584 books match the query 'Short Stories (single author)' and 6 start with y

cover of You Are the Phenomenology

You Are the Phenomenology

Timothy O'Keefe

University of Massachusetts Press, 2018

You Are the Phenomenology is a cross-genre book—a blend of poetry, songs, lyric prose, and invented forms—that explores the everyday junctures of perception, compassion, and multiplicity. How might our powers of association create shared experiences without distorting the contexts from which those experiences emerge?

One of the volume's innovative forms is a poetic series called “Quadrilaterals”—four-line poems that present the reader with various ways to leap associative gaps:

Quadrilateral : Pinch in Your Heel

Soars the mackled sound, kites ago :
A Polish boy thinks with accordions, adopts a stammer :
When were we first older than we wanted to be :
That was our city, our chisel, the corbeil from which we ate.

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cover of You Know Nothing: Stories

You Know Nothing

Stories

Yasmina Din Madden

Northwestern University Press, 2026

Questioning the roles of women’s bodies and the emotions that drive them in Madden’s debut story collection
 
Following women and girls as they navigate everyday life in contemporary America, You Know Nothing explores the experiences of mothers, daughters, sisters, wives, and lovers whose inner worlds are animated by a tangle of emotion—from desire to rage and everything in between. Yasmina Din Madden’s characters inhabit the margins of their cultures, their diverse backgrounds united by their profound unease and the female bodies in which each resides. Madden takes us into the lives of a ravenous mother who devours her own son, a woman who sands away parts of her body, a Vietnamese mother facing her too-American children, and a fiercely protective dog owner who wanders a dog park with Satan’s master. In this debut collection, Madden brings these characters to life in bite-size stories of surreal revelation and inquisitive long-form explorations alike, leaving newfound clarity and hypnotizing carnage in her wake.
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cover of You Never Get It Back

You Never Get It Back

Cara Blue Adams

University of Iowa Press, 2021

The linked stories in Cara Blue Adams’s precise and observant collection offer elegantly constructed glimpses of the life of Kate, a young woman from rural New England, moving between her childhood in the countryside of Vermont and her twenties and thirties in the northeast, southwest, and South in pursuit of a vocation, first as a research scientist and later as a writer. Place is a palpable presence: Boston in winter, Maine in summer, Virginia’s lush hillsides, the open New Mexico sky. Along the way, we meet Kate’s difficult bohemian mother and younger sister, her privileged college roommate, and the various men Kate dates as she struggles to define what she wants from the world on her own terms.

Wryly funny and shot through with surprising flashes of anger, these smart, dreamy, searching stories show us a young woman grappling with social class, gender, ambition, violence, and the distance between longing and having.
 
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cover of You as of Today My Homeland: Stories of War, Self, and Love

You as of Today My Homeland

Stories of War, Self, and Love

Tayseer Al-Sboul

Michigan State University Press, 2016

This volume comprises a translation of the first post-modernist historical Arabic novella, You as of Today, by the renowned Jordanian writer Tayseer al-Sboul, and his two short stories “Red Indian” and “The Rooster’s Cry.” “Red Indian” and “The Rooster’s Cry” complement You as of Today by providing, with striking transparency and precision, narratives that examine man’s journey to self-discovery through events that are culturally unique, transparent, and at times shocking. This volume is rich with tales of war, love, politics, censorship, and the search for self in a complex and conflicting Arab world at a critical time in its history. In a captivating style consistent with the nature of events narrated in the text, al-Sboul unveils the inner nature of social, political, and religious patterns of life in Arab society with an honesty and skill that renders You as of Today My Homeland a testimony of human experiences that transcend the boundaries of time and place.
 
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cover of You've Told Me Before

You've Told Me Before

Jennifer Anne Moses

University of Wisconsin Press, 2025

Sometimes hilarious, sometimes sad, always compelling, the stories in this collection explore the many manifestations of being Jewish in a modern and largely secular world. Jennifer Anne Moses creates characters, mostly American, who are struggling with love, relationships, faith, tradition, family, and the ties that bind.

A professor of Jewish literature buys a lake house in the countryside with the aim of enjoying it with her husband, dogs, and grown sons, only to discover that her new neighbor is a sexist, dog-hating, and deeply antisemitic bully. The editor of a magazine devoted to lost languages resents the popularity of a younger, less sophisticated novelist, who happens to have been her student. A young woman tries to find her way after her fiancé calls off their wedding. With the contradictions, yearnings, imperfections, and longing for grace that beset all of us, these characters reach their own epiphanies—with results that are by turns breathtaking and heartbreaking.
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cover of Your Madness, Not Mine: Stories of Cameroon

Your Madness, Not Mine

Stories of Cameroon

Makuchi

Ohio University Press, 1999

Women’s writing in Cameroon has so far been dominated by Francophone writers. The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state. The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians. Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard.
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