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Engaging the poetic to expand our imagination of Maghrebi literature in French

Poetry, as the Moroccan writer Abdelkébir Khatibi describes it, is a form of dissymmetry that exposes readers to the unexpected, and to the possibility of a transformative encounter with the text. Drawing on literary, philosophical, theoretical, and theological texts in multiple languages and scripts, as well as on the visual arts, Thomas C. Connolly delves into the poetic works of Khatibi and six other major Maghrebi authors—Jean Amrouche, Tahar Djaout, Nabile Farès, Mohammed Khaïr-Eddine, Abdelwahab Meddeb, and Jean Sénac—as well as the French poet Arthur Rimbaud, to think anew about the origins and legacy of Francophone poetry in the Maghreb. Instead of turning away from the poetic when it becomes indecipherable, A Poetic Genealogy of North African Literature engages poetic texts on their own terms, allowing them to dictate the search for meaning, thereby expanding our understanding of what Maghrebi literature in French was, is, and might become.

Expatriation, the sense of being "outside" or exposed, is a central theme in the life and work of Paul Bowles. Beginning with Bowles' account of a frightening childhood memory, A World Outside explores how the dichotomies of inside and outside, safety and danger, enclosure and exposure—fundamental dualities in Bowles' fiction—have their deepest origin in the fabric of Bowles' own life and also mark his kinship with other twentieth-century writers. Like V. S. Naipaul, Paul Bowles is one of those writers who have an uncanny grasp of what it is like never to feel "at home."

In this much-needed study, Richard Patteson explores how this sense of "outsidedness" characterizes one's experience in a world in which many of the traditional shelters—social, familial, religious—seem to have lost their ability to protect. He discovers that storytelling is the vehicle by which both Bowles and his characters attempt to domesticate inchoate experience, bringing it into the familiar interior of human comprehension.

The music world has for decades recognized Paul Bowles' stature as a composer, but his fiction is only recently receiving the close attention it has long deserved from students of American and contemporary literature. Bowles is an author who neither sought nor received the kind of publicity often lavished on his contemporaries but one whom an ever-growing audience regards as a commanding figure of twentieth-century American literature.

On television, the Arab Spring took place in Cairo, Tunis, and the city-states of the Persian Gulf. Yet the drama of 2010, and the decade of subsequent activism, extended beyond the cities—indeed, beyond Arabs. Bruce Maddy-Weitzman brings to light the sustained post–Arab Spring political movement of North Africa’s Amazigh people.

The Amazigh movement did not begin with the Arab Spring, but it has changed significantly since then. Amazigh Politics in the Wake of the Arab Spring details the increasingly material goals of Amazigh activism, as protest has shifted from the arena of ethnocultural recognition to that of legal and socioeconomic equality. Amazigh communities responded to the struggles for freedom around them by pressing territorial and constitutional claims while rejecting official discrimination and neglect. Arab activists, steeped in postcolonial nationalism and protective of their hegemonic position, largely refused their support, yet flailing regimes were forced to respond to sharpening Amazigh demands or else jeopardize their threadbare legitimacy. Today the Amazigh question looms larger than ever, as North African governments find they can no longer ignore the movement’s interests.

Winner of the 2024 Association of American Publishers PROSE Award for Classics

• Winner of the 2025 Vinson Sutlive Book Prize and Lecture

Between Sahara and Sea: Africa in the Roman Empire challenges orthodox views of the story of Africa under Roman domination. It presents a new framework for understanding this and other territories incorporated in the Roman Empire. Based on decades of research in North Africa, David Mattingly’s book is a cleverly constructed and innovative account of the history and archaeology of ancient North Africa (roughly equivalent to Morocco, Algeria, Tunisia, and Libya) from the first century BCE to the third century CE. He charts a new path toward a bottom-up understanding of North African archaeology, exploring in turn the differing material cultures and experiences of the Roman communities of the military and the urban and rural areas. Regional and societal differences emerge as significant and of long duration in the fascinating story of one of the most important sectors of the Roman Empire. 

This important book is the most comprehensive in English on Roman North Africa. It is remarkably rich, with up-to-date references and a host of new ideas and perspectives. Well written and illustrated, with a plethora of maps, it will be required reading for anyone interested in the subject. Rather than emphasizing the role of external actors, as studies of “Roman Africa” have traditionally done, Between Sahara and Sea focuses on local contributions to the making of Africa in the Roman Empire. The author demonstrates that the multiple populations encountered by Rome were not an indistinct bloc, but had different identities and cultures.

In the late eighteenth and early nineteenth centuries, Algerian piracy in the Mediterranean loomed large in the American imagination. An estimated seven hundred American citizens, sailors, and naval officers were taken captive over the course of the Barbary Crises (1784–1815), and this overseas danger threatened to grow and irreparably harm the young republic.

Blood and Ink reconstructs the largely forgotten influence of these early American conflicts with North Africa on notions of publicity, print culture, and racial and national identity from independence to the Civil War. Exploring the extensive archive of texts inspired by the conflicts—from captivity narratives, novels, plays, and poems to broadsides, travel narratives, children’s literature, newspaper articles, and visual ephemera—Jacob Crane connects anxieties surrounding North African piracy and white slavery to both the development of American abolitionism and representations of transatlantic African and Jewish identities in the early national and antebellum periods.

As the coronavirus ravages the globe, its aftermaths have brought gender inequalities to the forefront of many conversations. Countries in the Middle East and North Africa have been slow to prepare for, adapt to, and mitigate the COVID-19 health crisis and its impacts on governance, economics, security, and rights. Women’s physical well-being, social safety nets, and economic participation have been disproportionately affected, and with widespread shutdowns and capricious social welfare programs, women are exiting the workplace and the classroom, carrying the caregiving burden.

With feminist foregrounding, Rita Stephan's collection COVID and Gender in the Middle East gathers an impressive group of local scholars, activists, and policy experts. The book examines a range of national and localized responses to gender-specific issues around COVID’s health impact and the economic fallout and resulting social vulnerabilities, including the magnified marginalization of Syrian refugees; the inequitable treatment of migrant workers in Bahrain; and the inadequate implementation of gender-based violence legislation in Morocco. An essential global resource, this book is the first to provide empirical evidence of COVID’s gendered effects.

This is the first study to cover cinemas from Iran to Morocco. Nine essays present the region's major national cinemas, devoting special attention to the work of directors who have given image and voice to dissent from political regimes, from patriarchal customs, from fundamentalist movements, and from the West. These country essays are complemented by in-depth discussions of eighteen films that have been selected for both their excellence and their critical engagement with pressing current issues. The introduction provides a comprehensive overview of filmmaking throughout the region, including important films produced outside the national cinemas. The long history of Iranian cinema, its international renown, and the politics of directors confronting the state, earns it a special place in this volume. The other major emphasis is on the Israel/Palestine conflict, featuring films by Palestinian directors, Israelis, and an Egyptian working in Syria.

Nineteen authors collaborated on this book, among them Walter Armbrust, Roy Armes, Kevin Dwyer, Eric Egan, Nurith Gertz, Lina Khatib, Florence Martin, and Nadia Yaqub. About half of the contributors are film scholars; the others range across literary studies and the social sciences to two film directors and a novelist. Beyond differences in disciplinary orientation, there is considerable variation among contributors in the perspectives that inform their writing. They offer an illuminating range of approaches to the cinemas of the region.

The book is richly illustrated with posters of the featured films, photos of their directors at work, and stills illustrating critical arguments in the film essays.

An empirically rich reconstruction of how informality became an intrinsic part of urban life across three continents.

Over a quarter of the world’s urban population lives in informal settlements. While informality as a concept has been widely debated, we still know very little about the phenomenon’s urban history or how that history has shaped the evolution of world cities. Spotlighting the historical processes that have created and sustained urban informality for more than a century, editors Charlotte Vorms and Brodwyn Fischer and this volume’s contributors reveal informality as an intrinsic feature of urbanity, shaping not only cities across the globe but also deeper processes of state formation, socioeconomic stratification, and political struggle.
 
The volume brings together case studies spanning more than a hundred years, drawn from Latin America (Brazil, Chile, Venezuela, and Mexico), Northern Africa (Morocco and Algeria), and Latin Europe (France, Spain, and Italy). Together, they show that informality is neither a contemporary crisis nor a predicament unique to the Global South. Topics include the origins of informal settlements and their relationship with law and institutional power; grassroots efforts to legitimize shantytown communities; mass social movements for rights to the city; the role that shantytown removal campaigns played in populist politics, fascism, and colonialism; and the ways that informality perpetuated racial and ethnic inequalities. Informal Cities is an indispensable guide to the complex and fraught terrain of urban informality in its many historical guises.

North Africa has been a vital crossroads throughout history, serving as a connection between Africa, Asia, and Europe. Paradoxically, however, the region's historical significance has been chronically underestimated. In a book that may lead scholars to reimagine the concept of Western civilization, incorporating the role North African peoples played in shaping "the West," Phillip Naylor describes a locale whose transcultural heritage serves as a crucial hinge, politically, economically, and socially.

Ideal for novices and specialists alike, North Africa begins with an acknowledgment that defining this area has presented challenges throughout history. Naylor's survey encompasses the Paleolithic period and early Egyptian cultures, leading readers through the pharonic dynasties, the conflicts with Rome and Carthage, the rise of Islam, the growth of the Ottoman Empire, European incursions, and the postcolonial prospects for Egypt, Libya, Tunisia, Algeria, Morocco, and Western Sahara.

Emphasizing the importance of encounters and interactions among civilizations, North Africa maps a prominent future for scholarship about this pivotal region.

Now with a new afterword that surveys the “North African Spring” uprisings that roiled the region from 2011 to 2013, this is the most comprehensive history of North Africa to date, with accessible, in-depth chapters covering the pre-Islamic period through colonization and independence.

A wealth of historical writing dealing with the Maghrib (Morocco, Algeria, Tunisia, and Libya) has been published during the roughly forty years since European colonial control ended in the region. This book provides a "state of the field" survey of this postcolonial Maghribi historiography.

The book contains thirteen essays by leading Maghribi and North American scholars. The first section surveys the Maghrib as a whole; the second focuses on individual countries of the Maghrib; and the third explores theoretical issues and case studies. Cutting across chronological categories, the book encompasses historiographical writing dealing with all eras, from the ancient Maghrib to the contemporary period.

Through readings of some of the best-known texts in Algerian literature in French, Woodhull both challenges the separation between French and Francophone literatures and cultures in the academy and explores the ways in which "femininity" has been represented in the texts of North African and French writers since the mid-1950s.