4030 books match the query 'Language Arts & Disciplines' and 189 start with w

cover of WPAing in a Pandemic and Beyond: Revision, Innovation, and Advocacy

WPAing in a Pandemic and Beyond

Revision, Innovation, and Advocacy

Todd Ruecker

Utah State University Press, 2025

Writing program administrators have a long history of advocating for their students, fellow faculty, and programs. This advocacy includes defending their work against other entities that seek to dictate the work, challenging institutional policies that define student success in a narrow way or create untenable conditions for writing faculty workloads, and making antiracism a central part of writing programs. The COVID-19 pandemic undoubtedly created a variety of additional challenges for those working in education at all levels. WPAs suddenly had to navigate new public health mandates alongside student and instructor fears as well as pressures by administrations and publics to teach in person.

The chapters in this collection include a variety of voices who have been involved in writing program administration in recent years to reflect on the work done in this moment of crisis. Through both short vignettes and longer chapters, this book explores the complicated interactions between WPA work and navigating times of crisis to provide insights for moving forward. Authors explore a variety of topics including professional development, curricular change, advocating in the face of intransigent administrations and others, caring for students, and taking time for self-care. Pointing to specific actions for continued advocacy, WPAing in a Pandemic and Beyond will be of great interest to WPAs and writing studies scholars.
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cover of WPAs in Transition: Navigating Educational Leadership Positions

WPAs in Transition

Navigating Educational Leadership Positions

Courtney Adams Wooten

Utah State University Press, 2017

WPAs in Transition shares a wide variety of professional and personal perspectives about the costs, benefits, struggles, and triumphs experienced by writing program administrators making transitions into and out of leadership positions. Contributors to the volume come from various positions, as writing center directors, assistant writing program administrators, and WPAs; mixed settings, including community colleges, small liberal arts colleges, and research institutions; and a range of career stages, from early to retiring. They recount insightful anecdotes and provide a scholarly context in which WPAs can share experiences related to this long-ignored aspect of their work.

During such transitions, WPAs and other leaders who function as both administrators and faculty face the professional and personal challenges of redefining who they are, the work they do, and with whom they collaborate. WPAs in Transition creates a grounded and nuanced experiential understanding of what it means to navigate changing roles, advancing the dialogue around WPAs’ and other administrators’ identities, career paths, work-life balance, and location, and is a meaningful addition to the broader literature on administration and leadership.

Contributors: Mark Blaauw-Hara, Christopher Blankenship, Jennifer Riley Campbell, Nicole I. Caswell, Richard Colby, Steven J. Corbett, Beth Daniell, Laura J. Davies, Jaquelyn Davis, Holland Enke, Letizia Guglielmo, Beth Huber, Karen Keaton Jackson, Rebecca Jackson, Tereza Joy Kramer, Jackie Grutsch McKinney, Kerri K. Morris, Liliana M. Naydan, Reyna Olegario, Kate Pantelides, Talinn Phillips, Andrea Scott, Paul Shovlin, Bradley Smith, Cheri Lemieux Spiegel, Sarah Stanley, Amy Rupiper Taggart, Molly Tetreault, Megan L. Titus, Chris Warnick

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cover of Waiting for Prime Time: THE WOMEN OF TELEVISION NEWS

Waiting for Prime Time

THE WOMEN OF TELEVISION NEWS

Marlene Sanders and Marcia Rock

University of Illinois Press, 1988

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cover of Walking on Fire: The Shaping Force of Emotion in Writing Drama

Walking on Fire

The Shaping Force of Emotion in Writing Drama

Jim Linnell

Southern Illinois University Press, 2011

In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form.Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as the key to understanding the central shaping force of drama. He highlights the Dionysian force of human emotion in the writer as the genesis for creative work and articulates its power to determine narrative outcomes and audience reaction.Walking on Fire contains writing exercises to open up playwrights to the emotional realities and challenges of their work. Additionally, each chapter offers case studies of traditional and nonlinear plays in the known canon that allow readers to evaluate the construction of these works and the authors’ practices and intentions through an xamination of the emotional form embedded in the central characters’ language, thoughts, and behaviors. The plays discussed include Henrik Ibsen’s A Doll’s House, William Shakespeare’s Hamlet, Athol Fugard’s “MASTER HAROLD”. . .and the boys, Donald Margulies’s The Loman Family Picnic, Harold Pinter’s The Birthday Party, and Tony Kushner’s Angels in America. 

Walking on Fire
opens up new conversations about content and emotion for writers and offers exciting answers to the questions of why we make drama and why we connect to it. Linnell’s userfriendly theory and passionate approach create a framework for understanding the links between the writer’s work in creating the text, the text itself, and the audience’s engagement.
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cover of Ware's Victorian Dictionary of Slang and Phrase

Ware's Victorian Dictionary of Slang and Phrase

J. Redding Ware

Bodleian Library Publishing, 2013

Acutely aware of the changes affecting English at the end of the Victorian era, writer and journalist J. Redding Ware set out to record words and turns of phrase from all walks of life, from the curses in common use by sailors to the rhyming slang of the street and the jargon of the theater dandies. In doing so, he extended the lifespan of words like “air-hole,” “lally-gagging,” and “bow-wow mutton.”

First published in 1909 and reproduced here with a new introduction by Oxford English Dictionary editor John Simpson, Ware’s Victorian Dictionary of Slang and Phrase reflects the rich history of unofficial English. Many of the expressions are obsolete; one is not likely to have the misfortune of encountering a “parlour jumper.” Order a “shant of bivvy” at the pub and you’ll be met with a blank stare. But some of the entries reveal the origins of expressions still in use today, such as calling someone a “bad egg” to indicate that they are dishonest or of ill-repute. While showing the significant influence of American English on Victorian slang, the Dictionary also demonstrates how impressively innovative its speakers were.

A treasure trove of everyday language of the nineteenth century, this book has much to offer in terms of insight into the intriguing history of English and will be of interest to anyone with a passion for words.
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cover of Water Drops from Women Writers: A Temperance Reader

Water Drops from Women Writers

A Temperance Reader

Edited by Carol Mattingly

Southern Illinois University Press, 2001

The temperance movement was the largest single organizing force for women in American history, uniting and empowering women seeking to enact social change. By the end of the century, more than two hundred thousand women had become members of the Woman’s Christian Temperance Union (WCTU), and numerous others belonged to smaller temperance organizations. Despite the impact of the movement, its literature has been largely neglected.

In this collection of nineteen temperance tales, Carol Mattingly has recovered and revalued previously unavailable writing by women. Mattingly’s introduction provides a context for these stories, locating the pieces within the temperance movement as well as within larger issues in women’s studies.

The temperance movement was essential to women’s awareness of and efforts to change gender inequalities in the United States during the nineteenth and early twentieth centuries. In their fiction, temperance writers protested physical and emotional abuse at the hands of men, argued for women’s rights, addressed legal concerns, such as divorce and child custody, and denounced gender-biased decisions affecting the care and rights of children. Temperance fiction by women broadens our understanding of the connections between women’s rights and temperance, while shedding light on women’s thinking and behavior in the nineteenth century.

Water Drops from Women Writers features biographical sketches of each writer as well as thirteen illustrations.
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cover of Watergate's Legacy and the Press: The Investigative Impulse

Watergate's Legacy and the Press

The Investigative Impulse

Jon Marshall

Northwestern University Press, 2011

Did two reporters really change the course of history? And what impact did they actually have on American journalism and government? Jon Marshall explores different answers to those questions by charting the past and the possible future of the critical public service provided by investigative reporters.

Bob Woodward and Carl Bernstein symbolize an era when investigative reporters were seen as courageous fighters of corruption and injustice. Although many mainstream news outlets no longer have the resources to support expensive investigative reporters on staff, journalists have found other ways to support themselves Marshall’s discussion of the opportunities they have found in blogs, crowd-sourcing, and nonprofit institutions offers hope for the future of investigative journalism.

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cover of We Are All Americans, Pure and Simple: Theodore Roosevelt and the Myth of Americanism

We Are All Americans, Pure and Simple

Theodore Roosevelt and the Myth of Americanism

Leroy G. Dorsey

University of Alabama Press, 2008

Redefining American identity through Roosevelt’s words.

The turn of the 20th century represented one of the most chaotic periods in the nation's history, as immigrants, Native Americans, and African Americans struggled with their roles as Americans while white America feared their encroachments on national identity. This book examines Theodore Roosevelt’s public rhetoric—speeches, essays, and narrative histories—as he attempted to craft one people out of many. Leroy G. Dorsey observes that Roosevelt's solution to the problem appeared straightforward: everyone could become "Americans, pure and simple" if they embraced his notion of "Americanism." Roosevelt grounded his idea of Americanism in myth, particularly the frontier myth—a heroic combination of individual strength and character. When nonwhites and immigrants demonstrated these traits, they would become true Americans, earning an exalted status that they had heretofore been denied.

Dorsey’s analysis illuminates how Roosevelt's rhetoric achieved a number of delicate, if problematic, balancing acts. Roosevelt gave his audiences the opportunity to accept a national identity that allowed "some" room for immigrants and nonwhites, while reinforcing their status as others, thereby reassuring white Americans of their superior place in the nation. Roosevelt’s belief in an ordered and unified nation did not overwhelm his private racist attitudes, Dorsey argues, but certainly competed with them. Despite his private sentiments, he recognized that racist beliefs and rhetoric were divisive and bad for the nation’s progress. The resulting message he chose to propagate was thus one of a rhetorical, if not literal, melting pot.

By focusing on Roosevelt’s rhetorical constructions of national identity, as opposed to his personal exploits or his role as a policy maker, We Are All Americans offers new insights into Roosevelt’s use of public discourse to bind the nation together during one of the most polarized  periods in its history.

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cover of We Are Coming: The Persuasive Discourse of Nineteenth-Century Black Women

We Are Coming

The Persuasive Discourse of Nineteenth-Century Black Women

Shirley Wilson Logan

Southern Illinois University Press, 1999

Shirley Wilson Logan analyzes the distinctive rhetorical features in the persuasive discourse of nineteenth-century black women, concentrating on the public discourse of club and church women from 1880 until 1900.

Logan develops each chapter in this illustrated study around a feature of public address as best exemplified in the oratory of a particular woman speaker of the era. She analyzes not only speeches but also editorials, essays, and letters.

Logan first focuses on the prophetic oratory of Maria Stewart, the first American-born black woman to speak publicly. Turning to Frances Harper, she considers speeches that argue for common interests between divergent communities. And she demonstrates that central to the antilynching rhetoric of Ida Wells is the concept of "presence," or the tactic of enhancing certain selected elements of the presentation.

In her discussion of Fannie Barrier Williams and Anna Cooper, Logan shows that when speaking to white club women and black clergymen, both Williams and Cooper employ what Kenneth Burke called identification. To analyze the rhetoric of Victoria Matthews, she applies Carolyn Miller's modification of Lloyd Bitzer's concept of the rhetorical situation.

Logan also examines the discourse of women associated with the black Baptist women's movement and those participating in college-affiliated conferences.

The book includes an appendix with little-known speeches and essays by Anna Julia Cooper, Selena Sloan Butler, Lucy Wilmot Smith, Mary V. Cook, Adella Hunt Logan, Victoria Earle Matthews, Lucy C. Laney, and Georgia Swift King.

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cover of We Are the Union: Democratic Unionism and Dissent at Boeing

We Are the Union

Democratic Unionism and Dissent at Boeing

Dana L. Cloud

University of Illinois Press, 2011

In this extraordinary tale of union democracy, Dana L. Cloud engages union reformers at Boeing in Wichita and Seattle to reveal how ordinary workers attempted to take command of their futures by chipping away at the cozy partnership between union leadership and corporate management. Taking readers into the central dilemma of having to fight an institution while simultaneously using it as a bastion of basic self-defense, We Are the Union offers a sophisticated exploration of the structural opportunities and balance of forces at play in modern unions told through a highly relevant case study.
 
Focusing on the 1995 strike at Boeing, Cloud renders a multi-layered account of the battles between company and the union and within the union led by Unionists for Democratic Change and two other dissident groups. She gives voice to the company's claims of the hardships of competitiveness and the entrenched union leaders' calls for concessions in the name of job security, alongside the democratic union reformers' fight for a rank-and-file upsurge against both the company and the union leaders.

We
Are the Union is grounded in on-site research and interviews and focuses on the efforts by Unionists for Democratic Change to reform unions from within. Incorporating theory and methods from the fields of organizational communication as well as labor studies, Cloud methodically uncovers and analyzes the goals, strategies, and dilemmas of the dissidents who, while wanting to uphold the ideas and ideals of the union, took up the gauntlet to make it more responsive to workers and less conciliatory toward management, especially in times of economic stress or crisis. Cloud calls for a revival of militant unionism as a response to union leaders' embracing of management and training programs that put workers in the same camp as management, arguing that reform groups should look to the emergence of powerful industrial unions in the United States for guidance on revolutionizing existing institutions and building new ones that truly accommodate workers' needs.
 
Drawing from communication studies, labor history, and oral history and including a chapter co-written with Boeing worker Keith Thomas, We Are the Union contextualizes what happened at Boeing as an exemplar of agency that speaks both to the past and the future.
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cover of We Can Do Better: Feminist Manifestos for Media and Communication

We Can Do Better

Feminist Manifestos for Media and Communication

Linda Steiner

Rutgers University Press, 2025

Feminist Manifestos for Media and Communication brings together evidence-based manifestos for media and communication that take a feminist perspective and add up to a provocative vision of feminist media practices and of feminist communication. The book discusses critical problems and complaints in ways that identify and make the case for actionable, concrete solutions to media problems and deficiencies; it shows how feminist thinking can be usefully and effectively applied to a wide range of journalism, media, and communication practices. The manifestos are not “only” about women but rather offer specific, feasible blueprints for restructuring media in ways that make them fairer and more equitable along many vectors of identity, so that media can better serve democracy. These manifestos give concrete solutions to specific problems that can and should be implemented by journalists, media practitioners, students, faculty, and scholars. The manifestos are organized around three sets of demands: for better media practices, for more participatory online spaces, and for more precise and appropriate language.
 
     
 
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cover of Weathering the Storm: Independent Writing Programs in the Age of Fiscal Austerity

Weathering the Storm

Independent Writing Programs in the Age of Fiscal Austerity

Richard N. Matzen Jr.

Utah State University Press, 2019

Weathering the Storm assesses the socioeconomic and political conditions that have surrounded the rise of independent writing programs (IWPs) and departments. Chapter contributors look at the institutional conditions and challenges that IWPs have faced since the 1980s with a focus on enduring the financial collapse of 2008.
 
Leading writing specialists at the University of Texas at Austin, Syracuse University, the University of Minnesota, and many other institutions document and think carefully about the on-the-ground obstacles that have made the creation of IWPs unique. From institutional naysayers in English departments to skeptical administrators, IWPs and the faculty within them have surmounted not only negative economics but also negative rhetorics. This collection charts the story of this journey as writing faculty continually make the case for the importance of writing in the university curriculum.
 
Independence has, for the most part, allowed IWPs to better respond to the Great Recession, but to do so they have had to define writing studies in relation to other disciplines and departments. Weathering the Storm will be of great interest to faculty and graduate students in rhetoric and composition, writing program administrators, and writing studies and English department faculty.
 
Contributors: Linda Adler-Kassner, Lois Agnew, Alice Batt, David Beard, Davida Charney, Amy Clements, Diane Davis, Frank Gaughan, Heidi Skurat Harris, George H. Jensen, Rodger LeGrand, Drew M. Loewe, Mark Garrett Longaker, Cindy Moore, Peggy O’Neill, Chongwon Park, Louise Wetherbee Phelps, Mary Rist, Valerie Ross, John J Ruszkiewicz, Eileen E. Schell, Madeleine Sorapure, Chris Thaiss, Patrick Wehner, Jamie White-Farnham, Carl Whithaus, Traci A. Zimmerman
 
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cover of Web 2.0 Tools and Strategies for Archives and Local History Collections

Web 2.0 Tools and Strategies for Archives and Local History Collections

American Library Association, 2010

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cover of Web 2.0 for Librarians & Info Prof

Web 2.0 for Librarians & Info Prof

American Library Association, 2008

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cover of Web Analytics Strategies for Information Professionals: A LITA Guide

Web Analytics Strategies for Information Professionals

A LITA Guide

Tabatha American Library Association

American Library Association, 2013

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cover of Web Scale Discovery Services

Web Scale Discovery Services

Jason American Library Association

American Library Association, 0

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cover of Web Writing: Why and How for Liberal Arts Teaching and Learning

Web Writing

Why and How for Liberal Arts Teaching and Learning

Jack Dougherty and Tennyson O'Donnell, editors

University of Michigan Press, 2015

The essays in Web Writing respond to contemporary debates over the proper role of the Internet in higher education, steering a middle course between polarized attitudes that often dominate the conversation. The authors argue for the wise integration of web tools into what the liberal arts does best: writing across the curriculum. All academic disciplines value clear and compelling prose, whether that prose comes in the shape of a persuasive essay, scientific report, or creative expression. The act of writing visually demonstrates how we think in original and critical ways and in ways that are deeper than those that can be taught or assessed by a computer. Furthermore, learning to write well requires engaged readers who encourage and challenge us to revise our muddled first drafts and craft more distinctive and informed points of view. Indeed, a new generation of web-based tools for authoring, annotating, editing, and publishing can dramatically enrich the writing process, but doing so requires liberal arts educators to rethink why and how we teach this skill, and to question those who blindly call for embracing or rejecting technology.
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cover of Web-Based Instruction

Web-Based Instruction

Susan Sharpless Smith

American Library Association, 2010

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cover of Web-Based Instruction

Web-Based Instruction

American Library Association, 2006

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cover of Weekly Newspaper Makeup and Typography

Weekly Newspaper Makeup and Typography

Thomas Barnhart

University of Minnesota Press, 1949

Weekly Newspaper Makeup and Typography by Thomas F. Barnhard is written primarily for the professional field - for editors and publishers of newspapers. The result is a how-to-do-it volume that will also prove extremely helpful to beginning publishers and the students of weekly journalism. Its material has been tried and tested in courses in typography over a period of 18 years.This is the only full-length book on the subject. It contains 17 chapters: the rise of functional modernism, front page makeup, inside page makeup, editorial and feature pages, rural correspondence, school pages, society pages, sports pages, classified advertising pages, tabloid newspapers, standard headlines, semi-modern headlines, newspaper body type, printing. Of special interest is a chapter on changing processes in printing newspapers. The book is illustrated with actual reproductions, headlines - all selected for their value in interpreting the spirit and character of the small-town press.
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cover of Well-Being in the Library Workplace: A Handbook for Managers

Well-Being in the Library Workplace

A Handbook for Managers

Bobbi L. Newman

American Library Association, 2025

Fostering well-being in today's library workplaces is no longer a luxury but a necessity, particularly for managers tasked with guiding and supporting their teams. Amidst budget cuts, attempts to ban or restrict books, attacks on library staff online and in-person, and potentially hostile and aggressive patrons, taking care of ourselves and our staff by putting good policies and practices into place is more important than ever. In this book, Newman and her expert contributors will lead you through creating an environment that nurtures the health, satisfaction, and well-being of its workers and helps prevent or reduce the internal factors that create an unhealthy workplace. You will receive actionable advice on
  • navigating the pitfalls of vocational awe, which can lead to unrealistic expectations and self-neglect;
  • setting and recalibrating healthy boundaries;
  • approaching difficult conversations by creating spaces for positive staff communication;
  • overcoming limited budgets;
  • the proper mindset for encouraging realistic performance expectations among employees;
  • using recognition, appreciation, and staff professional development as tools for wellness;
  • nurturing social connections and collaboration to combat loneliness;
  • effective techniques for addressing sensitive issues such as disabilities, confronting anti-fat bias, and moral injury;
  • emotional and invisible labor mitigation; and
  • self-care methods for library leaders at risk of burnout.
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cover of Well-Tempered Women: Nineteenth-Century Temperance Rhetoric

Well-Tempered Women

Nineteenth-Century Temperance Rhetoric

Carol Mattingly

Southern Illinois University Press, 2000

In this richly illustrated study, Carol Mattingly examines the rhetoric of the temperance movement, the largest political movement of women in the nineteenth century.

Tapping previously unexplored sources, Mattingly uncovers new voices and different perspectives, thus greatly expanding our knowledge of temperance women in particular and of nineteenth-century women and women's rhetoric in general. Her scope is broad: she looks at temperance fiction, newspaper accounts of meetings and speeches, autobiographical and biographical accounts, and minutes of national and state temperance meetings.

The women's temperance movement was first and foremost an effort by women to improve the lives of women. Twentieth-centuty scholars often dismiss temperance women as conservative and complicit in their own oppression. As Mattingly demonstrate, however, the opposite is true: temperance women made purposeful rhetorical choices in their efforts to improve the lives of women. They carefully considered the life circumstances of all women and sought to raise consciousness and achieve reform in an effective manner. And they were effective, gaining legal, political, and social improvements for women as they became the most influential and most successful group of women reformers in the nineteenth and early twentieth centuries.

Mattingly finds that, for a large number of women who were unhappy with their status in the nineteenth century, the temperance movement provided an avenue for change. Examining the choices these women made in their efforts to better conditions for women, Mattingly looks first at oral rhetoric among nineteenth-century temperance women. She examines the early temperance speeches of activists like Susan B. Anthony and Elizabeth Cady Stanton, who later chose to concentrate their effort in the suffrage organizations, and those who continued to work on behalf of women primarily through the temperance topic, such as Amelia Bloomer and Clarina Howard Nichols. Finally, she examines the rhetoric of members of the Woman’s Christian Temperance Union—the largest organization of women in the nineteenth century.

Mattingly then turns to the rhetoric from perspectives outside those of mainstream, middle-class women. She focuses on racial conflicts and alliances as an increasingly diverse membership threatened the unity and harmony in the WCTU. Her primary source for this discussion is contemporary newspaper accounts of temperance speeches.

Fiction by temperance writers also proves to be a fertile source for Mattingly's investigation. Insisting on greater equality between men and women, this fiction candidly portrayed injustice toward women. Through the temperance issue, Mattingly discovers, women could broach otherwise clandestine topics openly. She also finds that many of the concerns of nineteenth-century temperance women are remarkably similar to concerns of today’s feminists.

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cover of What Are Stem Cells?: Definitions at the Intersection of Science and Politics

What Are Stem Cells?

Definitions at the Intersection of Science and Politics

John Lynch

University of Alabama Press, 2011

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In recent years political, religious, and scientific communities have engaged in an ethical debate regarding the development of and research on embryonic stem cells. Does the manipulation of embryonic stem cells destroy human life? Or do limitations imposed on stem cell research harm patients who might otherwise benefit?
 
John Lynch’s What Are Stem Cells? identifies the moral stalemate between the rights of the embryo and the rights of the patient and uses it as the framework for a larger discussion about the role of definitions as a key rhetorical strategy in the debate. In the case of stem cells, the controversy arises from the manner in which stem cells are defined--in particular, whether they are defined with an appeal to their original source or to their future application. Definitions such as these, Lynch argues, are far more than convenient expository references; they determine the realities of any given social discourse.
 
Lynch addresses definitions conceptually--their stability in the face of continual technological innovation, their versatility at the crossroads of scientific and public forums, and their translations and retranslations through politics. Most importantly, his work recognizes definitions as central to issues, not only within the topic of stem cell research, but also in all argumentation.
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cover of What Democracy Looks Like: The Rhetoric of Social Movements and Counterpublics

What Democracy Looks Like

The Rhetoric of Social Movements and Counterpublics

Edited by Christina R. Foust, Amy Pason, and Kate Zittlow Rogness

University of Alabama Press, 2017

Examining How Social Movements and Counterpublics Shape Democratic Change.

Recent protests around the world (such as the Arab Spring uprisings and Occupy Wall Street movements) have drawn renewed interest to the study of social change and, especially, to the manner in which words, images, events, and ideas associated with protestors can “move the social.” What Democracy Looks Like is an attempt to foster a more coherent understanding of social change among scholars of rhetoric and communication studies by juxtaposing the ideas of social movements and counterpublics—historically two key factors significant in the study of social change. Foust, Pason, and Zittlow Rogness’s volume compiles the voices of leading and new scholars who are contributing to the history, application, and new directions of these two concepts, all in conversation with a number of acts of resistance or social change.

The theories of social movements and counterpublics are related, but distinct. Social movement theories tend to be concerned with enacting policy and legislative changes. Scholars flying this flag have concentrated on the organization and language (for example, rallies and speeches) that are meant to enact social change. Counterpublic theory, on the other hand, focuses less on policy changes and more on the unequal distribution of power and resources among different protest groups, which is sometimes synonymous with subordinated identity groups such as race, gender, sexuality, and class.

Nonetheless, contributors argue that in recent years the distinctions between these two methods have become less evident. By putting the literatures of the two theories in conversation with one another, these scholars seek to promote and imagine social change outside the typical binaries.

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cover of What Editors Do: The Art, Craft, and Business of Book Editing

What Editors Do

The Art, Craft, and Business of Book Editing

Edited by Peter Ginna

University of Chicago Press, 2017

Editing is an invisible art where the very best work goes undetected. Editors strive to create books that are enlightening, seamless, and pleasurable to read, all while giving credit to the author. This makes it all the more difficult to truly understand the range of roles they inhabit while shepherding a project from concept to publication.

In What Editors Do, Peter Ginna gathers essays from twenty-seven leading figures in book publishing about their work. Representing both large houses and small, and encompassing trade, textbook, academic, and children’s publishing, the contributors make the case for why editing remains a vital function to writers—and readers—everywhere.

Ironically for an industry built on words, there has been a scarcity of written guidance on how to actually approach the work of editing. This book will serve as a compendium of professional advice and will be a resource both for those entering the profession (or already in it) and for those outside publishing who seek an understanding of it. It sheds light on how editors acquire books, what constitutes a strong author-editor relationship, and the editor’s vital role at each stage of the publishing process—a role that extends far beyond marking up the author’s text.

This collection treats editing as both art and craft, and also as a career. It explores how editors balance passion against the economic realities of publishing. What Editors Do shows why, in the face of a rapidly changing publishing landscape, editors are more important than ever.
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cover of What Editors Want: An Author's Guide to Scientific Journal Publishing

What Editors Want

An Author's Guide to Scientific Journal Publishing

Philippa J. Benson and Susan C. Silver

University of Chicago Press, 2012

Research publications have always been key to building a successful career in science, yet little if any formal guidance is offered to young scientists on how to get research papers peer reviewed, accepted, and published by leading scientific journals. With What Editors Want, Philippa J. Benson and Susan C. Silver, two well-respected editors from the science publishing community, remedy that situation with a clear, straightforward guide that will be of use to all scientists.

Benson and Silver instruct readers on how to identify the journals that are most likely to publish a given paper, how to write an effective cover letter, how to avoid common pitfalls of the submission process, and how to effectively navigate the all-important peer review process, including dealing with revisions and rejection. With supplemental advice from more than a dozen experts, this book will equip scientists with the knowledge they need to usher their papers through publication.

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cover of What Error Correction Can(not) Accomplish for Second Language Writers: Dispelling Myths, Discussing Options

What Error Correction Can(not) Accomplish for Second Language Writers

Dispelling Myths, Discussing Options

Dana R. Ferris

University of Michigan Press, 2018

This book looks at aspects of L2 research that influence error correction, finding that second language acquisition takes time and that second language writers' texts differ from those written by native English speakers. Using this research, Dana R. Ferris dispels the myth that diligent teacher correction and student editing can lead to perfect, error-free texts. In clear and simple terms, Ferris makes six suggestions for things teachers can do in the classroom regarding error correction and provides samples. Other issues regarding the expectations of students and others—such as in timed (high-stakes) situations—as it relates to "perfect" papers are examined. The book closes by addressing the basic principles of developing students' language skills in second language/ESL writing classes.
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cover of What Good Is Journalism?: How Reporters and Editors Are Saving America's Way of Life

What Good Is Journalism?

How Reporters and Editors Are Saving America's Way of Life

George Kennedy and Daryl Moen

University of Missouri Press, 2007

To go by today’s critics of the news media—who have created a virtual cottage industry—American journalism has reached a nadir. Yet with all its well-documented faults, journalism is vital to the health of our democracy, the glue of information that holds this complex nation together. This book shows the most important roles that journalism plays in the world’s oldest democracy. Two seasoned educators and practitioners of journalism have assembled a team of writers who look beyond the critics to show that there is much to be praised about the state of American journalism today.

            Journalism tells us most of what we know about the world beyond our own experience by going where its audience cannot or will not. It keeps watch on the government and other powerful institutions, exposes wrongdoing and injustice, and shares the endless fascinations of everyday life. Through stories of real people, this book forcefully argues that American journalism is better than its critics admit and a force for good in the lives of both individuals and the nation. Like the exemplary journalism it describes, it offers dozens of instances that show how good journalistic practices enrich the daily lives of citizens and enable them to play their own roles in the democracy.

            These essays offer a multifaceted view of the press, tracing the development of free expression through American history and showing how the principles of journalism that we take for granted are playing a revolutionary role in emerging democracies. They report the results of a unique national survey—undertaken for this book—revealing how Americans really view and use the press, and cite the successes of good reporting, from hometown newspapers to NPR. They show how investigative journalism and computer-assisted reporting unearth important truths and even create new knowledge and suggest how citizens can demand the good journalism they need.

            What good is journalism? This book spells out the answer through a conversation about journalism and democracy that offers both an antidote to the recent storm of ideologically based criticism of “liberal media” and a demonstration of the true worth of an institution essential to the protection of freedom. It provides today’s readers—and tomorrow’s journalists—a fresh perspective on the press to remind us where we would be without it.

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cover of What Is College Reading?

What Is College Reading?

Alice S. Horning

University Press of Colorado, 2017

Arguing that literacy instruction is the work of all teachers, K-12 and beyond, this collection offers replicable strategies to help educators think about how and when students learn the skills of reading, synthesizing information, and drawing inferences across multiple texts. What Is College Reading? will be of interest and practical use to any educator facing the need to offer more for students as they exit their high school career and begin the journey of post-secondary education. The contributors describe work in both disciplinary and cross-institutional settings, providing a wide range of instructional approaches and strategies.

 
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cover of What Is Happening to News: The Information Explosion and the Crisis in Journalism

What Is Happening to News

The Information Explosion and the Crisis in Journalism

Jack Fuller

University of Chicago Press, 2010

Across America, newspapers that have defined their cities for over a century are rapidly failing, their circulations plummeting even as opinion-soaked web outlets like the Huffington Post thrive. Meanwhile, nightly news programs shock viewers with stories of horrific crime and celebrity scandal, while the smug sarcasm and shouting of pundits like Glenn Beck and Keith Olbermann dominate cable television. Is it any wonder that young people are turning away from the news entirely, trusting comedians like Jon Stewart as their primary source of information on current events?

In the face of all the problems plaguing serious news, What Is Happening to News explores the crucial question of how journalism lost its way—and who is responsible for the ragged retreat from its great traditions. Veteran editor and newspaperman Jack Fuller locates the surprising sources of change where no one has thought to look before: in the collision between a revolutionary new information age and a human brain that is still wired for the threats faced by our prehistoric ancestors. Drawing on the dramatic recent discoveries of neuroscience, Fuller explains why the information overload of contemporary life makes us dramatically more receptive to sensational news, while rendering the staid, objective voice of standard journalism ineffective. Throw in a growing distrust of experts and authority, ably capitalized on by blogs and other interactive media, and the result is a toxic mix that threatens to prove fatal to journalism as we know it.

For every reader troubled by what has become of news—and worried about what the future may hold—What Is Happening to News not only offers unprecedented insight into the causes of change but also clear guidance, strongly rooted in the precepts of ethical journalism, on how journalists can adapt to this new environment while still providing the information necessary to a functioning democracy.

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cover of What Is Said and What Is Not: The Semantics/Pragmatics Interface

What Is Said and What Is Not

The Semantics/Pragmatics Interface

Edited by Carlo Penco and Filippo Domaneschi

CSLI, 2013

This volume contains essays that explore explicit and implicit communication through linguistic research. Taking as a framework Paul Grice’s theories on “what is said,” the contributors explore a number of areas, including: the boundary between semantics and pragmatics; the concept of implicit communication; the idea of the logical form of our assertions; the notion of conventional meaning; the phenomenon of deixis, which refers to when an utterance require context in order to be understood fully; the treatment of definite descriptions; and the different kinds of pragmatic processes.   
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cover of What Makes Sound Patterns Expressive?: The Poetic Mode of Speech Perception

What Makes Sound Patterns Expressive?

The Poetic Mode of Speech Perception

Reuven Tsur

Duke University Press, 1992

Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur’s point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists.
Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness.
Using Roman Jakobson’s model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds.
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cover of What Proust Heard: Novels and the Ethnography of Talk

What Proust Heard

Novels and the Ethnography of Talk

Michael Lucey

University of Chicago Press, 2022

Michael Lucey offers a linguistic anthropological analysis of Proust’s In Search of Lost Time.
 
What happens when we talk? This deceptively simple question is central to Marcel Proust’s monumental novel In Search of Lost Time. Both Proust’s narrator and the novel that houses him devote considerable energy to investigating not just what people are saying or doing when they talk, but also what happens socioculturally through their use of language. Proust, in other words, is interested in what linguistic anthropologists call language-in-use.

Michael Lucey elucidates Proust’s approach to language-in-use in a number of ways: principally in relation to linguistic anthropology, but also in relation to speech act theory, and to Pierre Bourdieu’s sociology. The book also includes an interlude after each of its chapters that contextualizes Proust’s social-scientific practice of novel writing in relation to that of a number of other novelists, earlier and later, and from several different traditions, including Honoré de Balzac, George Eliot, Virginia Woolf, Nathalie Sarraute, and Rachel Cusk. Lucey is thus able to show how, in the hands of quite different novelists, various aspects of the novel form become instruments of linguistic anthropological analysis. The result introduces a different way of understanding language to literary and cultural critics and explores the consequences of this new understanding for the practice of literary criticism more generally. 
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cover of What They Don't Teach You in Library School

What They Don't Teach You in Library School

Elisabeth Doucett

American Library Association, 2010

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cover of What Wars Leave Behind: The Faceless and the Forgotten

What Wars Leave Behind

The Faceless and the Forgotten

J. Malcolm Garcia

University of Missouri Press, 2014

They bear labels instead of names—noncombatant, unintended victim, collateral damage. Theirs are the blurred faces and forms seen in news footage shot from a moving vehicle. And when soldiers, media, and profiteers move on to the next conflict, they stay behind to cope amid the wreckage. They have stories to tell to anyone who will pause long enough to hear them.
In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.
Garcia describes his travels in some of the world’s hotspots in Central Asia, the Middle East, and Africa. In a series of personal travel essays that read like short stories, he exposes the endless messiness of war and the failings of good intentions, and he traces their impact on the lives of natives in Afghanistan, Pakistan, Egypt, Kosovo, Chad, and Syria. He discovers amazing resilience among people who must struggle just to survive each day.
Garcia gives readers the sort of gritty detail learned from immersing himself in other cultures. He eats the food, drinks the tea, and endures the oppressive heat. These are the stories of how a middle-class guy from the Midwest with a social work degree learned to experience and embrace the cultures of Third World countries in conflict—and lived to tell the tale.
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cover of What We Are Becoming: Developments in Undergraduate Writing Majors

What We Are Becoming

Developments in Undergraduate Writing Majors

Greg Giberson and Thomas A. Moriarty

Utah State University Press, 2010

Greg Giberson and Tom Moriarty have collected a rich volume that offers a state-of-the-field look at the question of the undergraduate writing major, a vital issue for compositionists as the discipline continues to evolve. What We Are Becoming provides an indispensable resource for departments and WPAs who are building undergraduate majors.
     Contributors to the volume address a range of vital questions for undergraduate programs, including such issues as the competition for majors within departments, the job market for undergraduates, varying focuses and curricula of such majors, and the formation of them in departments separate from English. Other chapters discuss the importance of flexibility, consider arguments for a rhetorical or civic discourse core for the writing major, address the relationship between rhetoric and composition majors, and review the role of multiliteracies in the major.
     The field of composition has not come to a consensus on the shape, content, or focus of the undergradutate major. But as individual programs develop and refine their curricula, one thing has become clear: we must think about them in ways that go beyond our particular circumstances, theorize them in ways that secure their place on our campuses and in our discipline for years to come. What We Are Becoming is an effort to do just that.
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cover of What We Really Value: Beyond Rubrics in Teaching and Assessing Writing

What We Really Value

Beyond Rubrics in Teaching and Assessing Writing

Bob Broad

Utah State University Press, 2003

What We Really Value traces the origins of traditional rubrics within the theoretical and historical circumstances out of which they emerged, then holds rubrics up for critical scrutiny in the context of contemporary developments in the field. As an alternative to the generic character and decontextualized function of scoring guides, he offers dynamic criteria mapping, a form of qualitative inquiry by which writing programs (as well as individual instructors) can portray their rhetorical values with more ethical integrity and more pedagogical utility than rubrics allow.

To illustrate the complex and indispensable insights this method can provide, Broad details findings from his study of eighty-nine distinct and substantial criteria for evaluation at work in the introductory composition program at "City University." These chapters are filled with the voices of composition instructors debating and reflecting on the nature, interplay, and relative importance of the many criteria by which they judged students' texts. Broad concludes his book with specific strategies that can help writing instructors and programs to discover, negotiate, map, and express a more robust truth about what they value in their students' rhetorical performances.

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cover of What the Signs Say: Language, Gentrification, and Place-Making in Brooklyn

What the Signs Say

Language, Gentrification, and Place-Making in Brooklyn

Shonna Trinch

Vanderbilt University Press, 2020

Although we may not think we notice them, storefronts and their signage are meaningful, and the impact they have on people is significant. What the Signs Say argues that the public language of storefronts is a key component to the creation of the place known as Brooklyn, New York. Using a sample of more than two thousand storefronts and over a decade of ethnographic observation and interviews, the study charts two very different types of local Brooklyn retail signage. The unique and consistent features of many words, large lettering, and repetition that make up Old School signage both mark and produce an inclusive and open place. In contrast, the linguistic elements of New School signage, such as brevity and wordplay, signal not only the arrival of gentrification, but also the remaking of Brooklyn as distinctive and exclusive.

Shonna Trinch and Edward Snajdr, a sociolinguist and an anthropologist respectively, show how the beliefs and ideas that people take as truths about language and its speakers are deployed in these different sign types. They also present in-depth ethnographic case studies that reveal how gentrification and corporate redevelopment in Brooklyn are intimately connected to public communication, literacy practices, the transformation of motherhood and gender roles, notions of historical preservation, urban planning, and systems of privilege. Far from peripheral or irrelevant, shop signs say loud and clear that language displayed in public always matters.

This book is the recipient of the 2021 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.

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cover of What's Black and White and Reid All Over?: Something Hilarious Happened at the Library

What's Black and White and Reid All Over?

Something Hilarious Happened at the Library

Rob Reid

American Library Association, 2012

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cover of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest

What's Fair on the Air?

Cold War Right-Wing Broadcasting and the Public Interest

Heather Hendershot

University of Chicago Press, 2011

The rise of right-wing broadcasting during the Cold War has been mostly forgotten today. But in the 1950s and ’60s you could turn on your radio any time of the day and listen to diatribes against communism, civil rights, the United Nations, fluoridation, federal income tax, Social Security, or JFK, as well as hosannas praising Barry Goldwater and Jesus Christ. Half a century before the rise of Rush Limbaugh and Glenn Beck, these broadcasters bucked the FCC’s public interest mandate and created an alternate universe of right-wing political coverage, anticommunist sermons, and pro-business bluster.
 
A lively look back at this formative era, What’s Fair on the Air? charts the rise and fall of four of the most prominent right-wing broadcasters: H. L. Hunt, Dan Smoot, Carl McIntire, and Billy James Hargis. By the 1970s, all four had been hamstrung by the Internal Revenue Service, the FCC’s Fairness Doctrine, and the rise of a more effective conservative movement. But before losing their battle for the airwaves, Heather Hendershot reveals, they purveyed ideological notions that would eventually triumph, creating a potent brew of religion, politics, and dedication to free-market economics that paved the way for the rise of Ronald Reagan, the Moral Majority, Fox News, and the Tea Party.
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cover of What's Your Sign for Pizza?: An Introduction to Variation in American Sign Language

What's Your Sign for Pizza?

An Introduction to Variation in American Sign Language

Ceil Lucas

Gallaudet University Press, 2019

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cover of When Tutor Meets Student

When Tutor Meets Student

Martha Maxwell, Editor

University of Michigan Press, 1994

Creates a concrete approach to peer tutoring and collaborative learning
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cover of When Words Lose Their Meaning: Constitutions and Reconstitutions of Language, Character, and Community

When Words Lose Their Meaning

Constitutions and Reconstitutions of Language, Character, and Community

James Boyd White

University of Chicago Press, 1984

Through fresh readings of texts ranging from Homer's Iliad, Swift's Tale of a Tub, and Austen's Emma through the United States Constitution and McCulloch v. Maryland, James Boyd White examines the relationship between an individual mind and its language and culture as well as the "textual community" established between writer and audience. These striking textual analyses develop a rhetoric—a "way of reading" that can be brought to any text but that, in broader terms, becomes a way of learning that can shape the reader's life.

"In this ambitious and demanding work of literary criticism, James Boyd White seeks to communicate 'a sense of reading in a new and different way.' . . . [White's] marriage of lawyerly acumen and classically trained literary sensibility—equally evident in his earlier work, The Legal Imagination—gives the best parts of When Words Lose Their Meaning a gravity and moral earnestness rare in the pages of contemporary literary criticism."—Roger Kimball, American Scholar

"James Boyd White makes a state-of-the-art attempt to enrich legal theory with the insights of modern literary theory. Of its kind, it is a singular and standout achievement. . . . [White's] selections span the whole range of legal, literary, and political offerings, and his writing evidences a sustained and intimate experience with these texts. Writing with natural elegance, White manages to be insightful and inciteful. Throughout, his timely book is energized by an urgent love of literature and law and their liberating potential. His passion and sincerity are palpable."—Allan C. Hutchinson, Yale Law Journal

"Undeniably a unique and significant work. . . . When Words Lose Their Meaning is a rewarding book by a distinguished legal scholar. It is a showcase for the most interesting sort of inter-disciplinary work: the kind that brings together from traditionally separate fields not so much information as ideas and approaches."—R. B. Kershner, Jr., Georgia Review
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cover of When the Pipirite Sings: Selected Poems

When the Pipirite Sings

Selected Poems

Jean Métellus, Translated by Haun Saussy

Northwestern University Press, 2019

When the Pipirite Sings gathers poems by the noted Haitian poet, novelist, and neurologist Jean Métellus, who died in January 2014. Along with other signature works, this volume includes the first English translation of Métellus’s visionary epic poem, “Au pipirite chantant” (“When the Pipirite Sings”), widely regarded as his masterpiece.

Translated by formidable comparative literature scholar Haun Saussy, When the Pipirite Sings expresses an acute historical consciousness and engages recurrent Haitian themes—the wrenching impact of colonialism and underdevelopment, the purposes of education, and the merging of spiritual and temporal power. And, as always with Métellus’s poetry, the range of voices and points of view evokes other genres, including fiction and cinema. This eminently readable book has formal and thematic ties to Aimé Césaire’s Notebook of a Return to the Native Land, central to the canon of French-language postcolonial writings.

In addition to many books of poetry, Métellus published novels, chiefly about the remembered Haiti of his youth, and plays about the conquest of the Caribbean. His nonfiction included reflections on Haitian history and politics, on the iconography of slave emancipation, and studies of aphasia and dyslexia.
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cover of Whenever Two or More Are Gathered: Relationship as the Heart of Ethical Discourse

Whenever Two or More Are Gathered

Relationship as the Heart of Ethical Discourse

Michael M. Harmon and O. C. McSwite

University of Alabama Press, 2011

A Scholarly Exploration of How Relationships Shape Moral Understanding.

Whenever Two or More Are Gathered focuses on the critical role of ethics and moral responsibility in the field of public administration. Michael M. Harmon and O. C. McSwite posit that administrative ethics, as presently conceived and practiced, is largely a failure, incapable of delivering on its original promise of effectively regulating official conduct in order to promote the public interest. They argue that administrative ethics is compromised at its very foundations by two core assumptions: that human beings act rationally and that language is capable of conveying clear, stable, and unambiguous principles of ethical conduct.

The result is the illusion that values, principles, and rules of ethical conduct can be specified in workably clear ways, in particular, through their formalization in official codes of ethics; that people are capable of comprehending and responding to them as they are intended; and that the rewards and punishments attached to them will be effective in structuring daily behavior.

In a series of essays that draw on both fiction and film, as well as the disciplines of pragmatism, organizational theory, psychoanalysis, structural linguistics, and economics, Harmon and McSwite make their case for human relationship as the proper foundation of administrative ethics. “Exercising responsible ethical practice requires attaining a special kind of relationship with other people. Relationship is how the pure freedom that resides in the human psyche—for ethical choice, creativity, or original action of any type—can be brought into the structured world of human social relations without damaging or destroying it.” Furthermore, they make the case for dropping the term “ethics” in favor of the term “responsibility,” as “responsibility accentuates the social [relational] nature of moral action.”

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cover of Where Is the Light Coming From: Essays on Art and Regular People

Where Is the Light Coming From

Essays on Art and Regular People

Dan Kois

Duke University Press, 2027

Cultural critic and novelist Dan Kois explores the way art, literature, music, and theater make themselves relevant to all sorts of—as artists call them—“regular people”: postal workers writing their lives with the help of a legendary cartoonist; angry socialites protesting a tacky statue; readers falling in love with America’s cheesiest poet; librarians being asked to defend a modernist masterpiece that everyone knows is very dirty. Interspersed with Kois’s keen-eyed reporting are moving, funny personal narratives illustrating the rewards of staying alert to the possibilities of art: a life-changing decision based on a hopeless crush on a regional theater actress; a clarifying encounter with a grumpy traveler at an Italian hotel; and a previously unpublished story from inside a Kentucky memory-care facility, where Kois helps a MacArthur Fellow conjure an astonishing theater production starring dementia patients. Written with sharp critical insight and disarming honesty, these eleven essays offer a fresh angle on the age-old question of how art makes an impact on the world.
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cover of Where Research Begins: Choosing a Research Project That Matters to You (and the World)

Where Research Begins

Choosing a Research Project That Matters to You (and the World)

Thomas S. Mullaney and Christopher Rea

University of Chicago Press, 2022

Plenty of books tell you how to do research. This book helps you figure out WHAT to research in the first place, and why it matters.

The hardest part of research isn't answering a question. It's knowing what to do before you know what your question is. Where Research Begins tackles the two challenges every researcher faces with every new project: How do I find a compelling problem to investigate—one that truly matters to me, deeply and personally? How do I then design my research project so that the results will matter to anyone else?

This book will help you start your new research project the right way for you with a series of simple yet ingenious exercises. Written in a conversational style and packed with real-world examples, this easy-to-follow workbook offers an engaging guide to finding research inspiration within yourself, and in the broader world of ideas.

Read this book if you (or your students):

  • have difficulty choosing a research topic
  • know your topic, but are unsure how to turn it into a research project
  • feel intimidated by or unqualified to do research
  • worry that you’re asking the wrong questions about your research topic
  • have plenty of good ideas, but aren’t sure which one to commit to
  • feel like your research topic was imposed by someone else
  • want to learn new ways to think about how to do research.

Under the expert guidance of award-winning researchers Thomas S. Mullaney and Christopher Rea, you will find yourself on the path to a compelling and meaningful research project, one that matters to you—and the world.

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cover of Where We Start: A Practical Guide to Technical Communication Program Administration

Where We Start

A Practical Guide to Technical Communication Program Administration

K. Alex Ilyasova

Utah State University Press, 2026

Providing practical, pragmatic guidance for current and aspiring administrators, Where We Start is the first book in technical communication that professionalizes administrativework and practices, offering practical advice on curricular, undergraduate, and graduate program development.

Where We Start teaches by example with each chapter combining personal knowledge with published research to direct readers toward their own practices. Some ofthe most experienced program leaders in technical communication share strategies for program design, curriculum development, assessment, inclusivity, and external partnerships. The collection is divided into three main sections: Programmatic Development and Planning, which focuses on the foundational aspects of strategic planning, curriculum development, and programmatic assessment; Developing Differently, which highlights approaches to inclusivity, diversity, and unconventional career paths in program administration; and Building Beyond, which discusses strategies for expanding technical communication programs through partnerships with industry and international institutions.

A resource for administrators as well as graduate students and early-career faculty looking to understand the intricacies of program management, Where We Start fills a critical gap, offering insights from a uniquely technical communication perspective, where programmatic resources are scarce.

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cover of Where Writing Begins: A Postmodern Reconstruction

Where Writing Begins

A Postmodern Reconstruction

Michael Carter

Southern Illinois University Press, 2003

Where Writing Begins: A Postmodern Reconstruction is an innovative approach to the postmodern dilemma in rhetoric and composition thatoffers a positive and postmodern pedagogy that redefines and revalues writing and the teaching of writing through reconstructive, postmodern thought. The result is a fresh understanding of both the field of composition and writing instruction.

Drawing on the rich potential of “beginning” as a philosophical concept, Michael Carter asks the simple question: Where does writing begin? His findings take readers first to a new view of what it means to begin, and then to a new understanding of writing and teaching writing based on the redefined beginning. Challenging conventional notions that posit “beginning” as a chronological and temporal concept, he instead advocates an ontological and philosophical approach, in which “beginning” embodies both deconstruction and reconstruction—and the very possibility of newness.

Adding to a growing body of rhetorical scholarship in postmodern reconstruction, Where Writing Begins illustrates that writing must be understood within the framework of deconstruction and reconstruction. Writing, then, may be newly defined and valued as beginning. Weaving together conceptual, structural, and methodological patterns, Carter’s study is also a journey through the history of philosophy and rhetoric that will leave readers feeling refreshed and teachers eager to return to their classes.

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