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The Maoist guerrilla group Shining Path launched its violent campaign against the government in Peru’s Ayacucho region in 1980. When the military and counterinsurgency police forces were dispatched to oppose the insurrection, the violence quickly escalated. The peasant community of Sarhua was at the epicenter of the conflict, and this small village is the focus of Unveiling Secrets of War in the Peruvian Andes. There, nearly a decade after the event, Olga M. González follows the tangled thread of a public secret: the disappearance of Narciso Huicho, the man blamed for plunging Sarhua into a conflict that would sunder the community for years.

Drawing on extensive fieldwork and a novel use of a cycle of paintings, González examines the relationship between secrecy and memory. Her attention to the gaps and silences within both the Sarhuinos’ oral histories and the paintings reveals the pervasive reality of secrecy for people who have endured episodes of intense violence. González conveys how public secrets turn the process of unmasking into a complex mode of truth telling. Ultimately, public secrecy is an intricate way of “remembering to forget” that establishes a normative truth that makes life livable in the aftermath of a civil war.

In The Souls of Black Folk, W. E. B. Du Bois brilliantly details the African American experience. Yet the renowned sociologist was also an astute chronicler of white people, particularly their racism. As Unveiling the Color Line demonstrates, Du Bois’s trenchant analysis of whiteness and white supremacy began in his earliest work—his 1890 speech on Jefferson Davis—and continued in every major book he published in his more than sixty-year career, up to The Black Flame Trilogy.

Lisa J. McLeod traces the development of Du Bois’s conception of whiteness, and the racism inherent to it, as an all-encompassing problem, whether predicated on ignorance, moral failure, or the inability to recognize the humanity in other people. In clear, elegant prose, McLeod investigates Du Bois’s complex and nuanced thinking, putting his insights into dialogue with contemporary racial theorists to demonstrate his continuing value to present-day critical thought and activism.

A comprehensive overview of the controversy surrounding Hitler’s Willing Executioners.

Few if any books of the past fifty years have moved a broad section of the German public to think about their country’s Nazi past as has Daniel Jonah Goldhagen’s Hitler’s Willing Executioners. The main argument of his book is that Germans committed the unthinkable acts of the Holocaust not because they were forced to but out of a deeply held conviction that killing Jews was morally just. Unwilling Germans? traces the intense and varied reception of a book that has created more heated debate than any other treatment of Germany’s genocidal past.

Three centuries of faith, leadership, and community building in Alabama's Black Baptist tradition.

Uplifting the People is a history of the Alabama Missionary Baptist State Convention—its origins, churches, associations, conventions, and leaders. Fallin demonstrates that a distinctive Afro-Baptist faith emerged as slaves in Alabama combined the African religious emphasis on spirit possession, soul-travel, and rebirth with the evangelical faith of Baptists. The denomination emphasizes a conversion experience that brings salvation, spiritual freedom, love, joy, and patience, and also stresses liberation from slavery and oppression and highlights the exodus experience. In examining the social and theological development of the Afro-Baptist faith over the course of three centuries, Uplifting the People demonstrates how black Baptists in Alabama used faith to cope with hostility and repression.

Fallin reveals that black Baptist churches were far more than places of worship. They functioned as self-help institutions within black communities and served as gathering places for social clubs, benevolent organizations, and political meetings. Church leaders did more than conduct services; they protested segregation and disfranchisement, founded and operated schools, and provided community leaders for the civil rights movement of the mid-20th century.

Through black churches, members built banking systems, insurance companies, and welfare structures. Since the gains of the civil rights era, black Baptists have worked to maintain the accomplishments of that struggle, church leaders continue to speak for social justice and the rights of the poor, and churches now house day care and Head Start programs. Uplifting the People also explores the role of women, the relations between black and white Baptists, and class formation within the black church.

This volume is the second in the series Cold War Documentary Readers, a project of the US National Security Archive and the Cold War International History Project.

The volume is the first documented account of this early Cold War crisis from both sides of the Iron Curtain. Based on the recent unprecedented access to the once-closed archives of several member states of the Warsaw Pact, this collection of primary-source documents presents one of the most notorious events of post-war European history in a highly readable format.

Previously unreleased Kremlin records, once highly classified American documents, materials from the Soviet Foreign Ministry, and transcripts of internal East German Communist Party Politburo meetings in the days leading to the uprising in the German Democratic Republic (GDR) are among the highlights of this sensational documentary.

In this volume, as in the previous one in the series, each part is preceded by a detailed introductory essay to provide the necessary historical and political context. The individual documents are introduced by short headnotes summarizing the contents and orienting the reader. A chronology, glossary and bibliography offer further background information.

The archaeology of four New Orleans neighborhoods that were replaced by public housing projects

Uprooted: Race, Public Housing, and the Archaeology of Four Lost New Orleans Neighborhoods uses archaeological research on four neighborhoods that were razed during the construction of public housing in World War II–era New Orleans. Although each of these neighborhoods was identified as a “slum” historically, the material record challenges the simplicity of this designation. D. Ryan Gray provides evidence of the inventiveness of former residents who were marginalized by class, color, or gender and whose everyday strategies of survival, subsistence, and spirituality challenged the city’s developing racial and social hierarchies.

These neighborhoods initially appear to have been quite distinct, ranging from the working-class Irish Channel, to the relatively affluent Creole of Color–dominated Lafitte area, to the former location of Storyville, the city’s experiment in semilegal prostitution. Archaeological and historical investigations suggest that race was the crucial factor in the areas’ selection for clearance. Each neighborhood manifested a particular perceived racial disorder, where race intersected with ethnicity, class, or gender in ways that defied the norms of Jim Crow segregation.

Gray’s research makes use of both primary documents—including census records, city directories, and even the brothel advertising guides called “Blue Books”—and archaeological data to examine what this entailed at a variety of scales, reconstructing narratives of the households and communities affected by clearance. Public housing, both in New Orleans and elsewhere, imposed a new kind of control on urban life that had the effect of making cities both more segregated and less equal. The story of the neighborhoods that were destroyed provides a reminder that their erasure was not an inevitable outcome, and that a more equitable and just city is still possible today. A critical examination of the rise of public housing helps inform the ongoing debates over its demise, especially in light of the changing face of post-Katrina New Orleans.
 

Battle lines have long been drawn over how food is produced, what food is made available to whom, and how best to protect consumers from risky or unhealthy food. Jeffrey Haydu resurrects the history of food reform and protest in Upsetting Food, showing how activists defined food problems, articulated solutions, and mobilized for change in the United States. 

Haydu’s sociological history starts in the 1830s with diet reformer Sylvester Graham, who blamed alcohol and store-bought bread—signs of a commercializing urban society—for poor health and moral decline. His successors at the turn of the twentieth century rallied against impure food and pushed for women to be schooled in scientific food preparation and nutrition. Decades later, in the 1960s and ’70s, a grassroots movement for organic food battled commercial food production in favor of food grown ecologically, by small farmers, and without artificial chemicals. 

Each campaign raised doubts about food safety, health, and transparency, reflecting how a capitalist system can undermine trust in food. But Haydu also considers how each movement reflects the politics, inequalities, and gender relations of its time. And he traces how outcomes of each campaign laid the groundwork for the next. The three eras thus come together as parts of a single, recurring food movement.

Upsetting Food offers readers a historical background to better understand contemporary and contentious food politics.

Traditional interpretations of the 1950s have emphasized how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet those efforts at repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of television, on the Broadway stage, and from behind the scenes.

By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in representing America to the world. 

Ironically, the dissidents' international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for “hearts and minds,” and their artistic work an effective means to sell American values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.

Urban Aloha reveals the vibrant, little-known story of Kānaka ʻŌiwi (Native Hawaiians) diaspora in Los Angeles, home to the largest Hawaiian community outside Hawai‘i. Moving beyond tourist clichés and the persistent myth that Hawaiian Gardens represents “the” Hawaiian enclave, author Lani Cupchoy traces how a diasporic community took root across the South Bay and San Gabriel Valley. Beginning with the peak migrations of the 1950s and 1960s, and driven by economic recession in the islands, the narrative follows families as they built new lives through civic clubs, newsletters, churches, restaurants, and backyard gatherings.

Drawing on oral histories, archival research, foodways, hula halau, and organizations such as the Hawaiian Inter-Club Council of Southern California, Urban Aloha explores how “Hawaiianness” shifts from identity to lived cultural community. Cupchoy examines how belonging is shaped not only by ancestry but by region, memory, leisure, and everyday practice. At once intimate and intellectually compelling, this book challenges manufactured fantasies of paradise and reveals a dynamic mainland community negotiating authenticity, representation, and cultural resilience. Richly researched and deeply human, Urban Aloha redefines what it means to be Hawaiian—on the continent and beyond.