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Grace Frick introduced English-language readers all over the world to the distinguished French author Marguerite Yourcenar with her award-winning translation of Yourcenar’s novel Memoirs of Hadrian in 1954. European biographies of Yourcenar have often disparaged Frick and her relationship with Yourcenar, however. This work shows Frick as a person of substance in her own right, and paints a portrait of both women that is at once intimate and scrupulously documented. It contains a great deal of new information that will disrupt long-held beliefs about Yourcenar and may even shock some of her scholars and fans.

Most attempts to generalize about photography as a medium run up against our experience of the photographs themselves. We live with photos and cameras every day, and philosophies of the photographic image do little to shake our intimate sense of how we produce photographs and what they mean to us. In this book that is equal parts memoir and intellectual and cultural history, French writer Roger Grenier contemplates the ways that photography can change the course of a life, reflecting along the way on the history of photography and its practitioners.

 

Unfolding in brief, charming vignettes, A Box of Photographs evokes Grenier’s childhood in Pau, his war years, and his working life at the Gallimard publishing house in Paris. Throughout these personal stories, Grenier subtly weaves the story of a lifetime of practicing and thinking about photography and its heroes—Henri Cartier-Bresson, Weegee, Alfred Eisenstaedt, George Brassaï, Inge Morath, and others. Adding their own insights about photography to the narrative are a striking range of writers, thinkers, and artists, from Lewis Carroll, Albert Camus, and Arthur Schopenhauer to Susan Sontag, Edgar Degas, and Eugène Delacroix. Even cameras themselves come to life and take on personalities: an Agfa accompanies Grenier on grueling military duty in Algeria, a Voigtlander almost gets him killed by German soldiers during the liberation of Paris, and an ill-fated Olympus drowns in a boating accident. Throughout, Grenier draws us into the private life of photographs, seeking the secrets they hold for him and for us.

 

A valedictory salute to a lost world of darkrooms, proofs, and the gummed paper corners of old photo albums, A Box of Photographs is a warm look at the most honest of life’s mirrors.

Provence through the eyes of its writers—those who wrote of it in Provençal or French and also those visitors who were moved by its beauty—that is the inspiration behind A Literary Guide to Provence. In this compact travel guide, Marseilles native Daniel Vitaglione presents a literary panorama of the region of southern France from the Avignon of Mistral to Colette’s St. Tropez.

Including such sites as the birthplace of Nostradamus and the ruins of the Marquis de Sade’s castle, A Literary Guide to Provence presents a thousand years of history entwined with maps and photos that provide readers on tour with a sense of the historical import of this most beautiful of regions even as they experience it firsthand.

Both authors of Provençal ancestry and those who came to love and live in Provence are featured in this comprehensive and enchanting picture of the garden place of France. The Riviera enticed Virginia Woolf. Toulon inspired two novels by Georges Sand. Robert Louis Stevenson resided in Hyères, as did Edith Wharton. Le Lavandou was Willa Cather’s favorite place. F. Scott Fitzgerald lived in St. Raphael and Juan-les-Pins, where he wrote Tender is the Night.

This illustrated guide follows in these writers’ footsteps, and the practical information on hotels and restaurants (phones, web sites, email, etc.) make it the ideal traveling companion for armchair tourists and those who cannot resist seeing Provence for themselves.

While Albert Camus is an internationally acclaimed figure, Jean Sénac has struggled to gain recognition, even in France and Algeria. The correspondence between the Nobel Prize recipient and the young poet, documented in this illuminating collection, is a testimony to a little-known friendship that lasted for over a decade (1947–1958) and coincided with the escalating conflict between France and Algeria. Their letters shed light on a passionate conflict that opposed two men on two sides of the Algerian War. On one side, Camus distanced himself from an Algerian insurrection that was becoming increasingly violent. On the other, Sénac espoused the armed insurrection of the National Liberation Front and Algeria’s right to independence and freedom. The exchange between Sénac and Camus allows for a deeper and more personal understanding of the Algerian conflict, and of the crucial role of writers, poets, and thinkers in the midst of a fratricidal colonial conflict. The letters translated here are also the intimate dialog between two men who had much in common and who shared a deep love for each other and for their homeland. 

In An Italian Journey, Jean Giono describes his journey to the land of his father's people. A reluctant traveler (he rarely left Provence), Giono discovers a strange beauty not only in the palazzi and canals of Venice but also in wistful waiters, suspicious hairdressers, pugnacious men of God, recalcitrant coffeemakers, umbrellas, and field machinery. In Giono's world a stamp collectors' market can appear to verge on revolution and inept municipal musicians suddenly offer Mozartian joys.

A capacious analysis of a legendary intellectual friendship and the material legacies it left behind

Over the course of their decades-long friendship, Hélène Cixous and Jacques Derrida assembled overlapping archives of written experiments and exchanges that document a shared interest in their literary afterlives. In this incisive account, Laura Hughes shows how pushing against the limits of writing and of life itself means not only imagining but manifesting a community of future readers.

Archival Afterlives: Cixous, Derrida, and the Matter of Friendship examines the embodied nature of literary creation, taking letters, fragments, notes, and other ephemera as objects of critical analysis and care. Combining close readings of key texts and previously unexamined archival materials, Hughes traces critical connections between Cixous and Derrida, between the theoretical and the autobiographical, and between life writing and its limits. In putting deconstruction into dialogue with new material analyses and archive studies, Archival Afterlives positions this historical and intellectual relationship as a lens through which to reexamine the legacy of critical theory itself.

Sébastien Roch Nicolas Chamfort (1740-1794), whom Nietzsche called the "wittiest of all moralists," is now known for little more than brillian aphorisms that captivated a long line of thinkers, from Stendhal to Cioran, Schopenhauer to Camus. Yet the fascination of Chamfort's life is barely suggested by the fragments of writing that have survived him. In Claude Arnaud's captivating biography, Chamfort the libertine, playwright, journalist, and revolutionary stands revealed as the most telling emblem of his times.

In 1943, Charlotte Delbo and 229 other women were deported to a station with no name, which they later learned was Auschwitz. Arrested for resisting the Nazi occupation of Paris, Delbo was sent to the camps, enduring both Auschwitz and Ravensbrück for twenty-seven months. There, she, her fellow deportees, and millions of others were subjected to slave labor and nearly succumbed to typhus, dysentery, and hunger. She sustained herself by reciting Molière and resolved to someday write a book about herself and her fellow deportees, a stunning work called None of Us Will Return. After the camps, Delbo devoted her life to the art of writing and the duty of witnessing, fiercely advocating for the power of the arts to testify against despotism and tyranny.

Ghislaine Dunant's unforgettable biography of Delbo, La vie retrouvée (2016), captivated French readers and was awarded the Prix Femina. Now translated into English for the first time, Charlotte Delbo: A Life Reclaimed depicts Delbo's lifelong battles as a working-class woman, as a survivor, as a leftist who broke from the Communist Party, and most of all, as a writer whose words compelled others to see.

Although elected to the prestigious French Academy in 1990, Michel Serres has long been considered a maverick--a provocative thinker whose prolific writings on culture, science and philosophy have often baffled more than they have enlightened. In these five lively interviews with sociologist Bruno Latour, this increasingly important cultural figure sheds light on the ideas that inspire his highly original, challenging, and transdisciplinary essays.

Serres begins by discussing the intellectual context and historical events-- including the impact of World War II and Hiroshima, which for him marked the beginning of science's ascendancy over the humanities--that shaped his own philosophical outlook and led him to his lifelong mission of bringing together the texts of the humanities and the conceptual revolutions of modern science. He then confronts the major difficulties encountered by his readers: his methodology, his mathematician's fondness for "shortcuts" in argument, and his criteria for juxtaposing disparate elements from different epochs and cultures in extraordinary combinations. Finally, he discusses his ethic for the modern age--a time when scientific advances have replaced the natural necessities of disease and disaster with humankind's frightening new responsibility for vital things formerly beyond its control.

In the course of these conversations Serres revisits and illuminates many of his themes: the chaotic nature of knowledge, the need for connections between science and the humanities, the futility of traditional criticism, and what he calls his "philosophy of prepositions"--an argument for considering prepositions, rather than the conventionally emphasized verbs and substantives, as the linguistic keys to understanding human interactions. For readers familiar with Serres's works as well as for the uninitiated, Conversations on a Life in Philosophy provides fascinating insights into the mind of this appealing, innovative and ardent thinker.

Michel Serres has taught at Clermont-Ferrand, at the University of Paris VIII (Vincennes) and at the Sorbonne. He has served as visiting professor at Johns Hopkins University and has been on the faculty of Stanford University since 1984. Bruno Latour, a philosopher and anthropologist, is Professor of Sociology, L'Ecole Nationale Supérieure des Mines in Paris. He has written several books and numerous articles on the ties between the sciences and the rest of culture and society.

Roxanne Lapidus is Managing Editor of SubStance: A Review of Theory and Literary Criticism. Conversations on a Life in Philosophy was originally published in France as Eclaircissements.

In the first volume of his trilogy, noted political philosopher Maurice Cranston draws from original manuscript sources to trace Rousseau's life from his birth in provincial obscurity in Geneva, through his youthful wanderings, to his return to Geneva in 1754 as a celebrated writer and composer.

"[An] admirable biography which is as meticulous, calm, reasonable, and judicious as its subject is passionate and tumultuous."—Keith Michael Baker, Washington Post Book World

"The definitive biography, as scholarly as it is entertaining."—The Economist

"Exceptionally fresh . . . . [Cranston] seems to know exactly what his readers need to know, and thoughtfully enriches the background—both physical and intellectual—of Rousseau's youthful peregrinations . . . . He makes the first part of Rousseau's life as absorbing as a picaresque novel. His fidelity to Rousseau's ideas and to his life as it was lived is a triumph of poise."—Naomi Bliven, The New Yorker

"The most outstanding achievement of Professor Cranston's own distinguished career."—Robert Wokler, Times Literary Supplement

Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.

Countless biographers have tried to unveil the real Jean-Paul Sartre without his consent or cooperation. Only John Gerassi—the "non-godson" of Sartre, an atheist—was honored with the responsibility of being Sartre's official biographer. After drafting the commission with Sartre on the back of a menu at La Coupole, Gerassi recorded over one hundred hours of interviews with him between 1974 and 1979, and another hundred hours with Sartre's friends, colleagues, and enemies. Gerassi also immersed himself in Sartre's literary, philosophical, and personal writings. Gerassi had access to all of Sartre's files, unpublished manuscripts, and extensive notes for planned but undelivered lectures. Simone de Beauvoir gave many of Sartre's unpublished letters to Gerassi as well. Sartre trusted the integrity of Gerassi so completely that he considered Gerassi's biography to be the continuation of his own autobiography, Les mots. As a personal friend, Gerassi writes with advantages shared by no other biographer of Sartre.

The Outsider is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Outsider is it.
 
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Outsider”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
 
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Outsider. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Outsider.
 
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.  
 
The initial critical reception of The Outsider was mixed, and it wasn’t until after liberation that The Outsider began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
 
Few books inspire devotion and excitement the way The Outsider does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.
 

The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.
 
How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.
 
Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.
 
Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.  
 
The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.
 
Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.
 

When Marguerite Duras was published in France in 1998, it reached the top of the bestseller lists immediately, and Duras, who had led an unapologetically controversial life, was propelled once again into the headlines. The author of The Lover, Hiroshima Mon Amour, and The War: A Memoir, Duras has long been a symbol of France's complex role in World War II and the country's troubled colonial relations in Asia, as well as a fascinating embodiment of the tensions between autobiography and fiction. Now available in English, Marguerite Duras confronts the truths and falsehoods in the life of the enigmatic author.

Adler, through her exploration of the events central to Duras's career, including her affair with and eventual denunciation of a Nazi collaborator and her childhood in Indochina, reveals Duras as the consummate pragmatist. She has combed through archives, unearthed letters, studied unpublished manuscripts, and interviewed scores of Duras's friends, lovers, enemies, and colleagues—as well as Duras herself—and she emerges with the richest portrait we have of Duras's life: her upbringing, her student days at the Sorbonne, her career as a novelist and filmmaker, and her involvement in French politics through the most complex decades of the twentieth century. "The masks and the truth" was the headline of a French review of Marguerite Duras, and Adler explores both, probing the line between fiction and selfhood and between political activities and personal responsibility.

Marguerite Yourcenar was born Marguerite de Crayencour in Brussels in 1903. She lost her mother at birth, her native Belgium at the age of six, and was forced to flee her adopted France at twelve. It is little wonder that Yourcenar, whose own early past receded so quickly into personal legend, would one day describe her writing as the "passionate reconstitution , at once detailed and free, of a moment or a man out of the past." One of the most respected writers in the French language, best known as the author of Memoirs of Hadrian and The Abyss, she was awarded countless literary honors, culminating with her election in 1980 to the Académie Française (she was the first woman ever to be so honored). As complex, erudite, and intriguing as her work, Yourcenar's life has resisted its own passionate reconstitution until now, in part because of the writer's deliberate elusiveness, even in her autobiographical trilogy.

Here, in its intricate and often contradictory detail, is Marguerite Yourcenar's story, one in which loss and learning intertwined almost from the first and in which love assumed a strangely paradoxical place. Drawing on letters, diaries, and interviews with Yourcenar's friends, colleagues, and lovers, Josyane Savigneau's biography paints an intimate portrait of an artist who lived according to her own, occasionally contrary, terms: a Frenchwoman ardently in love with her native tongue, yet who lived half her life in New England; an avid seductress of women, who spent nearly forty years with one woman, yet fell in love early and late in her life with two young men; a powerful female writer whose most memorable protagonists were male, from Alexis of her first novel to the later historical characters Hadrian and Zeno. Savigneau weaves these and other contraries of Yourcenar's life into a vibrant and engrossing pattern.

Editor of "Le Monde des Livres," the literary pages of France's most influential newspaper, Savigneau first met Marguerite Yourcenar on assignment in 1984. What began as a professional relationship gradually turned into a friendship. Her personal insights into that life enrich this exhaustively documented text. Following the lead set by Yourcenar in her memoir Dear Departed, the biographer found herself "searching for a truth that is multiple, unstable, evasive, sometimes saddening, and at first glance scandalous but that one cannot approach without often feeling for human beings in all their frailty a certain measure of kinship and, always, a sense of pity." Yourcenar's profound intelligence and sympathy, her foibles and obsessions, her accomplishments and trials: all are revealed here in an uncompromising portrait of an incomparable artist.

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian, an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. 

A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. 

Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.

All the time when I lived in Algeria, my native country,
I dreamt of one day arriving in Algeria.

Born in Oran, Algeria, Hélène Cixous spent her childhood in France's former colony. Reveries of the Wild Woman is her visceral memoir of a preadolescence that shaped her with intense feelings of alienation, yet also contributed, in a paradoxically essential way, to her development as a writer and philosopher.

Born to a French father and an Austro-German mother, both Jews, Cixous experienced a childhood fraught with racial and gender crisis. In her moving story she recounts how small events--a new dog, the gift of a bicycle--reverberate decades later as symbols filled with social and psychological meaning. She and her family endure a double alienation, by Algerians for being French and by the French for being Jewish, and Cixous builds her story on the themes of isolation and exclusion she felt in particular under the Vichy government and during the Algerian Civil War. Yet she also concedes that memories of Algeria awaken in her a longing for her home country, and ponders how that stormy relationship has influenced her life and thought.

A meditation on postcolonial identity and gender, Reveries of the Wild Woman is also a poignant recollection of how a girl's childhood is, indeed, author to the woman.

The writings of the Marquis de Sade have recently attained notoriety in the canon of world literature. Now Sade himself is often celebrated as a heroic apostle of individual rights and a giant of philosophical thought. In this detailed investigative work, Laurence Bongie tests these claims and finds them unfounded and undeserved.

"A valuable correction to the perception of Sade as a profound thinker, a great writer, and a martyr to liberty. Drawing on original archival work, Bongie tries to illuminate Sade's childhood and his relationship with his parents. . . . Fluent and well-informed."—Library Journal

"Mr. Bongie . . . has written an investigation focusing on one aspect of Sade's character and development, his heretofore neglected relationship with his aristocratic mother. . . . A profitable selection."—Richard Bernstein, New York Times

"A welcome corrective. Bongie's book . . . aims to deflate the exalted claims made about the marquis by demonstrating that he was a monstrous character."—Scott Stossel, Boston Phoenix Literary Supplement

On February 6, 1945, Robert Brasillach was executed for treason by a French firing squad. He was a writer of some distinction—a prolific novelist and a keen literary critic. He was also a dedicated anti-Semite, an acerbic opponent of French democracy, and editor in chief of the fascist weekly Je Suis Partout, in whose pages he regularly printed wartime denunciations of Jews and resistance activists.

Was Brasillach in fact guilty of treason? Was he condemned for his denunciations of the resistance, or singled out as a suspected homosexual? Was it right that he was executed when others, who were directly responsible for the murder of thousands, were set free? Kaplan's meticulous reconstruction of Brasillach's life and trial skirts none of these ethical subtleties: a detective story, a cautionary tale, and a meditation on the disturbing workings of justice and memory, The Collaborator will stand as the definitive account of Brasillach's crime and punishment.

A National Book Award Finalist

A National Book Critics Circle Award Finalist

"A well-researched and vivid account."—John Weightman, New York Review of Books

"A gripping reconstruction of [Brasillach's] trial."—The New Yorker

"Readers of this disturbing book will want to find moral touchstones of their own. They're going to need them. This is one of the few works on Nazism that forces us to experience how complex the situation really was, and answers won't come easily."—Daniel Blue, San Francisco Chronicle Book Review

"The Collaborator is one of the best-written, most absorbing pieces of literary history in years."—David A. Bell, New York Times Book Review

"Alice Kaplan's clear-headed study of the case of Robert Brasillach in France has a good deal of current-day relevance. . . . Kaplan's fine book . . . shows that the passage of time illuminates different understandings, and she leaves it to us to reflect on which understanding is better."—Richard Bernstein, The New York Times

When Rousseau first read his Confessions to a 1770 gathering in Paris, reactions varied from admiration of his candor to doubts about his sanity to outrage. Indeed, Rousseau's intent and approach were revolutionary. As one of the first attempts at autobiography, the Confessions' novelty lay not in just its retelling the facts of Rousseau's life, but in its revelation of his innermost feelings and its frank description of the strengths and failings of his character. Based on his doctrine of natural goodness, Rousseau intended the Confessions as a testing ground to explore his belief that, as Christopher Kelly writes, "people are to be measured by the depth and nature of their feelings." Re-created here in a meticulously documented new translation based on the definitive Pléiade edition, the work represents Rousseau's attempt to forge connections among his beliefs, his feelings, and his life. More than a "behind-the-scenes look at the private life of a public man," Kelly writes, "the Confessions is at the center of Rousseau's philosophical enterprise."

In this second volume of the unparalleled exposition of Rousseau's life and works, Cranston completes and corrects the story told in Rousseau's Confessions, and offers a vivid, entirely new history of his most eventful and productive years.

"Luckily for us, Maurice Cranston's The Noble Savage: Jean-Jacques Rousseau, 1754-1762 has managed to craft a highly detailed account of eight key years of Rousseau's life in such a way that we can both understand and even, on occasion, sympathize."—Olivier Bernier, Wall Street Journal

Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.

A monumental achievement, Maurice Cranston's trilogy provides the definitive account of Jean-Jacques Rousseau's turbulent life. Now available in paperback, this final volume completes a masterful biography of one of the most important philosophers of all time. The Solitary Self traces the last tempestuous years of Rousseau's life.

"The Solitary Self is a fitting coda to a magisterial work. Cranston . . . is a compelling stylist who narrates Rousseau's tribulations with a mixture of compassion and dry humor."—Thomas Pavel, Wall Street Journal

"Cranston not only recreates for his readers a rounded view of Rousseau himself, he sets it firmly in the social and political context of Europe's ancien regime. . . . An engrossing work of history."—John Gray, New Statesman

"Cranston's painstaking archival research and lucid style yield the most detailed and thoroughly documented biography of Rousseau written in English. His epilogue masterfully sums up Rousseau's importance as political philosopher and initiator of romantic sensibilities."—Choice

"Anyone curious about the paradoxes of a most paradoxical man will not go wrong by starting with this invaluable biography."—James Miller, Washington Post Book World

"As absorbing as a picaresque novel."—Naomi Bliven, New Yorker

"A monument of scholarship. . . . This amazing biography, like Boswell's account of Johnson, recreates the daily life of Rousseau: what he did, who he saw, what he said, what he wrote. . . . We may be quite confident that we hold in our hands the authoritative account of this life. The definitive Rousseau."—Isaac Kramnick, New Republic

Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.

A controversial figure of the postwar French literary and cultural scene, Marguerite Duras has exerted a powerful hold on readers around the world. This volume of interviews—hailed on its French publication as Duras’s “secret confession”—offers readers a rich vein of new insight into her work, opinions, life, and relationships.

The interviews that make up the book were conducted in 1987, when Italian journalist Leopoldina Pallotta della Torre met the seventy-three-year-old Duras at her Paris flat and convinced her to sit for a series of conversations. The resulting book was published in Italian in 1989, but it somehow failed to attract a French publisher, and it was quickly forgotten. Nearly a quarter of a century later, however, the book was rediscovered and translated into French, and, it has now become a sensation. In its revealing pages, Duras speaks with extraordinary freedom about her life as a writer, her relationship to cinema, her friendship with Mitterand , her love of Chekhov and football, and, perhaps most significantly, her childhood in pre-war Vietnam, the experiences that propelled her most famous novel, The Lover.

A true literary event, finally available in English, The Suspended Passion is a remarkable document of an extraordinary literary life.

Provocative insights into Beauvoir's philosophical and personal development during wartime

Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to a scandalous text that threatened to overturn traditional views of Beauvoir’s life and work.

Beauvoir's clandestine affair with Jacques Bost and sexual relationships with various young women challenge the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre. At the same time, her account of completing her novel She Came to Stay at a time when Sartre had just begun Being and Nothingness questions the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy.

Wartime Diary also traces Beauvoir's philosophical transformation as she broke from the prewar solipsism of She Came to Stay in favor of the postwar political engagement of The Second Sex. Beauvoir's emerging existentialist ethics reflect the dramatic collective experiences of refugees fleeing German invasion and life under Nazi occupation. The evolution of her thought also reveals the courageous reaffirmation of her individuality in constructing a humanist ethics of freedom and solidarity.

This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.