187 books match the query 'Essays & Travelogues' and 6 start with w

cover of Weaving a Way Home: A Personal Journey Exploring Place and Story

Weaving a Way Home

A Personal Journey Exploring Place and Story

Leslie Van Gelder

University of Michigan Press, 2008

An inquiry into how we engage with the world, and how solutions to environmental challenges can be found in the heart of our emotional relationships with places

"No one with a working heart will fail to be moved by Van Gelder. With passion and intelligence, she explores the way we story places and places story all life."
---Patrick Curry, Lecturer in Religious Studies, University of Kent, and author of Ecological Ethics: An Introduction and Defending Middle-Earth

"With grace and passion Leslie Van Gelder weaves together stories of her own encounters with an amazing variety of places---riverside meadows of Oxford, racially sundered Cyprus, fly-tormented Canadian muskeg, caves stroked by Paleolithic fingertips, derelict Coney Island, grasslands through which lion cubs follow the black tip of their mother’s tail---to show us how Place and Story are the warp and weft of our being as earth-dwellers."
---Tim Robinson, Folding Landscapes, and author of Connemara: Listening to the Wind

"Travel narrative, memoir, literary criticism, and anthropology fuse in this highly original and moving exploration of place and home."
---John Elder, author of Reading the Mountains of Home and Pilgrimage to Vallombrosa

"Van Gelder offers her most deeply personal stories as microcosmic examples of universal human experience, thus creating an empathic bond with her reader that conveys power and understanding simultaneously, and stimulates the reader's imagination toward reflection upon similarly personal stories of place. Van Gelder has modeled the relationship between story and place by telling placeful stories, and so has licensed the reader to do the same. Her writing throughout is rich and metaphoric. She is a gifted storyteller and a competent scholar, a combination to be treasured."
---Joseph W. Meeker, Professor Emeritus, College of Arts/Science, Union Institute and University, and author of The Spheres of Life, The Comedy of Survival, and Minding the Earth

Weaving a Way Home is an inquiry into the complex relationship between people, place, and story. In our memories and connections to a place, we are given one of the few opportunities to have deep relationships with place---relationships that cannot be described in words. Place can embody powerful emotions for us, and Leslie Van Gelder argues that we ourselves are places---geographical points possessing unique perspectives---that can feel displaced, replaced, or immovable. While the places of the external world can be accessed through maps and a good GPS system, our emotional landscapes are best reached through the sharing of stories.

In the tradition of writers Lewis Hyde, Barry Lopez, Peter Matthiessen, Joseph Meeker, Steven Mithen, Paul Shepard, Gary Snyder, and Terry Tempest Williams, Van Gelder uses both creative nonfiction narrative and evolutionary biological theory to explore complex terrain. Following Van Gelder's own travels, the book moves from the caves of the Dordogne lit only by the small beam of a flashlight, to an acacia thicket in Mozambique, to a black fly–infested bay inappropriately named Baie de Ha Ha in the inlands of Quebec, to the green line wrapped in barbed wire separating northern and southern Cyprus, to Abu Simbel's empty stone eyes in the Egyptian desert, and finally to the high road above Pelorus Sound on the rocky coasts of New Zealand. The author takes the reader to each place to create a storied landscape and explore new intellectual terrain. Van Gelder shows us that our collections of experiences, unique to us, can only be shared through the articulation of narrative.Weaving a Way Home will appeal to those deeply interested in knowing how we forge relationships with places and how that shapes who we are.

Jacket photographs: Garden gate: © iStockphoto.com/Richard Goerg. Iron fence: Christ Church Meadow in Oxford, Leslie Van Gelder.

Author photograph: Kevin Sharpe

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cover of Where the Strange Roads Go Down

Where the Strange Roads Go Down

Mary del Villar and Fred del Villar; Foreword by Susan Hardy Aiken

University of Arizona Press, 1999

Mary and Fred del Villar's desire to travel "the strange roads" of rural Mexico led to a 750-mile walk from Lake Patzcuaro to the Pacific Ocean in 1951. For three months they endured sun, scorpions, floods, and hunger, but also found warm friendship everywhere they went.
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cover of White Waters and Black

White Waters and Black

Gordon MacCreagh

University of Chicago Press, 2001

With a wicked eye for absurdities, Gordon MacCreagh recounts his adventures with eight "Eminent Scientificos" as they set out to explore the Amazon in 1923 without any idea of what lies ahead of them: rapids, malaria, monkey stew, and "dangerous savages." A combination of Twain's The Innocents Abroad and a cautionary tale for explorers, this is one of the most honest accounts ever written of a scientific expedition.
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cover of Winter Notes on Summer Impressions

Winter Notes on Summer Impressions

Fyodor Dostoevsky

Northwestern University Press, 1997

Winter Notes on Summer Impressions (Зимние заметки о летних впечатлениях) is an early book-length essay by Russian author Fyodor Dostoevsky which he composed while traveling in western Europe. Many commentators believe that in the themes it explores, the essay anticipates his later work Notes from the Underground.

In June 1862, Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, he also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. He recorded his impressions in Winter Notes on Summer Impressions, which were first published in the February 1863 issue of Vremya (Time), the periodical of which he was the editor.

Among other themes, Dostoevsky reveals his Pan-Slavism, rejecting European culture as corrupt and exhorting Russians to resist the temptation to emulate or adopt European ways of life.
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cover of Writing Abroad: A Guide for Travelers

Writing Abroad

A Guide for Travelers

Peter Chilson and Joanne B. Mulcahy

University of Chicago Press, 2017

“Tell me all about your trip!” It’s a request that follows travelers as they head out into the world, and one of the first things they hear when they return. When we leave our homes to explore the wider world, we feel compelled to capture the experiences and bring the story home. But for those who don’t think of themselves as writers, putting experiences into words can be more stressful than inspirational.
Writing Abroad is meant for travelers of all backgrounds and writing levels: a student embarking on overseas study; a retiree realizing a dream of seeing China; a Peace Corps worker in Kenya. All can benefit from documenting their adventures, whether on paper or online. Through practical advice and adaptable exercises, this guide will help travelers hone their observational skills, conduct research and interviews, choose an appropriate literary form, and incorporate photos and videos into their writing.
Writing about travel is more than just safeguarding memories—it can transform experiences and tease out new realizations. With Writing Abroad, travelers will be able to deepen their understanding of other cultures and write about that new awareness in clear and vivid prose.
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cover of Writing Cities: Exploring Early Modern Urban Discourse

Writing Cities

Exploring Early Modern Urban Discourse

James S. Amelang

Central European University Press, 2020

Only one out of ten early modern Europeans lived in cities. Yet cities were crucial nodes, joining together producers and consumers, rulers and ruled, and believers in diverse faiths and futures. They also generated an enormous amount of writing, much of which focused on civic life itself. But despite its obvious importance, historians have paid surprisingly little attention to urban discourse; its forms, themes, emphases and silences all invite further study. This book explores three dimensions of early modern citizens’ writing about their cities: the diverse social backgrounds of the men and women who contributed to urban discourse; their notions of what made for a beautiful city; and their use of dialogue as a literary vehicle particularly apt for expressing city life and culture. Amelang concludes that early modern urban discourse increasingly moves from oral discussion to take the form of writing. And while the dominant tone of those who wrote about cities continued to be one of celebration and glorification, over time a more detached and less judgmental mode developed. More and more they came to see their fundamental task as presenting a description that was objective.
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