28164 books match the query 'History' and 31 start with z

cover of Zanzibar under Colonial Rule

Zanzibar under Colonial Rule

Abdul Sheriff

Ohio University Press, 1991

Zanzibar stands at the center of the Indian Ocean system’s involvement in the history of Eastern Africa. This book follows on from the period covered in Abdul Sheriff’s acclaimed Slaves, Spices and Ivory in Zanzibar.

The first part of the book shows the transition of Zanzibar from the commercial economy of the nineteenth century to the colonial economy of the twentieth century.

The authors begin with the abolition of the slave trade in 1873 that started the process of transformation. They show the transition from slavery to colonial “free” labor, the creation of the capitalist economy, and the resulting social contradictions. They take the history up to formal independence in 1963 with a postscript on the 1964 insurrection.

In the second part the authors analyze social classes. The landlords and the merchants were dominant in the commercial empire of the nineteenth century and had difficulties in adjusting to the colonial condition. At the same time the development of capitalist farmers and a fully proletarianized working class was hindered.

The conservative administration could not resolve the contradictions of colonial capitalism, and the formation of a united nationalist movement was hampered. This period culminated in the insurrection of 1964, but the revolution could not be consummated without mature revolutionary classes.

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cover of Zapatista!: Reinventing Revolution in Mexico

Zapatista!

Reinventing Revolution in Mexico

Edited by John Holloway and Eloina Pelaez

Pluto Press, 1998

This collection on the Zapatista uprising brings together contributors from Mexico, the United States and Britain. The editors examine the formation of the Zapatista Army of National Liberation (EZLN) and discuss the key themes of the uprising - from the central issue of what it means to have a revolution that does not aim to take power to the meaning of identity and non-identity, the question of gender, race and class and the role of the Internet and electronic media. The significant contribution that the EZLN's spokesman, Subcomandante Marcos, has made to revolutionary literature is a theme that runs throughout the book.
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cover of Zapatistas: The Chiapas Revolt and What It Means For Radical Politics

Zapatistas

The Chiapas Revolt and What It Means For Radical Politics

Mihalis Mentinis

Pluto Press, 2006

The Zapatista Army for National Liberation burst onto the world stage on 1 January 1994. Zapatista commander Subcomandante Marcos announced a revolution, and declared war on the Mexican government and global capitalism. Since then, the Zapatistas have inspired thousands of activists across the world. They have attracted much attention from political theorists and analysts. Despite this, there is little consensus about the real nature and efficacy of the movement.

Zapatistas provides a bold new approach to understanding the insurrection. Mentinis spent nine months visiting the Zapatista autonomous zone, and the result is this unique exploration of the indigenous political theory emerging within the movement. Combining this with an analysis of the integrity of the Zaptista project, Mentinis draws on the concept of the 'event' from Badiou, ideas from Situationism, the 'project of autonomy' of Cornelius Castoriadis and the 'constituent power' of Antonio Negri, to present a rigourous account of the movement and the impact it has had on radical political theory.

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cover of Zapotec Monuments and Political History

Zapotec Monuments and Political History

Joyce Marcus

University of Michigan Press, 2020

Of the four major hieroglyphic writing systems of ancient Mesoamerica, the Zapotec is widely considered one of the oldest and least studied. This volume assesses the origins and spread of Zapotec writing; the use and role of Zapotec writing in the politics of the region; and the decline of hieroglyphic writing in the Valley of Oaxaca. Lavishly illustrated with maps, photographs, and original artwork.
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cover of Zapotec Women: Gender, Class, and Ethnicity in Globalized Oaxaca

Zapotec Women

Gender, Class, and Ethnicity in Globalized Oaxaca

Lynn Stephen

Duke University Press, 2005

In this extensively revised and updated second edition of her classic ethnography, Lynn Stephen explores the intersection of gender, class, and indigenous ethnicity in southern Mexico. She provides a detailed study of how the lives of women weavers and merchants in the Zapotec-speaking town of Teotitlán del Valle, Oaxaca, have changed in response to the international demand for Oaxacan textiles. Based on Stephen’s research in Teotitlán during the mid-1980s, in 1990, and between 2001 and 2004, this volume provides a unique view of a Zapotec community balancing a rapidly advancing future in export production with an entrenched past anchored in indigenous culture.

Stephen presents new information about the weaving cooperatives women have formed over the last two decades in an attempt to gain political and cultural rights within their community and standing as independent artisans within the global market. She also addresses the place of Zapotec weaving within Mexican folk art and the significance of increased migration out of Teotitlán. The women weavers and merchants collaborated with Stephen on the research for this book, and their perspectives are key to her analysis of how gender relations have changed within rituals, weaving production and marketing, local politics, and family life. Drawing on the experiences of women in Teotitlán, Stephen considers the prospects for the political, economic, and cultural participation of other indigenous women in Mexico under the policies of economic neoliberalism which have prevailed since the 1990s.

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cover of Zapotecs on the Move: Cultural, Social, and Political Processes in Transnational Perspective

Zapotecs on the Move

Cultural, Social, and Political Processes in Transnational Perspective

Cruz-Manjarrez, Adriana

Rutgers University Press, 2013

Through interviews with three generations of Yalálag Zapotecs (“Yaláltecos”) in Los Angeles and Yalálag, Oaxaca, this book examines the impact of international migration on this community. It traces five decades of migration to Los Angeles in order to delineate migration patterns, community formation in Los Angeles, and the emergence of transnational identities of the first and second generations of Yalálag Zapotecs in the United States, exploring why these immigrants and their descendents now think of themselves as Mexican, Mexican Indian immigrants, Oaxaqueños, and Latinos—identities they did not claim in Mexico.

Based on multi-site fieldwork conducted over a five-year period, Adriana Cruz-Manjarrez analyzes how and why Yalálag Zapotec identity and culture have been reconfigured in the United States, using such cultural practices as music, dance, and religious rituals as a lens to bring this dynamic process into focus. By illustrating the sociocultural, economic, and political practices that link immigrants in Los Angeles to those left behind, the book documents how transnational migration has reflected, shaped, and transformed these practices in both their place of origin and immigration.
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cover of Zaprudered: The Kennedy Assassination Film in Visual Culture

Zaprudered

The Kennedy Assassination Film in Visual Culture

By Øyvind Vågnes

University of Texas Press, 2011

Winner, Peter C. Rollins Book Award, 2012

As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians.

The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11.

Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.

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cover of Zealots for Zion: Inside Israel's West Bank Settlement Movement

Zealots for Zion

Inside Israel's West Bank Settlement Movement

Robert I Friedman

Rutgers University Press, 1994

"With his sensitive reporter's eyes, Mr. Friedman takes us inside the settlement movement, to the synagogies, kitchen tables and television rooms where ordinary people talk of extraordinary things . . . . This is a chilling book.  The contrast drawn between charming suburban lawns of settlement communities and the political threat they represent is sobering.  The current Labor government in Israel, and American diplomats pursing the peace process, minimize the movement as an irritant that can be managed when the time comes.  Anyone who knows about the tenacity of the settlers, as described by Mr. Friedman, dares not be so confident."--Peter Grose, The New York Times Book Review

"[Zealots for Zion] is among a new genre of works on Israel that . . . appears to be setting a higher standard of objectivity for studies of the Palestinian-Israeli conflict. . . . It is not only a penetrating look at the violence-prone Israeli zealots who are behind the aggressive establishment of Jewish settlements on Palestinian land in the occupied territories, but also at the Jewish Americans who encourage, justify and help fund them."--Donald Neff, The Washington Post Book World

"Above all else, Friedman documents the extent to which Israeli political figures have used the settler movement for their own purposes.  He also argues convincingly that the general unwillingness of many Israelis to thwart the zealots poses a grave threat to the future of Palestinian-Israel relations and the tenuous chance of negotiating a peace between Israel and its Arab neighbors."--Rita E. Hauser, Tikkun

"The mystical mythology, yuppie yearnings, willful naivete and raw prejudices of those staking a claim to what they consider to be 'Greater Israel' have rarely been this revealingly and comprehensively documented."--Nisid Hajari, Newsday

The peace agreement between Israel and the Palestine Liberation Organization gives us hope for the future of the West Bank, but no one expects the transition to be easy.  Who are the zealots who care so deeply about retaining that land for their own?  Robert Friedman, a prize-winning writer, takes a hard, close look at the legacy of the controversial policy of building settlements in the Occupied Territories.  Zealots for Zion is a shocking investigation of the movement by militant right-wing Zionists to reinstitute the ancient civilization of Eretz Yisrael (Greater Israel) on lands seized in the 1967 Six-Day War. 

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cover of Zenith City: Stories from Duluth

Zenith City

Stories from Duluth

Michael Fedo

University of Minnesota Press, 2014

Duluth may be the city of “untold delights” as lampooned in a Kentucky congressman’s speech in 1871. Or it may be portrayed by a joke in Woody Allen’s film Manhattan. Or then again, it may be the “Zenith City of the unsalted seas” celebrated by Dr. Thomas Preston Foster, founder of the city’s first newspaper. But whatever else it may be, this city of granite hills, foghorns, and gritty history, the last stop on the shipping lanes of the Great Lakes, is undeniably a city with character—and characters. Duluth native Michael Fedo captures these characters through the happy-go-melancholy lens nurtured by the people and landscape of his youth. In Zenith City Fedo brings it back home. Framed by his reflections on Duluth’s colorful—and occasionally very dark—history and its famous visitors, such as Sinclair Lewis, Joe DiMaggio, and Bob Dylan, his memories make the city as real as the boy next door but with a better story.

Here, among the graceful, poignant, and often hilarious remembered moments—pranks played on a severe teacher, the family’s unlikely mob connections, a rare childhood affliction—are the coordinates of Duluth’s larger landscape: the diners and supper clubs, the baseball teams, radio days, and the smelt-fishing rites of spring. Woven through these tales of Duluth are Fedo’s curious, instructive, and ultimately deeply moving stories about becoming a writer, from the guidance of an English teacher to the fourteen-year-old reporter’s interview with Louis Armstrong to his absorption in the events that would culminate in his provocative and influential book The Lynchings in Duluth. These are the sorts of essays—personal, cultural, and historical, at once regional and far-reaching—that together create a picture of people in a place as rich in history and anecdote as Duluth and of the forces that forever bind them together.

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cover of Zhang Hongtu: Expanding Visions of a Shrinking World

Zhang Hongtu

Expanding Visions of a Shrinking World

Luchia Meihua Lee and Jerome Silbergeld, editors

Duke University Press, 2015

In this book, leading art experts, art historians, and critics review the life, career, and artistic development of New York based Chinese artist Zhang Hongtu. A pioneer in contemporary Chinese art, Zhang created the first example of "China Pop" art, and his oeuvre is as diverse, intellectually complex, and engaging as it is entertaining. From painting and sculpture to computer generated works and multimedia projects, Zhang's art is equally rich in terms of China's history and its current events, containing profound reflections on China's oldest cultural habits and contemporary preoccupations. He provides a model of cross-cultural interaction designed to make Asian and Western audiences look more closely at each other and at themselves to recognize the beliefs they hold and the unexamined values they adhere to.

From his early work in China during the Cultural Revolution to his decades as an artist in New York, Zhang reflects the complex attitudes of a scholar-artist toward modernity, as well as toward Asian and Western societies and himself.  Placing Zhang in the context of his cultural milieu both in China and in the Chinese immigrant artist community in America, this volume's contributors examine his adaptations of classic art to reflect a contemporary sensibility, his relation to Cubism and Social Realism, his collaboration with the celebrated fashion designer Vivienne Tam, and his visual critique of China's current environmental crisis. Zhang's work will be on display at the Queens Museum in New York City from October 17, 2015 to March 6, 2016.

Contributors: Julia F. Andrews, Alexandra Chang, Tom Finkelpearl, Michael Fitzgerald, Wu Hung, Luchia Meihua Lee, Morgan Perkins, Kui Yi Shen, Jerome Silbergeld, Eugenie Tsai, Thuy Linh Nguyen Tu, Lilly Wei

Co-published by the Queens Museum and Duke University Press.
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cover of Zig-Zag-and-Swirl: Alfred W. Lawson's Quest for Greatness

Zig-Zag-and-Swirl

Alfred W. Lawson's Quest for Greatness

Lyell D. Henry

University of Iowa Press, 1991

Alfred W. Lawson (1869–1954) was a professional baseball player, inventor of the airliner, leader of a movement in the 1930s calling for the abolition of banks and interest, and founder of a utopian community, the so-called Des Moines University of Lawsonomy. This unusual institution, constantly embroiled in controversy in the 1940s and early 1950s, was dedicated not only to teaching Lawson’s novel religious and scientific ideas but also to initiating a reform of human nature.
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cover of Zion Canyon: A Storied Land

Zion Canyon

A Storied Land

Text by Greer K. Chesher; Photographs by Michael Plyler

University of Arizona Press, 2007

Zion National Park has served as the stage set for more than twenty-five movies, including, most notably, Butch Cassidy and the Sundance Kid. It is also a popular tourist destination, boasting a visitor log of more than 2.5 million every year. During the summer months, tour buses rattle their way into the park almost hourly. Sightseers crowd polished-trestle-wood and river-rock inns, buy hand-woven bags imported from Guatemala, and sip icy margaritas from the porch of an old bar with a stunning view of irrigated Mexican primroses and glowing redrock cliffs. While Zion National Park is a familiar vista to millions of day-trippers and film viewers, few ever intimately experience the unpredictable, often hostile, but always magnificent reality of this rugged frontier.

Greer K. Chesher brings us the first personal and in-depth look at Zion. In striking and elegant prose, she vividly recounts experiences that only a park ranger and resident of the region for more than two decades could have. She also lucidly explains the area’s natural and geological wonders, including the dynamics of Zion’s ecology, changes to plant and animal species wrought through human technology, and what these changes mean for the future.

Beyond the region’s amazing array of flora and fauna, she describes the landscape’s lasting imprint on settlers and current residents, and explains the politics that have long surrounded its protection. Award-winning photographer Michael Plyler, also a resident of the region, captures the allure of the park in spectacular images that illustrate the intimate details and geological wonder of the place. These exquisite photographs make this book a stunning pictorial as well as literary tribute to a place that is known to so many but about which so little is truly understood.
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cover of Zion in the Courts: A Legal History of the Church of Jesus Christ of Latter-day Saints, 1830-1900

Zion in the Courts

A Legal History of the Church of Jesus Christ of Latter-day Saints, 1830-1900

Edwin Brown Firmage and Richard Collin Mangrum

University of Illinois Press, 1988

The inability of American society to tolerate the peculiar institutions embraced by Mormons was one of the major events in the religious history of nineteenth-century America. Zion in the Courts explores one aspect of this collision between the Mormons and the mainstream: the Mormons' efforts to establish their own court system--one appropriate to the distinctive political, social, and economic practices they envisioned as Zion--and the pressures applied by the federal legal system to bring them to heel.
 
This first paperback edition includes two new introductory pieces in which the authors discuss the Mormon emphasis on settling disputes outside the court, a practice that foreshadows current trends toward arbitration and mediation.
 
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cover of Zion in the Valley, Volume I: The Jewish Community of St. Louis, Volume I, 1807-1907

Zion in the Valley, Volume I

The Jewish Community of St. Louis, Volume I, 1807-1907

Walter Ehrlich

University of Missouri Press, 1997

St. Louis contains one of the largest Jewish communities in the interior of the United States. Yet, despite the important contributions of St. Louis Jews to the city's cultural and economic growth and to national and international Jewry, no history of their accomplishments has heretofore been written.

In this masterful book, Walter Ehrlich shows how the St. Louis Jewish community grew in two separate yet intricately related milieux. One was the internal socioreligious community, which centered on relations of Jews with fellow Jews. The other was the broader secular environment, in which Jews individually and collectively interacted with the non-Jewish population, assuming significant roles in the political, economic, social, and religious developments of one of the country's most important urban centers.

Employing many previously unused primary materials--especially congregational archives, organizational and business records, contemporary newspapers, and vivid personal memoirs--Ehrlich presents a fascinating description of how individuals and groups contributed to the growth and development of a major American urban area. He clarifies significant aspects of social and economic structure, mobility, and philanthropy within the Jewish community and integrates them within the broader framework of American society. In the process, Ehrlich provides a unique perspective on St. Louis history, as well as on American urban, ethnic, and immigration history.

Zion in the Valley is an invaluable contribution to the field of Jewish studies. It will appeal to scholars and students of Jewish, urban, and ethnic history, as well as to members of the broader St. Louis community.

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cover of Zion in the Valley, Volume II: The Jewish Community of St. Louis, Volume II, The Twentieth Century

Zion in the Valley, Volume II

The Jewish Community of St. Louis, Volume II, The Twentieth Century

Walter Ehrlich

University of Missouri Press, 2002

The second volume of a two-volume history of the Jewish community of St. Louis, Zion in the Valley, Volume II covers the St. Louis Jewish population during the twentieth century, continuing where Volume I concluded. Published in 1997, Volume I deals primarily with the achievements of the German Jewish immigrants who dominated the St. Louis Jewish community during the nineteenth century. In the latter part of that century, a second large wave of Jewish immigrants, this time from Eastern Europe, began to arrive in St. Louis. Because the new immigrants differed in so many ways from their German precursors, two separate and decidedly hostile Jewish communities developed: the German/Reform community and the Eastern European/Orthodox community.
The most important development of the twentieth century, and the basic theme of this volume, was how the deep chasm between the two communities was bridged and a new, unified “American Jewish” community free from the earlier hostilities was born. This volume examines in insightful detail how that happened. It looks at Jewish religious and educational institutions; Jewish participation in local political, economic, and civic activities; Jewish cultural, philanthropic, and recreational life; and especially Jewish demographics within the larger St. Louis–area community.
Existing histories of St. Louis barely even allude to its Jewish population. This narrative is based almost entirely upon unused primary sources: archival records, newspapers, reminiscences, interviews, and organizational records. The two volumes together are not only important components of St. Louis history but also a vital part of American urban, ethnic, and immigration history.
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cover of Zion on the Hudson: Dutch New York and New Jersey in the Age of Revivals

Zion on the Hudson

Dutch New York and New Jersey in the Age of Revivals

Fabend, Firth Haring

Rutgers University Press, 2000

Winner of the 2001 New Jersey Author's Award by the New Jersey Academic Alliance

The Dutch came to the New World in the seventeenth century as explorers and traders, but religion soon followed, for it was accepted in the Netherlands that state and church were mutually benefited by advancing the “true Christian religion.” The influence of “Dutchness”—defined here as loyalty to what are presumed to be the distinctive qualities of Dutch national character and culture—persisted in New York and New Jersey for more than 200 years after Dutch emigration ended. Why?

Firth Haring Fabend finds the explanation in the devotion of the Reformed Dutch Church membership to the doctrines and traditions of their church. She looks at the individual and personal beliefs and behaviors of this often-neglected ethnic group. Thus, Zion on the Hudson presents both a broad and an intimate look at the way one mainstream Protestant denomination dealt with the transformative events of the evangelical era.

As Fabend describes the efforts of the Dutch to preserve the European standards and traditions of their church, while developing a taste for a new kind of theology and a preference for an American identity, she documents how Dutchness finally became a historical memory. The Americanization of the Reformed Dutch Church, Fabend writes, is a microcosm of the story of the Americanization of the United States itself.

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cover of Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics

Zionism and the Melting Pot

Preachers, Pioneers, and Modern Jewish Politics

M. M. Silver

University of Alabama Press, 2020

Traces the roots of ideologies and outlooks that shape Jewish life in Israel and the United States today

Zionism and the Melting Pot pivots away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver’s innovative new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores.
 
Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia’s czarist empire.
 
Unique in his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States’ melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver’s analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground.
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cover of Zionism in Translation: Encounters in the German-Hebrew Archive

Zionism in Translation

Encounters in the German-Hebrew Archive

Na'ama Rokem

University of Chicago Press, 2026

Examining a network of correspondences and encounters that cross between German and Hebrew, Zionism in Translation argues that the space between the languages enabled ambivalent conversations about the foundation of the State of Israel.

Zionism in Translation concerns exchanges—primarily of letters but also drafts, reviews, and other ephemera—sent to or from Jerusalem in the decades after 1948. All were written in German and Hebrew by a fascinating range of literary figures, including Hannah Arendt, Gershom Scholem, Yehuda Amichai, Ludwig Strauss, Erich Auerbach, Walter Benjamin, Leah Goldberg, Peter Szondi, Paul Celan, and Tuvia Ruebner. Na’ama Rokem illuminates the complexities that emerge as the two languages mix in this extraordinary epistolary network.

The writers that Rokem studies here contend with the genocidal violence that brought the rich historical relation between German and Hebrew to a seeming end. They also grapple, in different ways, with the new reality in Israel/Palestine in the wake of the founding of the State of Israel and the Palestinian Nakba. The bilingual conversation that crosses over between German and Hebrew in these letters thus centers around the question of Jewish fate in the twentieth century and is immersed in negotiations about Jewish nationalism, the Zionist movement, and the possibilities of Jewish poetry. In the space between German and Hebrew, Rokem argues, the protagonists of her story voice ambivalences and hesitancies not found elsewhere.

Zionism in Translation joins a growing body of scholarship that uncovers the complex modes of belonging and resistance that unfold around the Zionist movement in the twentieth century. It will interest all readers concerned with modern Jewish intellectual, cultural, and literary history, the history of Zionism, and writers such as Arendt or Celan.

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cover of Zionism: An Emotional State

Zionism

An Emotional State

Derek J. Penslar

Rutgers University Press, 2023

Finalist for the National Jewish Book Award for Modern Jewish Thought and Experience.

Emotion lies at the heart of all national movements, and Zionism is no exception. For those who identify as Zionist, the word connotes liberation and redemption, uniqueness and vulnerability. Yet for many, Zionism is a source of distaste if not disgust, and those who reject it are no less passionate than those who embrace it. The power of such emotions helps explain why a word originally associated with territorial aspiration has survived so many years after the establishment of the Israeli state.

Zionism: An Emotional State expertly demonstrates how the energy propelling the Zionist project originates from bundles of feeling whose elements have varied in volume, intensity, and durability across space and time. Beginning with an original typology of Zionism and a new take on its relationship to colonialism, Penslar then examines the emotions that have shaped Zionist sensibilities and practices over the course of the movement’s history. The resulting portrait of Zionism reconfigures how we understand Jewish identity amidst continuing debates on the role of nationalism in the modern world. 
 

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cover of Zion’s Last Frontier: LDS Ranchers, Federal Regulators, and the Clash of the New West in Capitol Reef Country, Utah

Zion’s Last Frontier

LDS Ranchers, Federal Regulators, and the Clash of the New West in Capitol Reef Country, Utah

Thomas E. Sheridan

University of Arizona Press, 2026

Zion’s Last Frontier is a historical ethnography that documents the uniquely Latter-Day Saints (Mormon) ranching community around Capitol Reef National Park in south-central Utah over the last 150 years.

From the arrival of the first LDS pioneers in the 1870s to fifth- and sixth-generation descendants of those pioneers today, anthropologist Thomas E. Sheridan documents their ongoing struggles with the federal and state agencies that control 96 percent of the land they ranch. Changing policies and management philosophies profoundly impact the ranchers’ livelihoods and ways of life. Sheridan argues that the ranchers should qualify as Traditionally Associated People. Only one allotment on the Park remains, but the Park still allows ranchers to drive their cattle on horseback along the few canyons that cut through the Waterpocket Fold as they move their herds from their traditional summer grazing lands to their winter grazing lands.

Pushing beyond binary arguments, Sheridan offers an empathetic look at the lived experiences of rural communities often mischaracterized in debates over public lands and environmentalism. Tensions have been aggravated by a massive increase in the number of tourists that swarm the area in the warmer months and a steady increase in the number of seasonal residents who build second homes there.

Zion’s Last Frontier provides an in-depth look at the clash of cultures between the agrarian Old West and the New West of tourism and second-homers that is playing itself out across so many parts of the rural West today.

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cover of Zofia Kulik: Methodology, My Love

Zofia Kulik

Methodology, My Love

Edited by Agata Jakubowska

Museum of Modern Art in Warsaw, 2019

Zofia Kulik’s rich artistic career has a dual nature. Between 1970 and 1987, she worked alongside Przemysław Kwiek as a member of the duo KwieKulik, after which she began to develop a successful individual career. While KwieKulik’s work has been well established as central to the East European neo-avant-garde art lexicon of the 1970’s and ’80s, Kulik’s solo work has yet to be examined in depth. The first publication devoted solely to her work, this monograph analyzes the themes of her rich and complex oeuvre, addressing the (post)communist condition, artistic labor, intermediality, and the conditions of working as a female artist. The book forms a portrait of Kulik as an artist whose work is both deeply focused and rich in variations that reflect the socio-political shifts in her native Poland. With contributions from leading art historians, including Edit András, Angela Dimitrakaki, Ewa Lajer-Burcharth, Suzana Milevska, and Tomasz Załuski.
 
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cover of Zombie History: Lies About Our Past that Refuse to Die

Zombie History

Lies About Our Past that Refuse to Die

Peter Charles Hoffer

University of Michigan Press, 2020

Fake history is not a harmless mistake of fact or interpretation. It is a mistake that conceals prejudice; a mistake that discriminates against certain kinds of people; a mistake held despite a preponderance of evidence; a mistake that harms us. Fake history is like the Zombies we see in mass media, for the fake fact, like the fictional Zombie, lives by turning real events and people into monstrous perversions of fact and interpretation. Its pervasiveness reveals that prejudice remains its chief appeal to those who believe it. Its effect is insidious, because we cannot or will not destroy those mischievous lies. Zombie history is almost impossible to kill. Some Zombie history was and is political, a genre of what Hannah Arendt called “organizational lying” about the past. Its makers designed the Zombie to create a basis in the false past for particular discriminatory policies. Other history Zombies are cultural. They encapsulate and empower prejudice and stereotyping. Still other popular history Zombies do not look disfigured, but like Zombies walk among us without our realizing how devastating their impact can be. Zombie History argues that, whatever their purpose, whatever the venue in which they appear, history Zombies undermine the very foundations of disinterested study of the past.
 
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cover of Zombies, Migrants, and Queers: Race and Crisis Capitalism in Pop Culture

Zombies, Migrants, and Queers

Race and Crisis Capitalism in Pop Culture

Camilla Fojas

University of Illinois Press, 2017

The alarm and anxiety unleashed by the Great Recession found fascinating expression across popular culture. Harried survivors negotiated societal collapse in The Walking Dead. Middle-class whites crossed the literal and metaphorical Mexican border on Breaking Bad or coped with a lack of freedom among the marginalized on Orange Is the New Black. Camilla Fojas uses representations of people of color, the incarcerated, and trans/queers--vulnerable populations all--to work through the contradictions created by the economic crisis and its freefalling aftermath. Television, film, advertising, and media coverage of the crisis created a distinct kind of story about capitalism and the violence that supports it. Fojas shows how these pop culture moments reshaped social dynamics and people's economic sensibilities and connects the ways pop culture reflected economic devastation. She also examines how these artifacts illuminated parts of society usually kept off-screen or on the margins even as they defaulted to stories of white protagonists.
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cover of Zones of Encuentro: Language and Identities in Northern New Mexico

Zones of Encuentro

Language and Identities in Northern New Mexico

Lillian Gorman

The Ohio State University Press, 2024

Winner, 2025 New Mexico Book Awards, Multicultural Category
Finalist, New Mexico Book Awards, BIPOC Author or Subject Category and First Book Category


Working at the intersection of Latina/o/x cultural studies, sociocultural linguistics, and Chicana feminist studies, Lillian Gorman’s Zones of Encuentro takes an in-depth look at the cultural and linguistic interactions between two distinct Latina/o/x communities in the region: Nuevomexicanos (Hispanic people who trace their presence in the region to colonial times and whose families have historically spoken Traditional New Mexican Spanish, or TNMS) and first-generation Mexicano immigrants (who tend to speak Mexican Spanish). Gorman examines the everyday lived language experiences and ethnolinguistic identities of Mexicanos and Nuevomexicanos together, specifically through the case of mixed Mexicano-Nuevomexicano families. Through an interdisciplinary critical reading of ethnographic data, pláticas (informal conversations that gather family and community knowledge), interviews, articles, and historical memoirs, Gorman analyzes language ideologies, identity formations, and language practices by exploring complex spaces of encounter within Mexicano-Nuevomexicano families. Zones of Encuentro complicates homogeneous notions of language and identity and contemplates what a shared cultural and linguistic homeplace looks like for Mexicanos and Nuevomexicanos in northern New Mexico.

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cover of Zooarchaeology beyond Human Subsistence

Zooarchaeology beyond Human Subsistence

Gillian L. Wong and Amy Milson Klemmer, eds.

University of Utah Press, 2025

Exploring other facets of past human-animal relationships beyond food

In this dynamic volume, Gillian L. Wong and Amy Milson Klemmer present seven groundbreaking chapters that delve into the diverse ways humans have interacted with animals in the past, as revealed through archaeological research into animal remains. Zooarchaeology beyond Human Subsistence explores a wide range of topics, from the role of animals in trade and prestige to their influence on cultural development and the shared spaces humans and animals occupied. The studies also highlight the importance of community engagement, showcasing collaborations between archaeologists and heritage communities.

Ideal for professionals and enthusiasts in archaeology, anthropology, zoology, biology, ecology, history, and beyond, this book offers a fresh perspective on zooarchaeology, emphasizing human-animal bonds, trade, ritual, and environmental impacts. With Spanish translations for chapters on South America, this volume invites a broader audience to explore the intricate web of human-animal interactions throughout history, offering insights far beyond mere subsistence.
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cover of Zooarchaeology of Six Prehistoric Sites in the Sierra Blanca Region, New Mexico

Zooarchaeology of Six Prehistoric Sites in the Sierra Blanca Region, New Mexico

Jonathan C. Driver

University of Michigan Press, 1985

In this volume, Jonathan C. Driver presents the results of his study of faunal remains that represent several prehistoric communities in the Sacramento Mountain area and document the range and proportions of hunted foods in the diet of these communities. Driver’s work complements one of the most important works on the prehistory of this region: Jane Holden Kelley’s The Archaeology of the Sierra Blanca Region of Southeastern New Mexico (1984).
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cover of Zoom-In to Madisonville

Zoom-In to Madisonville

Penelope Ballard Drooker

University of Michigan Press, 0

A companion to The View from Madisonville (Memoir 31) by Penelope Ballard Drooker, this CD-ROM contains all the unpublished reports, databases, and more than 1000 artifact photographs from Madisonville.
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cover of Zora Neale Hurston: A Literary Biography

Zora Neale Hurston

A Literary Biography

Robert E. Hemenway. Foreword by Alice Walker

University of Illinois Press, 1977

The life and work of the iconic author and intellectual

Zora Neale Hurston transformed each hour of her life into something bubbling, exuberant, and brimming with joy. Robert Hemenway’s biography is a towering portrait of the novelist, folklorist, and anthropologist. Drawing on archival documents and interviews with people who knew her, Hemenway explores Hurston’s art and work, from her extraordinary novels and autobiography to a popular treatment of black folkways that revealed her deep commitment to the black folk tradition. He also provides a sensitive look at her two marriages; her relationships with Mrs. R. Osgood Mason, Franz Boas, and Langston Hughes; her time as a member of the black literati of the 1920s and 1930s; and the penniless final years leading to her death.

Sophisticated and original, Zora Neale Hurston tells the compelling story of a woman who reveled in a fully lived life dedicated to a lasting art and the preservation of a vital cultural heritage.

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cover of Zora Neale Hurston: And A History Of Southern Life

Zora Neale Hurston

And A History Of Southern Life

Tiffany Ruby Patterson

Temple University Press, 2005

A historian hoping to reconstruct the social world of all-black towns or the segregated black sections of other towns in the South finds only scant traces of their existence. In Zora Neale Hurston and a History of Southern Life, Tiffany Ruby Patterson uses the ethnographic and literary work of Zora Neale Hurston to augment the few official documents, newspaper accounts, and family records that pertain to these places hidden from history. Hurston's ethnographies, plays, and fiction focused on the day-to-day life in all-black social spaces as well as "the Negro farthest down" in labor camps. Patterson shows how Hurston's work complements the fragmented historical record, using the folklore and stories to provide a full description of these people of these towns as active human subjects, shaped by history and shaping their private world. Beyond the view and domination of whites in these spaces, black people created their own codes of social behavior, honor, and justice. In Patterson's view Hurston renders her subjects faithfully and with respect for their individuality and endurance, enabling all people to envision an otherwise inaccessible world.
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cover of Zuñi Coyote Tales

Zuñi Coyote Tales

Frank Hamilton Cushing

University of Arizona Press, 1998

Coyote tales are among the best loved in Native American folklore, and those recorded by anthropologist Frank Hamilton Cushing at the end of the nineteenth century have well survived the test of time. This collection of authentic stories extracted from his classic Zuñi Folk Tales offers modern readers of all ages a new appreciation of magic and myth as celebrated by the Zuñi Indians of western New Mexico.

These tales pit the wily Coyote against various demons and other creatures in order to convey simple lessons or explain animal characteristics or behavior. They tell how the tip of the coyote's tail became black after dancing with blackbirds and how coyotes learned never to insult horned-toads—and to keep clear of burrowing-owls. Through these tales, we learn why Coyote meddles with everything that does not concern him, makes a universal nuisance of himself, and is ready to jump into any trap laid for him.
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cover of Zworykin, Pioneer of Television

Zworykin, Pioneer of Television

Albert Abramson. Foreword by Erik Barnouw

University of Illinois Press, 1995

Using patents, published and unpublished documents, and interviews with television pioneers including Zworykin himself, Abramson reconstructs the inventor's life from his early years in Russia, through his stay as RCA's technical guru under David Sarnoff, to his death in 1982. More than fifty photographs show highlights of Zworykin's work. Abramson notes the contributions of other scientists--particularly Zworykin's biggest rival, Philo T. Farnsworth--to the advancement of television. However, he argues, it was Zworykin's inventions that made modern, all-electronic television possible, causing many to award him the title "father of television".

"His achievements rank him with Thomas Edison and Alexander Graham Bell," states Albert Abramson in this discerning, often dramatic biography of Vladimir Kosma Zworykin, the Russian-born scientist who "did more to create our present system of cathode-ray television than any other person."
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