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This collection of essays explores how drama can teach political principles and entertain at the same time.

Political commentary is possible through "variety" theatre, this volume contends. Compiled from the April 2000 Theatre Symposium held on the campus of the University of Tennessee-Knoxville, this collection of essays presents a compelling mix of theoretical and practical viewpoints from a broad diversity of scholars from around the country.

What remains to be learned about the political objectives of Brecht's Lehrstriucke? What political power is resident in the satirical humor of Dario Fo's drama? What can we learn from Mordecai Gorelik's political/artistic philosophy that might inform contemporary practice? What was the impact of political theatre on Broadway between the wars? Is Thornton Wilder's Our Town the play we've always imagined it to be, or does it challenge the politics of its time? What is the role of theatre activism in raising consciousness about gender politics? These are only some of the questions addressed by this lively, informative discussion.

Thomas Goode Jones of Alabama is the first comprehensive biography of a key Alabama politician and federal jurist whose life and times embody the conflicts and transformations in the Deep South between the Civil War and World War I.
 
A man who both represented and differed from his class, Thomas Goode Jones offers contemporary readers and scholars an ideal subject of study to understand a period of southern history that still shapes American life today. Often overshadowed by the pharaonic antebellum period, the Civil War, and the luminous heights of the civil rights movement, the deceptively placid decades at the turn of the century were, in fact, a period when southerners fiercely debated the course of the South’s future. In tracing Jones’s career, Brent J. Aucoin offers vivid accounts of the great events and trends of that pivotal period: Reconstruction, the birth of the “Solid South,” the Populist Revolt, and the establishment of racial disenfranchisement and segregation.
 
Born in 1844, Jones served in the Confederate army and after the war identified as a conservative “Bourbon” Democrat. He served as Alabama's governor from 1890 to 1894 and as a federal judge from 1901 until his death in 1914. As a veteran, politician, and judge, Jones embodied numerous roles in the shifting political landscape of the South.
 
Jones was not, however, a reflexive conformist and sometimes pursued policies at odds with his party. Jones’s rhetoric and support of African American civil rights were exceptional and earned him truculent criticism from unrepentant racist factions in his party. His support was so fearless that it inspired Booker T. Washington to recommend Jones to Republican president Theodore Roosevelt as a federal judge. On the bench, Jones garnered national attention for his efforts to end peonage and lynching, and yet he also enabled the establishment of legalized segregation in Alabama, confounding attempts easily to categorize him as an odious reactionary or fearless progressive.
 

 

A stirring exploration of abolitionist thought and Black feminism to articulate a transformative theory of repair

Amid the relentless news of ICE raids, Supreme Court rulings that dismantle our civil rights, and egregious violations of democratic norms, people in the United States are struggling to visualize an actionable path forward. In To Turn the World Around, Ali Aslam proposes a transformative approach that pairs inner healing work with collective external engagement challenging oppressive forces. To actualize W. E. B. DuBois’s concept of abolition democracy, drawing from Black sociality grounded in the refusal of white institutions, Aslam advocates for not working within a broken system nor fleeing it, or merely enduring injustice, and instead offers combined personal healing and embodied action.

Aslam’s vision of transformative selfhood centers healing justice, self and mutual aid, and a somatic approach informed by Black women’s history of navigating bodily dispossession and violations of autonomy and personhood. Simultaneously a tool of personal survival, political refusal, and collective care, inner work incubates new forms of resistance and prepares participants to engage with the outer work of abolition. The movements that rise from the foundation of this inner work are collaborative and experimental, a collective “figuring out” that creates holistic approaches to abolition that transcend conventional politics.

Reimagining inner work as resistance that is ongoing, expansive, and relational, To Turn the World Around offers a stirring framework for the creation of transformational movements. Aslam’s unique theory of repair carefully bridges constituencies, acknowledging the politics of refusal while embracing the hopefulness of sociality.

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Many writers, from Aristophanes to Joseph Heller, have written about politics. But at certain periods in history, often at times of conflict and turmoil, writers have consciously used their literary talents to support or oppose a specific cause. The 1930s, a decade of widespread social and political breakdown, was such a period.

Today the Struggle examines the political involvement of those leading British writers who dedicated their talents to the defense of Nationalists or Loyalists during the Spanish Civil War and who saw that war as symbolic of their own Right-Left dialogue.

Conservatives like William Butler Yeats and T. S. Eliot and Roman Catholics like Evelyn Waugh were passionately anti-Communist. They viewed fascism as a bulwark against communism but were unwilling to support the Franco cause actively. Other pro-Nationalists were not so hesitant: Roy Campbell and Wyndham Lewis were ardent participants in the fight against the British left wing.

Pro-Loyalists, united only in their antifascism, ranged from conservative to anarchist in political commitment. Their literary contributions included fine poems by W. H. Auden and Stephen Spender, experimental drama by Auden and Christopher Isherwood, and impassioned prose by Rex Warner, George Orwell, and Aldous Huxley.

Katharine Hoskins’s principal interest in Today the Struggle is to discover how and why certain writers supported specific political actions, to ascertain the effectiveness of their efforts, and to evaluate the influence of these efforts on their work.

During the seventeenth century, many of the fundamental characteristics of Spanish America were established. Peter Marzahl adds significantly to our understanding of this period with this study of Popayán, a town in what was then part of New Granada and is now Colombia. New Granada was something of a backwater of the empire, but very likely Popayán was more typical of everyday colonial life than the major centers that have drawn most attention from historians.

In the first part of his study, Marzahl describes both town and region, depicts economic activities (agriculture, gold mining, trade), and analyzes urban and rural society. Of particular interest is his discussion of the complex interaction among the different ethnic groups: Spaniards, Mestizos, Indians, and Blacks. In the longer second part he presents a detailed account of the makeup and operations of the town councils. His extensive research in primary sources makes possible a thorough examination of Popayán's administration and politics and their relationship to economic and social patterns. He also describes the councils' relations with the provincial governors, the viceregal authorities in Bogotá, and the Church. Because this study treats a neglected period and region and, in so doing, offers fresh materials and insights, it is an important contribution to our knowledge and comprehension of colonial Spanish America.

Winner of the 2024 Roberto Reis Book Award
Winner of the LASA Environment Section Best Book of 2023
Winner of the LASA Amazonian Studies Section Best Book of 2024 
Co-Winner of the LASA Book Award for the Visual Culture Studies 2024

A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon

Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs with their inclusion in larger multimedia assemblages, Carolina Sá Carvalho explores how this visual evidence of violence was framed, captioned, cropped, and circulated. As she explains, this photographic creation and circulation generated a pedagogy of the gaze with which increasingly connected urban audiences were taught what and how to see: viewers learned to interpret the traces of violence captured in these images within the larger context of modernization.

Traces of the Unseen draws on works by Flavio de Barros, Euclides da Cunha, Roger Casement, Claude Lévi-Strauss, and Mario de Andrade to situate an unruly photographic body at the center of modernity, in all its disputed meanings. Moreover, Sá Carvalho locates historically specific practices of seeing within the geopolitical peripheries of capitalism. What emerges is a consideration of photography as a technology through which modern aspirations, moral inclinations, imagined futures, and lost pasts were represented, critiqued, and mourned.

Translocas focuses on drag and transgender performance and activism in Puerto Rico and its diaspora. Arguing for its political potential, Lawrence La Fountain-Stokes explores the social and cultural disruptions caused by Latin American and Latinx “locas” (effeminate men, drag queens, transgender performers, and unruly women) and the various forms of violence to which queer individuals in Puerto Rico and the U.S. are subjected. This interdisciplinary, auto-ethnographic, queer-of-color performance studies book explores the lives and work of contemporary performers and activists including Sylvia Rivera, Nina Flowers, Freddie Mercado, Javier Cardona, Jorge Merced, Erika Lopez, Holly Woodlawn, Monica Beverly Hillz, Lady Catiria, and Barbra Herr; television programs such as RuPaul’s Drag Race; films such as Paris Is Burning, The Salt Mines, and Mala Mala; and literary works by authors such as Mayra Santos-Febres and Manuel Ramos Otero. Lawrence La Fountain-Stokes, a drag performer himself, demonstrates how each destabilizes (and sometimes reifies) dominant notions of gender and sexuality through drag and their embodied transgender expression. These performances provide a means to explore and critique issues of race, class, poverty, national identity, and migratory displacement while they posit a relationship between audiences and performers that has a ritual-like, communal dimension. The book also analyzes the murders of Jorge Steven López Mercado and Kevin Fret in Puerto Rico, and invites readers to challenge, question, and expand their knowledge about queer life, drag, trans performance, and Puerto Rican identity in the Caribbean and the diaspora. The author also pays careful attention to transgender experience, highlighting how trans activists and performers mold their bodies, promote social change, and create community in a context that oscillates between glamour and abjection.

A cultural and policy history that explains why two neighboring states developed divergent attitudes toward government and culture

At first glance, New Hampshire and Vermont seem like mirror images. Separated only by the Connecticut River, the oft-termed “Twin States” share a common history, relatively small populations, and heavily mountainous and forested landscapes dotted with small towns. Yet despite their similarities, they have evolved strikingly different political cultures, with Vermont prizing cooperation and community and New Hampshire celebrating independence and freedom from government. Perhaps nowhere is this divergence in political visions more pronounced than in their respective state mottos: Vermont’s communal "Freedom and Unity" and New Hampshire’s libertarian “Live Free or Die.”

Twin States, Different Paths explores these contrasting political cultures. Brian Porto traces these differences back to the land itself: to the geology and geography that shaped early settlement, patterns of land use, and the distinct ways people built their communities. From these origins emerged two enduring civic philosophies—New Hampshire’s devotion to low taxes and limited government, and Vermont’s emphasis on equality and shared responsibility. Bringing historical and cultural analysis together with contemporary case studies, Porto examines how these traditions influence each state’s approach to today’s policy challenges, including affordable housing and public-school funding. The result is a clear, balanced portrait of how deeply rooted attitudes toward freedom, unity, and governance continue to shape public life in both states.

Written with scholarly rigor yet in an engaging and accessible style, Twin States, Different Paths fills a notable gap in the study of New England politics. It offers insights not only for scholars and students of political culture, history, and public policy, but also for general readers, policymakers, and residents who wish to understand how two neighbors—so similar in geography and spirit—continue to follow such different paths in defining the role of government and community.

Why do governments insist on fossil fuels? Why do renewables face uncertain and inconsistent legal and regulatory circumstances that slow their market-share growth against fossil fuels? Oksan Bayulgen studies the political determinants of partial energy reforms that result in tepid energy transitions and shifts the geographical focus from front-runner countries of energy innovation to developing countries, which have become the largest carbon emitters in the world. Her in-depth case study of energy policies in Turkey over the past two decades demonstrates that energy transitions are neither inevitable nor linear and that they are often initiated if and only when promoting renewables is in the interests of governing elites and stall when political dividends associated with energy rents change. This book contributes to the debates on the nature and pace of energy transitions by analyzing the power dynamics and political institutions under which energy reforms are initiated and implemented over time. This timely topic will be of interest to scholars, policymakers, energy investors, and anyone interested in environmental studies.