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Rocco C. Siciliano broke new ground as the first Italian-American to serve in the White House as an assistant to the president, Dwight D. Eisenhower. At 31, "Ike’s Youngest" attained a prominence not suggested in his humble beginnings in Salt Lake City, Utah. But his upbringing in the Mormon-dominated community, where he balanced the heritage of his striving immigrant parents with his own aspirations for success, prepared him for a wide variety of service. This service includes leading a special weapons platoon in the 10th Mountain Division in World War II, bringing Martin Luther King Jr. to meet with President Eisenhower, and becoming a recognized business leader in California.

Siciliano used his expertise in labor, personnel management, and business to contribute substantively to the J. Paul Getty Center, the Los Angeles Philharmonic Association, the Committee for Economic Development, and the "Volcker" Commission on Public Service, among others.

The variety of Siciliano’s experiences reinvigorates our understanding of the forgotten art of public service. Walking on Sand emphasizes the role that public service can play for corporations, communities, states, and the nation. This story is a gift from the Greatest Generation to the many people who serve America today and will serve her tomorrow.

Does today’s visitor trekking Yosemite National Park find it much different from what John Muir encountered a century ago? Thomas and Geraldine Vale retrace Muir’s path, based upon journal descriptions of his activities and experiences during his first summer in the Sierra Nevada Mountains. From the foothills through Yosemite Valley and on up to the Tuolumne Meadows, the Vales follow the present roads and trails that crossed Muir’s route, imagining his reaction to the landscape while reflecting on the natural world in both his time and ours.
     Illustrated with drawings by John Muir and drawings and photos by the Vales, Walking with Muir across Yosemite emphasizes that current visitors to Yosemite—indeed to any national park—can still experience the solitude, wildness, and romanticism of nature. They believe, however, that this modern exploration would benefit from a national parks policy that actively promotes nature study and encourages a more profound interaction between humans and the natural world.

Graffiti is as ubiquitous as telephone poles in America's cities; it is as old as the earliest civilizations. The most public medium in the country today, graffiti can signal territory, love, or liberation. Ironically, graffiti is understood by only a fraction of those who encounter it. Usually read as a sign of urban decay and as a loss of control over the physical environment, graffiti has become one of the most potent cultural languages of our age. Wallbangin' is an unprecedented, in-depth look at this phenomenon as it is embodied in the neighborhoods of one of its epicenters, Los Angeles.

Anthropologist Susan Phillips enters the lives of the African-American and Chicano gang members to write a comprehensive guide to their symbolic and visual expression. She not only decodes the graffiti—explaining how, for instance, gang boundaries are visually delimited and how "memorial" graffiti functions—but she also places it in the context of the changing urban landscapes within the city. Graffiti, she argues, is inextricably linked to political change, to race, and to art, and she demonstrates how those connections are played out in contemporary L.A. Wallbangin' is, on this level, an iconography of street imagery. But it is also a very personal narrative about entering the world of L.A. street gangs—a world of pride, enemies, affirmation, and humanity where gang members use graffiti to redefine their social and political position in society.

To many outsiders, graffiti is cryptic, senseless scribbling. But Phillips explains it as an ingenious and creative solution to the disenfranchisement felt by those who produce it. With personal narratives, provocative photography, and contemporary voices, Wallbangin' unlocks the mysteries behind street-level ideologies and their visual manifestations.

In the three years, eight months, and twenty days of the Khmer Rouge’s deadly reign over Cambodia, an estimated 1.7 million Cambodians perished as a result of forced labor, execution, starvation, and disease. Despite the passage of more than thirty years, two regime shifts, and a contested U.N. intervention, only one former Khmer Rouge official has been successfully tried and sentenced for crimes against humanity in an international court of law to date. It is against this background of war, genocide, and denied justice that Cathy J. Schlund-Vials explores the work of 1.5-generation Cambodian American artists and writers.

Drawing on what James Young labels “memory work”—the collected articulation of large-scale human loss—War, Genocide, and Justice investigates the remembrance work of Cambodian American cultural producers through film, memoir, and music. Schlund-Vials includes interviews with artists such as Anida Yoeu Ali, praCh Ly, Sambath Hy, and Socheata Poeuv. Alongside the enduring legacy of the Killing Fields and post-9/11 deportations of Cambodian American youth, artists potently reimagine alternative sites for memorialization, reclamation, and justice. Traversing borders, these artists generate forms of genocidal remembrance that combat amnesic politics and revise citizenship practices in the United States and Cambodia.

Engaged in politicized acts of resistance, individually produced and communally consumed, Cambodian American memory work represents a significant and previously unexamined site of Asian American critique.

Situated on the western edge of the Great Basin between the Sierra Nevada and White-Inyo mountain ranges, Owens Valley has been home for thousands of years to the Owens Valley Paiute and their southern neighbors, the Panamint Shoshone. The willow baskets both groups created are noteworthy for their complex construction and durability, and their materials and designs reflected available resources as well as the seminomadic existence that characterized life in the Great Basin for generations.

Since the mid-nineteenth-century arrival of non-Indians into the Valley, the baskets have changed. Weaving a Legacy places those changes in the context of the region’s dramatic social history. In addition, the volume closely examines basketry techniques and technology, historic weavers and their lineages, contemporary weavers, and basket collectors.

The text is extensively illustrated with black-and-white photographs of people, landscapes, and baskets. Among the legacies of these baskets are the stories they evoke, many of which the authors recount in this beautiful work.

African Americans who moved to California in hopes of finding freedom and full citizenship instead faced all-too-familiar racial segregation. As one transplant put it, "The only difference between Pasadena and Mississippi is the way they are spelled." From the beaches to streetcars to schools, the Golden State—in contrast to its reputation for tolerance—perfected many methods of controlling people of color.

Lynn M. Hudson deepens our understanding of the practices that African Americans in the West deployed to dismantle Jim Crow in the quest for civil rights prior to the 1960s. Faced with institutionalized racism, black Californians used both established and improvised tactics to resist and survive the state's color line. Hudson rediscovers forgotten stories like the experimental all-black community of Allensworth, the California Ku Klux Klan's campaign of terror against African Americans, the bitter struggle to integrate public swimming pools in Pasadena and elsewhere, and segregationists' preoccupation with gender and sexuality.

What Night Brings focuses on a Chicano working-class family living in California during the 1960s. Marci—smart, feisty and funny—tells the story with the wisdom of someone twice her age as she determines to defy her family and God in order to find her identity, sexuality and freedom.

In When Riot Cops Are Not Enough, sociologist and activist Mike King examines the policing, and broader political repression, of the Occupy Oakland movement during the fall of 2011 through the spring of 2012. King’s active and daily participation in that movement, from its inception through its demise, provides a unique insider perspective to illustrate how the Oakland police and city administrators lost the ability to effectively control the movement.
 
Drawn from King’s intensive field work, the book focuses on the physical, legal, political, and ideological dimensions of repression—in the streets, in courtrooms, in the media, in city hall, and within the movement itself—When Riot Cops Are Not Enough highlights the central role of political legitimacy, both for mass movements seeking to create social change, as well as for governmental forces seeking to control such movements. Although Occupy Oakland was different from other Occupy sites in many respects, King shows how the contradictions it illuminated within both social movement and police strategies provide deep insights into the nature of protest policing generally, and a clear map to understanding the full range of social control techniques used in North America in the twenty-first century.
 

Winner of the 2018 North American Society for the Sociology of Sport Book Award

For nearly one hundred years, basketball has been an important part of Japanese American life.  Women’s basketball holds a special place in the contemporary scene of highly organized and expansive Japanese American leagues in California, in part because these leagues have produced numerous talented female players. Using data from interviews and observations, Nicole Willms explores the interplay of social forces and community dynamics that have shaped this unique context of female athletic empowerment. As Japanese American women have excelled in mainstream basketball, they have emerged as local stars who have passed on the torch by becoming role models and building networks for others. 

Many people have lamented the pollution and outright loss of beaches along the coasts of California and Mexico, but very few people have fought on behalf of beaches as hard—or as successfully—as Serge Dedina. Whether taking on an international conglomerate or tackling a state transportation agency, Dedina is truly an eco-warrior. In this sparkling collection of articles, many written for popular magazines, Dedina tells the stories as only an insider could. He writes with a firm grasp of facts along with an advocate’s passion and outrage. Sprinkled with just the right mix of humor and surf lingo, Dedina’s writing is “weapons grade”—surfer speak for totally awesome.

Dedina grew up in Imperial Beach, California, just north of the Mexican border, and he feels equally at home in Mexico and the States. An expert on gray whales, he eloquently describes the fight he helped to lead against the Mitsubishi Corporation, whose plan to build a salt-processing plant in the San Ignacio Lagoon in Baja California would have destroyed the world’s last undeveloped gray whale lagoon. With similar fervor, Dedina describes helping to construct the unlikely coalition that succeeded in defeating a proposed toll road that would have decimated a legendary California surf spot.

In between, he writes about the first surfers in Baja, the Great Baja Land Rush of the 1990s, Tijuana’s punk music scene, the pop-culture wrestling phenomenon lucha libre, the reasons why ocean pollution must be stopped, and the way HBO took over his hometown. Anyone interested in what’s happening to our natural places or just yearning to read about someone really making a difference in the world will find this a book worth sinking their teeth into.

Studies of the Spanish conquest in the Americas traditionally have explained European-Indian encounters in terms of such factors as geography, timing, and the charisma of individual conquistadores. Yet by reconsidering this history from the perspective of gender roles and relations, we see that gender ideology was a key ingredient in the glue that held the conquest together and in turn shaped indigenous behavior toward the conquerors.This book tells the hidden story of women during the missionization of California. It shows what it was like for women to live and work on that frontier—and how race, religion, age, and ethnicity shaped female experiences. It explores the suppression of women's experiences and cultural resistance to domination, and reveals the many codes of silence regarding the use of force at the missions, the treatment of women, indigenous ceremonies, sexuality, and dreams.Virginia Bouvier has combed a vast array of sources— including mission records, journals of explorers and missionaries, novels of chivalry, and oral histories— and has discovered that female participation in the colonization of California was greater and earlier than most historians have recognized. Viewing the conquest through the prism of gender, Bouvier gives new meaning to the settling of new lands and attempts to convert indigenous peoples.By analyzing the participation of women— both Hispanic and Indian— in the maintenance of or resistance to the mission system, Bouvier restores them to the narrative of the conquest, colonization, and evangelization of California. And by bringing these voices into the chorus of history, she creates new harmonies and dissonances that alter and enhance our understanding of both the experience and meaning of conquest.

In Women and the Everyday City, Jessica Ellen Sewell explores the lives of women in turn-of-the-century San Francisco. A period of transformation of both gender roles and American cities, she shows how changes in the city affected women's ability to negotiate shifting gender norms as well as how women's increasing use of the city played a critical role in the campaign for women's suffrage.

Focusing on women's everyday use of streetcars, shops, restaurants, and theaters, Sewell reveals the impact of women on these public places-what women did there, which women went there, and how these places were changed in response to women's presence. Using the diaries of three women in San Francisco-Annie Haskell, Ella Lees Leigh, and Mary Eugenia Pierce, who wrote extensively on their everyday experiences-Sewell studies their accounts of day trips to the city and combines them with memoirs, newspapers, maps, photographs, and her own observations of the buildings that exist today to build a sense of life in San Francisco at this pivotal point in history.
 

Working at the nexus of urban history, architectural history, and cultural geography, Women and the Everyday City offers a revealing portrait of both a major American city during its early years and the women who shaped it-and the country-for generations to come.

My red pickup choked on burnt oil as I drove down Highway 99. . . . Abraham Tovar is a young man who works in a sausage factory and desperately longs to create a history of his own. As Abraham's life becomes absorbed into the blood and spice of pork, his thoughts explore his ancestry, roam the stars, and reflect upon the despairs and strengths of factory workers who live with "the unyielding memory of pig."

I pulled into Galdini Sausage at noon.
The workers walked out of production
and swatted away the flies desperate for pork.
Pork gripped the men and was everywhere,
in the form of blood, in the form of fat,
and in pink meat that stuck to the workers' shoes.

Work Done Right is a sequence of narrative poems, told with a lyricist's tenderness and an eye for detail, that address the human condition in unexpected ways. David Dominguez explores Abraham's struggle to maintain personal dignity in harsh circumstances, juxtaposing bleak images of the sausage factory with the hope of finding one's true place in the world. Through his sensuously textured words, he pays tribute to people and place as he takes readers on a mystic journey toward redemption.

Now available in paperback, this provocative study examines the street-level decisions made by police, caught between a sometimes hostile community and a maze of departmental regulations. Probing the dynamics of three sample police departments, Brown reveals the factors that shape how officers wield their powers of discretion. Chief among these factors, he contends, is the highly bureaucratic organization of the modern police department. A new epilogue, prepared for this edition, focuses on the structure and operation of urban police forces in the 1980s. "Add this book to the short list of important analyses of the police at work....Places the difficult job of policing firmly within its political, organizational, and professional constraints...Worth reading and thinking about." —Crime & Delinquency "An excellent contribution...Adds significantly to our understanding of contemporary police." —Sociology "A critical analysis of policing as a social and political phenomenon....A major contribution." —Choice