615 books match the query 'England' and 11 start with v

cover of Vaughan Williams and His World

Vaughan Williams and His World

Edited by Byron Adams and Daniel M. Grimley

University of Chicago Press, 2023

A biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival.

Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance.

Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
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cover of Verdict According to Conscience: Perspectives on the English Criminal Trial Jury, 1200-1800

Verdict According to Conscience

Perspectives on the English Criminal Trial Jury, 1200-1800

Thomas Andrew Green

University of Chicago Press, 1985

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cover of Via Crucis: Essays on Early Medieval Sources and Ideas

Via Crucis

Essays on Early Medieval Sources and Ideas

THOMAS N. HALL

West Virginia University Press, 2002

 This book originated as a series of papers delivered at a Symposium on Irish and Anglo-Saxon Literary Culture in Honor of J. E. Cross, held in conjunction with the 30th International Congress on Medieval Studies at Kalamazoo in May 1996. The purpose of that symposium was to bring together a number of friends and admirers of Professor Cross to celebrate his remarkably rich career as a scholar of Old English and Insular Latin literature; Anglo-Saxon manuscripts; and medieval sermons, saints’ lives, and apocrypha.

Just over a decade earlier, a group of colleagues had honored Professor Cross with a Festschrift published as a special volume of Leeds Studies in English, but in the years since that collection appeared, Professor Cross had managed to launch into the most productive period of his entire career, producing over thirty new articles and books since 1984, including his ground-breaking monograph on the Pembroke 25 homiliary, a facsimile edition of the Copenhagen Wulfstan manuscript for the series Early English Manuscripts in Facsimile, a book on the Gospel of Nicodemus and Vindicta Salvatoris apocrypha from the St Omer 202 homiliary, and an edition and translation of Archbishop Wulfstan’s canon laws.
 
Surely these achievements were worthy of fresh recognition, we reasoned, and a small cohort of Professor Cross’s friends accordingly began conspiring to host a symposium in his honor with an eye toward producing a second Festschrift. Kalamazoo was the logical site for this event. Professor Cross had frequented the Medieval Congress at Kalamazoo for as long as any of us could remember, had chaired and presented in numerous sessions, and was a plenary speaker in 1990. It was also at Kalamazoo that Professor Cross initiated discussions of a plan to revise and update J. D. A. Ogilvy’s Books Known to the English, 597-1066, an ambitious project that has since given rise to two large collaborative ventures to which many Anglo-Saxonists around the world now contribute: Fontes Anglo-Saxonici and Sources of Anglo-Saxon Literary Culture.
 
Kalamazoo was thus a perfect match for Professor Cross, and with the kind indulgence of the Medieval Congress program committee, we proceeded to organize five sessions for the 1996 meeting on Irish and Anglo-Saxon studies as a tribute to Professor Cross’s work in these areas. The timing, as it turned out, proved meaningful: Professor Cross died unexpectedly the following December, just seven months after the symposium, and the Kalamazoo conference was consequently the last opportunity most of us had to see him.
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cover of Victorians Reading the Romantics: Essays by U. C. Knoepflmacher

Victorians Reading the Romantics

Essays by U. C. Knoepflmacher

Essays by U. C. Knoepflmacher, edited by Linda M. Shires

The Ohio State University Press, 2016

Victorians Reading the Romantics: Essays by U. C. Knoepflmacher, edited by LindaM. Shires, offers a compelling new perspective on the long and influential publishing career and thought of Knoepflmacher, a leading critic of the novel and Victorian poetry. This volume draws together essays on nineteenth-century literature written between 1963 and 2012.An introductory essay and new scaffolding emphasize the interrelations among the essays, which together form a consistent approach to literary criticism.

Knoepflmacher’s vision of texts and readersstressesthe emotional knowledge afforded by reading, writing about, and teaching literary texts.Each chapter links Romantic texts to those of later writers. Shelley and Keats try to revise Wordsworth, but they are themselves recast by Browning and Hardy. Similarly, George Eliot and Virginia Woolf’s reliance on Romantic tropes are fruitfully examined. Above all, however, these chapters stress the impact of Wordsworth on his many contemporaries and successors. Knoepflmacher probes into their texts to find, as Wordsworth did, a momentaryfusionof opposites.He posits a reader who is flexible—able to move in multiple directions by paying attention to spatial, verbal, and imagistic coordinates, across and down a page.Given the attention paid tothe translation of affect into thought,this collectionwillcontribute to Victorian studiesas well as enhance our understanding of the affective dynamics of nineteenth-century literature.

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cover of Vida y muerte de San Cristóbal

Vida y muerte de San Cristóbal

Juan de Benavides

Arizona Center for Medieval and Renaissance Studies, 2020

As the patron of travelers, Saint Christopher inspired one of the most popular cults in the medieval era, which spread across Europe and especially the Iberian Peninsula. Artistic renderings of the saint were found near the doors of most Spanish Gothic churches, and paratheatrical representations of Saint Christopher were also commonplace in religious processions. His conversion and martyrdom were often staged between the fifteenth and early eighteenth centuries. 

In the theater, Juan de Benavides’s Vida y muerte de San Cristóbal is one of two known comedias dealing with the saint, but it was heavily censored after its premiere. The immense popularity of St. Christopher and other primitive saints first drew the attention of the Council of Trent in the mid-1500s, when the Catholic Church attempted to suppress the influence of the earlier saints due to their fantastical nature. The stories of these saints were censored, rewritten or even omitted in the post-Tridentine martyrologies. This publication is the first critical edition of the only extant copy of Benavides’s playscript. The circumstances surrounding Benavides’s play continue a dialogue about such important topics as censorship and the influence of the church over artistic production.

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cover of Violence and Grace: Exceptional Life between Shakespeare and Modernity

Violence and Grace

Exceptional Life between Shakespeare and Modernity

Nichole E. Miller

Northwestern University Press, 2014

In Violence and Grace, Nichole Miller establishes a conceptual link between early modern English drama and twentieth-century political theology, both of which emerge from the experience of political crisis. Miller’s analyses accordingly undertake to retrieve for political theology the relations between gender, sexuality, and the political aesthetics of violence on the early modern stage, addressing the plays of Marlowe, Middleton, and especially Shakespeare. In doing so, she expands our understanding of drama’s continuing theoretical impact.

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cover of Virginia Woolf and the Fictions of Psychoanalysis

Virginia Woolf and the Fictions of Psychoanalysis

Elizabeth Abel

University of Chicago Press, 1989

"A stunning, brilliant, absolutely compelling reading of Woolf through the lens of Kleinian and Freudian psychoanalytic debates about the primacy of maternality and paternality in the construction of consciousness, gender, politics, and the past, and of psychoanalysis through the lens of Woolf's novels and essays. In addition to transforming our understanding of Woolf, this book radically expands our understanding of the historicity and contingent construction of psychoanalytic theory and our vision of the potential of psychoanalytic feminism."—Nancy J. Chodorow, University of California at Berkeley

"Virginia Woolf and the Fictions of Psychoanalysis brings Woolf's extraordinary craftsmanship back into view; the book combines powerful claims about sexual politics and intellectual history with the sort of meticulous, imaginative close reading that leaves us, simply, seeing much more in Woolf's words than we did before. It is the most exciting book on Woolf to come along in some time."—Lisa Ruddick, Modern Philology
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cover of Virtuous Necessity: Conduct Literature and the Making of the Virtuous Woman in Early Modern England

Virtuous Necessity

Conduct Literature and the Making of the Virtuous Woman in Early Modern England

Jessica C. Murphy

University of Michigan Press, 2015

While many scholars find the early modern triad of virtues for women—silence, chastity, and obedience—to be straightforward and nonnegotiable, Jessica C. Murphy demonstrates that these virtues were by no means as direct and inflexible as they might seem. Drawing on the literature of the period—from the plays of Shakespeare to a conduct manual written for a princess to letters from a wife to her husband—as well as contemporary gender theory and philosophy, she uncovers the multiple meanings of behavioral expectations for sixteenth- and seventeenth-century women. Through her renegotiation of cultural ideals as presented in both literary and nonliterary texts of early modern England, Murphy presents models for “acceptable” women’s conduct that lie outside of the rigid prescriptions of the time.

Virtuous Necessity will appeal to readers interested in early modern English literature, including canonical authors such as Shakespeare, Spenser, and Milton, as well as their female contemporaries such as Amelia Lanyer and Elizabeth Cary. It will also appeal to scholars of conduct literature; of early modern drama, popular literature, poetry, and prose; of women’s history; and of gender theory.
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cover of Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Visions of Queer Martyrdom from John Henry Newman to Derek Jarman

Dominic Janes

University of Chicago Press, 2015

With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom—closeted queer servitude to Christ—a concept that allowed a certain degree of latitude for the development of same-sex desire.
            Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman’s sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire.
Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other’s cultural and spiritual experience.
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cover of Visions of Sodom: Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

Visions of Sodom

Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850

H. G. Cocks

University of Chicago Press, 2017

The book of Genesis records the fiery fate of Sodom and Gomorrah—a storm of fire and brimstone was sent from heaven and, for the wickedness of the people, God destroyed the cities “and all the plains, and all the inhabitants of the cities, and that which grew upon the ground.” According to many Protestant theologians and commentators, one of the Sodomites’ many crimes was homoerotic excess.

In Visions of Sodom, H. G. Cocks examines the many different ways in which the story of Sodom’s destruction provided a template for understanding homoerotic desire and behaviour in Britain between the Reformation and the nineteenth century. Sodom was not only a marker of sexual sins, but also the epitome of false—usually Catholic—religion, an exemplar of the iniquitous city, a foreshadowing of the world’s fiery end, an epitome of divine and earthly punishment, and an actual place that could be searched for and discovered. Visions of Sodom investigates each of these ways of reading Sodom’s annihilation in the three hundred years after the Reformation. The centrality of scripture to Protestant faith meant that Sodom’s demise provided a powerful origin myth of homoerotic desire and sexual excess, one that persisted across centuries, and retains an apocalyptic echo in the religious fundamentalism of our own time.
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cover of Voyage To The Other World: The Legacy of Sutton Hoo

Voyage To The Other World

The Legacy of Sutton Hoo

Calvin Kendall

University of Minnesota Press, 1992

A fascinating exploration of pagan Anglo-Saxon culture-a world caught on the boundary between competing ideologies and contrasting social systems.

Contributors: James Campbell, Martin Carver, Robert Payson Creed, Roberta Frank, Michael N. Geselowitz, Gloria Polizzotti Greis, Henrik M. Jansen, Simon Keynes, Edward Schoenfeld, Jana Schulman, Alan M. Stahl, Wesley M. Stevens, and Else Roesdahl.Medieval Cultures Series, volume 5
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