100 books match the query 'Commentary' and 19 start with a

cover of A Commentary on Aristophanes' Knights

A Commentary on Aristophanes' Knights

Carl Arne Anderson and T. Keith Dix

University of Michigan Press, 2020

A Commentary on Aristophanes’ Knights presents a fresh look at the play that cemented Aristophanes’ reputation as a rising star in comic theater. Knights offers an examination of social and political life in ancient Athens during the empire-destroying Peloponnesian War, as well as giving us Aristophanes’ comic send-up of the dangerous populist demagogue Cleon. This is a thoroughly modern commentary on a key play in the theatrical genre of Old Comedy, which satirized virtually every aspect of Athenian life in a period when Athens was at the height of its power and international prestige.

In addition to the complete Greek text and commentary, this volume includes a substantial introduction to the playwright’s career and to the historical and political background of the play. It includes advice for students on grammar and syntax, meter, festivals and staging, as well as topical and literary references and allusions that will help guide students to a mature appreciation of the comedy’s humor, seriousness, and artistic quality. Priced and sized for classroom use, this is the first full commentary on Knights since 1901 and will be widely welcomed.

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cover of A Commentary on Cicero, De Divinatione I

A Commentary on Cicero, De Divinatione I

Celia E. Schultz

University of Michigan Press, 2014

A Commentary on Cicero, De Divinatione I, is the first English-language commentary on the Latin text of Marcus Tullius Cicero’s dialogue in almost one hundred years. The defense of divination (the science of predicting the future) offered in Book 1 is illustrated with many entertaining anecdotes that make the argument more accessible to a wider range of readers than many of Cicero’s other philosophical works. De Divinatione also preserves many fragments of otherwise lost masterpieces of Roman Republican literature. It is a text important for the study of Roman religion, as well as Roman political and intellectual history.

This commentary aims to assist the reader in seeing De Divinatione as a cohesive whole, and to make it accessible—not only to classicists, but also to scholars of religion and to philosophers who may not be familiar with the historical and Roman intellectual background that are the focus here. The cases made for and against divination in De Divinatione closely follow arguments made by Greek philosophers, but many of the examples illustrating them reflect Cicero’s preferences in literature, his own poetic efforts and political experience, and his expertise as an augur. The result is a very personal work closely tied to Cicero’s own experience.

Celia Schultz’s volume contains the full Latin text of De Divinatione, Book 1, and accompanies it with commentary on points of grammar, history, prosopography, and ancient religious practice, among other topics. She includes a helpful bibliography for those interested in further study of points raised in the text or commentary.
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cover of A Commentary on Cicero, De Divinatione II

A Commentary on Cicero, De Divinatione II

Andrew R. Dyck

University of Michigan Press, 2020

Andrew R. Dyck ranks among the top Latinists in Ciceronian studies. In this new volume, he offers the first commentary on Cicero’s De Divinatione II in nearly a century. This commentary aims to equip students and scholars of Latin with the kinds of historical and philosophical background and linguistic and stylistic information needed to understand and appreciate Cicero’s text on Roman religion and divination. Dyck situates Cicero’s text in the context of Roman religion in antiquity, and he traces the subsequent reception of the text. The introduction reviews recent interpretations of De Divinatione. Dyck rejects the view that has recently been widespread in Anglophone studies that De Divinatione stages a debate between roughly equal opponents and without the emergence of a clear authorial point of view. Instead he argues that a careful reading shows that Cicero as author is invested in the argument, with the particular aim of countering superstition.

Celia Schultz’s earlier volume in this series presented the text and commentary for De Divinatione I. With Andrew Dyck’s companion volume on the second book of De Divinatione, students and teachers are well served with crucial texts from one of Rome’s most famous philosophers, as he considers important Roman practices and beliefs.
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cover of A Commentary on Cicero, De Legibus

A Commentary on Cicero, De Legibus

Andrew R. Dyck

University of Michigan Press, 2004

Just as Plato drafted a vision of an ideal state in his Republic and followed that up with detailed provisions in his Laws, so Cicero -- after writing a Republic -- wanted to provide legislation for his ideal state and wrote de Legibus (the Laws) as a sequel. But while Cicero's Republic was set shortly before the death of its speaker, Scipio Africanus, in 129 b.c., his de Legibus was set in his own lifetime, thus enabling him to comment on current political events and trends. Written in the final years of the Roman Republic, de Legibus is as a work that gives Cicero's own diagnosis of the ills that had befallen the Roman state and what might be done to cure them. It is thus a document crucial to our understanding of one of the most turbulent periods of Roman history.
Surprisingly, de Legibus has been one of Cicero's most neglected works. Andrew R. Dyck's commentary is the first to appear on the complete work in well over one hundred years. Dyck provides a detailed interpretation and sets the essay into the context of the politics and philosophical thought of its time. While previous commentaries focused primarily on grammar and textual criticism, this one also seeks to relate Cicero's text to the political, philosophical, and religious trends of his day. The author identifies the influences on Cicero's thinking and analyzes the relation of this theoretical treatise to his other works. This commentary is based on a new text, worked out in consultations between the author and Jonathan Powell of Royal Holloway, London.
Andrew Dyck is Professor of Classics, University of California at Los Angeles.
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cover of A Commentary on Cicero, De Natura Deorum II

A Commentary on Cicero, De Natura Deorum II

Andrew R. Dyck

University of Michigan Press, 2025

Distinguished Latinist Andrew R. Dyck presents the first English commentary on Cicero’s De Natura Deorum II in over fifty years. This text is the only connected exposition of Stoic theology to survive from the ancient world. It includes an argument for the existence of the gods from the construction of the cosmos taken up by later thinkers, as well as an exposition of the world-order and divine providence according to Stoic doctrine. After a period in which Cicero’s philosophical works were treated mainly as sources for reconstructing the thought of earlier philosophers, they are now coming to be appreciated as intelligent and skillful works in their own right. This book will assist students and others studying Cicero’s De Natura Deorum II by providing its historical context, improved Latin text, and a detailed commentary with references to the latest literature on the subject.
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cover of A Commentary on Cicero, De Officiis

A Commentary on Cicero, De Officiis

Andrew R. Dyck

University of Michigan Press, 1997

Toward the end of the last century Cicero's work came under attack from several angles. His political stance was sharply criticized for inconsistency by Theodor Mommsen and others, his philosophical works for lack of originality. Since then scholars have come to a better understanding of the political conditions that informed the views of Mommsen and his contemporaries about Caesar and Cicero, and as a result Cicero's writings have been restored to a more appropriate position in the literature and history of the Roman Republic. At the same time recent years have seen an intensive study of Hellenistic philosophy, and this has shown more clearly than before that, even while following Greek models, Cicero nonetheless pursued his own political and, in the ethical works, moralistic agenda.
Composed in haste shortly before Cicero's death, de Officiis has exercised enormous influence over the centuries. It is all the more surprising that Andrew R. Dyck's volume is the first detailed English commentary on the work written in this century. It deals with the problems of the Latin text (taking account of Michael Winterbottom's new edition), it delineates the work's structure and sometimes elusive train of thought, clarifies the underlying Greek and Latin concepts, and provides starting points for approaching the philosophical and historical problems that de Officiis raises.
A work of major importance for classicists, philosophers, and ancient historians, this Commentary will be an invaluable companion to all readers of Cicero's last philosophical work.
Andrew R. Dyck is Professor of Classics, University of California, Los Angeles.
Publication of this volume is supported by a grant from the National Endowment for the Humanities.
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cover of A Commentary on Jean-Paul Sartre's Being and Nothingness

A Commentary on Jean-Paul Sartre's Being and Nothingness

Joseph S. Catalano

University of Chicago Press, 1985

"[A Commentary on Jean-Paul Sartre's Being and Nothingness] represents, I believe, a very important beginning of a deservingly serious effort to make the whole of Being and Nothingness more readily understandable and readable. . . . In his systematic interpretations of Sartre's book, [Catalano] demonstrates a determination to confront many of the most demanding issues and concepts of Being and Nothingness. He does not shrink—as do so many interpreters of Sartre—from such issues as the varied meanings of 'being,' the meaning of 'internal negation' and 'absolute event,' the idiosyncratic senses of transcendence, the meaning of the 'upsurge' in its different contexts, what it means to say that we 'exist our body,' the connotation of such concepts as quality, quantity, potentiality, and instrumentality (in respect to Sartre's world of 'things'), or the origin of negation. . . . Catalano offers what is doubtless one of the most probing, original, and illuminating interpretations of Sartre's crucial concept of nothingness to appear in the Sartrean literature."—Ronald E. Santoni, International Philosophical Quarterly
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cover of A Commentary on Jean-Paul Sartre's Critique of Dialectical Reason, Volume 1, Theory of Practical Ensembles

A Commentary on Jean-Paul Sartre's Critique of Dialectical Reason, Volume 1, Theory of Practical Ensembles

Joseph S. Catalano

University of Chicago Press, 1986

Sartre’s Critique of Dialectical Reason ranks with Being and Nothingness as a work of major philosophical significance, but it has been largely neglected. The first volume, published in 1960, was dismissed as a Marxist work at a time when structuralism was coming into vogue; the incomplete second volume has only recently been published in France. In this commentary on the first volume, Joseph S. Catalano restores the Critique to its deserved place among Sartre’s works and within philosophical discourse as a whole. Sartre attempts one of the most needed tasks of our times, Catalano asserts—the delivery of history into the hands of the average person.
 
Sartre’s concern in the Critique is with the historical significance of everyday life. Can we, he asks, as individuals or even collectively, direct the course of our history? A historical context for our lives is given to us at birth, but we sustain that context with even our most mundane actions—buying a newspaper, waiting in line, eating a meal. In looking at history, Sartre argues, reason can never separate the historical situation of the investigator from the investigation. Thus reason falls into a dialectic, always depending upon the past for guidance but always being reshaped by the present.
 
Clearly showing the influence of Marx on Sartre’s thought, the Critique adds the historical dimension lacking in Being and Nothingness. In placing the Critique within the corpus of Sartre’s philosophical writings, Catalano argues that it represents a development rather than a break from Sartre’s existentialist phase. Catalano has organized his commentary to follow the Critique and has supplied clear examples and concrete expositions of the most difficult ideas. He explicates the dialogue between Marx and Sartre that is internal to the text, and he also discusses Sartre’s Search for Method, which is published separately from the Critique in English editions.
 
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cover of A Commentary on Kant's Critique of Practical Reason

A Commentary on Kant's Critique of Practical Reason

Lewis White Beck

University of Chicago Press, 1996

When this work was first published in 1960, it immediately filled a void in Kantian scholarship. It was the first study entirely devoted to Kant's Critique of Practical Reason and by far the most substantial commentary on it ever written. This landmark in Western philosophical literature remains an indispensable aid to a complete understanding of Kant's philosophy for students and scholars alike.

This Critique is the only writing in which Kant weaves his thoughts on practical reason into a unified argument. Lewis White Beck offers a classic examination of this argument and expertly places it in the context of Kant's philosophy and of the moral philosophy of the eighteenth century.
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cover of A Commentary on Plato's Meno

A Commentary on Plato's Meno

Jacob Klein

University of Chicago Press, 1989

The Meno, one of the most widely read of the Platonic dialogues, is seen afresh in this original interpretation that explores the dialogue as a theatrical presentation. Just as Socrates's listeners would have questioned and examined their own thinking in response to the presentation, so, Klein shows, should modern readers become involved in the drama of the dialogue. Klein offers a line-by-line commentary on the text of the Meno itself that animates the characters and conversation and carefully probes each significant turn of the argument.

"A major addition to the literature on the Meno and necessary reading for every student of the dialogue."—Alexander Seasonske, Philosophical Review

"There exists no other commentary on Meno which is so thorough, sound, and enlightening."—Choice

Jacob Klein (1899-1978) was a student of Martin Heidegger and a tutor at St. John's College from 1937 until his death. His other works include Plato's Trilogy: Theaetetus, the Sophist, and the Statesman, also published by the University of Chicago Press.
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cover of A Commentary on Plautus' Curculio

A Commentary on Plautus' Curculio

T. H. M. Gellar-Goad

University of Michigan Press, 2024

Lively and critically aware, T. H. M. Gellar-Goad’s A Commentary on Plautus’ Curculio is the new reference text on the play. Curculio follows the efforts of the title character to trick a sex-trafficker into handing over an enslaved woman to the young man infatuated with her instead of to the soldier who’s paid for her—and will turn out to be her long-lost brother. As Plautus’ shortest comedy, Curculio has proven to be a desirable text for university performances. The play exemplifies Plautus’ style, with a blend of erotic, deception, and recognition plotlines, plus a wide range of archetypal characters. Gellar-Goad’s commentary is the complete package, with introductions to themes, content, humor, meter, and syntax; notes on matters of performance, interpretation, and social history; and a text with aids to scansion and clarifying stage directions.

This up-to-date, authoritative commentary on the play will prove useful to directors and actors and will readily introduce students to the joys of Roman comedy.
 
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cover of A Commentary on The Complete Greek Tragedies. Aeschylus

A Commentary on The Complete Greek Tragedies. Aeschylus

James C. Hogan

University of Chicago Press, 1985

This commentary offers a rich introduction and useful guide to the seven surviving plays attributed to Aeschylus. Though it may profitably be used with any translation of Aeschylus, the commentary is based on the acclaimed Chicago translations, The Complete Greek Tragedies, edited by David Grene and Richmond Lattimore.

James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law athletic contests, relations with neighboring states, beliefs about the underworld, and countless other details of Hellenic life. Hogan clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as are maps and illustrations, a bibliography, indexes, and extensive cross-references between the seven plays. Forthcoming volumes will cover the works of Sophocles and Euripides.
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cover of A Commentary on the Plays of Sophocles

A Commentary on the Plays of Sophocles

James C. Hogan

Southern Illinois University Press, 1991

James C. Hogan introduces each play by highlighting specific and interpretive problems relevant to that play before turning to a line-by-line analysis. The line analysis is comprehensive, ranging from the meanings of words and phrases that pertain to a variety of Greek ideas and institutions to metaphor and imagery specific to each play as well as plots and borrowings from earlier poetry, styles, and characterizations.

Along with his examination of the seven extant plays of Sophocles in English translations, Hogan provides a general introduction to the theatre in Sophocles’ time, discussing staging, the conventions of the Greek theatre, the text of the plays, and mythology and religion.

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cover of A Commentary to Pushkin’s Lyric Poetry, 1826–1836

A Commentary to Pushkin’s Lyric Poetry, 1826–1836

Michael Wachtel

University of Wisconsin Press, 2012

Alexander Pushkin’s lyric poetry—much of it known to Russians by heart—is the cornerstone of the Russian literary tradition, yet until now there has been no detailed commentary of it in any language.
    Michael Wachtel’s book, designed for those who can read Russian comfortably but not natively, provides the historical, biographical, and cultural context needed to appreciate the work of Russia’s greatest poet. Each entry begins with a concise summary highlighting the key information about the poem’s origin, subtexts, and poetic form (meter, stanzaic structure, and rhyme scheme). In line-by-line fashion, Wachtel then elucidates aspects most likely to challenge non-native readers: archaic language, colloquialisms, and unusual diction or syntax. Where relevant, he addresses political, religious, and folkloric issues.
    Pushkin’s verse has attracted generations of brilliant interpreters. The purpose of this commentary is not to offer a new interpretation, but to give sufficient linguistic and cultural contextualization to make informed interpretation possible.

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cover of A Karamazov Companion: Commentary on the Genesis, Language, and Style of Dostoevsky's Novel

A Karamazov Companion

Commentary on the Genesis, Language, and Style of Dostoevsky's Novel

Victor Terras

University of Wisconsin Press, 1981

    The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras’s companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art.
     In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky’s political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel’s sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.
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cover of A William Ernest Hocking Reader: with Commentary

A William Ernest Hocking Reader

with Commentary

John Lachs

Vanderbilt University Press, 2004

Leading Harvard philosophy professor William Ernest Hocking (1873-1966), author of 17 books and in his day second only to John Dewey in the breadth of his thinking, is now largely forgotten, and his once-influential writings are out of print. This volume, which combines a rich selection of Hocking's work with incisive essays by distinguished scholars, seeks to recover Hocking's valuable contributions to philosophical thought.
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cover of Anselm's Pursuit of Joy: A Commentary on the Proslogion

Anselm's Pursuit of Joy

A Commentary on the Proslogion

Gavin R. Ortlund

Catholic University of America Press, 2020

The interpretation of Anselm of Canterbury’s Proslogion has a long and rich tradition. However, its study is often narrowly focused on its so-called “ontological argument.” As a result, engagement with the text of this work tends to be lopsided, and the prayerful purpose that undergirds the whole book is often completely ignored. Even the most rigorous engagements with the Proslogion often have little to say, for instance, about how the prayers of Proslogion 1, 14, and 18 contribute materially to Anselm’s argument, or how his doctrine of God develops organically from the divine formula in the early chapters to the doctrines of eternity, simplicity, and Trinity in later chapters. There are very few works that offer a sustained analysis to Anselm’s flow of thought throughout the entire Proslogion, and no one has explored how Anselm’s doctrine of creaturely joy in heaven in Proslogion 24-26 is a fitting climax and resolution to the book. Anselm’s Pursuit of Joy attempts a sustained, chapter-by-chapter textual analysis of the Proslogion, and offers the first effort to situate Anselm’s doctrine of heaven in Proslogion 24-26 as the climax of the earlier themes of Anselm’s work. Gavin Ortlund suggests that the basic purpose of Anselm’s argument in the Proslogion is to seek the visio Dei that he articulates as his soul’s deepest desire (Proslogion 1). While Anselm’s argument for God’s existence (Proslogion 2-4) is an important piece of this effort, it is only one step of a larger trajectory of thought that leads Anselm to meditate further on God’s nature as the highest good of the human soul (Proslogion 5-23), and then to anticipate the joy of possessing God in heaven (Proslogion 24-26). In other words, the establishment of God’s existence is only the penultimate consequence of Anselm’s famous formula “that than which nothing greater can be thought”—his ultimate concern is with the infinite creaturely joy that is entailed by his existence. The Proslogion is, far more than an argument for God’s existence, a meditation on God as the chief happiness of the human soul.
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cover of Antisthenes of Athens: Texts, Translations, and Commentary

Antisthenes of Athens

Texts, Translations, and Commentary

Susan H. Prince

University of Michigan Press, 2015

Antisthenes of Athens (c. 445-365 BCE) was a famous ancient disciple of Socrates, senior to Plato by fifteen years and inspirational to Xenophon. He is relevant to two of the greatest turning points in ancient intellectual history, from pre-Socraticism to Socraticism, and from classical Athens to the Hellenistic period. A better understanding of Antisthenes leads to a better understanding of the intellectual culture of Athens that shaped Plato and laid the foundations for Hellenistic philosophy and literature as well. Antisthenes wrote prolifically, but little of this text remains today. Susan Prince has collected all the surviving passages that pertain most closely to Antisthenes’ ancient reputation and literary production, translates them into English for the first time, and sets out the parameters for their interpretation, with close attention to the role Antisthenes likely played in the literary agenda of each ancient author who cited him.

This is the first translation of Antisthenes’ remains into English. Chapters present the ancient source, the original Greek passage, and necessary critical apparatus. The author then adds the modern English translation and notes on the context of the preservation, the significance of the testimonium, and on the Greek. Several new readings are proposed.

Antisthenes of Athens will be of interest to anyone seeking to understand Antisthenes and his intellectual context, as well as his contributions to ancient literary criticism, views on discourse, and ethics.

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cover of Aristophanes' Clouds: A Commentary

Aristophanes' Clouds

A Commentary

S. Douglas Olson

University of Michigan Press, 2021

This is the first substantial commentary on Clouds since Dover’s 1968 edition. Intended for intermediate Greek students at undergraduate and graduate levels, the commentary pays careful attention to the basic characteristics of ancient Greek syntax, as well as to how Greek words are formed and can be analyzed.  It offers robust staging notes, information about daily life in late 5th-century Athens, and constant reference to the rhetorical and dramatic strategies of the text. Full support is offered for those interested in the metrical structure of the songs, but in a way that allows instructors to leave such issues aside, should they choose to do so. The first and second appendices offer a basic means of entry into the rich but complex world of the comic fragments. An English-language bibliography is provided. The edition will interest professional classicists of all sorts seeking an accessible introduction to one of Aristophanes’ greatest plays, to philosophers concerned with Socrates and the sophistic movement, and to theater professionals who wish to stage the play.

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