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William T. Loomis examines all surviving Athenian wages, salaries, welfare payments and other labor costs to determine what people really were paid for various kinds of work and allowances. These determinations, in turn, enable the author to cast a new and authoritative light on three controversial questions: Was there a "standard wage" in Athens? Were there periods of inflation and deflation? Did Athenians have an "embedded" or a "market" economy?
Individual chapters critically examine each surviving wage or other payment in thirteen job categories, including public office holders; soldiers and sailors; priests, oracles, and seers; overseers, architects, and other salaried construction personnel; and prostitutes and pimps. Three additional chapters then consider whether there was a "standard wage," inflation and deflation in Athens, and the implications of these conclusions for the hotly debated question about the nature of the Athenian economy.
This is the first comprehensive study of Athenian labor and welfare costs since August Böckh's Die Staatshaushaltung der Athener (1886). An updated critical study has been much needed, to take account of the greatly expanded evidence (Aristotle's Constitution of the Athenians, more than a dozen other papyrus texts and hundreds of inscriptions), and the uneven quality of the sources. This collection allows William T. Loomis to argue--contrary to prevailing scholarly opinion--that there never was a "standard wage" at Athens.
"This volume will be a significant contribution to all studies of ancient Greek civilization." --Alan L. Boegehold, Brown University
William Loomis is Visiting Professor of Classics, University of Michigan.

A filmic guidebook of the Greek capital, World Film Locations: Athens takes readers to film locations in the central historical district, with excursions to the periphery of Athens—popular neighborhoods, poor suburbs, and slums often represented in postwar neorealist films—and then on to garden cities and upper-class suburbs, especially those preferred by the auteurs of the 1970s. Of course, no Grecian vacation would be complete without a visit to the sea, and summer resorts, hotels, and beaches near Athens are frequent backdrops for international productions. However, more recent economic strife has emptied city neighborhoods, created urban violence, and caused an increase in riots in the Mediterranean city, and representations of this on film are juxtaposed with images of the eternal and idyllic city.

Featuring both Greek and foreign productions from various genres and historical periods, the book ultimately works to establish connections between the various aesthetics of dominant representations of Athens.

The foremost religious festival of ancient Athens—the city dedicated to Athena, goddess of war, fertility, arts, and wisdom—was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon.
    Editor Jenifer Neils and the contributors—eminent classicists, archaeologists, and art historians—explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia’s mythical origins, the phenomenon of the festival’s valuable prizes (oil-filled amphoras, rather than the customary laurel wreath), and the architecture, sculpture, and painting related to the festival.
    Worshipping Athena will provide valuable insights to scholars and students concerned with ancient religion, mythology, art, literature, and gender issues, as well as anyone with a keen interest in the ritual topography of the Athenian Acropolis and the iconography of the Parthenon frieze.