Written by R. Lee Lyman and Michael J. O'Brien
University of Alabama Press, 2002
Explores W. C. McKern's use of Linnaean taxonomy as the model for development of a pottery classification system
By the early 20th century, North American archaeologists had found evidence of a plethora of prehistoric cultures displaying disparate geographic and chronological distributions. But there were no standards or algorithms for specifying when a culture was distinct or identical to another in a nearby or distant region.
Will Carleton McKern of the Milwaukee Public Museum addressed this fundamental problem of cultural classification beginning in 1929. He modeled his solution—known as the Midwestern Taxonomic Method—on the Linnaean biological taxonomy because he wanted the ability to draw historical and cultural "relationships" among cultures. McKern was assisted during development of the method by Carl E. Guthe, Thorne Deuel, James B. Griffin, and William Ritchie.
This book studies the 1930s correspondence between McKern and his contemporaries as they hashed out the method's nuances. It compares the several different versions of the method and examines the Linnaean biological taxonomy as it was understood and used at the time McKern adapted it to archaeological problems. Finally, this volume reveals how and why the method failed to provide the analytical solution envisioned by McKern and his colleagues and how it influenced the later development of Americanist archaeology.
Micah A. Pawling
University of Massachusetts Press, 2007
Patrick Moser
University of Illinois Press, 2024
Despite a genuine admiration for Native Hawaiian culture, white Californians of the 1930s ignored authentic relationships with Native Hawaiians. Surfing became a central part of what emerged instead: a beach culture of dressing, dancing, and acting like an Indigenous people whites idealized.
Patrick Moser uses surfing to open a door on the cultural appropriation practiced by Depression-era Californians against a backdrop of settler colonialism and white nationalism. Recreating the imagined leisure and romance of life in Waikīkī attracted people buffeted by economic crisis and dislocation. California-manufactured objects like surfboards became a physical manifestation of a dream that, for all its charms, emerged from a white impulse to both remove and replace Indigenous peoples. Moser traces the rise of beach culture through the lives of trendsetters Tom Blake, John “Doc” Ball, Preston “Pete” Peterson, Mary Ann Hawkins, and Lorrin “Whitey” Harrison while also delving into California’s control over images of Native Hawaiians via movies, tourism, and the surfboard industry.
Compelling and innovative, Waikīkī Dreams opens up the origins of a defining California subculture.
Tom Glaze
University of Arkansas Press, 2011
Christopher Bell
Rutgers University Press, 2025
Taborn, Karen
Rutgers University Press, 2018
John Hanson Mitchell
University Press of New England, 2015
Staci Lola Drouillard
University of Minnesota Press, 2019
The story of a once vibrant, now vanished off-reservation Ojibwe village—and a vital chapter of the history of the North Shore
At the turn of the nineteenth century, one mile east of Grand Marais, Minnesota, you would have found Chippewa City, a village that as many as 200 Anishinaabe families called home. Today you will find only Highway 61, private lakeshore property, and the one remaining village building: St. Francis Xavier Church. In Walking the Old Road, Staci Lola Drouillard guides readers through the story of that lost community, reclaiming for history the Ojibwe voices that have for so long, and so unceremoniously, been silenced.
Blending memoir, oral history, and narrative, Walking the Old Road reaches back to a time when Chippewa City, then called Nishkwakwansing (at the edge of the forest), was home to generations of Ojibwe ancestors. Drouillard, whose own family once lived in Chippewa City, draws on memories, family history, historical analysis, and testimony passed from one generation to the next to conduct us through the ages of early European contact, government land allotment, family relocation, and assimilation.
Documenting a story too often told by non-Natives, whether historians or travelers, archaeologists or settlers, Walking the Old Road gives an authentic voice to the Native American history of the North Shore. This history, infused with a powerful sense of place, connects the Ojibwe of today with the traditions of their ancestors and their descendants, recreating the narrative of Chippewa City as it was—and is and forever will be—lived.
Edited by Andréanne Bissonnette and Élisabeth Vallet
University of Arizona Press, 2025
Karen Nelson Hoyle
University of Minnesota Press, 2009
Now in paper.
At the young age of just 15, Wanda Gág received her dying father's last wish that she take up his dream of becoming a successful artist: "What papa couldn't do, Wanda would have to finish." Wanda assumed the role of head of the household and became the sole means of support for her sick mother and six siblings. Although times were tough, Wanda persevered and eventually became a celebrated artist and author living in New York City.
Karen Nelson Hoyle tells the story of Wanda Gág's eccentric life as a children's book author and traces the significant contributions she made to the genre. Drawn from extensive research of the artist's personal and professional papers and correspondence with friends and contemporaries, Hoyle presents a rich portrait of a gifted artist.
Sue Eisenfeld
The Ohio State University Press, 2020
Nancy L. Rhoades
Ohio University Press, 2009
A unique collection of more than 150 letters written to an Ohio serviceman during the American Civil War that offers glimpses of women’s lives as they waited, worked, and wrote from the Ohio home front. The letters reveal fascinating details of the lives of mostly young, single women—friends, acquaintances, love interests, and strangers who responded to one Union soldier’s advertisement for correspondents. Almost all of the women who responded to Lieutenant Edwin Lewis Lybarger’s lonely-hearts newspaper advertisement lived in Ohio and supported the Union. Lybarger carried the collection of letters throughout three years of military service, preserved them through his life, and left them to be discovered in an attic trunk more than a century after Lee’s surrender.
Women’s letter writing functioned as a form of “war work” that bolstered the spirits of enlisted men and “kinship work” that helped forge romantic relationships and sustain community bonds across the miles. While men’s letters and diaries abound in Civil War history, less readily available are comprehensive collections of letters from middle-class and rural women that survived the weathering of marches, camp life, and battles to emerge unscathed from men’s knapsacks at war’s end.
The collection is accompanied by a detailed editorial introduction that highlights significant themes in the letters. Together, they contribute to the still-unfolding historical knowledge concerning Northern women’s lives and experiences during this significant period in American history.
Margaret Murie
University Press of Colorado, 1987
For over 37 years, Margaret and Olaus Murie made their home in the mountainous wilderness of the Tetons, where Olaus Murie conducted his famous studies of the American elk: the wapiti. Through these years their home was almost a nature-conservation shrine to thousands of Americans interested in outdoors, animals, and nature. Wapiti Wilderness, begun by Mrs. Murie as a sequel to her book Two in the Far North, which told of the Muries' life and expeditions in Alaska, became a collaborative effort by both the Muries.
In alternate chapters, Olaus tells of his work as a field biologist for the old U.S. Bureau of Biological Survey and recounts stories of his studies of not only elk but also other great animals. And Mrs. Murie, from her side, describes their life together on the trail and in the various camps and nature adventures in that wilderness during all four seasons. The book is replete with stories of Jackson Hole residents, “pioneer poets,” and the wild creatures that made their way into the Murie household. Olaus Murie's evocative pen-and-ink drawings illuminate each chapter, and four pages of photographs help complete the picture of what life was like in the wapiti wilderness.
Russell S. Bonds
Westholme Publishing, 2009
A masterpiece of prose and research, the definitive history of the struggle for Atlanta during the Civil War, an episode immortalized by the novel Gone with the Wind
Called “the greatest event of the Civil War” by New York diarist George Templeton Strong, the epic struggle for the city of Atlanta in the bloody summer of 1864 was a pivotal moment in American history. Union commander William Tecumseh Sherman’s relentless fight for the city secured the reelection of Abraham Lincoln, sealed the fate of the Southern Confederacy, and set a precedent for military campaigns that endures today. Its depiction in the novel and motion picture Gone with the Wind established the fight for Atlanta as an iconic episode in our nation’s most terrible war. In War Like the Thunderbolt: The Battle and Burning of Atlanta, award-winning author Russell S. Bonds takes the reader behind the lines and across the smoky battlefields of Peachtree Creek, Atlanta, Ezra Church, and Jonesboro, and into the lives of fascinating characters, both the famous and the forgotten, including the fiery and brilliant Sherman; General John Bell Hood, the Confederacy’s last hope to defend Atlanta; Benjamin Harrison, the diminutive young Indiana colonel who would rise to become President of the United States; Patrick Cleburne, the Irishmanturned- Southern officer; and ten-year-old diarist Carrie Berry, who bravely withstood and bore witness to the fall of the city. Here also is the dramatic story of the ordeal of Atlanta itself—the five-week artillery bombardment, the expulsion of its civilian population, and the infamous fire that followed. Based on new research in diaries, newspapers, previously unpublished letters, and other archival sources, War Like the Thunderbolt is a combination of captivating narrative and insightful military analysis—a stirring account of the battle and burning of the “Gate City of the South.”
C. Calvin Smith
University of Arkansas Press, 1986
This is a lively history of specific social, political, ad economic changes that all-out war brought to the home front in mid-America. Drawing from letters to the editor in local and state papers, from editorials, from personal interviews, and from the manuscript collections left by state political leaders, Calvin Smith brings into focus the impact of wartime not only upon agricultural and business economics but also upon particular social groups and the lives of individuals.
The war generated the beginnings of a rights revolution in black communities throughout the nation. The author takes a careful look at the resulting strain on relations between the state’s black and white citizens. No less important is the consideration of Japanese Americans from the West Coast who were relocated to camps in Arkansas, and of the Jehovah’s Witnesses who would not take part in the war effort either on the battlefield or at home.
War and Wartime Changes illuminates a fascinating and sometimes embarrassing segment of history which until now has not been presented in a single, cohesive work. The author details the unique experiences Arkansas had at this time as well as the patriotism its citizens felt for their country.
Here is the story for the historian, for every student of society and its ways, and for anyone who wants to understand or remember the patriotic fervor of Americans during World War II. Calvin Smith has created, with persistent and imaginative research, a rare admixture of nostalgia and solid scholarship.
Brady J. Crytzer
Westholme Publishing, 2016
Michael Edmonds
Wisconsin Historical Society Press, 2017

Lyell D. Jr. Henry
University of Iowa Press, 1995
In the early decades of the twentieth century, Iowans all across the Hawkeye State succumbed to the nationwide craze for exchanging photographic postcards, mailing each other thousands of images—serious and whimsical—of Uncle Bob and Baby Dora, the Sunday school outing, train wrecks, the Fourth of July celebration, the merchants' carnival, the record-setting blizzard following the bin-busting harvest, the new courthouse, Ackley's Sauer-Kraut Band. Now, thanks to the generosity of David A. Wilson, whose ample collection of photographic cards would be the envy of those early Iowans, Lyell Henry has organized more than two hundred postcards into eight reflective chapters that create a beguiling collective portrait of Iowa life and culture from 1905 to 1919.

Jacob H. Dorn
The Ohio State University Press, 1966
Weingart, John
Rutgers University Press, 2007
It is an unenviable task, but one that all state governments face: finding a final “resting place” for low-level nuclear waste from power plants, hospitals, university laboratories, and other industries. John Weingart was the official in New Jersey who for many years led this onerous charge. This book is the story of how he and a commission appointed by the governor, instead of imposing a top-down solution, designed an approach that would confront public fears by seeking a community that would volunteer to host a disposal facility. Initially, this novel approach was surprisingly successful, as leaders in a dozen municipalities stepped forward to say they might be interested. Once their interest became known, however, the process in each town derailed. Residents demanded assurances of zero-percent risk and expressed profound distrust of government assertions and promises.
Waste Is a Terrible Thing to Mind is a compelling, suspenseful, and amusing insider’s account of New Jersey policy and politics, but it is also a larger saga of the challenges facing society in the post–9/11 era when the public’s distrust of government is increasing at the same time that its sensitivity to health and safety threats is heightened.
For more information, see: http://wasteisaterriblethingtomind.com/
"Written with a wry sense of humor, it is a pleasure to read and could provide the blueprint for future efforts to find locations for controversial land uses."
- Marie Curtis, Executive Director, New Jersey Environmental Lobby
"A penetrating look at one state's struggle with radioactive waste ... offering some tantalizing reflections on the public understanding of science and how we, in a democratic society, deal with complexity and uncertainty."
- Jay Kaufman, State Senator, Massachusetts State Legislature
"A provocative story, laced with humor, demonstrates how public distrust of government can make it impotent. It should be read by anyone working on public policy issues, especially planning, growth, and the environment."
- Harriet Keyserling, Former Energy Committee Chair, South Carolina State Legislature
"Readers interested in environmental policy, land use and how governments make decisions will learn much from this fine reflective insider's account. It's also a primer on how to survive and thrive in state government."
- David N. Kinsey, Visiting Professor, Woodrow Wilson School Princeton University
"... a fascinating case study of how a government agency creatively tried to solve an intractable public issue. Although the agency failed in its quest to recruit a town to host a low-level radioactive waste site, Weingart's detailed and often humorous narrative of the agency's efforts is a clear winner."
- Jack Sabatino, Judge, New Jersey Superior Court
"... a very engaging and sometimes discouraging case study about the pitfalls and perils of trying to site a controversial facility the right way."
- Gregg Larson, Administrator, Center for Biometric Research, University of Minnesota
Wayne T. Pitard
Southern Illinois University Press, 2024
The most influential Black leader in 19th century southern Illinois
This key biography of John J. Bird unveils the forgotten story of a remarkable Black political figure in post-Civil War Illinois. Emerging as a leader in Cairo, the city with Illinois’ second-largest Black community, Bird played a pivotal role in advancing civil rights within the state, also becoming Illinois’ first Black elected judge and first Black trustee of the University of Illinois. Watchman, Tell Us deftly examines Bird’s lifetime of service and advocacy for a vulnerable community and the ways in which he successfully advocated for and protected voting rights, educational opportunity, and public access for the Black residents of southern Illinois.
Bird arrived in Cairo at age twenty during the Civil War to aid the 2,000 Black refugees from the South living there. By 1870, he had established the city’s substantial Black Republican wing, providing the Black community with unprecedented political influence in this hostile, majority white, Democratic town. Under Bird’s leadership, the Black Republicans pressed for policies that improved the well-being of the African American population, including the early establishment of a Black public school, the rise of an integrated judicial system, and the ability to access public and private businesses. Bird became influential across Illinois as a judge and university trustee, a leader in the Black convention movement, and a significant newspaper editor in Cairo and Springfield. When Bird died in 1912, the nation he loved had once again betrayed its Black citizens, and it appeared that most of the achievements he had fought for had collapsed. But the work of Bird and the other civil rights workers of the nineteenth century created the foundation upon which the movements of the twentieth century could stand.
Bobbie Malone and Amy Rosebrough
Wisconsin Historical Society Press, 2003
Based on recent archaeological interpretation, this standards-based resource enriches material covered in Native People of Wisconsin. Water Panthers, Bears, and Thunderbirds introduces young readers to effigy mound sites in five southern Wisconsin counties. Suggested activities encourage students to graph, compare, contrast, and analyze the ways these mound groups vary from county to county.
Leah J. Wilds
University of Nevada Press, 2014
David Stiller
University of Nevada Press, 2021
Michael C. Meyer
University of Arizona Press, 1984
John H. Hartig
Michigan State University Press, 2019

Eric Arnesen
University of Illinois Press, 1991
Winner of the John H. Dunning Prize in United States History
During the nineteenth century, American and foreign travelers often found New Orleans a delightful, exotic stop on their journeys. Few failed to marvel at the riverfront, the center of the city's economic activity. But historical memory overlooks the immigrants and Black migrants who served in the riverfront's army of laborers and provided the essential human power that kept the cotton, sugar, and other goods flowing. Eric Arnesen examines the diverse group of 10,000 to 15,000 cotton screwmen, longshoremen, cotton and round freight teamsters, cotton yardmen, railroad freight handlers, and Mississippi River roustabouts that formed the backbone of the Crescent City's trade and economic life.
Shaun Richman
University of Illinois Press, 2025
From the start, New York’s organized hotel workers experimented with and adapted how they organized and governed members and related to other labor unions. Richman follows union fortunes from early IWW activity through the Communist-led affiliates of the American Federation of Labor in the 1920s and 1930s, the shaping of breakthrough negotiating strategies, and the postwar era. As Richman shows, workers adopted a radicalism and militancy seldom associated with an AFL organization while openly negotiating the Communist Party’s power and influence within the union, until the Party’s eclipse in the 1950s.
An inspiring story of action and perseverance, We Always Had a Union profiles a foundational American labor union and offers lessons for today’s workers and organizers.
Mary Weaks-Baxter, Christine Bruun, and Catherine Forslund
Southern Illinois University Press, 2010
We Are a College at War weaves together the individual World War II experiences of students and faculty at the all-female Rockford College (now Rockford University) in Rockford, Illinois, to draw a broader picture of the role American women and college students played during this defining period in U.S. history. It uses the Rockford community’s letters, speeches, newspaper stories, and personal recollections to demonstrate how American women during the Second World War claimed the right to be everywhere—in factories and other traditionally male workplaces, and even on the front lines—and links their efforts to the rise of feminism and the fight for women’s rights in the 1960s and 1970s.
Ric S. Sheffield
The Ohio State University Press, 2022
Amy T. Waldman
Wisconsin Historical Society Press, 2024
The entertaining and inspiring story of a stubbornly independent promoter and club owner
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
This funny, nostalgia-inducing book details the lasting friendships Jest established over the years with John Prine, Arlo Guthrie, and Milwaukee’s own Violent Femmes, among others. It also shines a light into the seldom-seen world of music promotion, as Jest attempts to manage a turbulent band on the road, negotiates with agents, deals with fires (both real and metaphorical), struggles through a pandemic, and takes pleasure in presenting music of all kinds—from world-famous acts to up-and-coming local bands. In addition to photos of celebrated musicians, the book includes concert posters, tickets, and backstage passes documenting decades of rock, folk, and alternative shows that helped put Milwaukee on the live music map.
As the music industry has become dominated by profit-driven corporations, We Had Fun and Nobody Died chronicles the career of a one-of-a-kind independent promoter whose hardheadedness and love of music have helped him keep it real and make it in the music business for more than forty years.
"[An] adventure-filled biography of music promoter Peter Jest. . . . Reflecting decades of changes to the music business, We Had Fun and Nobody Died is a fascinating biography of a passionate promoter’s work to transform Milwaukee’s music scene."
—Foreword Reviews
“Amy Waldman and Peter Jest weave a thrilling tale of fanhood gone pro. Dreams followed, dragons slain, and the roof of a venerable venue repeatedly blown sky-high. We’re proud to have provided the name [for Shank Hall]; it took men and women of sterner stuff to do the heavy lifting.”
—Michael McKean, actor and comedian, This Is Spinal Tap
“We Had Fun and Nobody Died is a fantastic journey of a Midwest boy, his love of music, and his excitement to be part of it all.”
—Kevn Kinney, lead singer and guitarist of Drivin N Cryin
“Peter Jest’s story is one that conveys a winning combination of friendship, determination, and entrepreneurial insights that led him to a lifelong career in support of the live music industry and the community that comes together in common appreciation of it.”
—Shana Morrison, singer-songwriter
Amy T. Waldman
Wisconsin Historical Society Press, 2025
The entertaining and inspiring story of a stubbornly independent promoter and club owner
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap.
This funny, nostalgia-inducing book details the lasting friendships Jest established over the years with John Prine, Arlo Guthrie, and Milwaukee’s own Violent Femmes, among others. It also shines a light into the seldom-seen world of music promotion, as Jest attempts to manage a turbulent band on the road, negotiates with agents, deals with fires (both real and metaphorical), struggles through a pandemic, and takes pleasure in presenting music of all kinds—from world-famous acts to up-and-coming local bands.
As the music industry has become dominated by profit-driven corporations, We Had Fun and Nobody Died chronicles the career of a one-of-a-kind independent promoter whose hardheadedness and love of music have helped him keep it real and make it in the music business for more than forty years.
"[An] adventure-filled biography of music promoter Peter Jest. . . . Reflecting decades of changes to the music business, We Had Fun and Nobody Died is a fascinating biography of a passionate promoter’s work to transform Milwaukee’s music scene."
—Foreword Reviews
“Amy Waldman and Peter Jest weave a thrilling tale of fanhood gone pro. Dreams followed, dragons slain, and the roof of a venerable venue repeatedly blown sky-high. We’re proud to have provided the name [for Shank Hall]; it took men and women of sterner stuff to do the heavy lifting.”
—Michael McKean, actor and comedian, This Is Spinal Tap
“We Had Fun and Nobody Died is a fantastic journey of a Midwest boy, his love of music, and his excitement to be part of it all.”
—Kevn Kinney, lead singer and guitarist of Drivin N Cryin
“Peter Jest’s story is one that conveys a winning combination of friendship, determination, and entrepreneurial insights that led him to a lifelong career in support of the live music industry and the community that comes together in common appreciation of it.”
—Shana Morrison, singer-songwriter
Phyllis Michael Wong
Michigan State University Press, 2022
Edited by Leila Sales
University of Chicago Press, 2018
Armando Solórzano
University of Utah Press, 2014
Elizabeth Elkins
Vanderbilt University Press, 2022
Elizabeth Elkins
Vanderbilt University Press, 2022
Miguel "Mickey" Melendez
Rutgers University Press, 0
In this memoir, Melendez describes with the unsparing eye of an insider the idealism, anger, and vitality of the Lords as they rose to become the most respected and powerful voice of Puerto Rican empowerment in the country. He also traces the internal ideological disputes that led the group, but not the mission, to fracture in 1972. Written with passion and compelling detail, We Took the Streets tells the story of how one group took on the establishment—and won.
In 1968 Miguel “Mickey” Melendez was a college student, developing pride in his Cuban and Puerto Rican cultural identity and becoming increasingly aware of the effects of social inequality on Latino Americans. Joining with other like-minded student activists, Melendez helped form the central committee of the New York branch of the Young Lords, one of the most provocative and misunderstood radical groups to emerge during the 1960s. Incorporating techniques of direct action and community empowerment, the Young Lords became a prominent force in the urban northeast. From their storefront offices in East Harlem, they defiantly took back the streets of El Barrio. In addition to running clothing drives, day-care centers, and food and health programs, they became known for their media-savvy tactics and bold actions, like the takeovers of the First People’s Church and Lincoln Hospital.
Coreen Derifield
University of Iowa Press, 2025
Jenny Kalvaitis
Wisconsin Historical Society Press, 2021
Rachael Hanel
University of Minnesota Press, 2013
Rachael Hanel’s name was inscribed on a gravestone when she was eleven years old. Yet this wasn’t at all unusual in her world: her father was a gravedigger in the small Minnesota town of Waseca, and death was her family’s business. Her parents were forty-two years old and in good health when they erected their gravestone—Rachael’s name was simply a branch on the sprawling family tree etched on the back of the stone. As she puts it: I grew up in cemeteries.
And you don’t grow up in cemeteries—surrounded by headstones and stories, questions, curiosity—without becoming an adept and sensitive observer of death and loss as experienced by the people in this small town. For Rachael Hanel, wandering among tombstones, reading the names, and wondering about the townsfolk and their lives, death was, in many ways, beautiful and mysterious. Death and mourning: these she understood. But when Rachael’s father—Digger O’Dell—passes away suddenly when she is fifteen, she and her family are abruptly and harshly transformed from bystanders to participants. And for the first time, Rachael realizes that death and grief are very different.
At times heartbreaking and at others gently humorous and uplifting, We’ll Be the Last Ones to Let You Down presents the unique, moving perspective of a gravedigger’s daughter and her lifelong relationship with death and grief. But it is also a masterful meditation on the living elements of our cemeteries: our neighbors, friends, and families—the very histories of our towns and cities—and how these things come together in the eyes of a young girl whose childhood is suffused with both death and the wonder of the living.
R. Richard Wagner
Wisconsin Historical Society Press, 2020
Brian Mullgardt
Southern Illinois University Press, 2024
WINNER, 2025 Illinois State Historical Society Russell P. Strange Book of the Year Award!
Police brutality, gentrification, and grassroots activism in 1960s Chicago
In August of 1968, approximately 7,000 people protested the Vietnam War against the backdrop of the Democratic National Convention in Chicago. This highly televised event began peacefully but quickly turned into what was later termed a “police riot.” Brian Mullgardt’s investigation of this event and the preceding tensions shines a light on the ministers, Yippies, and community members who showed up and stood together against the brutality of the police. Charting a complex social history, Wear Some Armor in Your Hair brings together Chicago history, the 1960s, and urbanization, focusing not on the national leaders, but on the grassroots activists of the time.
Beginning in 1955, two competing visions of urban renewal existed, and the groups that propounded each clashed publicly, but peacefully. One group, linked to city hall, envisioned a future Lincoln Park that paid lip service to diversity but actually included very little. The other group, the North Side Cooperative Ministry, offered a different vision of Lincoln Park that was much more diverse in terms of class and race. When the Yippies announced anti-war protests for the summer of ‘68, the North Side Cooperative Ministry played an instrumental role. Ultimately, the violence of that week altered community relations and the forces of gentrification won out.
Mullgardt’s focus on the activists and community members of Lincoln Park, a neighborhood at the nexus of national trends, broadens the scope of understanding around a pivotal and monumental chapter of our history. The story of Lincoln Park, Chicago, is in many ways the story of 1960s activism writ small, and in other ways challenges us to view national trends differently.
By George W. Bomar
University of Texas Press, 2017
Only in Texas could a snowstorm pelt the Panhandle at the very moment abrasive dust is scouring the Permian Basin while searing heat is wilting the Winter Garden region in the south. The state’s large size and central location within North America subject it to a great variety of weather occurrences. Texas state meteorologist George W. Bomar has been observing Texas weather for nearly half a century, and in Weather in Texas, he provides the essential guide to all of the state’s weather phenomena.
Writing in lively layman’s language, Bomar fully explains both how the weather works and how Texans can prepare for and stay safe during extreme weather events. He describes the forces that shape Texas weather from season to season, including the influence of tropical cyclones, frontal boundaries, El Niño, and the polar jet stream. Bomar puts specific weather events in historical context, using a ranking system to illustrate how recent droughts, snowstorms, hurricanes, flash floods, and tornadoes compare with those of previous generations. He also includes comprehensive tabulations of weather data for every area of Texas, quantifying what constitutes “normal” weather, as well as the extreme limits of variables such as low and high temperatures, rain days, snow accumulations, and earliest and latest freezes. With everything from the latest science on climate change and weather modification to dramatic stories about landmark weather events, Weather in Texas is a must-have reference for all Texans..
Mary Lee Fulkerson
University of Nevada Press, 1995
Weavers of Tradition and Beauty presents new information on contemporary Native American basketry of the Great Basin, largely from the viewpoint of the weavers themselves. In collecting their stories, Kathleen Curtis and Mary Lee Fulkerson traveled throughout Nevada, never dreaming their odyssey over back-roads and to reservations would stretch into years. Finding a deep connection to the people of the sage, the authors accompanied the weavers as they gathered and prepared their special willow, dyed the bracken fern root, and wove their baskets. Baskets—and the people who weave them—have always been revered and honored by Native Americans. Fulkerson and Curtis depict, in text and full color and black and white photographs, how their art prevails—even over adverse environmental, social, and economic conditions. Today, contemporary weavers continue their work by creating baskets in the manner of their ancestors. Teaching their children and grandchildren how to weave baskets, these artisans carry on a long and strong tradition. By documenting the basketry of Nevada's native people, the authors make a significant contribution in preserving this ancient and beautiful craft. Foreword by Catherine S. Fowler.
Thomas Blubacher
Brandeis University Press, 2025
By Joshua Long
University of Texas Press, 2010
Austin, Texas, at the beginning of the twenty-first century, is experiencing one of the most dynamic periods in its history. Wedged between homogenizing growth and a long tradition of rebellious nonconformity, many Austinites feel that they are in the midst of a battle for the city's soul.
From this struggle, a movement has emerged as a form of resistance to the rapid urban transformation brought about in recent years: "Keep Austin Weird" originated in 2000 as a grassroots expression of place attachment and anti-commercialization. Its popularity has led to its use as a rallying cry for local business, as a rhetorical tool by city governance, and now as the unofficial civic motto for a city experiencing rapid growth and transformation.
By using "Keep Austin Weird" as a central focus, Joshua Long explores the links between sense of place, consumption patterns, sustainable development, and urban politics in Austin. Research on this phenomenon considers the strong influence of the "Creative Class" thesis on Smart Growth strategies, gentrification, income inequality, and social polarization made popular by the works of Richard Florida. This study is highly applicable to several emerging "Creative Cities," but holds special significance for the city considered the greatest creative success story, Austin.
Joel Ebert and Erik Schelzig
Vanderbilt University Press, 2023

Joel Ebert and Erik Schelzig
Vanderbilt University Press, 2024
Phillips G. Davies
Wisconsin Historical Society Press, 2006
Between 1840 and 1890, many Welsh looked to Wisconsin for relief where they could purchase inexpensive, productive land. With large Welsh landowners controlling most of the arable land in Wales and Corn Laws, which prohibited importation of cheap food, domestic food prices increased dramatically and left the typical tenant-farming family with fields full of grain but empty cupboards. Once in Wisconsin, the newcomers kept to themselves, maintained their native language and national traditions and worshipped together in close-knit communities.
This addition to the People of Wisconsin series weaves period letters from the Owen family and Private John Jones, who served in the Union army in the Civil War, into the narration. Welsh in Wisconsin also contains anecdotes from early immigrant life and photographs depicting Welsh churches in Wisconsin.