100 books match the query 'Commentary' and 19 start with a
Carl Arne Anderson and T. Keith Dix
University of Michigan Press, 2020
In addition to the complete Greek text and commentary, this volume includes a substantial introduction to the playwright’s career and to the historical and political background of the play. It includes advice for students on grammar and syntax, meter, festivals and staging, as well as topical and literary references and allusions that will help guide students to a mature appreciation of the comedy’s humor, seriousness, and artistic quality. Priced and sized for classroom use, this is the first full commentary on Knights since 1901 and will be widely welcomed.
Celia E. Schultz
University of Michigan Press, 2014
Andrew R. Dyck
University of Michigan Press, 2020
Andrew R. Dyck
University of Michigan Press, 2004
Andrew R. Dyck
University of Michigan Press, 2025
Andrew R. Dyck
University of Michigan Press, 1997
Joseph S. Catalano
University of Chicago Press, 1985
Joseph S. Catalano
University of Chicago Press, 1986
Lewis White Beck
University of Chicago Press, 1996
Jacob Klein
University of Chicago Press, 1989
T. H. M. Gellar-Goad
University of Michigan Press, 2024
James C. Hogan
University of Chicago Press, 1985
James C. Hogan
Southern Illinois University Press, 1991
James C. Hogan introduces each play by highlighting specific and interpretive problems relevant to that play before turning to a line-by-line analysis. The line analysis is comprehensive, ranging from the meanings of words and phrases that pertain to a variety of Greek ideas and institutions to metaphor and imagery specific to each play as well as plots and borrowings from earlier poetry, styles, and characterizations.
Along with his examination of the seven extant plays of Sophocles in English translations, Hogan provides a general introduction to the theatre in Sophocles’ time, discussing staging, the conventions of the Greek theatre, the text of the plays, and mythology and religion.
Michael Wachtel
University of Wisconsin Press, 2012
Alexander Pushkin’s lyric poetry—much of it known to Russians by heart—is the cornerstone of the Russian literary tradition, yet until now there has been no detailed commentary of it in any language.
Michael Wachtel’s book, designed for those who can read Russian comfortably but not natively, provides the historical, biographical, and cultural context needed to appreciate the work of Russia’s greatest poet. Each entry begins with a concise summary highlighting the key information about the poem’s origin, subtexts, and poetic form (meter, stanzaic structure, and rhyme scheme). In line-by-line fashion, Wachtel then elucidates aspects most likely to challenge non-native readers: archaic language, colloquialisms, and unusual diction or syntax. Where relevant, he addresses political, religious, and folkloric issues.
Pushkin’s verse has attracted generations of brilliant interpreters. The purpose of this commentary is not to offer a new interpretation, but to give sufficient linguistic and cultural contextualization to make informed interpretation possible.
Victor Terras
University of Wisconsin Press, 1981
John Lachs
Vanderbilt University Press, 2004
Gavin R. Ortlund
Catholic University of America Press, 2020
Susan H. Prince
University of Michigan Press, 2015
S. Douglas Olson
University of Michigan Press, 2021
This is the first substantial commentary on Clouds since Dover’s 1968 edition. Intended for intermediate Greek students at undergraduate and graduate levels, the commentary pays careful attention to the basic characteristics of ancient Greek syntax, as well as to how Greek words are formed and can be analyzed. It offers robust staging notes, information about daily life in late 5th-century Athens, and constant reference to the rhetorical and dramatic strategies of the text. Full support is offered for those interested in the metrical structure of the songs, but in a way that allows instructors to leave such issues aside, should they choose to do so. The first and second appendices offer a basic means of entry into the rich but complex world of the comic fragments. An English-language bibliography is provided. The edition will interest professional classicists of all sorts seeking an accessible introduction to one of Aristophanes’ greatest plays, to philosophers concerned with Socrates and the sophistic movement, and to theater professionals who wish to stage the play.