447 books match the query 'Eastern' and 19 start with w
Jessica Hooten Wilson
The Ohio State University Press, 2017
Bob Crawford
University of Wisconsin Press, 1997
Karel Capek
Northwestern University Press, 1996
Diana Mishkova
Central European University Press, 2009
Anthony Alofsin
University of Chicago Press, 2006
John V. A. Fine, Jr.
University of Michigan Press, 2006
Tanya Zaharchenko
Central European University Press, 2016
Where Currents Meet, Tanya Zaharchenko’s path-breaking study of literature and cultural memory, moves decisively beyond the simplistic view of a post-Soviet Ukraine divided between east and west. It positions the Ukrainian and Russian components of cultural experience in the country’s east as elements of a complex continuum. Combining insights from memory studies and border studies, Zaharchenko analyzes a generation of younger riters in the city of Kharkiv—a “doubletake generation” that came of age at the time of the Soviet Union’s collapse and now revisits this experience through fiction. In the works of Serhiy Zhadan, Andreĭ Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev, and others the author reveals how borderlands and frontiers, both geographical and conceptual, acquire zonal qualities of their own as these writers navigate the historical legacy they have inherited.
Maud Bracke
Central European University Press, 2007
Ivo Možný
Karolinum Press, 2023
Paul Robert Magocsi
Central European University Press, 2016
This is a history of a stateless people, the Carpatho-Rusyns, and their historic homeland, Carpathian Rus’, located in the heart of central Europe. A little over 100,000 Carpatho-Rusyns are registered in official censuses but their population is estimated at around 1,000,000, the greater part in Ukraine and Slovakia. The majority of the diaspora—nearly 600,000—lives in the US.
At the present, when it is fashionable to speak of nationalities as “imagined communities” created by intellectuals or elites who may live in the historic homeland, Carpatho-Rusyns provide an ideal example of a people made—or some would say still being made—before our very eyes. The book traces the evolution of Carpathian Rus’ from earliest prehistoric times to the present, and the complex manner in which a distinct Carpatho-Rusyn people, since the mid-nineteenth century, came into being, disappeared, and then re-appeared in the wake of the revolutions of 1989 and the collapse of communist rule in central and eastern Europe.
To help guide the reader further there are 34 detailed maps plus an annotated discussion of relevant books, chapters, and journal articles.
Xavier Bougarel
Central European University Press, 2026
Katarzyna Stanczak-Wislicz
Central European University Press, 2026
Alin Ciupalã
Central European University Press, 2025
Marta Verginella
Central European University Press, 2026
Vesna Nikolic-Ristanovic
Central European University Press, 2000
Based on interviews with seventy women refugees, Women, Violence and War is a book about war as it is seen, lived and interpreted by women who were citizens of the former Yugoslavia.
Many of the accounts portray the horrific experiences the victims had to face and the book addresses issues of sexual, physical and psychological violence, as well as problems of confinement, upheaval and family separation. In a completely new insight the book dispels the myth that many of the women were peasants, and shows that in fact they were educated, middle-class women with independent careers. The study also depicts how some of the victims attempt to come to terms with the aftermath of wartime abuse.
This probing, accurate and unique investigation of victimization is an unparalleled volume that presents a completely new perspective maintaining that violence against women in war is not independent of peace-time victimization and the imbalance of power between sexes.
Selin Çagatay, et al.
University College London, 2025
Ainsley Morse
Northwestern University Press, 2021
Word Play traces the history of the relationship between experimental aesthetics and Soviet children’s books, a relationship that persisted over the seventy years of the Soviet Union’s existence. From the earliest days of the Soviet project, children’s literature was taken unusually seriously—its quality and subject matter were issues of grave political significance. Yet, it was often written and illustrated by experimental writers and artists who found the childlike aesthetic congenial to their experiments in primitivism, minimalism, and other avant‑garde trends. In the more repressive environment following Stalin’s rise to power, experimental aesthetics were largely relegated to unofficial and underground literature, but unofficial writers continued to author children’s books, which were often more appealing than adult literature of the time.
Word Play focuses on poetry as the primary genre for both children’s and unofficial literature throughout the Soviet period. Five case studies feature poets‑cum‑children’s writers—Leonid Aronzon, Oleg Grigoriev, Igor Kholin, Vsevolod Nekrasov, and Dmitri Prigov—whose unpublished work was not written for children but features lexical and formal elements, abundant humor, and childlike lyric speakers that are aspects of the childlike aesthetic. The book concludes with an exploration of the legacy of this aesthetic in Russian poetry today. Drawing on rich primary sources, Word Play joins a growing literature on Russian children’s books, connecting them to avant-garde poetics in fresh, surprising ways.
David Albahari
Northwestern University Press, 1996
Katarína Kucbelová
Seagull Books, 2025