1441 books match the query 'Great Britain' and 44 start with w

cover of Wainewright the Poisoner: The Confessions of Thomas Griffiths Wainewright

Wainewright the Poisoner

The Confessions of Thomas Griffiths Wainewright

Andrew Motion

University of Chicago Press, 2001

Andrew Motion brings all his lyricism and inventiveness to bear in this fictional autobiography of the great swindler, Thomas Griffiths Wainewright. A painter, writer, and friend of Blake, Byron, and Keats, Wainewright was almost certainly a murderer. When he died in a penal colony in Tasmania, he left behind fragments of documents and a beguiling legend which Motion uses to create an imagined confession laced with facts, telling the story as no straightforward history could.

"Thomas Griffiths Wainewright is a dream subject for either novelist or biographer. . . . Andrew Motion, Britain's poet laureate, clearly felt that neither straight biography nor pure fiction would do Wainewright's complexities justice, and so he combined the two genres. The result is stunning. The central voice is that of Wainewright himself, reflecting back on his life. After each chapter Mr. Motion has added detailed notes that inform and flesh out the narrative, giving not only his own informed opinion of Wainewright's actions but also those of Wainewright's contemporaries and the scholars and writers who have studied him over the past two centuries."—Lucy Moore, Washington Times

"Brilliantly innovative, gripping, intricately researched, Motion's biography does justice to its subject at last."—John Carey, The Sunday Times

"Engaging and convincing. . . . The trajectory of this character-from neglected and resentful child to arrogant and envious London dandy to sociopathic murderer on to an enfeebled, frightened prisoner-is indelibly imagined and drawn."—Edmund White, Financial Times

"[A] fascinating look at an evil artist, a charmer still having his way with us. We can hear him being economical with the truth, telling us and himself just what he wants to hear."—Michael Olmert, New Jersey Star Ledger

"Motion crafts a fascinating tale as complex and compelling as if Wainewright himself had written it."—Michael Spinella, Booklist

"Did he kill his servant, and possibly others as well? . . . The footnotes seem to say yes, but Wainewright adamantly argues his own case. Motion's prose is flawless, and Wainewright's voice is convincing. But in the long run, it's this ambiguity that makes Wainewright the Poisoner a fascinating and memorable read."—R.V. Schelde, Sacramento News and Review

"Who could as for a better Romantic villain than Thomas Griffiths Wainewright? . . . [The book] succeeds on many levels: as an act of ventriloquism, a work of scholarship, a psychological study, as a set of sharp portraits of famous men and an engrossing read. . . ."—Polly Shulman, Newsday

"Instead of a straightforward biography, Andrew Motion gives us Wainewright's first person, fictionalized "confession."—a document as circumspect, slyly reticent, and oeaginously smooth as the man himself. Splendid."—John Banville, Literary Review

"A genuine tour de force, and on a non-fictional level, a telling portrait of a strange, intriguing and repellant man."—Brian Fallon, Irish Times

"A marvelous literary hybrid that totters with one foot in the world of nonfiction, the other in the land of make-believe. One is alternatively swept up in Motion's dizzy imaginative pastiche, or sent crashing into a dusty stack of scholarly cogitations. . . ."—Philadelphia Inquirer

"As true a portrait of a liar as its subject could wish. Rich and strange. . . ."—Glasgow Herald
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cover of Walking Pepys's London

Walking Pepys's London

Jacky Colliss Harvey

Haus Publishing, 2022

Brings to life the world of Samuel Pepys with five walks through London.

Samuel Pepys, the seventeenth century's best-known diarist, walked around London for miles, chronicling these walks in his diary. He made the two-and-a-half-mile trek to Whitehall from his house near the Tower of London on an almost daily basis. These streets, where many of his professional conversations took place while walking, became for him an alternative to his office.

With Walking Pepys’s London, we come to know life in London from the pavement up and see its streets from the perspective of this renowned diarist. The city was a key character in Pepys’s life, and this book draws parallels between his experience of seventeenth-century London and the lives of Londoners today. Bringing together geography, biography, and history, Jacky Colliss Harvey reconstructs the sensory and emotional experience of Pepys’s time. Full of fascinating details, Walking Pepys’s London is a sensitive exploration into the places that made the greatest English diarist of all time.
 
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cover of Walking the Gendered Tightrope: Theresa May and Nancy Pelosi as Legislative Leaders

Walking the Gendered Tightrope

Theresa May and Nancy Pelosi as Legislative Leaders

Melissa Haussman and Karen M. Kedrowski

University of Michigan Press, 2023

Walking the Gendered Tightrope analyzes the gendered expectations for women in high offices through the examples of British Prime Minister Theresa May and U.S. Speaker of the House Nancy Pelosi. Even at their highest positions, and while completing their greatest achievements, both May and Pelosi faced gendered critiques and intraparty challenges to their leadership. While other books have analyzed the barriers to higher office that women face, this book reveals how women in positions of power are still forced to balance feminine stereotypes with the perception of power as masculine in order to prove their legitimacy. By examining intraparty dynamics, this book offers a unique comparison between a majoritarian presidential and Westminster parliamentary system. While their parties promoted Pelosi and May to highlight their progressive values, both women faced continually gendered critiques about their abilities to lead their caucuses on difficult policy issues, such as the Affordable Care Act and two Trump impeachment votes for Nancy Pelosi, or finishing Brexit for Theresa May. Grounded in the legislative literature from the United States and Britain, as well as historical accounts and personal interviews, Walking the Gendered Tightrope contributes to the fields of gender and politics, legislative studies, American politics, and British politics. 
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cover of Wallis's War: A Novel of Diplomacy and Intrigue

Wallis's War

A Novel of Diplomacy and Intrigue

Kate Auspitz

University of Chicago Press, 2015

Scandalous divorcée. Nazi sympathizer. Style icon. Her Grace the Duchess of Windsor. Such are the many—and many times questionable—monikers of the infamous Wallis Simpson. And with Wallis’s War, Kate Auspitz adds another to this list: unwitting heroine.

The facts: reviled by the British as a social-climbing seductress even as Time magazine named her its 1936 Woman of the Year, Simpson was the American socialite whose affair with King Edward VIII led him to abdicate the throne on the eve of WWII. In this fanciful novel written in the form of a fictional memoir, Auspitz imagines an alternative history in which Simpson was encouraged by Allied statesmen to remove defeatist, pro-German Edward from the throne, forever altering the course of the war. A comically unreliable narrator who knows more than she realizes, and reveals more than she knows, Simpson leads us from historic treaties and military campaigns to dinner parties and cruises as she describes encounters with everyone from Duff and Diana Cooper to Charles Lindbergh, Coco Chanel, and Hitler—all the while acting as a willing but seemingly oblivious pawn of international intrigue.

A rare blend of diplomacy and dalliance, fashion and fascists, this meticulously researched satire offers witty and erudite entertainment and leaves us speculating: who really brought about the abdication and—always—what were they wearing?
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cover of Walter Ralegh's "History of the World" and the Historical Culture of the Late Renaissance

Walter Ralegh's "History of the World" and the Historical Culture of the Late Renaissance

Nicholas Popper

University of Chicago Press, 2012

Imprisoned in the Tower of London after the death of Queen Elizabeth in 1603, Sir Walter Ralegh spent seven years producing his massive History of the World. Created with the aid of a library of more than five hundred books that he was allowed to keep in his quarters, this incredible work of English vernacular would become a best seller, with nearly twenty editions, abridgments, and continuations issued in the years that followed.

Nicholas Popper uses Ralegh’s History as a touchstone in this lively exploration of the culture of history writing and historical thinking in the late Renaissance. From Popper we learn why early modern Europeans ascribed heightened value to the study of the past and how scholars and statesmen began to see historical expertise as not just a foundation for political practice and theory, but as a means of advancing their power in the courts and councils of contemporary Europe. The rise of historical scholarship during this period encouraged the circulation of its methods to other disciplines, transforming Europe’s intellectual—and political—regimes. More than a mere study of Ralegh’s History of the World, Popper’s book reveals how the methods that historians devised to illuminate the past structured the dynamics of early modernity in Europe and England.
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cover of Waterscapes: Reservoirs, Environment and Identity in Modern England and Wales

Waterscapes

Reservoirs, Environment and Identity in Modern England and Wales

Andrew McTominey

University of London Press, 2025

How did reservoirs alter the countryside and city life? The answer is a riveting story of water and identity in modern Britain.

Carving vast lakes into the countryside, reservoirs have long reshaped the landscapes and communities of England and Wales. Waterscapes evaluates how these feats of engineering transformed rural and urban environments between the late nineteenth and early twentieth centuries, altering local ecologies and economies. Through studies of Leeds’s Washburn Valley, Liverpool’s Vyrnwy Reservoir, and Birmingham’s Elan Reservoir, Andrew McTominey addresses the environmental consequences of dam construction and the surprising ways in which reservoirs became sites of leisure and tourism.

McTominey explains that water management has never been a simple question of supply and demand, but a story of contested landscapes and the complex interplay between nature and human ambition. Drawing on environmental history and urban studies, Waterscapes demystifies the reservoirs that continue to shape Britain’s countryside and city life.
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cover of Welfare Reform and Political Theory

Welfare Reform and Political Theory

Lawrence M. Mead

Russell Sage Foundation, 2005

During the 1990s, both the United States and Britain shifted from entitlement to work-based systems for supporting their poor citizens. Much research has examined the implications of welfare reform for the economic well-being of the poor, but the new legislation also affects our view of democracy—and how it ought to function. By eliminating entitlement and setting behavioral conditions on aid, welfare reform challenges our understanding of citizenship, political equality, and the role of the state. In Welfare Reform and Political Theory, editors Lawrence Mead and Christopher Beem have assembled an accomplished list of political theorists, social policy experts, and legal scholars to address how welfare reform has affected core concepts of political theory and our understanding of democracy itself. Welfare Reform and Political Theory is unified by a common set of questions. The contributors come from across the political spectrum, each bringing different perspectives to bear. Carole Pateman argues that welfare reform has compromised the very tenets of democracy by tying the idea of citizenship to participation in the marketplace. But William Galston writes that American citizenship has in some respects always been conditioned on good behavior; work requirements continue that tradition by promoting individual responsibility and self-reliance—values essential to a well-functioning democracy. Desmond King suggests that work requirements draw invidious distinctions among citizens and therefore destroy political equality. Amy Wax, on the other hand, contends that ending entitlement does not harm notions of equality, but promotes them, by ensuring that no one is rewarded for idleness. Christopher Beem argues that entitlement welfare served a social function—acknowledging the social value of care—that has been lost in the movement towards conditional benefits. Stuart White writes that work requirements can be accepted only subject to certain conditions, while Lawrence Mead argues that concerns about justice must be addressed only after recipients are working. Alan Deacon is well to the left of Joel Schartz, but both say government may actively promote virtue through social policy—a stance some other contributors reject. The move to work-centered welfare in the 1990s represented not just a change in government policy, but a philosophical change in the way people perceived government, its functions, and its relationship with citizens. Welfare Reform and Political Theory offers a long overdue theoretical reexamination of democracy and citizenship in a workfare society.
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cover of What Women Want: Gender and Voting in Britain, Japan and the United States

What Women Want

Gender and Voting in Britain, Japan and the United States

Gill Steel

University of Michigan Press, 2022

What Women Want analyzes decades of voting preferences, values, and policy preferences to debunk some of the media and academic myths about gender gaps in voting and policy preferences. Findings show that no single theory explains when differences in women’s and men’s voting preferences emerge, when they do not, or when changes—or the lack thereof—occur over time. Steel extends existing theories to create a broader framework for thinking about gender and voting behavior to provide more analytical purchase in understanding gender and its varying effects on individual voters’ preferences. She incorporates the long-term effects of party identification and class politics on political decision-making, particularly in how they influence preferences on social provision and on expectations of the state. She also points to the importance of symbolic politics

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cover of What is to Be Done About Law and Order?: Crisis in the Nineties

What is to Be Done About Law and Order?

Crisis in the Nineties

John Lea and Jock Young

Pluto Press, 1993

The authors look at the connection between democracy and efficiency as they investigate the meaning of law and order. The authors argue that only through a democratically accountable police service can we hope to build up relationships within the inner city.
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cover of When Sex Changed: Birth Control Politics and Literature between the World Wars

When Sex Changed

Birth Control Politics and Literature between the World Wars

Layne Parish Craig

Rutgers University Press, 2013

In When Sex Changed, Layne Parish Craig analyzes the ways literary texts responded to the political, economic, sexual, and social values put forward by the birth control movements of the 1910s to the 1930s in the United States and Great Britain.

Discussion of contraception and related topics (including feminism, religion, and eugenics) changed the way that writers depicted women, marriage, and family life. Tracing this shift, Craig compares disparate responses to the birth control controversy, from early skepticism by mainstream feminists, reflected in Charlotte Perkins Gilman’s Herland, to concern about the movement’s race and class implications suggested in Nella Larsen’s Quicksand, to enthusiastic speculation about contraception’s political implications, as in Virginia Woolf’s Three Guineas.

While these texts emphasized birth control’s potential to transform marriage and family life and emancipate women from the “slavery” of constant childbearing, birth control advocates also used less-than-liberatory language that excluded the poor, the mentally ill, non-whites, and others. Ultimately, Craig argues, the debates that began in these early political and literary texts—texts that document both the birth control movement’s idealism and its exclusionary rhetoric—helped shape the complex legacy of family planning and women’s rights with which the United States and the United Kingdom still struggle.

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cover of When Sex Threatened the State: Illicit Sexuality, Nationalism, and Politics in Colonial Nigeria, 1900-1958

When Sex Threatened the State

Illicit Sexuality, Nationalism, and Politics in Colonial Nigeria, 1900-1958

Saheed Aderinto

University of Illinois Press, 2015

Breaking new ground in the understanding of sexuality's complex relationship to colonialism, When Sex Threatened the State illuminates the attempts at regulating prostitution in colonial Nigeria.
 
As Saheed Aderinto shows, British colonizers saw prostitution as an African form of sexual primitivity and a problem to be solved as part of imperialism's "civilizing mission". He details the Nigerian response to imported sexuality laws and the contradictory ways both African and British reformers advocated for prohibition or regulation of prostitution. Tracing the tensions within diverse groups of colonizers and the colonized, he reveals how wrangling over prostitution camouflaged the negotiating of separate issues that threatened the social, political, and sexual ideologies of Africans and Europeans alike.
 
The first book-length project on sexuality in early twentieth century Nigeria, When Sex Threatened the State combines the study of a colonial demimonde with an urban history of Lagos and a look at government policy to reappraise the history of Nigerian public life.
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cover of When the Air Became Important: A Social History of the New England and Lancashire Textile Industries

When the Air Became Important

A Social History of the New England and Lancashire Textile Industries

Janet Greenlees

Rutgers University Press, 2019

In When the Air Became Important, medical historian Janet Greenlees examines the working environments of the heartlands of the British and American cotton textile industries from the nineteenth to the late twentieth centuries. Greenlees contends that the air quality within these pioneering workplaces was a key contributor to the health of the wider communities of which they were a part. Such enclosed environments, where large numbers of people labored in close quarters, were ideal settings for the rapid spread of diseases including tuberculosis, bronchitis and pneumonia. When workers left the factories for home, these diseases were transmitted throughout the local population, yet operatives also brought diseases into the factory. Other aerial hazards common to both the community and workplace included poor ventilation and noise. Emphasizing the importance of the peculiarities of place as well as employers’ balance of workers’ health against manufacturing needs, Greenlees’s pioneering book sheds light on the roots of contemporary environmentalism and occupational health reform. Her work highlights the complicated relationships among local business, local and national politics of health, and community priorities.
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cover of Who Paid for Modernism?: Art, Money, and the Fiction of Conrad, Joyce and Lawrence

Who Paid for Modernism?

Art, Money, and the Fiction of Conrad, Joyce and Lawrence

Joyce Piell Wexler

University of Arkansas Press, 1997

Examining the ways the publishing experiences of Conrad, Joyce, and Lawrence affected their fiction, Wexler draws on diverse sources of evidence to challenge some of the myths of modernism.
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cover of Who is Buried in Chaucer's Tomb?: Studies in the Reception of Chaucer's Book

Who is Buried in Chaucer's Tomb?

Studies in the Reception of Chaucer's Book

Joseph A. Dane

Michigan State University Press, 1998

Joseph A. Dane examines the history of the books we now know as "Chaucer’s"—a history that includes printers and publishers, editors, antiquarians, librarians, and book collectors. The Chaucer at issue here is not a medieval poet, securely bound within his fourteenth-century context, but rather the product of the often chaotic history of the physical books that have been produced and marketed in his name.
This history involves a series of myths about Chaucer—a reformist Chaucer, a realist Chaucer, a political and critical Chaucer who seems oddly like us. It also involves more self-reflective critical myths—the conveniently coherent editorial tradition that leads progressively to modern editions of Chaucer. Dane argues that the material background of these myths remains irreducibly and often amusingly recalcitrant. The great Chaucer monuments—his editions, his book, and even his tomb—defy our efforts to stabilize them with our critical descriptions and transcriptions.
Part I concentrates on the production and reception of the Chaucerian book from the sixteenth to the eighteenth centuries, a period dominated by the folio "Complete Works" and a period that culminates in what Chaucerians have consistently (if uncritically) defined as the worst Chaucer edition of 1721. Part II considers the increasing ambivalence of modern editors and critics in relation to the book of Chaucer, and the various attempts of modern scholars to provide alternative sources of authority.
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cover of Why We Left: Untold Stories and Songs of America's First Immigrants

Why We Left

Untold Stories and Songs of America's First Immigrants

Joanna Brooks

University of Minnesota Press, 2024

A grounded, tender, and mournful reckoning with the catastrophes that launched poor, white Anglos into their role as itinerant foot soldiers for modern imperialism—now in paperback with a new preface

 

Joanna Brooks’s ancestors were among the early waves of emigrants to leave England for North America. For generations, they lived hardscrabble lives, eking out subsistence in one place after another as they continually moved west in search of a better life. Why, Brooks wondered, did her people and countless other poor English subjects abandon their homeland for such unremitting hardship? The question leads her on a journey through an obscure dimension of American history.

 

Why We Left reveals the violence and dislocation that propelled seventeenth- and eighteenth-century working-class English emigration, presenting a powerful restorying of how we arrived at our present moment of precarity and rootlessness. Following American folk ballads back across the Atlantic to find histories of economic displacement, environmental destruction, and social betrayal at the heart of the early Anglo-American migrant experience, Brooks offers a scholarly and personal account of the intergenerational traumas that shape the history of white Anglos on Turtle Island.

 

She shares folk ballads such as “Edward,” which reveals the influence of deforestation on the dislocation of early Anglo-American peasant immigrants, and “The House Carpenter’s Wife,” which emphasizes the impact of economic instability and the colonial enterprise on women. From these ballads, tragic and heartrending, Brooks uncovers an archaeology of the worldviews of America’s earliest immigrants. This tenth-anniversary edition includes a new preface and develops a haunting historical perspective on the ancestors we thought we knew.

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cover of Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London

Wicked Intelligence

Visual Art and the Science of Experiment in Restoration London

Matthew C. Hunter

University of Chicago Press, 2013

In late seventeenth-century London, the most provocative images were produced not by artists, but by scientists. Magnified fly-eyes drawn with the aid of microscopes, apparitions cast on laboratory walls by projection machines, cut-paper figures revealing the “exact proportions” of sea monsters—all were created by members of the Royal Society of London, the leading institutional platform of the early Scientific Revolution. Wicked Intelligence reveals that these natural philosophers shaped Restoration London’s emergent artistic cultures by forging collaborations with court painters, penning art theory, and designing triumphs of baroque architecture such as St Paul’s Cathedral.
 
Matthew C. Hunter brings to life this archive of experimental-philosophical visualization and the deft cunning that was required to manage such difficult research. Offering an innovative approach to the scientific image-making of the time, he demonstrates how the Restoration project of synthesizing experimental images into scientific knowledge, as practiced by Royal Society leaders Robert Hooke and Christopher Wren, might be called “wicked intelligence.” Hunter uses episodes involving specific visual practices—for instance, concocting a lethal amalgam of wax, steel, and sulfuric acid to produce an active model of a comet—to explore how Hooke, Wren, and their colleagues devised representational modes that aided their experiments. Ultimately, Hunter argues, the craft and craftiness of experimental visual practice both promoted and menaced the artistic traditions on which they drew, turning the Royal Society projects into objects of suspicion in Enlightenment England.
 
The first book to use the physical evidence of Royal Society experiments to produce forensic evaluations of how scientific knowledge was generated, Wicked Intelligence rethinks the parameters of visual art, experimental philosophy, and architecture at the cusp of Britain’s imperial power and artistic efflorescence.
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cover of William Blake and the Impossible History of the 1790s

William Blake and the Impossible History of the 1790s

Saree Makdisi

University of Chicago Press, 2003

Modern scholars often find it difficult to account for the profound eccentricities in the work of William Blake, dismissing them as either ahistorical or simply meaningless. But with this pioneering study, Saree Makdisi develops a reliable and comprehensive framework for understanding these peculiarities. According to Makdisi, Blake's poetry and drawings should compel us to reconsider the history of the 1790s. Tracing for the first time the many links among economics, politics, and religion in his work, Makdisi shows how Blake questioned and even subverted the commercial, consumerist, and political liberties that his contemporaries championed, all while developing his own radical aesthetic.
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cover of William Godwin: A Political Life

William Godwin

A Political Life

Richard Gough Thomas

Pluto Press, 2019

“Government by its very nature counteracts the improvement of original mind”—William Godwin
 
William Godwin was the first major anarchist thinker in the Anglophone world, and his thought rocked the establishment at the beginning of the nineteenth century. Famously married to Mary Wollstonecraft, father to Mary Shelley, and inspiration to Lord Byron, he lived a life and created a body of work that lie at the heart of British radicalism and romanticism.
                        In this biography, Richard Gough Thomas reads Godwin afresh, drawing on newly discovered letters and journals. He situates Godwin’s early life in the counterculture of eighteenth-century religious dissent, before moving on to exploring the ideas of the French Revolution. As Godwin's groundbreaking works propelled him from Whig party hack to celebrity philosopher, his love affair with Mary Wollstonecraft saw him ostracized in both liberal and conservative circles.
                        Godwin's anarchism always remained at the center of his work, Thomas shows, inspiring libertarians, both left- and right-wing. This biography places Godwin alongside the other members of his famous family as a major political, ethical, and educational writer and shows why a reappraisal of his ideas is pertinent today.
 
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cover of William Knox: The Life and Thought of an Eighteenth-Century Imperialist

William Knox

The Life and Thought of an Eighteenth-Century Imperialist

By Leland J. Bellot

University of Texas Press, 1977

Colonial expert and pamphleteer William Knox has received attention in virtually every major study of the American Revolution, yet this is the first biography of Knox ever written.

Knox is best known as undersecretary of state in the American Department of the British government from 1770 to 1782. A prolific and candid commentator, he also made a reputation as a pamphleteer, defending the imperial cause during the decade preceding the Revolution. It had been his experience as provost marshal in Georgia from 1757 to 1762 that convinced Knox of the danger to the empire of the growing "democratic" forces in the American colonies.

While numerous historical works have focused on this or that aspect of Knox's career and thought, such treatment has produced at best a jigsaw portrait. Bellot's comprehensive narrative reveals Knox as a person—one whose Calvinist heritage and Scots-Irish upbringing profoundly influenced his view of empire—and as a historical actor and witness. Here is a look at the events of the revolutionary period through the eyes of a British bureaucrat who had a significant role in both the formation and the execution of British policy. This perspective also provides an excellent case study of the operation of the eighteenth-century British bureaucracy.

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cover of William Lawrence and the Organ of Mind: The Theology, Medicine and Politics of the Brain

William Lawrence and the Organ of Mind

The Theology, Medicine and Politics of the Brain

Elfed Huw Price

University College London, 2025

The untold story of how a nineteenth-century medical controversy laid the groundwork for modern neuroscience and the science of the mind.

Elfed Huw Price studies the radical history behind the idea that thought and consciousness are rooted in the brain, tracing its emergence in early nineteenth-century Britain. Centered on the controversy surrounding Lawrence’s Lectures on Physiology, Zoology, and the Natural History of Man, this book reveals how his arguments on the sentient brain challenged both medical tradition and religious orthodoxy, provoking backlash from the establishment.

Drawing on archival sources including unpublished material from Bethlem Hospital, Price situates Lawrence’s work within the rise of Christian mortalist thought and the broader shift toward Victorian naturalism. Despite Lawrence’s silencing, his ideas endured, shaping a transformation that redefined human exceptionality through biology rather than theology.

Bridging science, medicine, philosophy, and religion, William Lawrence and the Organ of Mind illuminates a pivotal yet overlooked moment in the history of mind and brain studies, offering fresh insights into the intellectual struggles that helped reshape modern thought.
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cover of Wilson

Wilson

Paul Routledge

Haus Publishing, 2006

Harold Wilson held out the promise of technology and of 'the Britain that is going to be forged in the white heat of this revolution'. A balance of payment crisis, leading to devaluation in 1967, frustrated the fulfilment of his primeministerial promises. Meanwhile foreign affaris were dominated by the issue of Rhodesia, in which Wilson took a personal initiative in diplomacy with Ian Smith but failed to make any progress.
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cover of Winston Churchill: Resolution, Defiance, Magnanimity, Good Will

Winston Churchill

Resolution, Defiance, Magnanimity, Good Will

Edited by R. Crosby Kemper III

University of Missouri Press, 1995

In 1946 Winston Churchill shook the world with his famous "Iron Curtain" speech on the campus of Westminster College in Fulton, Missouri, now the site of the Winston Churchill Memorial and Library. Inscribed on the pediment of his statue at the memorial is the epigraph from Churchill's History of the Second World War:

In War: Resolution

In Defeat: DefianceIn Victory: MagnanimityIn Peace: Good Will

No other words provide so poignant a summary of the principles that sustained Churchill's life's work.

Under the auspices of the Winston Churchill Memorial and Library, the Crosby Kemper Lectureship was established in 1979 by the Enid and Crosby Kemper Foundation of Kansas City, Missouri. Lectures have been delivered annually, or biennially, at the Winston Churchill Memorial and Library on the campus of Westminster College by authorities on British history and on Sir Winston Churchill. The essays included in this volume constitute the first dozen Crosby Kemper lectures, most by individuals who were personally acquainted with Churchill and all by individuals who had studied his life and his work.

Lord Robert Blake discusses Churchill's ambivalence toward the Conservative party during his political career. Philip S. Ziegler, Earl Mountbatten's biographer, examines whether Britain should have granted independence to India in 1947, taking as his departure Churchill's unequivocal belief that Britain's imperial rule there was a sacred trust not to be betrayed. Martin Gilbert, Churchill's biographer, carefully examines the origins of the Cold War and the famous Iron Curtain speech. Sir Michael Howard, Lovett Professor and Naval Historian at Yale University, further examines Churchill's role during the Cold War and the formulation of his "two-track" strategy that pushed for military strength while persistently striving for peace with the Soviets. Sir John Colville, Churchill's private secretary, ponders the extent to which great men are made by circumstances, citing Churchill's peccadilloes and strengths. Churchill's daughter Mary Soames and granddaughter, the sculptor Edwina Sandys, also give moving portraits of a much-loved family man.

All bring this illustrious leader to life in the process of interpreting his political actions, reviewing his historical contributions, and sharing anecdotes about his personal life.

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cover of Wireless: The Crucial Decade: History of the British wireless industry 1924-34

Wireless

The Crucial Decade: History of the British wireless industry 1924-34

Gordon Bussey

The Institution of Engineering and Technology, 1990

The crucial decade for the development of the domestic wireless was 1924-34. At the beginning of the period most receivers in Britain were crystal sets, but by the end nearly all sets were on the mains, using valves and mostly with superhet circuits-broadly the same as those in use today.
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cover of Wit, Virtue, and Emotion: British Women's Enlightenment Rhetoric

Wit, Virtue, and Emotion

British Women's Enlightenment Rhetoric

Elizabeth Tasker Davis

Southern Illinois University Press, 2022

Women’s persuasion and performance in the Age of Enlightenment

Over a century before first-wave feminism, British women’s Enlightenment rhetoric prefigured nineteenth-century feminist arguments for gender equality, women’s civil rights, professional opportunities, and standardized education. Author Elizabeth Tasker Davis rereads accepted histories of seventeenth- and eighteenth-century British rhetoric, claiming a greater variety and power of women’s rhetoric. This recovery of British women’s performative and written roles as speakers, spectators, authors, and readers in diverse venues counters the traditional masculine model of European Enlightenment rhetoric. Davis broadens women’s Enlightenment rhetorics to include highly public venues such as theaters, clubs, salons, and debating societies, as well as the mediated sites of the periodical essay, the treatise on rhetorical theory, and women’s written proposals, plans, defenses and arguments for education. Through these sites, women’s rhetorical postures diverged from patriarchal prescriptions rather to deliver protofeminist persuasive performances of wit, virtue, and emotion.

Davis examines context, the effects of memory and gendering, and the cultural sites and media of women’s rhetoric to reveal a fuller ecology of British Enlightenment rhetoric. Each chapter covers a cultural site of women’s rhetorical practice—the court, the stage, the salon, and the printed page. Applying feminist rhetorical theory, Davis documents how women grasped their rhetorical ability in this historical moment and staged a large-scale transformation of British women from subalterns to a vocal counterpublic in British society.

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cover of Witchcraft in England, 1558-1618

Witchcraft in England, 1558-1618

Barbara Rosen

University of Massachusetts Press, 1991

Anyone interested in manifestations of witchcraft in Elizabethan and Jacobean England will find this book an invaluable source. Barbara Rosen has gathered and edited a rare collection of documents—pamphlets, reports, trial accounts, and other material—that describes the experience, interpretation, and punishment of witchcraft in the late sixteenth and early seventeenth centuries.

In her introduction, Rosen explores the full range of practices and beliefs associated with witchcraft and situates these phenomena in historical context. She explains how ignorance of science and medicine combined with social circumstance and religious ideology to shape popular perceptions and superstitions. Distinguishing between English and Continental forms of witchcraft, she also examines the legal definitions, disciplines, and punishments applied to wizards, witches, wise women, and conjures in the Elizabethan age. 

The pamphlets and other original texts have been modernized in certain respects to make them more accessible to general readers. But the book retains its value for scholars: omissions are detailed in the notes and additions marked; obsolete words and grammar are explained in the glossary.

Originally published in England in 1970 under the title Witchcraft, this book appears now for the first time in paperback and includes a new preface by the editor.

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cover of Women Making News: Gender and Journalism in Modern Britain

Women Making News

Gender and Journalism in Modern Britain

Michelle Elizabeth Tusan

University of Illinois Press, 2005

Starting in the mid-nineteenth century, female editors and journalists created a new genre of political journal they proclaimed to be both for and by women. Specialized periodicals like Women's Penny Paper and Shafts fostered the proliferation of diverse political agendas aimed at reimagining women's status in society. At the same time, the institutional infrastructure of the women's press provided women with job opportunities in a nontraditional field.

Michelle Tusan tells two stories. First, she examines alternative print-based political cultures that women developed during the late nineteenth and early twentieth centuries. Second, she explores how British female subjects forged a wide range of new political identities through the pages of "their press." Tusan employs social and cultural historical analysis in the reading of popular printed texts, as well as rare and previously unpublished personal correspondence and business records from archives throughout Britain.

Insightful and filled with fascinating detail, Women Making News uncovers how the relationship between print culture and gender politics provided a vehicle for women's mobilization in the political culture of modern Britain.

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Women and Comedy

Rewriting the British Theatrical Tradition

Susan Carlson

University of Michigan Press, 1991

The first comprehensive study of its kind, this book explores the contradictory connections between women and dramatic comedy. Women and Comedy shows how a genre that has been used historically to restrict women's behavior is being reconfigured to express women's triumphs. It thus redefines the assumptions with which both traditional comedy and contemporary women's plays are read and viewed. Challenging a critical consensus that has seen comedy as a haven for female power, Carlson argues that traditional comedy is deeply sexist, welcoming strong women characters only because it can contain their power. Through an analysis of a range of comedies by Shakespeare, Congreve, Maugham, Shaw, and Ayckbourn, the author shows that even in these plays self-consciously about liberated females, women gain only a limited freedom, a freedom that the endings of the plays work to negate. This negotiation is seen to result in part from the comic structure itself, which privileges a merely temporary inversion and an ultimate return to the status quo. Carlson then examines the transitional work of three writers – Aphra Behn, Henry James, and Ann Jellicoe – whose heroines follow an unorthodox trajectory through their comic worlds. While the work of these writers clearly remains within the mainstream comic tradition, the author notes in them a subtle departure, most notably in their description of the heroine as subject rather than object, which prefigures the full-scale transformations of women in comedy by contemporary women writers.   The book then examines contemporary comedy that revises traditional comic structure at the same time as it explores fundamental social change. In making her case for the difference of contemporary comedy by women, Carlson examines the reformulations of structure and character and considers issues of community, self, and sexuality in a broad range of plays by individual playwrights and by the new women's theater collectives.  Women and Comedy is an important work for students of British drama and will appeal to theater practitioners, critics, feminist scholars, and all those interested in the performing arts.
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Women and Music in the Age of Austen

Linda Zionkowski

Bucknell University Press, 2024

Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.


 
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Women and the Law

Susan Atkins and Brenda Hoggett

University of London Press, 2018

Women and the Law is a pioneering study of the way in which the law has treated women – at work, in the family, in matters of sexuality and fertility, and in public life. It was first published in 1984 by Susan Atkins and Brenda Hoggett, then University teachers. The authors examine the origins of British law’s attitude to women, trace the development of the law and ways in which it reflects the influence of economic, social and political forces and the dominance of men. They illustrate the tendency, despite formal equality, for deep-rooted problems of encoded gender inequality to remain. Since 1984 the authors have achieved distinguished careers in law and public service. This 2018 Open Access edition provides a timely opportunity to revisit their ground-breaking analysis and reflect on how much has changed, and how much has stayed the same. 
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Women at Odds

Indifference, Antagonism, and Progress in Late Victorian Literature

Riya Das

The Ohio State University Press, 2024

In Women at Odds, Riya Das demonstrates the limitations of female solidarity for the New Woman in Victorian society. On the one hand, feminist antagonism disrupts the status quo in unanticipated ways, and it helps open new domestic and professional pathways for women. On the other hand, the urban professional New Woman’s rhetoric recycles distinctly sexist, racist, and classist conventions, thereby bringing middle-class Englishwomen dialectically—what Das terms “retro-progressively”—into the labor pool of the British empire.

While foregrounding the figure of the New Woman as a white imperialist reformer, Das illustrates how the New Woman movement detaches itself from the domestic politics of female friendship. In works by George Eliot, George Gissing, Olive Schreiner, Bram Stoker, and others, antagonism and indifference enable the fin de siècle New Woman to transcend traditionally defined roles and fashion social progress for herself at the expense of femininities she excludes as “other.” By contesting the critical notion of solidarity as the only force that brings Victorian women’s narratives to fruition, Women at Odds reveals the troubled but effective role of antagonistic and indifferent reformist politics in loosening rigid social structures for privileged populations.

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Women’s Bookscapes in Early Modern Britain

Reading, Ownership, Circulation

Leah Knight, Micheline White, and Elizabeth Sauer, Editors

University of Michigan Press, 2018

Women in 16th- and 17th-century Britain read, annotated, circulated, inventoried, cherished, criticized, prescribed, and proscribed books in various historically distinctive ways. Yet, unlike that of their male counterparts, the study of women’s reading practices and book ownership has been an elusive and largely overlooked field.

In thirteen probing essays, Women’s Bookscapesin Early Modern Britain brings together the work of internationally renowned scholars investigating key questions about early modern British women’s figurative, material, and cultural relationships with books. What constitutes evidence of women’s readerly engagement? How did women use books to achieve personal, political, religious, literary, economic, social, familial, or communal goals? How does new evidence of women’s libraries and book usage challenge received ideas about gender in relation to knowledge, education, confessional affiliations, family ties, and sociability? How do digital tools offer new possibilities for the recovery of information on early modern women readers?

The volume’s three-part structure highlights case studies of individual readers and their libraries; analyses of readers and readership in the context of their interpretive communities; and new types of scholarly evidence—lists of confiscated books and convent rules, for example—as well as new methodologies and technologies for ongoing research. These essays dismantle binaries of private and public; reading and writing; female and male literary engagement and production; and ownership and authorship.

Interdisciplinary, timely, cohesive, and concise, this collection’s fresh, revisionary approaches represent substantial contributions to scholarship in early modern material culture; book history and print culture; women’s literary and cultural history; library studies; and reading and collecting practices more generally.

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Wonderful Things from 400 Years of Collecting

The Bodleian Library 1602-2002

Edited by the Bodleian Library

Bodleian Library Publishing, 2002

A timeless selection of Wonderful Things, this book highlights the tremendous range of the Bodleian Library's collections. From the sixth-century Laudian Acts—a manuscript probably used by Bede himself—to modern treasures such as one of Tolkein's own illustrations for TheHobbit, the objects chosen show the extent, variety, and quality of the Library's holdings and how they came to the Bodleian. Each work is sumptuously displayed in full-page color with facing-page descriptions. Collectively, they offer a fascinating glimpse into the principles, history, and future of collecting by a world-class institution.
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cover of Word Crimes: Blasphemy, Culture, and Literature in Nineteenth-Century England

Word Crimes

Blasphemy, Culture, and Literature in Nineteenth-Century England

Joss Marsh

University of Chicago Press, 1998

In 1883 the editor of a penny newspaper stood trial three times for the "obsolete" crime of blasphemy. The editor was G. W. Foote, the paper was the Freethinker, and the trial was the defining event of the decade. Foote's "martyrdom" completed blasphemy's nineteenth-century transformation from a religious offense to a class and cultural crime.

From extensive archival and literary research, Joss Marsh reconstructs a unified and particular account of blasphemy in Victorian England. Rewriting English history from the bottom up, she tells the forgotten stories of more than two hundred working-class "blasphemers," like Foote, whose stubborn refusal to silence their "hooligan" voices helped secure our rights to speak and write freely today. The new standards of criminality used to judge their "word crimes" rewrote the terms of literary judgment, demoting the Bible to literary masterpiece and raising Literature as the primary standard of Victorian cultural value.
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Wordsworth and the Green Romantics

Affect and Ecology in the Nineteenth Century

Lisa Ottum

University of New Hampshire Press, 2016

Situated at the intersection of ecocriticism, affect studies, and Romantic studies, this collection breaks new ground on the role of emotions in Western environmentalism. Recent scholarship highlights how traffic between Romantic-era literature and science helped to catalyze Green Romanticism. Closer to our own moment, the affective turn reflects similar cross-disciplinary collaboration, as many scholars now see the physiological phenomenon of affect as a force central to how we develop conscious attitudes and commitments. Together, these trends offer suggestive insights for the study of Green Romanticism.
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Wordsworth's Fun

Matthew Bevis

University of Chicago Press, 2019

“The next day Wordsworth arrived from Bristol at Coleridge’s cottage,” William Hazlitt recalled, “He answered in some degree to his friend’s description of him, but was more quaint and Don Quixote- like . . . there was a convulsive inclination to laughter about the mouth.” Hazlitt presents a Wordsworth who differs from the one we know—and, as Matthew Bevis argues in his radical new reading of the poet, this Wordsworth owed his quixotic creativity to a profound feeling for comedy.

Wordsworth’s Fun explores the writer’s debts to the ludic and the ludicrous in classical tradition; his reworkings of Ariosto, Erasmus, and Cervantes; his engagement with forms of English poetic humor; and his love of comic prose. Combining close reading with cultural analysis, Bevis travels many untrodden ways, studying Wordsworth’s interest in laughing gas, pantomime, the figure of the fool, and the value of play. Intrepid, immersive, and entertaining, Wordsworth’s Fun sheds fresh light on how one poet’s strange humor helped to shape modern literary experiment.
 
 
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Working Out Egypt

Effendi Masculinity and Subject Formation in Colonial Modernity, 1870–1940

Wilson Chacko Jacob

Duke University Press, 2011

Working Out Egypt is both a rich cultural history of the formation of an Egyptian national subject in the late nineteenth century and early twentieth and a compelling critique of modern Middle Eastern historiography. Wilson Chacko Jacob describes how Egyptian men of a class akin to the cultural bourgeoisie (the effendiyya) struggled to escape from the long shadow cast by colonial depictions of the East as degenerate, feminine, and temporally behind an active and virile Europe. He argues that during British colonial rule (1882–1936), attempts to create a distinctively modern and Egyptian self free from the colonial gaze led to the formation of an ambivalent, performative subjectivity that he calls “effendi masculinity.” Jacob traces effendi masculinity as it took hold during the interwar years, in realms from scouting and competitive sports to sex talk and fashion, considering its gendered performativity in relation to a late-nineteenth-century British discourse on masculinity and empire and an explicitly nationalist discourse on Egyptian masculinity. He contends that as an assemblage of colonial modernity, effendi masculinity was simultaneously local and global, national and international, and particular and universal. Until recently, modern Egyptian history has not allowed for such paradoxes; instead, Egyptian modernity has been narrated in the temporal and spatial terms of a separate Western modernity.
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World Film Locations

Liverpool

Edited by Jez Conolly and Caroline Whelan

Intellect Books, 2013

Outside of the capital London, no other British city has attracted more filmmakers than Liverpool. Sometimes standing in for London, New York, Chicago, Paris, Rome, or Moscow, and sometimes playing itself—or a version of its own past in Beatles biopics—Liverpool is an adaptable filmic backdrop that has attracted filmmakers to its ports for decades. A place of passion, humor, and pride, Liverpool evokes caverns and cathedrals, ferries and football grounds; it is a city so vivid we see it clearly even if we’ve never been there. From the earliest makers of moving images—among them the Mitchell & Kenyon film company, the Lumière brothers, and pioneering early cinematographer Claude Friese-Greene—who preserved the city, the river, the docks, the streets, and the people, Liverpool has endured as a cinematic destination. This collection celebrates that survival instinct and will be welcomed by enthusiasts of British cities, films, and culture.

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World Film Locations

London

Edited by Neil Mitchell

Intellect Books, 2011

An exciting and visually focused tour of the diverse range of films shot on location in London, World Film Locations: London presents contributions spanning the Victorian era, the swinging ’60s, and the politically charged atmosphere following the 2005 subway bombings. Essays exploring key directors, themes, and historical periods are complemented by reviews of important scenes that offer particular insight into London's relationship to cinema. The book is illustrated throughout with full-color film stills and photographs of cinematic landmarks as they appear now—as well as city maps to aid those keen to investigate them.

From Terror on the Underground to Thames Tales to Richard Curtis's affectionate portrayal of the city in Love Actually, this user-friendly guide explores the diversity and distinctiveness of films shot in location in London.

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Worthy of Freedom

Indenture and Free Labor in the Era of Emancipation

Jonathan Connolly

University of Chicago Press, 2024

A study of Indian indentured labor in Mauritius, British Guiana, and Trinidad that explores the history of indenture’s normalization.
 
In this book, historian Jonathan Connolly traces the normalization of indenture from its controversial beginnings to its widespread adoption across the British Empire during the nineteenth century. Initially viewed as a covert revival of slavery, indenture caused a scandal in Britain and India. But over time, economic conflict in the colonies altered public perceptions of indenture, now increasingly viewed as a legitimate form of free labor and a means of preserving the promise of abolition. Connolly explains how the large-scale, state-sponsored migration of Indian subjects to work on sugar plantations across Mauritius, British Guiana, and Trinidad transformed both the notion of post-slavery free labor and the political economy of emancipation.
 
Excavating legal and public debates and tracing practical applications of the law, Connolly carefully reconstructs how the categories of free and unfree labor were made and remade to suit the interests of capital and empire, showing that emancipation was not simply a triumphal event but, rather, a deeply contested process. In so doing, he advances an original interpretation of how indenture changed the meaning of “freedom” in a post-abolition world.
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Worthy of Freedom

Indenture and Free Labor in the Era of Emancipation

Jonathan Connolly

University of Chicago Press, 2024

This is an auto-narrated audiobook version of this book.

A study of Indian indentured labor in Mauritius, British Guiana, and Trinidad that explores the history of indenture’s normalization.

 
In this book, historian Jonathan Connolly traces the normalization of indenture from its controversial beginnings to its widespread adoption across the British Empire during the nineteenth century. Initially viewed as a covert revival of slavery, indenture caused a scandal in Britain and India. But over time, economic conflict in the colonies altered public perceptions of indenture, now increasingly viewed as a legitimate form of free labor and a means of preserving the promise of abolition. Connolly explains how the large-scale, state-sponsored migration of Indian subjects to work on sugar plantations across Mauritius, British Guiana, and Trinidad transformed both the notion of post-slavery free labor and the political economy of emancipation.
 
Excavating legal and public debates and tracing practical applications of the law, Connolly carefully reconstructs how the categories of free and unfree labor were made and remade to suit the interests of capital and empire, showing that emancipation was not simply a triumphal event but, rather, a deeply contested process. In so doing, he advances an original interpretation of how indenture changed the meaning of “freedom” in a post-abolition world.
[more]
cover of Writing Against the Family: Gender in Lawrence and Joyce

Writing Against the Family

Gender in Lawrence and Joyce

Cynthia Lewiecki-Wilson

Southern Illinois University Press, 1994

This first feminist book-length comparison of D. H. Lawrence and James Joyce offers striking new readings of a number of the novelists’ most important works, including Lawrence’s Man Who Died and Joyce’s Finnegans Wake.

Cynthia Lewiecki-Wilson argues that a feminist reader must necessarily read with and against theories of psychoanalysis to examine the assumptions about gender embedded within family relations and psychologies of gender found in the two authors’ works. She challenges the belief that Lawrence and Joyce are opposites, inhabiting contrary modernist camps; instead they are on a continuum, with both engaged in a reimagination of gender relations.

Lewiecki-Wilson demonstrates that both Lawrence and Joyce write against a background of family material using family plots and family settings. While previous discussions of family relations in literature have not questioned assumptions about the family and about sex roles within it, Lewiecki-Wilson submits the systems of meaning by which gender is construed to a feminist analysis. She reexamines Lawrence and Joyce from the point of view of feminist psychoanalysis, which, she argues, is not a set of beliefs or a single theory but a feminist practice that analyzes how systems of meaning construe gender and produce a psychology of gender.

Lewiecki-Wilson argues against a theory of representation based on gender, however, concluding that Lawrence’s and Joyce’s texts, in different ways, test the idea of a female aesthetic. She analyzes Lawrence’s portrait of family relations in Sonsand Lovers, The Rainbow, and Women in Love and compares Joyce’s Portrait of the Artist as a Young Man with Lawrence’s autobiographical text. She then shows that Portrait begins a deconstruction of systems of meaning that continues and increases in Joyce’s later work, including Ulysses.

Lewiecki-Wilson concludes by showing that Lawrence, Joyce, and Freud relate family material to Egyptian myth in their writings. She identifies Freud’s essay "Leonardo da Vinci and a Memory of Childhood" as an important source for Joyce’s Finnegans Wake, which portrays beneath the gendered individual a root androgyny and asserts an unfixed, evolutionary view of family relations.

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cover of Writing Maternity: Medicine, Anxiety, Rhetoric, and Genre

Writing Maternity

Medicine, Anxiety, Rhetoric, and Genre

Dara Rossman Regaignon

The Ohio State University Press, 2021

When did mothers start worrying so much? Why do they keep worrying so? Writing Maternity: Medicine, Anxiety, Rhetoric, and Genre answers these questions by identifying the nineteenth-century rhetorical origins of maternal anxiety, inviting readers to think about worrying not as something individual mothers do but as an affect that since Victorian times has defined middle-class motherhood itself. In this book, Dara Rossman Regaignon offers the first comprehensive study of child-rearing advice literature from early-nineteenth-century Britain and argues that the historical emergence of that genre catalyzed a durable shift in which maternal care was identified as maternal anxiety. Tracing the rhetorical circulation of this affect from advice literature through the memoirs of Mary Martha Sherwood (1775–1851) and Catharine Tait (1819–1878), as well as fiction by Charles Dickens, Elizabeth Gaskell, the Brontës, and Charlotte Mary Yonge, Regaignon gives maternal anxiety a literary-rhetorical history. She does this by bringing concepts such as uptake and genre ecology into literary studies from rhetorical genre theory, making a case for a mobile and culturally influential notion of genre. Examining specific case studies on child death, paid childcare, and infant doping, among others, Regaignon argues that the ideology of nurturing motherhood was predicated upon the rhetorical cultivation of maternal anxiety—which has had significant consequences for the experience of motherhood and maternal feeling.
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cover of Writing against War: Literature, Activism, and the British Peace Movement

Writing against War

Literature, Activism, and the British Peace Movement

Charles Andrews

Northwestern University Press, 2017

In Writing against War, Charles Andrews integrates literary analysis and peace studies to create innovative new ways to view experimental British fiction in the interwar period.
 
The cataclysm of the First World War gave rise to the British Peace Movement, a spectrum of pacifist, internationalist, and antiwar organizations and individuals. Antiwar sentiments found expression not only in editorials, criticism, and journalism but also in novels and other works of literature. Writing against War examines the work of Aldous Huxley, Storm Jameson, Siegfried Sassoon, Rose Macaulay, and Virginia Woolf to analyze the effects of their attempts to employ fiction in the service of peace activism. It further traces how Huxley, Woolf, and others sought to reconcile their antiwar beliefs with implacable military violence.
 
The British Peace Movement's failure to halt the rise of fascism and the Second World War continues to cast a shadow over contemporary pacifist movements. Writing about War will fascinate scholars of peace studies and literature and offers valuable insights for current-day peace activists and artists who seek to integrate creativity with activism.
 
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cover of Writing through Boyhood in the Long Eighteenth Century: Age, Gender, and Work

Writing through Boyhood in the Long Eighteenth Century

Age, Gender, and Work

Chantel Lavoie

University of Delaware Press, 2024

Writing through Boyhood in the Long Eighteenth Century explores how boyhood was constructed in different creative spaces that reflected the lived experience of young boys through the long eighteenth century—not simply in children’s literature but in novels, poetry, medical advice, criminal broadsides, and automaton exhibitions. The chapters encompass such rituals as breeching, learning to read and write, and going to school. They also consider the lives of boys such as chimney sweeps and convicted criminals, whose bodily labor was considered their only value and who often did not live beyond boyhood. Defined by a variety of tasks, expectations, and objectifications, boys—real, imagined, and sometimes both—were subject to the control of their elders and were used as tools in the cause of civil society, commerce, and empire. This book argues that boys in the long eighteenth century constituted a particular kind of currency, both valuable and expendable—valuable because of gender, expendable because of youth. 
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