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* Shortlisted for the Palestine Book Awards 2016*

Modern warfare has a new form. The days of international combat are fading. So how do major world powers maintain control over their people today?

This book is a disturbing insight into the new ways world powers such as the US, Israel, Britain and China forge war today. It is a subliminal war of surveillance and whitewashed terror, conducted through new, high-tech military apparatuses, designed and first used in Israel against the Palestinian population. Including nano-technology, hidden camera systems, information databases on civilian activity, automated targeting systems and unmanned drones, it is used to control the very people the nation's leaders profess to serve.

Jeff Halper reveals that this practice is much more insidious than was previously thought. As Western governments claw back individual liberties, War Against the People is a reminder that fundamental human rights are being compromised for vast sections of the world, and that this is a subject that should concern everyone.

In Wedded to the Land? Mary N. Layoun offers a critical commentary on the idea of nationalism in general and on specific attempts to formulate alternatives to the concept in particular. Narratives surrounding three geographically and temporally different national crises form the center of her study: Greek refugees’ displacement from Asia Minor into Greece in 1922, the 1974 right-wing Cypriot coup and subsequent Turkish invasion of Cyprus, and the Palestinian and PLO expulsion from Beirut following the Israeli invasion in 1982.

Drawing on readings of literature and of official documents and decrees, songs, poetry, cinema, public monuments, journalism, and conversations with exiles, refugees, and public officials, Layoun uses each historical incident as a means of highlighting a recurring trope within constructs of nationalism. The displacement of the Greek refugees in the 1920s calls into question the very idea of home, as well as the desire for ethnic homogeneity within nations. She reads the Cypriot coup and invasion as an illustration of the gendering of nation and how the notion of the inviolable woman came to represent sovereignity. In her third example she shows how the Palestinian and PLO expulsion from Beirut highlights the ambiguity of the borders upon which many manifestations of nationalism putatively depend. These chapters are preceded and introduced by a discussion of “culturing the nation” and closed by a consideration of citizenship and silence in which Layoun discusses rights ostensibly possessed by all members of a political community.

This book will be of interest to scholars engaged in cultural and critical theory, Middle Eastern and Mediterranean history, literary studies, political science, postcolonial studies, and gender studies.

In 1814, Johann Wolfgang von Goethe read the poems of the great fourteenth-century Persian poet Hafiz in a newly published translation by Joseph von Hammer-Purgstall. For Goethe, the book was a revelation. He felt a deep connection with Hafiz and Persian poetic traditions, and was immediately inspired to create his own West-Eastern Divan as a lyrical conversation between the poetry and history of his native Germany and that of Persia. The resulting collection engages with the idea of the other and unearths lyrical connections between cultures.
 
The West-Eastern Divan is one of the world’s great works of literature, an inspired masterpiece, and a poetic linking of European and Persian traditions. This new bilingual edition expertly presents the wit, intelligence, humor, and technical mastery of the poetry in Goethe’s Divan. In order to preserve the work’s original power, Eric Ormsby has created this translation in clear contemporary prose rather than in rhymed verse, which tends to obscure the works sharpness. This edition is also accompanied by explanatory notes of the verse in German and in English and a translation of Goethe’s own commentary, the “Notes and Essays for a Better Understanding of the West-Eastern Divan.” This edition not only bring this classic collection to English-language readers, but also, at a time of renewed Western unease about the other, to open up the rich cultural world of Islam.

Few countries provoke as much passion and controversy as Israel. What is Modern Israel? convincingly demonstrates that its founding ideology - Zionism - is anything but a simple reaction to antisemitism. Dispelling the notion that every Jew is a Zionist and therefore a natural advocate for the state of Israel, Yakov Rabkin points to the Protestant roots of Zionism, in order to explain the particular support Israel musters in the United States. 

Drawing on many overlooked pages of history, including English, French, Hebrew, Yiddish and Russian sources, Yakov Rabkin shows that Zionism was conceived as a sharp break with Judaism and Jewish continuity. Israel’s past and present must be seen in the context of European ethnic nationalism, colonial expansion and geopolitical interests, rather than as an incarnation of Biblical prophecies or a culmination of Jewish history.

The state of Israel is often spoken of as a haven for the Jewish people, a place rooted in the story of a nation dispersed, wandering the earth in search of their homeland. Born in adversity but purportedly nurtured by liberal ideals, Israel has never known peace, experiencing instead a state of constant war that has divided its population along the stark and seemingly unbreachable lines of dissent around the relationship between unrestricted citizenship and Jewish identity.

 

By focusing on the perceptions and histories of Israel’s most marginalized stakeholders—Palestinian Israelis, Arab Jews, and non-Israeli Jews—Atalia Omer cuts to the heart of the Israeli-Arab conflict, demonstrating how these voices provide urgently needed resources for conflict analysis and peacebuilding. Navigating a complex set of arguments about ethnicity, boundaries, and peace, and offering a different approach to the renegotiation and reimagination of national identity and citizenship, Omer pushes the conversation beyond the bounds of the single narrative and toward a new and dynamic concept of justice—one that offers the prospect of building a lasting peace.

“In brief paragraphs that are neither prose nor prose poems, we meet a witness. A speaker who is not in her country of origin. A woman living in the air of violence. Militarization. And very occasionally, a mundane gesture–adding sugar to tea. The spareness creates a poetics that is, at once, elegantly stark and akin to journalism. We read between the lines because what is unsaid, makes this a poetry of image and association. What was once a broom for sweeping a kitchen, is used by a woman to sweep propaganda leaflets off the street. I find myself engaged in a place–to a place, really–where there are ballistic helmets. Yes, strange and strangely familiar. This is how art and dreams work: with the familiarity of knowing and the disassociation that can allow insight.”
— from the Judge’s Citation by Kimiko Hahn
Why Misread a Cloud takes its name from clouds of ash and smoke in wartime which appear to the author as a “storm, blown over the sea.” Both an exploration of the mind’s ability to turn what is into something else, in order to survive, and the mind’s ability to resist the effects of psychosocial warfare—imposed by the military and the police. “Who wants you to be afraid” the poet’s friend asks as he “added sugar to his tea.” The realization this question brings enables the poet to explore forces that separate us from one another and ways we rise up within ourselves to move through fear toward love.

Exciting to those unfamiliar with Rumi’s verse as well as to the veteran scholar, this volume, following on Love Is My Savior, offers more of the little-known Arabic poems of Mawlana Rumi. These poems take the reader on a journey of spiritual search, ecstatic union, universal salvation, and mystic reconciliation, in which Rumi reveals his soul and welcomes everyone to his spiritual feast. This dual-language volume, with its informative introduction, is one of the first to bring Rumi’s Arabic poems into English, and it opens a treasury of Rumi’s mystic thought and electrifying poetry. The poems pulsate with desire and longing, with erotic meaning, and with ecstatic celebration. Rumi found in his mystic poetry a vehicle for the expression of the endless spiritual bounties of love. The reader will find, at the center of his faith and doctrine, love and a strong belief in universal salvation and unlimited generosity.