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2026 Dance Studies Association de la Torre Bueno First Book Award Shortlist Finalist

A Beautiful Fight examines the potentials and limits of capoeira Angola to cohere a multiracial community committed to antiracist struggle. Capoeira, a musical fight-game that originated among enslaved Africans in Brazil, holds special significance for Black Brazilian activists as a spiritual and political practice that affirms the value of Black lives, thus countering anti-Black violence sanctioned by the Brazilian state. However, many capoeira groups count more white practitioners than Black, especially groups of the politicized, Afrocentric style capoeira Angola, raising debates about appropriation of Black culture that resonate across the Americas. A Beautiful Fight addresses these tensions. Drawing on ethnographic research with a multiracial capoeira Angola group in Brazil’s Bahian sertão or backlands, Esther Viola Kurtz explores diverse group members’ understandings of capoeira’s spiritual and political meanings and considers how white participation impacts capoeira’s antiracist politics. A Beautiful Fight argues that white practitioners occupying space in capoeira divert attention from Black members’ concerns and reproduce racist and colonialist ideologies, albeit unintentionally. In this way, the book complicates claims that shared music and dance bridge differences and facilitate cross-racial unity, yet Kurtz proposes that capoeira still transmits knowledge and tools that, when used with intention, commitment, and care, can be wielded to collaboratively contest racism and imagine a more just world.

A single day in a semilegal market in Lima, Peru, reveals a social world that defies conventional economic logic.

In the heart of Lima’s historic center, the markets of El Hueco (“The Hole”) and sprawling Mesa Redonda pulse with life, with thousands of vendors selling everything from knockoff electronics to religious icons. In A Day in “The Hole,” anthropologist Daniella Gandolfo immerses readers in a single, tumultuous day—the thirty-fourth anniversary of a vendors’ cooperative—while examining the dynamics that sustain these marketplaces.
 
Through a blend of cinematic storytelling and incisive anthropological insight, Gandolfo reveals a world with its own unique codes. She inspects how vendors embrace expenditure over profit and instability over order, and moving through the sights and sounds of El Hueco and Mesa Redonda, she finds a dissident economy that is as much about survival as it is about spectacle. Gandolfo redefines how we think about urban economies and the unexpected ways these defiant communities thrive in this textured portrait of Lima’s markets and the people who animate them.

Blending ethnography with a fascinating personal story, A Future for Amazonia is an account of a political movement that arose in the early 1990s in response to decades of attacks on the lands and peoples of eastern Ecuador, one of the world’s most culturally and biologically diverse places. After generations of ruin at the hands of colonizing farmers, transnational oil companies, and Colombian armed factions, the indigenous Cofán people and their rain forest territory faced imminent jeopardy. In a surprising turn of events, the Cofán chose Randy Borman, a man of Euro-American descent, to lead their efforts to overcome the crisis that confronted them.

Drawing on three years of ethnographic research, A Future for Amazonia begins by tracing the contours of Cofán society and Borman’s place within it. Borman, a blue-eyed, white-skinned child of North American missionary-linguists, was raised in a Cofán community and gradually came to share the identity of his adoptive nation. He became a global media phenomenon and forged creative partnerships between Cofán communities, conservationist organizations, Western scientists, and the Ecuadorian state. The result was a collective mobilization that transformed the Cofán nation in unprecedented ways, providing them with political power, scientific expertise, and a new role as ambitious caretakers of more than one million acres of forest. Challenging simplistic notions of identity, indigeneity, and inevitable ecological destruction, A Future for Amazonia charts an inspiring course for environmental politics in the twenty-first century.

Incisive and comprehensive, A Respectable Spell tells the compelling story of an iconic Brazilian musical genre.

What does it mean to belong in a nation? All Work Is Cultural Work examines how Haitian women living in diaspora find and create status through their work outside the home. Nikita Carney draws on ethnographic data gathered over several years in Boston, Montreal, and Paris with women who left Haiti in search of other things: safety, financial security, and opportunity. Ranging from administrative assistants to dancers to preschool teachers, the women in this study share their rich experiences, teaching us how they found a place in their new host nations through paid labor. Focusing on small, daily interactions in the workplace, these women’s narratives highlight the ways in which often invisible daily cultural practices build and re-build both the nation and the home. Taking into account the overlapping and interlocking systems of oppression her participants face both nationally and globally, Carney uses an intersectional analysis to illuminate how the workplace serves as a central site in which Haitian women become raced, gendered, and classed within the nation. Ultimately, the lives and experiences of these women point to one conclusion: culture is indivisible from labor and labor from culture, with paid labor providing a vital method for national culture to be created and recreated each and every day.
 

Alternative Maternities: Bodies, Death, and Argentine Citizenship Since 1820 interrogates the intimate and symbolic relationship between maternity and nationhood in Argentina through the lens of post-mortem maternal bodies. This interdisciplinary study brings together literary analysis, archival research, visual culture, and political history to examine how cultural productions deploy the image of the dead mother to define — and challenge — the boundaries of Argentine citizenship, especially for women, trans/travesti individuals, and those of Indigenous heritage. It focuses on the 200-year period between independence in 1820, when Argentine identity began to be defined, until the legalization of abortion at the end of 2020, which codified the right to non-maternity.

By tracing hagiographic and sacrificial depictions of figures like La Difunta Correa and Eva Perón across poetry, literature, visual art, and contemporary protest culture, the book reveals how narratives of Republican Motherhood continue to structure political and social belonging. Ultimately, this work shows how contemporary artists and authors are reconfiguring these maternal myths to queer, expand, and decolonize national identity.

Native to a high valley in the Andes of Ecuador, the Otavalos are an indigenous people whose handcrafted textiles and traditional music are now sold in countries around the globe. Known as weavers and merchants since pre-Inca times, Otavalos today live and work in over thirty countries on six continents, while hosting more than 145,000 tourists annually at their Saturday market.

In this ethnography of the globalization process, Lynn A. Meisch looks at how participation in the global economy has affected Otavalo identity and culture since the 1970s. Drawing on nearly thirty years of fieldwork, she covers many areas of Otavalo life, including the development of weaving and music as business enterprises, the increase in tourism to Otavalo, the diaspora of Otavalo merchants and musicians around the world, changing social relations at home, the growth of indigenous political power, and current debates within the Otavalo community over preserving cultural identity in the face of globalization and transnational migration. Refuting the belief that contact with the wider world inevitably destroys indigenous societies, Meisch demonstrates that Otavalos are preserving many features of their culture while adopting and adapting modern technologies and practices they find useful.

Gregorio Condori Mamani and Asunta Quispe Huamán were runakuna, a Quechua word that means "people" and refers to the millions of indigenous inhabitants neglected, reviled, and silenced by the dominant society in Peru and other Andean countries. For Gregorio and Asunta, however, that silence was broken when Peruvian anthropologists Ricardo Valderrama Fernández and Carmen Escalante Gutiérrez recorded their life stories. The resulting Spanish-Quechua narrative, published in the mid-1970s and since translated into many languages, has become a classic introduction to the lives and struggles of the "people" of the Andes.

Andean Lives is the first English translation of this important book. Working directly from the Quechua, Paul H. Gelles and Gabriela Martínez Escobar have produced an English version that will be easily accessible to general readers and students, while retaining the poetic intensity of the original Quechua. It brings to vivid life the words of Gregorio and Asunta, giving readers fascinating and sometimes troubling glimpses of life among Cuzco's urban poor, with reflections on rural village life, factory work, haciendas, indigenous religion, and marriage and family relationships.