18284 books match the query 'United States' and 16 start with z

cover of Zane Grey: His Life, His Adventures, His Women

Zane Grey

His Life, His Adventures, His Women

Thomas H. Pauly

University of Illinois Press, 2005

Zane Grey was a disappointed aspirant to major league baseball and an unhappy dentist when he belatedly decided to take up writing at the age of thirty. He went on to become the most successful American author of the 1920s, a significant figure in the early development of the film industry, and a central player in the early popularity of the Western.

    

Thomas H. Pauly's work is the first full-length biography of Grey to appear in over thirty years. Using a hitherto unknown trove of letters and journals, including never-before-seen photographs of his adventures--both natural and amorous--Zane Grey has greatly enlarged and radically altered the current understanding of the superstar author, whose fifty-seven novels and one hundred and thirty movies heavily influenced the world's perception of the Old West.

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cover of Zaprudered: The Kennedy Assassination Film in Visual Culture

Zaprudered

The Kennedy Assassination Film in Visual Culture

By Øyvind Vågnes

University of Texas Press, 2011

Winner, Peter C. Rollins Book Award, 2012

As the fiftieth anniversary of the Kennedy assassination approaches, the traumatic aspects of the tragedy continue to haunt our perceptions of the 1960s. One reason for this lies in the home movie of the incident filmed by Abraham Zapruder, a bystander who became one of the twentieth century's most important accidental documentarians.

The first book devoted exclusively to the topic, Zaprudered traces the journey of the film and its effect on the world's collective imagination. Providing insightful perspective as an observer of American culture, Norwegian media studies scholar Øyvind Vågnes begins by analyzing three narratives that are projections of Zapruder's images: performance group Ant Farm's video The Eternal Frame, Don DeLillo's novel Underworld, and an episode from Seinfeld. Subsequent topics he investigates include Dealey Plaza's Sixth Floor Museum, Zoran Naskovski's installation Death in Dallas, assassin video games, and other artifacts of the ways in which the footage has made a lasting impact on popular culture and the historical imagination. Vågnes also explores the role of other accidental documentarians, such as those who captured scenes of 9/11.

Zapruder's footage has never yielded a conclusive account of what happened in Dealey Plaza. Zaprudered thoroughly examines both this historical enigma and its indelible afterimages in our collective imagination.

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cover of Zenith City: Stories from Duluth

Zenith City

Stories from Duluth

Michael Fedo

University of Minnesota Press, 2014

Duluth may be the city of “untold delights” as lampooned in a Kentucky congressman’s speech in 1871. Or it may be portrayed by a joke in Woody Allen’s film Manhattan. Or then again, it may be the “Zenith City of the unsalted seas” celebrated by Dr. Thomas Preston Foster, founder of the city’s first newspaper. But whatever else it may be, this city of granite hills, foghorns, and gritty history, the last stop on the shipping lanes of the Great Lakes, is undeniably a city with character—and characters. Duluth native Michael Fedo captures these characters through the happy-go-melancholy lens nurtured by the people and landscape of his youth. In Zenith City Fedo brings it back home. Framed by his reflections on Duluth’s colorful—and occasionally very dark—history and its famous visitors, such as Sinclair Lewis, Joe DiMaggio, and Bob Dylan, his memories make the city as real as the boy next door but with a better story.

Here, among the graceful, poignant, and often hilarious remembered moments—pranks played on a severe teacher, the family’s unlikely mob connections, a rare childhood affliction—are the coordinates of Duluth’s larger landscape: the diners and supper clubs, the baseball teams, radio days, and the smelt-fishing rites of spring. Woven through these tales of Duluth are Fedo’s curious, instructive, and ultimately deeply moving stories about becoming a writer, from the guidance of an English teacher to the fourteen-year-old reporter’s interview with Louis Armstrong to his absorption in the events that would culminate in his provocative and influential book The Lynchings in Duluth. These are the sorts of essays—personal, cultural, and historical, at once regional and far-reaching—that together create a picture of people in a place as rich in history and anecdote as Duluth and of the forces that forever bind them together.

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cover of Ziegfeld Girl: Image and Icon in Culture and Cinema

Ziegfeld Girl

Image and Icon in Culture and Cinema

Linda Mizejewski

Duke University Press, 1999

In the first decades of the twentieth century, Broadway teemed with showgirls, but only the Ziegfeld Girl has survived in American popular culture—as a figure of legend, nostalgia, and camp. Featured in Florenz Ziegfeld Jr.’s renowned revues, which ran on Broadway from 1907 to 1931, the Ziegfeld Girl has appeared in her trademark feather headdresses, parading and posing, occasionally singing and dancing, in numerous musicals and musical films paying direct or indirect homage to the intrepid producer and his glorious Girl. Linda Mizejewski analyzes the Ziegfeld Girl as a cultural icon and argues that during a time when American national identity was in flux, Ziegfeld Girls were both products and representations of a white, upscale, heterosexual national ideal.
Mizejewski traces the Ziegfeld Girl’s connections to turn-of-the-century celebrity culture, black Broadway, the fashion industry, and the changing sexual and gender identities evident in mainstream entertainment during the Ziegfeld years. In addition, she emphasizes how crises of immigration and integration made the identity and whiteness of the American Girl an urgent issue on Broadway’s revue stages during that era. Although her focus is on the showgirl as a “type,” the analysis is intermingled with discussions of figures like Anna Held, Fanny Brice, and Bessie McCoy, the Yama Yama girl, as well as Ziegfeld himself. Finally, Mizejewski discusses the classic American films that have most vividly kept this showgirl alive in both popular and camp culture, including The Great Ziegfeld, Ziegfeld Girl, and the Busby Berkeley musicals that cloned Ziegfeld’s showgirls for decades.
Ziegfeld Girl will appeal to scholars and students in American studies, popular culture, theater and performance studies, film history, gender studies, gay and lesbian studies, and social history.

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cover of Zig-Zag-and-Swirl: Alfred W. Lawson's Quest for Greatness

Zig-Zag-and-Swirl

Alfred W. Lawson's Quest for Greatness

Lyell D. Henry

University of Iowa Press, 1991

Alfred W. Lawson (1869–1954) was a professional baseball player, inventor of the airliner, leader of a movement in the 1930s calling for the abolition of banks and interest, and founder of a utopian community, the so-called Des Moines University of Lawsonomy. This unusual institution, constantly embroiled in controversy in the 1940s and early 1950s, was dedicated not only to teaching Lawson’s novel religious and scientific ideas but also to initiating a reform of human nature.
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cover of Zigzagger: Stories

Zigzagger

Stories

Manuel Muñoz and Helena María Viramontes

Northwestern University Press, 2025

Muñoz’s breakthrough collection, reissued with a new foreword by author Helena María Viramontes
 
Manuel Muñoz’s first collection of stories goes beyond the traditional family myths of Mexican American literature and the image of California’s Central Valley as a lush world of rural tranquility, instead exploring the constant struggle of characters against their physical and personal surroundings. A teenage boy learns the consequences of succumbing to the lure of a town outsider; a young farm worker attempts to hide his supervision of a group of children from the town police; a father must expose his own secrets after his son is found murdered in a highway motel. Experiencing conflicts of family and sexuality and the pain of loss and memory, the characters in Zigzagger seek to reconcile themselves with the rural towns of their upbringing—places that, by nature, are bordered by loneliness.
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cover of Zion in the Courts: A Legal History of the Church of Jesus Christ of Latter-day Saints, 1830-1900

Zion in the Courts

A Legal History of the Church of Jesus Christ of Latter-day Saints, 1830-1900

Edwin Brown Firmage and Richard Collin Mangrum

University of Illinois Press, 1988

The inability of American society to tolerate the peculiar institutions embraced by Mormons was one of the major events in the religious history of nineteenth-century America. Zion in the Courts explores one aspect of this collision between the Mormons and the mainstream: the Mormons' efforts to establish their own court system--one appropriate to the distinctive political, social, and economic practices they envisioned as Zion--and the pressures applied by the federal legal system to bring them to heel.
 
This first paperback edition includes two new introductory pieces in which the authors discuss the Mormon emphasis on settling disputes outside the court, a practice that foreshadows current trends toward arbitration and mediation.
 
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cover of Zionism and the Melting Pot: Preachers, Pioneers, and Modern Jewish Politics

Zionism and the Melting Pot

Preachers, Pioneers, and Modern Jewish Politics

M. M. Silver

University of Alabama Press, 2020

Traces the roots of ideologies and outlooks that shape Jewish life in Israel and the United States today

Zionism and the Melting Pot pivots away from commonplace accounts of the origins of Jewish politics and focuses on the ongoing activities of actors instrumental in the theological, political, diplomatic, and philanthropic networks that enabled the establishment of new Jewish communities in Palestine and the United States. M. M. Silver’s innovative new study highlights the grassroots nature of these actors and their efforts—preaching, fundraising, emigration campaigns, and mutual aid organizations—and argues that these activities were not fundamentally ideological in nature but instead grew organically from traditional Judaic customs, values, and community mores.
 
Silver examines events in three key locales—Ottoman Palestine, czarist Russia and the United States—during a period from the early 1870s to a few years before World War I. This era which was defined by the rise of new forms of anti-Semitism and by mass Jewish migration, ended with institutional and artistic expressions of new perspectives on Zionism and American Jewish communal life. Within this timeframe, Silver demonstrates, Jewish ideologies arose somewhat amorphously, without clear agendas; they then evolved as attempts to influence the character, pace, and geographical coordinates of the modernization of East European Jews, particularly in, or from, Russia’s czarist empire.
 
Unique in his multidisciplinary approach, Silver combines political and diplomatic history, literary analysis, biography, and organizational history. Chapters switch successively from the Zionist context, both in the czarist and Ottoman empires, to the United States’ melting-pot milieu. More than half of the figures discussed are sermonizers, emissaries, pioneers, or writers unknown to most readers. And for well-known figures like Theodor Herzl or Emma Lazarus, Silver’s analysis typically relates to texts and episodes that are not covered in extant scholarship. By uncovering the foundations of Zionism—the Jewish nationalist ideology that became organized formally as a political movement—and of melting-pot theories of Jewish integration in the United States, Zionism and the Melting Pot breaks ample new ground.
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cover of Zion’s Last Frontier: LDS Ranchers, Federal Regulators, and the Clash of the New West in Capitol Reef Country, Utah

Zion’s Last Frontier

LDS Ranchers, Federal Regulators, and the Clash of the New West in Capitol Reef Country, Utah

Thomas E. Sheridan

University of Arizona Press, 2026

Zion’s Last Frontier is a historical ethnography that documents the uniquely Latter-Day Saints (Mormon) ranching community around Capitol Reef National Park in south-central Utah over the last 150 years.

From the arrival of the first LDS pioneers in the 1870s to fifth- and sixth-generation descendants of those pioneers today, anthropologist Thomas E. Sheridan documents their ongoing struggles with the federal and state agencies that control 96 percent of the land they ranch. Changing policies and management philosophies profoundly impact the ranchers’ livelihoods and ways of life. Sheridan argues that the ranchers should qualify as Traditionally Associated People. Only one allotment on the Park remains, but the Park still allows ranchers to drive their cattle on horseback along the few canyons that cut through the Waterpocket Fold as they move their herds from their traditional summer grazing lands to their winter grazing lands.

Pushing beyond binary arguments, Sheridan offers an empathetic look at the lived experiences of rural communities often mischaracterized in debates over public lands and environmentalism. Tensions have been aggravated by a massive increase in the number of tourists that swarm the area in the warmer months and a steady increase in the number of seasonal residents who build second homes there.

Zion’s Last Frontier provides an in-depth look at the clash of cultures between the agrarian Old West and the New West of tourism and second-homers that is playing itself out across so many parts of the rural West today.

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cover of Zombie History: Lies About Our Past that Refuse to Die

Zombie History

Lies About Our Past that Refuse to Die

Peter Charles Hoffer

University of Michigan Press, 2020

Fake history is not a harmless mistake of fact or interpretation. It is a mistake that conceals prejudice; a mistake that discriminates against certain kinds of people; a mistake held despite a preponderance of evidence; a mistake that harms us. Fake history is like the Zombies we see in mass media, for the fake fact, like the fictional Zombie, lives by turning real events and people into monstrous perversions of fact and interpretation. Its pervasiveness reveals that prejudice remains its chief appeal to those who believe it. Its effect is insidious, because we cannot or will not destroy those mischievous lies. Zombie history is almost impossible to kill. Some Zombie history was and is political, a genre of what Hannah Arendt called “organizational lying” about the past. Its makers designed the Zombie to create a basis in the false past for particular discriminatory policies. Other history Zombies are cultural. They encapsulate and empower prejudice and stereotyping. Still other popular history Zombies do not look disfigured, but like Zombies walk among us without our realizing how devastating their impact can be. Zombie History argues that, whatever their purpose, whatever the venue in which they appear, history Zombies undermine the very foundations of disinterested study of the past.
 
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cover of Zombies, Migrants, and Queers: Race and Crisis Capitalism in Pop Culture

Zombies, Migrants, and Queers

Race and Crisis Capitalism in Pop Culture

Camilla Fojas

University of Illinois Press, 2017

The alarm and anxiety unleashed by the Great Recession found fascinating expression across popular culture. Harried survivors negotiated societal collapse in The Walking Dead. Middle-class whites crossed the literal and metaphorical Mexican border on Breaking Bad or coped with a lack of freedom among the marginalized on Orange Is the New Black. Camilla Fojas uses representations of people of color, the incarcerated, and trans/queers--vulnerable populations all--to work through the contradictions created by the economic crisis and its freefalling aftermath. Television, film, advertising, and media coverage of the crisis created a distinct kind of story about capitalism and the violence that supports it. Fojas shows how these pop culture moments reshaped social dynamics and people's economic sensibilities and connects the ways pop culture reflected economic devastation. She also examines how these artifacts illuminated parts of society usually kept off-screen or on the margins even as they defaulted to stories of white protagonists.
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cover of Zones of Encuentro: Language and Identities in Northern New Mexico

Zones of Encuentro

Language and Identities in Northern New Mexico

Lillian Gorman

The Ohio State University Press, 2024

Winner, 2025 New Mexico Book Awards, Multicultural Category
Finalist, New Mexico Book Awards, BIPOC Author or Subject Category and First Book Category


Working at the intersection of Latina/o/x cultural studies, sociocultural linguistics, and Chicana feminist studies, Lillian Gorman’s Zones of Encuentro takes an in-depth look at the cultural and linguistic interactions between two distinct Latina/o/x communities in the region: Nuevomexicanos (Hispanic people who trace their presence in the region to colonial times and whose families have historically spoken Traditional New Mexican Spanish, or TNMS) and first-generation Mexicano immigrants (who tend to speak Mexican Spanish). Gorman examines the everyday lived language experiences and ethnolinguistic identities of Mexicanos and Nuevomexicanos together, specifically through the case of mixed Mexicano-Nuevomexicano families. Through an interdisciplinary critical reading of ethnographic data, pláticas (informal conversations that gather family and community knowledge), interviews, articles, and historical memoirs, Gorman analyzes language ideologies, identity formations, and language practices by exploring complex spaces of encounter within Mexicano-Nuevomexicano families. Zones of Encuentro complicates homogeneous notions of language and identity and contemplates what a shared cultural and linguistic homeplace looks like for Mexicanos and Nuevomexicanos in northern New Mexico.

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cover of Zooarchaeology of Six Prehistoric Sites in the Sierra Blanca Region, New Mexico

Zooarchaeology of Six Prehistoric Sites in the Sierra Blanca Region, New Mexico

Jonathan C. Driver

University of Michigan Press, 1985

In this volume, Jonathan C. Driver presents the results of his study of faunal remains that represent several prehistoric communities in the Sacramento Mountain area and document the range and proportions of hunted foods in the diet of these communities. Driver’s work complements one of the most important works on the prehistory of this region: Jane Holden Kelley’s The Archaeology of the Sierra Blanca Region of Southeastern New Mexico (1984).
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cover of Zoom-In to Madisonville

Zoom-In to Madisonville

Penelope Ballard Drooker

University of Michigan Press, 0

A companion to The View from Madisonville (Memoir 31) by Penelope Ballard Drooker, this CD-ROM contains all the unpublished reports, databases, and more than 1000 artifact photographs from Madisonville.
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cover of Zora Neale Hurston: A Literary Biography

Zora Neale Hurston

A Literary Biography

Robert E. Hemenway. Foreword by Alice Walker

University of Illinois Press, 1977

The life and work of the iconic author and intellectual

Zora Neale Hurston transformed each hour of her life into something bubbling, exuberant, and brimming with joy. Robert Hemenway’s biography is a towering portrait of the novelist, folklorist, and anthropologist. Drawing on archival documents and interviews with people who knew her, Hemenway explores Hurston’s art and work, from her extraordinary novels and autobiography to a popular treatment of black folkways that revealed her deep commitment to the black folk tradition. He also provides a sensitive look at her two marriages; her relationships with Mrs. R. Osgood Mason, Franz Boas, and Langston Hughes; her time as a member of the black literati of the 1920s and 1930s; and the penniless final years leading to her death.

Sophisticated and original, Zora Neale Hurston tells the compelling story of a woman who reveled in a fully lived life dedicated to a lasting art and the preservation of a vital cultural heritage.

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cover of Zworykin, Pioneer of Television

Zworykin, Pioneer of Television

Albert Abramson. Foreword by Erik Barnouw

University of Illinois Press, 1995

Using patents, published and unpublished documents, and interviews with television pioneers including Zworykin himself, Abramson reconstructs the inventor's life from his early years in Russia, through his stay as RCA's technical guru under David Sarnoff, to his death in 1982. More than fifty photographs show highlights of Zworykin's work. Abramson notes the contributions of other scientists--particularly Zworykin's biggest rival, Philo T. Farnsworth--to the advancement of television. However, he argues, it was Zworykin's inventions that made modern, all-electronic television possible, causing many to award him the title "father of television".

"His achievements rank him with Thomas Edison and Alexander Graham Bell," states Albert Abramson in this discerning, often dramatic biography of Vladimir Kosma Zworykin, the Russian-born scientist who "did more to create our present system of cathode-ray television than any other person."
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