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Helm begins with a broad-ranging, stimulating overview of the social organization of hunter-gatherer peoples of the world, past and present, that provides a background for all she has learned about the Dene. The chapters in part 1 focus on community and daily life among the Mackenzie Dene in the middle of the twentieth century. After two historical overview chapters, Helm moves from the early years of the twentieth century to the earliest contacts between Dene and white culture, ending with a look at the momentous changes in Dene-government relations in the 1970s. Part 3 considers traditional Dene knowledge, meaning, and enjoyments, including a chapter on the Dogrib hand game. Throughout, Helm's encyclopedic knowledge combines with her personal interactions to create a collection that is unique in its breadth and intensity.

East Germany’s Socialist Unity Party aimed to placate a public well aware of the higher standards of living enjoyed elsewhere by encouraging them to participate in outdoor activities and take vacations in the countryside. Scott Moranda considers East Germany’s rural landscapes from the perspective of both technical experts (landscape architects, biologists, and physicians) who hoped to dictate how vacationers interacted with nature, and the vacationers themselves, whose outdoor experience shaped their understanding of environmental change. As authorities eliminated traditional tourist and nature conservation organizations, dissident conservationists demanded better protection of natural spaces. At the same time, many East Germans shared their government’s expectations for economic development that had real consequences for the land. By the 1980s, environmentalists saw themselves as outsiders struggling against the state and a public that had embraced mainstream ideas about limitless economic growth and material pleasures.

Roscoe Martin's study of the People's Party in Texas was a pioneering analysis of the state populist movements and long considered one of the best. The People's Party was an influential force in United States politics in the last decade of the nineteenth century, especially in the western and southern states. Martin's study of third-party politics in Texas, as well as being an important work in Texas history, provides much insight into the national radical movement of the 1890s.

The Performer-Audience Connection is a pioneering foray into one of the major puzzles of human communication: the communication of emotion in dance. It is the first attempt of its kind systematically to investigate what performers wish to convey and what audiences perceive in the performance of dance.

The centerpiece of this provocative book is an examination of performer intentions and audience response at eight dance performances in Washington, D.C. Part of the Smithsonian Institution Division of Performing Arts Dance Series, these concerts featured a variety of dance genres and cultures: American tap dance, Kathakali dance-drama from Kerala, India, Japanese Kabuki, contemporary avant-garde dance, Philippine folk dance, the Indian classical tradition of Kuchipudi, and modern dance to an AfroAmerican spiritual.

How did dancer and audience interact at the emotional level on these eight occasions? What affected performer-audience rapport? Through interviews of both spectators and dancers, Judith Lynne Hanna explores the performers' ways of imparting emotion through movement and audience members' expectations and responses. In doing so she casts new light on important issues of cultural identity, sex role, historic attitudes toward dance, and even marketing the arts today.

A landmark work not only for performers who wish to reach their audiences more effectively but also for choreographers, anthropologists, specialists in nonverbal communication, behavioral scientists, educators, and all who are fascinated by the arts and the special magic of the "performer-audience connection."

Eugenics and scientific racism are experiencing a resurgence, and an understanding of the ideas of Aleš Hrdlička can help combat them. Today, the racial science of the early twentieth century is both untenable and contemptible. This book is about an arch figure of that period: Aleš Hrdlička served as Curator of Physical Anthropology at the prestigious Smithsonian Institution from 1910 to 1941. Although his ideas about race are today considered pseudoscience, the uncomfortable truth is that he was an internationally respected scientist in his own day.

The Perils of Race-Thinking advances a bold new interpretation of modern racial ideology by exploring Hrdlička’s intellectual world. Using previously untapped Czech-language sources, Brandon irrevocably alters the discussion about this important figure by placing Czech nationalism at the center of his racial thinking. Defying disciplinary categories, Perils of Race-Thinking joins critical analysis of this key American anthropologist with an incisive revisionist perspective of interwar Czechoslovakia to unearth transnational racial presumptions lurking behind the worst crimes of the twentieth century.

At the center of Hrdlička’s race beliefs was his commitment to Czech and Slovak unity and independence. From this center, his next level of concern was what he believed to be a millennial racial struggle between Germans and Slavs. On a global scale, he viewed the Slavs, and especially the Soviet Union, as a eugenic bastion of White strength holding off the “rising tide of color.”

Step by step, Perils of Race-Thinking mercilessly dismantles Hrdlička’s racial system and exposes it as mysticism dressed up in the language of science. Convinced that human individuals belonged “naturally” in racial groups, Hrdlička embraced a revolutionary program of reordering the globe according to a harrowing morality of “Darwinist” struggle. Yet despite a lifetime of measuring body parts, even Hrdlička could not decide how many races there were or how to tell them apart.

Despite efforts to abolish slavery throughout Africa in the nineteenth century, the coercive labor systems that constitute “modern slavery” have continued to the present day. To understand why, Robin Phylisia Chapdelaine explores child trafficking, pawning, and marriages in Nigeria's Bight of Biafra, and the ways in which British colonial authorities and Igbo, Ibibio, Efik, and Ijaw populations mobilized children's labor during the early twentieth century. Drawing on a wealth of primary sources that include oral interviews, British and Nigerian archival materials, newspaper holdings, and missionary and anthropological accounts, Chapdelaine argues that slavery's endurance can only be understood when we fully examine “the social economy of a child”—the broader commercial, domestic, and reproductive contexts in which children are economic vehicles.

The Persistence of Slavery provides an invaluable investigation into the origins of modern slavery and early efforts to combat it, locating this practice in the political, social, and economic changes that occurred as a result of British colonialism and its lingering effects, which perpetuate child trafficking in Nigeria today.

Then, based on the project's findings, Demarest presents interpretive reconstructions of the linked histories of the Pasion River kingdoms and correlates these interpretations with the variable evidence and culture-histories of other regions of the Classic Maya lowlands. He points out that only through linking such accurate regional culture-histories can we begin to understand the eighth- through tenth-century changes in Classic Maya civilization. The volume describes how the Petexbatun project addressed this challenge in its research design, structure, and large, multicentered zone of study. Building on the previous twenty years of Harvard research in adjacent zones, the Vanderbilt projects succeeded in reconstructing events and processes throughout the Pasion River Valley, the largest single inland trade route of the ancient Maya world.

In its conclusions, this first of the Petexbatun volumes of multidisciplinary studies, evidence, analyses, and interpretations, provides answers to some long-standing questions about the "Classic Maya collapse," as well as a new, preliminary culture-history of the abandonment, decline, or transformation of the Classic Maya kingdoms of the western Peten. It is an exciting preview and summary of a decade of evidence on the debate over the fate of the Classic Maya civilization, one of the great controversies in the history of Pre-Columbian archaeology. VIMA Series #1

This comprehensive guide to the rock art of Missouri presents major design motifs and links those images to Native American beliefs.

Images on rocks depicting birds, serpents, deer, and other designs are haunting reminders of prehistoric peoples. This book documents Missouri's rich array of petroglyphs and pictographs, analyzing the many aspects of these rock carvings and paintings to show how such representations of ritual activities can enhance our understanding of Native American culture.

Missouri is a particularly important site for rock art because it straddles the Plains, the Ozarks, and the Southeast. Carol Diaz-Granados and James Duncan have established a model for analyzing this rock art as archaeological data and have mapped the patterning of fifty-eight major motifs across the state. Of particular importance is their analysis of motifs from Mississippi River Valley sites, including Cahokia.

The authors include interpretive discussions on iconography and ideology, drawing on years of research in the ethnographic records and literature of Native Americans linguistically related to earlier peoples. Their distribution maps show how motifs provide clues to patterns of movement among prehistoric peoples and to the range of belief systems. Rock art is an aspect of the archaeological record that has received little attention, and the art is particularly subject to the ravages of time. By documenting these fragile images, this book makes a major contribution to rock art research in North America.