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In 1569 the Spanish viceroy Francisco de Toledo ordered more than one million native people of the central Andes to move to newly founded Spanish-style towns called reducciones. This campaign, known as the General Resettlement of Indians, represented a turning point in the history of European colonialism: a state forcing an entire conquered society to change its way of life overnight. But while this radical restructuring destroyed certain aspects of indigenous society, Jeremy Ravi Mumford's Vertical Empire reveals the ways that it preserved others. The campaign drew on colonial ethnographic inquiries into indigenous culture and strengthened the place of native lords in colonial society. In the end, rather than destroying the web of Andean communities, the General Resettlement added another layer to indigenous culture, a culture that the Spaniards glimpsed and that Andeans defended fiercely.

In the decades since the Vietnam War, veteran memoirs have influenced Americans’ understanding of the conflict. Yet few historians or literary scholars have scrutinized how the genre has shaped the nation’s collective memory of the war and its aftermath. Instead, veterans’ accounts are mined for colorful quotes and then dropped from public discourse; are accepted as factual sources with little attention to how memory, no matter how authentic, can diverge from events; or are not contextualized in terms of the race, gender, or class of the narrators.

Veteran Narratives and the Collective Memory of the Vietnam War is a landmark study of the cultural heritage of the war in Vietnam as presented through the experience of its American participants. Crossing disciplinary borders in ways rarely attempted by historians, John A. Wood unearths truths embedded in the memoirists’ treatments of combat, the Vietnamese people, race relations in the United States military, male-female relationships in the war zone, and veterans’ postwar troubles. He also examines the publishing industry’s influence on collective memory, discussing, for example, the tendency of publishers and reviewers to privilege memoirs critical of the war. Veteran Narratives is a significant and original addition to the literature on Vietnam veterans and the conflict as a whole.

Veterans Stadium was the outdoor sports and concert capital of Philadelphia from 1971 until its televised demolition in 2004. At its best, "The Vet" spawned two of the greatest moments in the city's sports history—Tug McGraw's 1980 strikeout of Willie Wilson to win the World Series and the Eagles thrashing of the Dallas Cowboys to clinch their first Super Bowl bid. At its worst, it saw fans pelt Santa Claus with snowballs and the opening of an in-stadium branch of Philadelphia municipal court to deal with rowdy Eagles fans.

Part of a look-alike generation of all-purpose stadiums erected around the country, the Vet took on its own personality over the years. For all its deficiencies, it left fans loving it in the way they loved their own families—warts and all. Almost 100 photographs and Rich Westcott's yarns make Veterans Stadium the one book that will help Philadelphians—and Philadelphia visitors—remember thirty years of their history.

In this nuanced history of occupied France, Francine Muel-Dreyfus presents a powerful examination of the political and social construction of gender under the Vichy regime. Arguing that the regime used symbolic violence to reshape a liberal culture once based on individual rights into one of deference to hierarchical authority, Muel-Dreyfus shows how Vichy invoked theories of “natural” gender inequality and “eternal” opposition between the masculine and the feminine to justify women’s legal and social subordination, and how these ideologies were incorporated into the French woman’s sense of self.
Drawing on an extensive body of legislative, religious, educational, medical, and literary texts, Muel-Dreyfus examines how the Vichy regime brutally resurrected the gender politics that had been rejected during France’s social struggles in the 1930s. Strikingly, she reveals how this resurrection in turn fed into racial politics: childless women, for instance, and those who had abortions were construed—like Jews—as threats to France’s racial “purity.” With its atendant patterns of social inclusion and exclusion that were deeply rooted in the political and cultural history of the Third Republic, Muel-Dreyfus claims, a pervasive range of gendered metaphors helped to structure the very laws and policies of the Vichy regime.
The French language edition of this book was published in 1996 to wide acclaim. Contributing to theories about the role of gender in political philosophy, to the cultural anthropology of symbolic representation, and to our understanding of the history of fascism, Vichy and the Eternal Feminine will appeal to French, European, and twentieth-century historians; students and scholars of gender and racial studies; political scientists; and anthropologists.

Childhood as scholars often recognize it—innocent, vulnerable, and above all, precious—is anchored in the cultural imagination of the early nineteenth-century United States, when an attitude of child worship drove sentimental politics and literature. But, not all childhoods were defined by love, education, and nurture. Singled out by nineteenth-century legal and medical establishments, children already marginalized by slavery, ethnicity, and poverty were increasingly branded as incorrigible, delinquent, and antisocial.

Vicious Infants offers a counterhistory of literary childhood as both perceived social threat and site of resistance, revealing that many children were not only cut off from family and society, they were also preemptively excluded from the rewards of citizenship and adulthood. Turning to prison documents, medical journals, overlooked periodical fiction, and literary works from William Apess, Harriet Wilson, Herman Melville, Susan Paul, and Harriet Beecher Stowe, Laura Soderberg recovers alternate narratives of childhood and provides an important window into the cultural links between race, reproduction, and childhood in the antebellum period.

Chile was the first major Latin American nation to carry out a complete neoliberal transformation. Its policies—encouraging foreign investment, privatizing public sector companies and services, lowering trade barriers, reducing the size of the state, and embracing the market as a regulator of both the economy and society—produced an economic boom that some have hailed as a “miracle” to be emulated by other Latin American countries. But how have Chile’s millions of workers, whose hard labor and long hours have made the miracle possible, fared under this program? Through empirically grounded historical case studies, this volume examines the human underside of the Chilean economy over the past three decades, delineating the harsh inequities that persist in spite of growth, low inflation, and some decrease in poverty and unemployment.

Implemented in the 1970s at the point of the bayonet and in the shadow of the torture chamber, the neoliberal policies of Augusto Pinochet’s dictatorship reversed many of the gains in wages, benefits, and working conditions that Chile’s workers had won during decades of struggle and triggered a severe economic crisis. Later refined and softened, Pinochet’s neoliberal model began, finally, to promote economic growth in the mid-1980s, and it was maintained by the center-left governments that followed the restoration of democracy in 1990. Yet, despite significant increases in worker productivity, real wages stagnated, the expected restoration of labor rights faltered, and gaps in income distribution continued to widen. To shed light on this history and these ongoing problems, the contributors look at industries long part of the Chilean economy—including textiles and copper—and industries that have expanded more recently—including fishing, forestry, and agriculture. They not only show how neoliberalism has affected Chile’s labor force in general but also how it has damaged the environment and imposed special burdens on women. Painting a sobering picture of the two Chiles—one increasingly rich, the other still mired in poverty—these essays suggest that the Chilean miracle may not be as miraculous as it seems.

Contributors.
Paul Drake
Volker Frank
Thomas Klubock
Rachel Schurman
Joel Stillerman
Heidi Tinsman
Peter Winn

Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.

Kirkoswald and Renwick is the first parish history to be produced by the Cumbria County History Trust in collaboration with Lancaster University for the Victoria County History of Cumbria. Covering 30 square miles of agricultural land and moorland, the modern civil parish of Kirkoswald lies between the river Eden and the Pennine heights, on the western edge of the North Pennine Area of Outstanding Natural Beauty. Kirkoswald township, anciently a market and small industrial centre, lies nine miles north east of Penrith. Until 1566 Kirkoswald Castle was the principal seat of the powerful Barons Dacre of the North whose massive landholdings extended over six counties. In 1523 Lord Thomas Dacre translated St Oswald’s church, a pre-conquest foundation for which the village is named, to collegiate status, and after the Reformation the college became a gentleman's residence, acquired in 1611 by the Fetherstonhaugh family whose home it still is after 400 years and 11 generations of descent. The economy, largely dependent on agriculture, benefited for 600 years from Kirkoswald's role as a market and business centre, with some manufacturing (textiles, paper and timber) powered by the waters of the Raven Beck. From 1631 to about 1850 there was coal mining on the Pennine Edge (with associated lime-burning). In the 21st century the parish remains an unspoilt and beautiful corner of England, home to some 30 farms specialising in animal husbandry, and many retired people and commuters to Penrith and Carlisle. 

Victorian Art Criticism and the Woman Writer by John Paul M. Kanwit examines the development of specialized art commentary in a period when art education became a national concern in Britain. The explosion of Victorian visual culture—evident in the rapid expansion of galleries and museums, the technological innovations of which photography is only the most famous, the public debates over household design, and the high profile granted to such developments as the Aesthetic Movement—provided art critics unprecedented social power. Scholarship to date, however, has often been restricted to a narrow collection of male writers on art: John Ruskin, Walter Pater, William Morris, and Oscar Wilde.

 

By including then-influential but now lesser-known critics such as Anna Jameson, Elizabeth Eastlake, and Emilia Dilke, and by focusing on critical debates rather than celebrated figures, Victorian Art Criticism and the Woman Writer refines our conception of when and how art criticism became a professional discipline in Britain. Jameson and Eastlake began to professionalize art criticism well before the 1860s, that is, before the date commonly ascribed to the professionalization of the discipline. Moreover, in concentrating on historical facts rather than legends about art, these women critics represent an alternative approach that developed the modern conception of art history. In a parallel development, the novelists under consideration—George Eliot, Charlotte Brontë, Anne Brontë, and Elizabeth Gaskell—read a wide range of Victorian art critics and used their lessons in key moments of spectatorship.

 

This more inclusive view of Victorian art criticism provides key insights into Victorian literary and aesthetic culture. The women critics discussed in this book helped to fashion art criticism as itself a literary genre, something almost wholly ascribed to famous male critics.

The subject of Victorian Domesticity is family life in America. The life and works of Louisa May Alcott served as the vehicle for exploring and analyzing this subject. Although Alcott was deeply influenced by popular currents of sentimentality, her own experience exposed her to the confusions and contradictions generated when sentiment confronted the reality of life in 19th-century America.

In the first chapter Strickland outlines the ways in which sentimentality colored the perception of 19th-century Americans about such issues as courtship, marriage, the relationship between the sexes, generational relationships, and the relationship between the nuclear family and the community outside the family. Chapters two and three trace Alcott’s childhood and adolescent experiences, exploring the tensions that developed between Louisa and her father, and detailing the ways in which she carried the double burden of being both poor and female as she sought her identity as a writer.

The following six chapters treat the varieties of family life that appear in Alcott’s stories, the impact of feminism on her life, and her emphasis on the importance of child nurture. In the final two chapters the author treats the relationships that Alcott perceived between the family and the world around it and assesses the legacy of the Victorian family idea.

While “freaks” have captivated our imagination since well before the nineteenth century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, “missing links,” and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of “consolidation” for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of “freakery” and the unstable and sometimes conflicting ways in which freakery was understood and deployed. As the first study centralizing British culture, this collection discusses figures as varied as Joseph Merrick, “The Elephant Man”; Daniel Lambert, “King of the Fat Men”; Julia Pastrana, “The Bear Woman”; and Laloo “The Marvellous Indian Boy” and his embedded, parasitic twin. The Victorian Freaks contributors examine Victorian culture through the lens of freakery, reading the production of the freak against the landscape of capitalist consumption, the medical community, and the politics of empire, sexuality, and art. Collectively, these essays ask how freakery engaged with notions of normalcy and with its Victorian cultural context.

During the nineteenth century, British society was making rapid advancements in science and technology. While the men became materially productive, women were expected to be the fulcrums of society's changes. As one means of adjusting to these changes, many women focused on supernaturalism and spirituality.

In Victorian Ghosts in the Noontide, Vanessa D. Dickerson analyzes women's spirituality in a materialistic age by examining the supernatural fiction of Charlotte and Emily Brontë, Elizabeth Gaskell, and George Eliot and provides interpretive readings of familiar texts like Jane Eyre and Wuthering Heights. Other works by lesser-known authors are also examined.

Technological advances eliminated many of the jobs women were accustomed to doing. This left women looking for their place in society. A sense of "in-betweenness" developed in these women who were now expected to attend not only to the physical but also to the moral and spiritual needs of the family. As an answer to this "in-betweenness" some channeled their power toward the art of writing. Because people in the mid-1800s were so thoroughly engaged in scientific thought and advancements, supernatural folklore and spirituality were disreputable ideas for anyone, especially women, to explore. Ghosts and spirits were tied to old-wives' tales, superstitions, and legends. However, by focusing on these concepts and using fiction as an outlet, women were able to make great strides in being seen and heard. The art of writing functioned as an exploration of their spiritualism in which women discovered expression, freedom, and power.

This perceptive, well-written book will add a new dimension to our understanding of women's supernatural writings of the Victorian era. Scholars of Victorian literature, women's studies, and popular culture will benefit from its insights.

Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period.

Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson

This text looks at the people, ideas and events between the Great Exhibition of 1851 and the Second Reform Act of 1867. From "John Arthur Roebuck and the Crimean War", and "Samuel Smiles and the Gospel of Work" to "Thomas Hughes and the Public Schools" and "Benjanmin Disraeli and the Leap in the Dark", Asa Briggs provides an assessment of Victorian achievements; and in doing so conjures up an enviable picture of the progress and independence of the last century.

"For expounding this theme, this interaction of event and personality, Mr. Briggs is abundantly and happily endowed. He is always readable, often amusing, never facetious. He is widely read and widely interested. He has a sound historic judgment, and an unfailing sense for what is significant in the historic sequence and what is merely topical. . . . Above all, he is in sympathy with the age of which he is writing."—Times Literary Supplement

One of the articles of faith of twentieth-century intellectual history is that the theory of relativity in physics sprang in its essentials from the unaided genius of Albert Einstein; another is that scientific relativity is unconnected to ethical, cultural, or epistemological relativisms. Victorian Relativity challenges these assumptions, unearthing a forgotten tradition of avant-garde speculation that took as its guiding principle "the negation of the absolute" and set itself under the militant banner of "relativity."

Christopher Herbert shows that the idea of relativity produced revolutionary changes in one field after another in the nineteenth century. Surveying a long line of thinkers including Herbert Spencer, Charles Darwin, Alexander Bain, W. K. Clifford, W. S. Jevons, Karl Pearson, James Frazer, and Einstein himself, Victorian Relativity argues that the early relativity movement was bound closely to motives of political and cultural reform and, in particular, to radical critiques of the ideology of authoritarianism. Recuperating relativity from those who treat it as synonymous with nihilism, Herbert portrays it as the basis of some of our crucial intellectual and ethical traditions.

Victorians were fascinated by the flood of strange new worlds that science was opening to them. Exotic plants and animals poured into London from all corners of the Empire, while revolutionary theories such as the radical idea that humans might be descended from apes drew crowds to heated debates. Men and women of all social classes avidly collected scientific specimens for display in their homes and devoured literature about science and its practitioners.

Victorian Science in Context captures the essence of this fascination, charting the many ways in which science influenced and was influenced by the larger Victorian culture. Contributions from leading scholars in history, literature, and the history of science explore questions such as: What did science mean to the Victorians? For whom was Victorian science written? What ideological messages did it convey? The contributors show how practical concerns interacted with contextual issues to mold Victorian science—which in turn shaped much of the relationship between modern science and culture.

Victorian Scientific Naturalism examines the secular creeds of the generation of intellectuals who, in the wake of The Origin of Species, wrested cultural authority from the old Anglican establishment while installing themselves as a new professional scientific elite. These scientific naturalists—led by biologists, physicists, and mathematicians such as William Kingdon Clifford, Joseph Dalton Hooker, Thomas Henry Huxley, and John Tyndall—sought to persuade both the state and the public that scientists, not theologians, should be granted cultural authority, since their expertise gave them special insight into society, politics, and even ethics.

           

In Victorian Scientific Naturalism, Gowan Dawson and Bernard Lightman bring together new essays by leading historians of science and literary critics that recall these scientific naturalists, in light of recent scholarship that has tended to sideline them, and that reevaluate their place in the broader landscape of nineteenth-century Britain. Ranging in topic from daring climbing expeditions in the Alps to the maintenance of aristocratic protocols of conduct at Kew Gardens, these essays offer a series of new perspectives on Victorian scientific naturalism—as well as its subsequent incarnations in the early twentieth century—that together provide an innovative understanding of the movement centering on the issues of community, identity, and continuity.

Fiction or philosophy, profound knowledge or shocking heresy? When Vestiges of the Natural History of Creation was published anonymously in 1844, it sparked one of the greatest sensations of the Victorian era. More than a hundred thousand readers were spellbound by its startling vision—an account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. As gripping as a popular novel, Vestiges combined all the current scientific theories in fields ranging from astronomy and geology to psychology and economics. The book was banned, it was damned, it was hailed as the gospel for a new age. This is where our own public controversies about evolution began.

In a pioneering cultural history, James A. Secord uses the story of Vestiges to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how Vestiges was written and how the anonymity of its author was maintained for forty years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print.

Beautifully written and based on painstaking research, Victorian Sensation offers a new approach to literary history, the history of reading, and the history of science. Profusely illustrated and full of fascinating stories, it is the most comprehensive account of the making and reception of a book (other than the Bible) ever attempted.

 

Recent critical and historical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. These popular terms include categories such as homo/hetero, patriarchal/feminist, and masculine/effeminate. This collection exploits this framework—while refining and resisting it in places—to show how certain Victorians imagined difference in ways that continue to challenge us today.

One essay, for example, traces the remarkable feminist appropriation of male-identified fields of study, such as Classical philology. Others address the validation of male bodies as objects of desire in writing, painting, and emergent modernist choreography. The writings shed light on the diverse interests served by a range of cultural practitioners and on the complex ways in which the late Victorians invented themselves as modern subjects.

This volume will be essential reading for students of British literary and cultural history as well as for those interested in feminist, gay, and lesbian studies.

Contributors are: Oliver Buckton, Richard Dellamora, Dennis Denisoff, Regenia Gagnier, Eric Haralson, Andrew Hewitt, Christopher Lane, Thaïs Morgan, Yopie Prins, Kathy Alexis Psomiades, Julia Saville, Robert Sulcer, Jr., Martha Vicinus.

"No Victorianist, however well read, could fail to learn something from this book. It is a veritable plum pudding, bursting with interesting information and experience."—Christopher A. Kent, Victorian Periodicals Review

Three men and three women: a plant collector, a merchant and his novelist wife, a military officer, and two famous women travelers went to China between the Opium War and the formal end of the opium trade, 1842–1907. Their range of perspectives, their acquaintance with one another and their similar scope of travel to Hong Kong, the treaty ports, and Sichuan lend intensity to their picture of China and the Western presence there.

What the travelers record reveals is a continuity in the response of the West and China to each other. Susan Schoenbauer Thurin’s study of these writings presents a rich tapestry of impressions, biases, and cultural perspectives that inform our own understanding of the Victorians and their views of the world outside their own.

The strange mix of opium and missionaries, the aura of fabled “Cathay” and its valuable trade items, the attraction and repulsion of the exotic otherness the travelers experience, reflect the political, religious, and racial views of their era, and explain the allure of the Orient that, in part, characterized their age. Victorian Travelers and the Opening of China, 1842–1907 is a remarkable look into the cultural past.

In the aftermath of the war in the Pacific, the victorious Allies brought to trial Tojo Hideki and twenty-seven other Japanese leaders for “crimes against peace” and “crimes against humanity.” After two and one-half years, the twenty-five surviving defendants were found guilty of most of the charges. Richard Minear’s comprehensive account, the first in English when it appeared in 1971, at the height of the Vietnam War, reviews the background, proceedings, and verdict of the trial from its Charter and simultaneous Nuremberg “precedent” to its later effects. Minear challenges the world view behind the trial; links it to U.S. policy, particularly in Vietnam; and sharpens the argument on Nuremberg and the feasibility of war crimes trials. In the twenty-first century, as the United Nations undertakes war crimes proceedings in the former Yugoslavia, Sierra Leone, Cambodia, and elsewhere, the issues raised here thirty years ago loom larger than ever.  

There is no question that AIDS has been, and continues to be, one of the most destructive diseases of the century, taking thousands of lives, devastating communities, and exposing prejudice and bigotry. But AIDS has also been a disease of transformation—it has fueled the national gay civil rights movement, altered medical research and federal drug testing, shaken up both federal and local politics, and inspired a vast cultural outpouring. Victory Deferred, the most comprehensive account of the epidemic in more than ten years, is the history of both the destruction and transformation wrought by AIDS.

John-Manuel Andriote chronicles the impact of the disease from the coming-out revelry of the 1970s to the post-AIDS gay community of the 1990s, showing how it has changed both individual lives and national organizations. He tells the truly remarkable story of how a health crisis pushed a disjointed jumble of local activists to become a nationally visible and politically powerful civil rights movement, a full-fledged minority group challenging the authority of some of the nation's most powerful institutions. Based on hundreds of interviews with those at the forefront of the medical, political, and cultural
responses to the disease, Victory Deferred artfully blends personal narratives with institutional histories and organizational politics to show how AIDS forced gay men from their closets and ghettos into the hallways of power to lobby and into the streets to protest.

Andriote, who has been at the center of national advocacy and AIDS politics in Washington, is judicious without being uncritical, and his account of the political maturation of the gay community is one of the most stirring civil rights stories of our time.

Victory Deferred draws on hundreds of original interviews, including first-hand accounts from: Virginia Apuzzo, Reverend Carl Bean, Marcus Conant, M.D., John D'Emilio, Anthony Fauci, M.D, Fenton Johnson, Larry Kramer, Lawrence D. Mass, M.D., Armistead Maupin, Walt Odets, Torie Osborn, Eric Rofes, Urvashi Vaid, Timothy Westmoreland, and Reggie Williams.

"[Victory Deferred] is a richly textured account of the rise of the AIDS sector, that though detailed and comprehensive, reads quickly. The thematic organization of the book works especially well. The clear chronology of the events reveals how competing models of service delivery, treatment activism and private-public cooperation were subsumed into a national AIDS movement. The book should prove excellent for teaching or recreational reading."—Jose Gabilondo, Washington Post

"[A] fine history of the epidemic. . . . Andriote shines with chapters on less-covered but no less important subjects, including the multibillion-dollar 'AIDS industry' and private fund-raising groups. He brings together in one place many facts and figures heretofore unsynthesized."—Joe R. Neel, Boston Globe

"While many books have explored aspects of the impact of AIDS, Victory Deferred is among the most comprehensive. Andriote's adroit integration of the personal and the historical results is an illustrative, analytical account of the disease and its impact on the gay civil-rights movement. His depiction of the poignant struggles, heroic responses and resultant social and political gains emanating from AIDS is a perceptive document for our time—relevant to all readers, regardless of their sexual orientation."—John R. Killacky, Minneapolis Star Tribune

"[A] well-researched and nuanced portrait of the many lives on which this grave disease has wrought both destruction and transformation."—Publishers Weekly

"Andriote combines broad strokes and telling details in this engaging history of the complicated war against both disease and bigotry."—Library Journal

Beginning with the Cleveland Indians’ hard luck during World War II, this thrilling history follows the team through its historic role in racial integration and its legendary postwar comeback. Rich with player photographs and stories, this book is sure to excite American history buffs and baseball fans alike. In early 1942, baseball team owners across the country scrambled to assemble makeshift rosters from the remaining ballplayers who had not left the sport for the armed forces. The Cleveland Indians suffered a tremendous loss when star pitcher Bob Feller became the first Major Leaguer to enlist, taking his twenty-plus wins per year with him. To make matters worse, the Indians’ new player-manager, Lou Boudreau, had no coaching or managing experience. The resulting team was mediocre, and players struggled to keep up morale. Feller’s return in late 1945 sparked a spectacular comeback. A year later Bill Veeck bought the franchise and, over the next two years, signed the first American League players to break the color barrier: Larry Doby and Satchel Paige. The 1948 season ended with the Indians and Boston Red Sox tied, resulting in the American League’s first playoff game. Thanks in part to rookie Gene Bearden’s outstanding pitching, the Indians went on to beat the National League’s Boston Braves for their second World Series title.

Winner, Missouri Conference on History Book Award, 2001

Victory without Violence is the story of a small, integrated group of St. Louisans who carried out sustained campaigns from 1947 to 1957 that were among the earliest in the nation to end racial segregation in public accommodations. Guided by Gandhian principles of nonviolent direct action, the St. Louis Committee of Racial Equality (CORE) conducted negotiations, demonstrations, and sit-ins to secure full rights for the African American residents of St. Louis.

The book opens with an overview of post-World War II racial injustice in the United States and in St. Louis. After recounting the genesis of St. Louis CORE, the writers vividly relate activities at lunch counters, cafeterias, and restaurants, demonstrating CORE's remarkable success in winning over initially hostile owners, manager, and service employees. A detailed review of its sixteen-month campaign at a major St. Louis department store, Stix, Baer & Fuller, illustrates the groups' patient persistence. Kimbrough and Dagen show after the passage of a public accommodations ordinance in 1961, CORE's goal of equal access was realized throughout the city of St. Louis.

On the scene reports drawn from CORE newsletters (1951-1955) and reminiscences by members appear throughout the text. In a closing chapter, the authors trace the lasting effects of the CORE experience on the lives of its members. Victory without Violence casts light on a previously obscured decade in St. Louis civil rights history.

To truly understand the dynamics and magic of the Kennedy family, one must understand their passion for sailing and the sea. Many families sail together, but the Kennedys’ relationship with Victura, the 25-foot sloop purchased in 1932, stands apart. Throughout their brief lives, Joe Jr., Jack, and Bobby spent many hours racing Victura. Lack of effort in a race by one of his sons could infuriate Joseph P. Kennedy, and Joe Jr. and Jack ranked among the best collegiate sailors in New England. Likewise, Eunice emerged as a gifted sailor and fierce competitor, the equal of any of her brothers. The Kennedys believed that Jack’s experience sailing Victura helped him survive the sinking of his PT boat during World War II. In the 1950s, glossy Life magazine photos of Jack and Jackie on Victura’s bow helped define the winning Kennedy brand. Jack doodled sketches of Victura during Oval Office meetings, and it’s probable that his love of seafaring played a role in his 1961 decision to put a man on the moon, an enterprise he referred to as “spacefaring.” Ted loved Victura as much as any of his siblings did and, with his own children and the children of his lost brothers as crew, he sailed into his old age: past the shoals of an ebbing career, and into his eventual role as the “Lion of the Senate.” In Victura, James W. Graham charts the progress of America’s signature twentieth-century family dynasty in a narrative both stunningly original and deeply gripping. This true tale of one small sailboat is an invaluable contribution to our understanding of the great story of the Kennedys.

A collection of essays written on twentieth-century Vietnamese society, Viêt Nam Exposé is one of only a handful of books written by French scholars for an English-speaking audience. The volume is multidisciplinary and represents a new trend in Vietnamese studies that addresses issues beyond politics, wars, and violence, exploring the complexity of more subtle power relationships in Vietnamese society.
The book is divided into three parts. Part I, "Vietnamese Society in the Early Twentieth Century," takes a micro approach to the study of Vietnamese society on the eve of the irreversible social transformation that occurred as the colonial infrastructure took root in Indochina. Part II, "Vietnamese Intellectuals: Contesting Colonial Power," contains biographical accounts of Vietnamese intellectuals who tried to reform their society under colonial domination. Part III, "Post-Colonial Vietnam: From Welfare State to Market-Oriented Economy," traces Vietnam's search for a viable economic model while maintaining itself as a socialist state.
The book speaks to diverse themes, including the nature of village life, the development of health care during the colonial era, the status of women, the role of Vietnamese intellectuals in the anticolonial struggle, the building of a socialist state, contemporary rural migration, labor relations, and Vietnam in an age of globalization.
Gisele Bousquet is Research Associate at the Center for Southeast Asian Studies, University of California, Berkeley. Pierre Brocheux is Maître de Conference of History, Université Denis Diderot-Paris VII.

Moving beyond past histories of Viet Nam that have focused on nationalist struggle, this volume brings together work by scholars who are re-examining centuries of Vietnamese history.  Crossing borders and exploring ambiguities, the essays in Viet Nam: Borderless Histories draw on international archives and bring a range of inventive analytical approaches to the global, regional, national, and local narratives of Vietnamese history. Among the topics explored are the extraordinary diversity between north and south, lowland and highland, Viet and minority, and between colonial, Chinese, Southeast Asian, and dynastic influences. The result is an exciting new approach to Southeast Asia's past that uncovers the complex and rich history of Viet Nam.


“A wonderful introduction to the exciting work that a new generation of scholars is engaging in.”—Liam C. Kelley, International Journal of Asian Studies

During his twenty-year tenure as a columnist for Việt Nam News, Hà Nội’s English-language newspaper, Hữu Ngọc charmed and invigorated an international readership hungry for straightforward but elegant entrees into understanding Vietnamese culture. The essays were originally collected in the massive Wandering through Vietnamese Culture. With Viet Nam: Tradition and Change, Ohio University Press presents a selection from these many treasures, which are perfectly suited to students of Vietnamese culture and travelers seeking an introduction to the country’s rich history, culture, and daily life.

With extraordinary linguistic ability and a prodigious memory, Hữu Ngọc is among Việt Nam’s keenest observers of and writers about traditional Vietnamese culture and recent history. The author’s central theme—that all tradition is change through acculturation—twines through each of the book’s ten sections, which contain Hữu Ngọc’s ideas on Vietnamese religion, literature, history, exemplary figures, and more. Taken on its own, each brief essay is an engaging discussion of key elements of Vietnamese culture and the history of an issue confronting Việt Nam today.