1934, Burns wrote about the massacre, his time fighting in the Indian Wars during the 1880s, and life among the Kwevkepaya and Tolkepaya Yavapai. His precarious position between the white and Native worlds gives his account a distinctive narrative voice.

Because Burns was unable to find a publisher during his lifetime, these firsthand accounts of history from a Native perspective remained unseen through much of the twentieth century, archived at the Sharlot Hall Museum in Prescott. Now Gregory McNamee has brought Burns's text to life, making this extraordinary tale an accessible and compelling read. Generations after his death, Mike Burns finally gets a chance to tell his story.

This autobiography offers a missing piece of Arizona history—as one of the only Native American accounts of the Skeleton Cave Massacre—and contributes to a growing body of history from a Native perspective. It will be an indispensable tool for scholars and general readers interested in the West—specifically Arizona history, the Apache wars, and Yavapai and Apache history and lifeways.


[more]
cover of The Only True God: Early Christian Monotheism in Its Jewish Context

The Only True God

Early Christian Monotheism in Its Jewish Context

James F. McGrath

University of Illinois Press, 2012

Monotheism is a powerful religious concept shaped by competing ideas and the problems they raised. Surveying New Testament writings and Jewish sources from before and after the rise of Christianity, James F. McGrath argues that even the most developed Christologies in the New Testament fit within the context of first century Jewish monotheism. McGrath pinpoints when the parting of ways took place over the issue of God's oneness, and explores philosophical ideas such as "creation out of nothing" which caused Jews and Christians to develop differing concepts and definitions about God.
[more]
cover of The Only Woman in the Room: A Memoir of Japan, Human Rights, and the Arts

The Only Woman in the Room

A Memoir of Japan, Human Rights, and the Arts

Beate Sirota Gordon

University of Chicago Press, 2014

In 1946, at age twenty-two, Beate Sirota Gordon helped to draft the new postwar Japanese Constitution. The Only Woman in the Room chronicles how a daughter of Russian Jews became the youngest woman to aid in the rushed, secret drafting of a constitution; how she almost single-handedly ensured that it would establish the rights of Japanese women; and how, as a fluent speaker of Japanese and the only woman in the room, she assisted the American negotiators as they worked to persuade the Japanese to accept the new charter.

Sirota was born in Vienna, but in 1929 her family moved to Japan so that her father, a noted pianist, could teach, and she grew up speaking German, English, and Japanese. Russian, French, Italian, Latin, and Hebrew followed, and at fifteen Sirota was sent to complete her education at Mills College in California. The formal declaration of World War II cut Gordon off from her parents, and she supported herself by working for a CBS listening post in San Francisco that would eventually become part of the FCC. Translating was one of Sirota’s many talents, and when the war ended, she was sent to Japan as a language expert to help the American occupation forces. When General MacArthur suddenly created a team that included Sirota to draft the new Japanese Constitution, he gave them just eight days to accomplish the task. Colonel Roest said to Beate Sirota, “You’re a woman, why don’t you write the women’s rights section?”; and she seized the opportunity to write into law guarantees of equality unparalleled in the US Constitution to this day.

But this was only one episode in an extraordinary life, and when Gordon died in December 2012, words of grief and praise poured from artists, humanitarians, and thinkers the world over. Illustrated with forty-seven photographs, The Only Woman in the Room captures two cultures at a critical moment in history and recounts, after a fifty-year silence, a life lived with purpose and courage. This edition contains a new afterword by Nicole A. Gordon and an elegy by Geoffrey Paul Gordon.
[more]
cover of The Open Mind: Cold War Politics and the Sciences of Human Nature

The Open Mind

Cold War Politics and the Sciences of Human Nature

Jamie Cohen-Cole

University of Chicago Press, 2013

The Open Mind chronicles the development and promulgation of a scientific vision of the rational, creative, and autonomous self, demonstrating how this self became a defining feature of Cold War culture. Jamie Cohen-Cole illustrates how from 1945 to 1965 policy makers and social critics used the idea of an open-minded human nature to advance centrist politics. They reshaped intellectual culture and instigated nationwide educational reform that promoted more open, and indeed more human, minds. The new field of cognitive science was central to this project, as it used popular support for open-mindedness to overthrow the then-dominant behaviorist view that the mind either could not be studied scientifically or did not exist. Cognitive science also underwrote the political implications of the open mind by treating it as the essential feature of human nature.     
           
While the open mind unified America in the first two decades after World War II, between 1965 and 1975 battles over the open mind fractured American culture as the ties between political centrism and the scientific account of human nature began to unravel. During the late 1960s, feminists and the New Left repurposed Cold War era psychological tools to redefine open-mindedness as a characteristic of left-wing politics. As a result, once-liberal intellectuals became neoconservative, and in the early 1970s, struggles against open-mindedness gave energy and purpose to the right wing.
[more]
cover of The Open Veins of the Postcolonial: Afrodescendants and Racisms

The Open Veins of the Postcolonial

Afrodescendants and Racisms

Edited by Inocência Mata and Iolanda Évora

Tagus Press, 2022

Making an obvious reference to Eduardo Galeano's Open Veins of Latin America, this volume proves that the veins of the postcolonial remain open, having prolonged and reproduced themselves over the course of decades. "The Open Veins of the Postcolonial" traces the emergence of epistemological categories and offers thematic analyses of racial and ethnic differences, as well as those arising from sociability, representations, and sociopolitical and cultural dynamics. This volume likewise unmasks the naturalizing discourse of the ideology of subalternity and institutionalized discrimination through various "beliefs" and tacit practices; discusses how to articulate the place of belonging with ethno-racial identity in the twenty-first century; and contributes to the broad discussion initiated by the United Nations' declaration of the International Decade for People of African Descent, 2015–2024 (Resolution 68/237).
[more]
cover of The Open-Ended City: David Dillon on Texas Architecture

The Open-Ended City

David Dillon on Texas Architecture

By Kathryn E. Holliday; foreword by Robert Decherd

University of Texas Press, 2019

Texas Historical Commission Award of Excellence in Media Achievement, Texas Historical Commission

In 1980, David Dillon launched his career as an architectural critic with a provocative article that asked “Why Is Dallas Architecture So Bad?” Over the next quarter century, he offered readers of the Dallas Morning News a vision of how good architecture and planning could improve quality of life, combatting the negative effects of urban sprawl, civic fragmentation, and rapacious real estate development typical in Texas cities. The Open-Ended City gathers more than sixty key articles that helped establish Dillon’s national reputation as a witty and acerbic critic, showing readers why architecture matters and how it can enrich their lives.

Kathryn E. Holliday discusses how Dillon connected culture, commerce, history, and public life in ways that few columnists and reporters ever get the opportunity to do. The articles she includes touch on major themes that animated Dillon’s writing: downtown redevelopment, suburban sprawl, arts and culture, historic preservation, and the necessity of aesthetic quality in architecture as a baseline for thriving communities. While the specifics of these articles will resonate with those who care about Dallas, Fort Worth, and other Texas cities, they are also deeply relevant to all architects, urbanists, and citizens who engage in the public life and planning of cities. As a collection, The Open-Ended City persuasively demonstrates how a discerning critic helped to shape a landmark city by shaping the conversation about its architecture.

[more]
cover of The Operas of Giuseppe Verdi

The Operas of Giuseppe Verdi

Abramo Basevi

University of Chicago Press, 2014

Abramo Basevi published his study of Verdi’s operas in Florence in 1859, in the middle of the composer’s career. The first thorough, systematic examination of Verdi’s operas, it covered the twenty works produced between 1842 and 1857—from Nabucco and Macbeth to Il trovatore, La traviata, and Aroldo. But while Basevi’s work is still widely cited and discussed—and nowhere more so than in the English-speaking world—no translation of the entire volume has previously been available. The Operas of Giuseppe Verdi fills this gap, at the same time providing an invaluable critical apparatus and commentary on Basevi’s work.
 
As a contemporary of Verdi and a trained musician, erudite scholar, and critic conversant with current and past operatic repertories, Basevi presented pointed discussion of the operas and their historical context, offering today’s readers a unique window into many aspects of operatic culture, and culture in general, in Verdi’s Italy. He wrote with precision on formal aspects, use of melody and orchestration, and other compositional features, which made his study an acknowledged model for the growing field of music criticism. Carefully annotated and with an engaging introduction and detailed glossary by editor Stefano Castelvecchi, this translation illuminates Basevi’s musical and historical references as well as aspects of his language that remain difficult to grasp even for Italian readers.
 
Making Basevi’s important contribution to our understanding of Verdi and his operas available to a broad audience for the first time, The Operas of Giuseppe Verdi will delight scholars and opera enthusiasts alike.
[more]
cover of The Opinions of Mankind: Racial Issues, Press, and Propaganda in the Cold War

The Opinions of Mankind

Racial Issues, Press, and Propaganda in the Cold War

Richard Lentz and Karla K. Gower

University of Missouri Press, 2011

During the Cold War, the Soviets were quick to publicize any incident of racial hostility in the United States. Since violence by white Americans against minorities was the perfect foil to America’s claim to be defenders of freedom, news of these occurrences was exploited to full advantage by the Russians. But how did the Soviets gain primary knowledge of race riots in small American towns? Certainly, the Soviets had reporters stationed stateside, in big cities like New York, but research reveals that the majority of their information came directly from U.S. media sources.

Throughout this period, the American press provided the foreign media with information about racially charged events in the United States. Such news coverage sometimes put Washington at a disadvantage, making it difficult for government officials to assuage foreign reactions to the injustices occurring on U.S. soil. Yet in other instances, the domestic press helped to promote favorable opinions abroad by articulating themes of racial progress. While still acknowledging racial abuses, these press spokesmen asserted that the situation in America was improving. Such paradoxical messages, both aiding and thwarting the efforts of the U.S. government, are the subject of The Opinions of Mankind: Racial Issues, Press, and Propaganda in the Cold War.

The study, by scholars Richard Lentz and Karla K. Gower, describes and analyzes the news discourse regarding U.S. racial issues from 1946 to 1965. The Opinions of Mankindnot only delves into the dissemination of race-related news to foreign outlets but also explores the impact foreign perceptions of domestic racism had on the U.S. government and its handling of foreign relations during the period. What emerges is an original, insightful contribution to Cold War studies. While other books examine race and foreign affairs during this period of American history, The Opinions of Mankind is the first to approach the subject from the standpoint of press coverage and its impact on world public opinion.

This exhaustively researched and compellingly written volume will appeal to media scholars, political historians, and general readers alike. By taking a unique approach to the study of this period, The Opinions of Mankind presents the workings behind the battles for public opinion that took place between 1946 and 1965.
[more]
cover of The Opium Debate and Chinese Exclusion Laws in the Nineteenth-Century American West

The Opium Debate and Chinese Exclusion Laws in the Nineteenth-Century American West

Diana L. Ahmad

University of Nevada Press, 2011


America’s current "war on drugs" is not the nation’s first. In the mid-nineteenth century, opium-smoking was decried as a major social and public health problem, especially in the West. Although China faced its own epidemic of opium addiction, only a very small minority of Chinese immigrants in America were actually involved in the opium business. It was in Anglo communities that the use of opium soon spread and this growing use was deemed a threat to the nation’s entrepreneurial spirit and to its growing mportance as a world economic and military power. The Opium Debate examines how the spread of opium-smoking fueled racism and created demands for the removal of the Chinese from American life. This meticulously researched study of the nineteenth-century drug-abuse crisis reveals the ways moral crusaders linked their antiopium rhetoric to already active demands for Chinese exclusion. Until this time, anti-Chinese propaganda had been dominated by protests against the economic and political impact of Chinese workers and the alleged role of Chinese women as prostitutes. The use of the drug by Anglos added another reason for demonizing Chinese immigrants. Ahmad describes the disparities between Anglo-American perceptions of Chinese immigrants and the somber realities of these people’s lives, especially the role that opium-smoking came to play in the Anglo-American community, mostly among middle- and upper-class women. The book offers a brilliant analysis of the evolution of the Chinese Exclusion Act of 1882, plus important insights into the social history of the nineteenth-century West, the culture of American Victorianism, and the rhetoric of racism in American politics.
[more]
cover of The Optics of Ibn al-Haytham Books IV–V: On Reflection and Images Seen by Reflection

The Optics of Ibn al-Haytham Books IV–V

On Reflection and Images Seen by Reflection

Abdelhamid I. Sabra

University of London Press, 2023

Books four and five of a landmark seven-volume work of medieval scientific study of optics.

Ibn al-Haytham was perhaps the greatest mathematician and physicist of the medieval Arabic/Islamic world. The most famous book in which he applied his scientific method is his Optics, through which he dealt with both the mathematics of rays of light and the physical aspects of the eye in seven comprehensive books. His rethinking of the entire science of optics set the scene for the whole of the subsequent development of the subject, influencing figures such as William of Ockham, Kepler, Descartes, and Christaan Huygens. The immense work of editing, translating into English, and commenting on this work was undertaken by Abdelhamid I. Sabra. This English translation of Books IV–V was completed by Sabra just before his death in 2013 with an introduction and critical analysis. It has been extensively revised by Jan Hogendijk.
[more]
cover of The Opuscula and the Dispute with Pyrrhus: The Theological and Polemical Works

The Opuscula and the Dispute with Pyrrhus

The Theological and Polemical Works

Kevin M. St. Maximus the Confessor

Catholic University of America Press, 2026

Maximus the Confessor (d. 662), regarded by certain of his contemporaries as a sword of division, has become a bridge between East and West in our time. He lived at a time of theological and political upheaval, coming under intense scrutiny from imperial authorities in the final decades of his life. His conflict with Constantinople led him to engage in a theological and polemical campaign to equip his associates around the Mediterranean to respond to certain innovative doctrines. Maximus saw these new teachings as disconnected from the thought of the approved Fathers and theologically linked with prior heresies. This volume contains significant theological and polemical works— The Small Theological and Polemical Works, also known as the Opuscula, and the Dispute with Pyrrhus—refuting monenergism and monotheletism, the notions that Christ had only one activity or only one will. The Small Theological and Polemical Works are offered here for the first time in a complete English translation, built upon critical scholarship from the past century with key additions from Sergey Epifanovich included. Regarded as the most iconic work associated with Maximus, the famed Dispute with Pyrrhus, the deposed Patriarch of Constantinople, took place in Carthage in July 645. The record of this dialogue reflects Maximus’s mature Christology, while it is also a noteworthy prelude to his journey to Rome, where he worked with Pope Martin at the 649 Lateran Synod, uniting their voices and sealing their fates.
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cover of The Orchard in the Ruins: Cloning Oranges and Cultivating Whiteness in America and the Global South

The Orchard in the Ruins

Cloning Oranges and Cultivating Whiteness in America and the Global South

Tiago Saraiva

University of Chicago Press, 2026

Ingeniously connects the history of citrus cultivation to the production and maintenance of whiteness in sites around the world.

In The Orchard in the Ruins, acclaimed historian Tiago Saraiva illuminates the global impact of cloning Californian oranges, a practice that emerged in the aftermath of the great depression of the 1890s. Cloning promised control, uniformity, and resistance to an array of environmental and economic threats. But Californian orchards—white-owned but tended by workers of Chinese, Japanese, Mexican, or Indigenous origin—were also places where plantations and race intertwined. Agricultural anxieties about strains of oranges and their value, Saraiva shows, formed a continuum with anxieties about vanishing whiteness.

The Orchard in the Ruins connects Californian history to other sites of citrus cultivation: South Africa, where concerns about white poverty grew during the early twentieth century; Mandatory Palestine, where orchards were key to Zionist undertakings; colonial Algeria, where French settlers transformed the landscape with European farming techniques; and Brazil, where orchards were cultivated post-abolition. Drawing on local histories as well as the works of John Dewey, J. M. Coetzee, Edward Said, Frantz Fanon, and artist Tarsila do Amaral, Saraiva shows that in each place, orchards grew in the wake of specific historical crises. Orange cultivation was a transnational project in cultivating whiteness, one in which studies of fruits, buds, rootstocks, fungi, and viruses became race-making experiments.

A must-read for anyone interested in the history of science, technology, agriculture, and race, The Orchard in the Ruins reveals a troubled account of science-led attempts to remedy crumbling worlds.

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cover of The Ordeal of the Jungle: Race and the Chicago Federation of Labor, 1903–1922

The Ordeal of the Jungle

Race and the Chicago Federation of Labor, 1903–1922

David Bates

Southern Illinois University Press, 2019

Between 1910 and 1920, the Chicago Federation of Labor (CFL) inaugurated a massive organizing drive in the city’s meatpacking and steel industries. Although the CFL sought legitimately progressive goals, worked earnestly to organize an interracial union, and made major inroads among both black and white workers, their efforts resulted in a bitter defeat. David Bates provides a clear picture of how even the most progressive of intentions can be ground to a halt.
 
By organizing workers into neighborhood locals, which connected workplace struggles to ethnic and religious identities, the CFL facilitated a surge in the organization’s membership, particularly among African American workers, and afforded the federation the opportunity to aggressively confront employers. The CFL’s innovative structure, however, was ultimately its demise. Linking union locals to neighborhoods proved to be a form of de facto segregation. Over time union structures, rank-and-file conflicts, and employer resistance combined to turn the union’s hopeful calls for solidarity into animosity and estrangement. Tensions were exacerbated by violent shop floor confrontations and exploded in the bloody 1919 Chicago Race Riot. By the early 1920s, the CFL had collapsed.
 
The Ordeal of the Jungle explores the choices of a variety of people while showing a complex, overarching interplay of black and white workers and their employers. In addition to analyzing union structures and on-the-ground relations between workers, Bates synthesizes and challenges previous scholarship on interracial organizing to explain the failure of progressive unionism in Chicago.
 
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