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Whiteness revealed: an analysis of the destructive complacency of white self-consciousness​

White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior—from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take.

Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a “majority minority” population and the growing diversification of America’s political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives.

The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.

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The immediate postcolonial moment brought both promise and peril for the states of Africa and their security. The process of decolonization generated instability, and the emergent Cold War caught up the still-fragile independent states in a global ideological struggle between superpowers. While the political story of these states has been written in detail, the story of their militaries has been largely inaccessible, leaving only sketches of the coups, mutinies, and overall failures of security that outside observers could chronicle.

Ujamaa’s Army traces the evolution of the Tanzania People’s Defence Force from its inception in 1964 following the broader East African uprisings to its fully realized form on the eve of Tanzania’s 1978 conflict with Uganda. The book gathers primary interviews with key military actors within Tanzania and interweaves their narratives with archival sources to produce a detailed history of the culmination of President Julius Nyerere’s ideological project and the military leadership’s vision of a professional and effective force for guarding the nation and supporting liberation struggles across Southern Africa.

The Russian invasion of Ukraine in 2022 jeopardizes the country's independence and its chances for Western-style development. However, the heroic attitude of the Ukrainian people, combined with a solidifying national identity, makes the domestic foundations for a western turn stronger than ever. After the invasion, building strong foundations of liberal democracy will be a top priority. In addition to alleviating immediate problems, the country must also address its post-communist legacy and address the constraints of patronalism.

The authors of this edited volume, leading Ukrainian scholars supplemented by colleagues from Hungary, examine the chances of an anti-patronal transformation after the war. The book provides an overview of the development of Ukraine's political-economic system: color revolutions in 2004 and 2014 brought democratic transformation, but no change in the patronage system The result was patronal regime cycles instead of the emergence of a Western-type liberal democracy in the country. Building on the conceptual framework of the editors' The Anatomy of Post-Communist Regimes (CEU Press, 2020), the 12 chapters examine the impact of the war on patronal democracy, the relational economy, clientelist society, and the international environment in which Ukraine operates.

This collection is complemented by the book entitled Russia. Imperial Endeavor and Geopolitical Consequences.

“Where are you from?” For Catherine Jagoe, a set of complicated assumptions often lies behind this seemingly banal question. While partly an immigrant narrative, Jagoe’s memoir in essays is not so much—or not only—about moving to the US and putting down roots but rather more about feeling perpetually in-between and never quite “home.” Throughout, Jagoe wrestles with what identity and fidelity mean for a woman with three nationalities, a job as a translator who frequently lives in a fourth country, a history of depression, and chronically divided allegiances. Together, these essays paint a deeply personal yet incredibly relatable portrait of what it means to be an American—and an immigrant—in the twenty-first century. 

“Where are you from?” For Catherine Jagoe, a set of complicated assumptions often lies behind this seemingly banal question. While partly an immigrant narrative, Jagoe’s memoir in essays is not so much—or not only—about moving to the US and putting down roots but rather more about feeling perpetually in-between and never quite “home.” Throughout, Jagoe wrestles with what identity and fidelity mean for a woman with three nationalities, a job as a translator who frequently lives in a fourth country, a history of depression, and chronically divided allegiances. Together, these essays paint a deeply personal yet incredibly relatable portrait of what it means to be an American—and an immigrant—in the twenty-first century. 

Hearing southern women in the pauses of history

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s place in southern culture.

A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it.

Unbordering Migration Studies in the Caribbean and Latin America brings together scholars and artists across regions, generations, disciplines, and modes of expression to decenter the US-Mexico border as both a site and a concept. Calling for renewed attention to the spaces, identities, and conflicts that remain understudied and excluded from our hemispheric knowledge of forced movement, the volume reveals a wider diversity of migratory realities and considers race, ethnicity, and class beyond the hegemonic formations that eclipse non-US histories. Through multidisciplinary and geographically expansive essays that draw from history, social anthropology, environmental studies, feminist studies, and lived experience, the volume examines diverse migratory flows from Chile and Argentina in the South to Georgia and New York in the North. Individually and collectively, the essays remap migratory movements other than through the most studied South-to-North trajectories and remove the US and US-based racial formations from the center of analysis. By tracking East-West flows, intraregional mobilities, and changing conceptions of racial identity, Unbordering Migration Studies in the Caribbean and Latin America complicates the concepts of forced mobility and border crossing by highlighting alternative liminalities in sites of transit, destination, and return. Demanding engagement with the submerged histories of racism and the production of ethnoracial categories beyond the Black/white binary, the collection brings into focus identities, sites, and forces that have not yet occupied the foreground of global migration study.

This book contains plays by Genny Lim (Paper Angels), Wakako Yamauchi (The MusicLessons), Momoko Iko (Gold Watch),Velina Hasu Houston (Tea), Jeannie Barroga (Walls), and Elizabeth Wong (Letters to a Student Revolutionary). The volume includes an extended introduction, a profile of each playwright, and an appendix. The six plays of this anthology represent some of the best dramatic literature written by Asian American women since the 1970s. Each is a groundbreaking work and addresses in its own way the experiences of Asians in America. All six playwrights are American-born daughters of Asian immigrants, and their voices span the genres of naturalism, impressionism, ritual drama, postmodern collage, and media-influenced episodic drama.

The first English-language book to place the works of Elena Garro (1916–1998) and Octavio Paz (1914–1998) in dialogue with each other, Uncivil Wars evokes the lives of two celebrated literary figures who wrote about many of the same experiences and contributed to the formation of Mexican national identity but were judged quite differently, primarily because of gender.

While Paz’s privileged, prize-winning legacy has endured worldwide, Garro’s literary gifts garnered no international prizes and received less attention in Latin American literary circles. Restoring a dual perspective on these two dynamic writers and their world, Uncivil Wars chronicles a collective memory of wars that shaped Mexico, and in turn shaped Garro and Paz, from the Conquest period to the Mexican Revolution; the Spanish Civil War, which the couple witnessed while traveling abroad; and the student massacre at Tlatelolco Plaza in 1968, which brought about social and political changes and further tensions in the battle of the sexes. The cultural contexts of machismo and ethnicity provide an equally rich ground for Sandra Cypess’s exploration of the tandem between the writers’ personal lives and their literary production. Uncivil Wars illuminates the complexities of Mexican society as seen through a tense marriage of two talented, often oppositional writers. The result is an alternative interpretation of the myths and realities that have shaped Mexican identity, and its literary soul, well into the twenty-first century.

Surrounding this material are chapters that provide context about the disputes among researchers about whether batterer intervention programs work (only a small number of batterers renounce their abuse) and chapters that address the reactions of partners to these stories. "When the Man You Love is Abusive" is designed to caution women not to be manipulated by accounts of change and to outline the stages men need to pass through in the long process of becoming accountable. "The Last Word: Voices of Survivors" ends the book with a focus group discussion in which former abuse victims and advocates respond candidly to the men's stories.

Since Marcel Duchamp created his “readymades” a century ago—most famously christening a urinal as a fountain— the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn, and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common. The use of readymade now registers concerns about international migrant labor, outsourced manufacturing, access to natural resources, intellectual copyright, and the commoditization of virtual space.

In each chapter, Hamilton Faris introduces artists who exemplify the focus of readymade aesthetics on aspects of global commodity culture, including consumption, marketing, bureaucracy, labor, and community. She explores how materially intensive, “uncommon” aesthetic situations can offer moments to meditate on the kinds of objects, experiences, and values we ostensibly share in the age of globalization. The resulting volume will be an important contribution to scholarship on readymade art as well as to the study of materiality, embodiment, and globalization.