Results by title

12 books match the query 'Critical History'

cover of A Critical History of Poverty Finance: Colonial Roots and Neoliberal Failures

A Critical History of Poverty Finance

Colonial Roots and Neoliberal Failures

Nick

Pluto Press, 2022

A comprehensive historical tracing of how the contemporary finance-poverty-development nexus emerged.

'The definitive account of the history of poverty finance' - Susanne Soederberg

Finance, mobile, and digital technologies - or 'fintech' - are being heralded in the world of development by the likes of the IMF and World Bank as a silver bullet in the fight against poverty. But should we believe the hype?

A Critical History of Poverty Finance demonstrates how newfangled 'digital financial inclusion' efforts suffer from the same essential flaws as earlier iterations of neoliberal 'financial inclusion.' Relying on artificially created markets that simply aren't there among the world's most disadvantaged economic actors, they also reinforce existing patterns of inequality and uneven development, many of which date back to the colonial era.

Bernards offers an astute analysis of the current fintech fad, contextualized through a detailed colonial history of development finance, that ultimately reveals the neoliberal vision of poverty alleviation for the pipe dream it is.

[more]
cover of A Critical History of the New American Studies, 1970–1990

A Critical History of the New American Studies, 1970–1990

Günter H. Lenz

Dartmouth College Press, 2016

Starting in 2005, Günter H. Lenz began preparing a book-length exploration of the transformation of the field of American Studies in the crucial years between 1970 and 1990. As a commentator on, contributor to, and participant in the intellectual and institutional changes in his field, Lenz was well situated to offer a comprehensive and balanced interpretation of that seminal era. Building on essays he wrote while these changes were ongoing, he shows how the revolution in theory, the emergence of postmodern socioeconomic conditions, the increasing globalization of everyday life, and postcolonial responses to continuing and new forms of colonial domination had transformed American Studies as a discipline focused on the distinctive qualities of the United States to a field encompassing the many different “Americas” in the Western Hemisphere as well as how this complex region influenced and was interpreted by the rest of the world. In tracking the shift of American Studies from its exceptionalist bias to its unmanageable global responsibilities, Lenz shows the crucial roles played by the 1930s’ Left in the U.S., the Frankfurt School in Germany and elsewhere between 1930 and 1960, Continental post-structuralism, neo-Marxism, and post-colonialism. Lenz’s friends and colleagues, now his editors, present here his final backward glance at a critical period in American Studies and the birth of the Transnational.
[more]
cover of After the Irish Renaissance: A Critical History of the Irish Drama since The Plough and The Stars

After the Irish Renaissance

A Critical History of the Irish Drama since The Plough and The Stars

Robert Hogan

University of Minnesota Press, 1967

After the Irish Renaissance was first published in 1967.This account of contemporary Irish drama provides critical introductions to some thirty or forty playwrights who have worked in Ireland since 1926, the year Sean O’Casey left Ireland following a riotous protest against his play The Plough and the Stars. The date is regarded by many as marking the end of the Irish Renaissance, the brilliant literary flowering which began with the founding of the Irish Literary Theatre in 1898 by W. B. Yeats, George Moore, and Edward Martyn.Although much has been written about the writers of the Irish Renaissance and their work, most of the plays and playwrights of the modern Irish theatre are relatively obscure outside Ireland. This book introduces their work to a broader audience.Among the writers discussed, in addition to O’Casey and Yeats, are Lennox Robinson, T. C. Murray, Brinsley MacNamara, George Shiels, Louis D’Alton, Paul Vincent Carroll, Denis Johnston, Mary Manning, Micheál Mae Liammóir, Michael Molloy, Walter Macken, Seamus Byrne, John O’Donovan, Bryan MacMahon, Lady Longford, Brendan Behan, Hugh Leonard, James Douglas, John B. Keane, Brian Friel, Tom Coffey, Seamus de Burca, Conor Farrington, G. P. Gallivan, Austin Clarke, Padraie Fallon, Donagh MacDonagh, Joseph Tomelty, and Sam Thompson. The author also discusses the Abbey Theatre’s recent history, the Gate Theatre, Longford Productions, the theatre in Ulster, and the Dublin International Theatre Festival, and provides a full bibliography of plays and criticism. The book is generously illustrated with photographs.
[more]
cover of Capitalism and Its Economics: A Critical History

Capitalism and Its Economics

A Critical History

Douglas Dowd

Pluto Press, 2004

[more]
cover of Communications in Turkey and the Ottoman Empire: A Critical History

Communications in Turkey and the Ottoman Empire

A Critical History

Burçe Çelik

University of Illinois Press, 2023

De-Westernizing the communications history of Turkey and its imperial predecessor

The history of communications in the Ottoman Empire and Turkey contradicts the widespread belief that communications is a byproduct of modern capitalism and other Western forces. Burçe Çelik uses a decolonial perspective to analyze the historical commodification and militarization of communications and how it affected production and practice for oppressed populations like women, the working class, and ethnic and religious minorities. Moving from the mid-nineteenth century through today, Çelik places networks within the changing geopolitical landscape and the evolution of modern capitalism in relationship to struggles involving a range of social and political actors. Throughout, she challenges Anglo- and Eurocentric assumptions that see the non-West as an ahistorical imitation of, or aberration from, the development of Western communications.

Ambitious and comprehensive, Communications in Turkey and the Ottoman Empire merges political economy with social history to challenge Western-centered assumptions about the origins and development of modern communications.

[more]
cover of Fatefully, Faithfully Feminist: A Critical History of Women, Patriarchy, and Mexican National Discourse

Fatefully, Faithfully Feminist

A Critical History of Women, Patriarchy, and Mexican National Discourse

Carlos Monsiváis, edited by Norma Kahn and Ilana Luna

Vanderbilt University Press, 2024

This critical anthology of writings by Carlos Monsiváis represents a foundational set of texts by an exceptional (yet under‑translated) Mexican cultural critic. Fatefully, Faithfully Feminist situates the urgencies of social movements as they developed in real time. Spanning from 1973 to 2008, Monsiváis’s essays, which were originally compiled by scholar Marta Lamas, analyze the role of women in a patriarchal culture from pre‑Columbian times to the present. This critical edition offers extensive annotation and cultural background to understand the cogent, but particularly Mexican arguments that Monsiváis makes, many of which are extremely relevant in today’s political economy in the US and the world. Norma Klahn and Ilana Luna’s translation, critical introduction, and commentary consider issues of context, history, and conventions, framing Monsiváis’s debates in relation to global feminist history and human rights struggles.
[more]
cover of Forming the Public: A Critical History of Journalism in the United States

Forming the Public

A Critical History of Journalism in the United States

Frank D. Durham and Thomas P. Oates

University of Illinois Press, 2024

Throughout United States history, journalists and media workers have mobilized to promote and oppose various movements in public life. But a single meaning of the public remains elusive. Frank D. Durham and Thomas P. Oates provide an eye-opening analysis of the role played by journalism in the ongoing struggle to shape and transform ideas about the public. Using historical episodes and news reports, Durham and Oates offer examples of the influential words and images deployed by not only journalists but by media workers and activists. Their analysis moves from the patriot-inflamed emotions of the revolutionary period to the conventional and creative ways the American Indian Movement confronted the mainstream with their grievances.

Weaving eyewitness history through US history, Forming the Public reveals what understanding the journalism landscape can teach us about the nature of journalism’s own interests in race, gender, and class while tracing the factors that shaped the contours of dominant American culture.

[more]
cover of Labyrinths: Explorations in the Critical History of Ideas

Labyrinths

Explorations in the Critical History of Ideas

Richard Wolin

University of Massachusetts Press, 1995

This book offers a series of probing reflections on issues at the heart of recent debates in philosophy, literary theory, and intellectual history. In ten powerfully articulated essays, Richard Wolin calls into question the implied radicalism of the so-called postmodern turn, exposes the unstated agenda of neoconservative cultural theory, and provides a major reinterpretation of Walter Benjamin’s place in contemporary cultural studies. 

At the center of the book lie the peculiar and troubling affinities between two groups of cultural critics usually seen as antithetical: the radical conservative thinkers of Germany’s Weimar Republic and the French poststructuralists who came to the prominence in the aftermath of the May 1968 uprising. 

Wolin concludes the volume with a cogent reappraisal of “antihumanism” as a leitmotif of postwar French intellectual culture, along with a reassessment of the “de Man affair” and its implications for the poststructuralist interpretation of fascism. 

[more]
cover of Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement

Playing Underground

A Critical History of the 1960s Off-Off-Broadway Movement

Stephen J. Bottoms

University of Michigan Press, 2004

"Scrupulously researched, critically acute, and written with care, Playing Underground will become a classic account of an era of hard-won free expression."
-William Coco

"At last---a book documenting the beginnings of Off-Off Broadway theater. Playing Underground is an insightful, illuminating, and honest appraisal of this important period in American theater."
-Rosalyn Drexler, author of Art Does (Not!) Exist and Occupational Hazard

"An epic movie of an epic movement, Playing Underground is a book the world has waited for without knowing it. How precisely it captures the evolution of our revolution! I am amazed by the book's scope and scale, and I bless its author especially for giving two greats, Paul Foster and H. M. Koutoukas, their proper, polar places, and for memorializing such unjustly forgotten masterpieces as Irene Fornes's Molly's Dream and Jeff Weiss's A Funny Walk Home. Stephen Bottoms's vivid evocation of the grand adventure of Off-Off Broadway has woken and broken my heart. It is difficult to believe that he was not there alongside me to breathe the caffeine-nicotine-alkaloid-steeped air."
-Robert Patrick, author of Kennedy's Children and Temple Slave


Few books address the legendary age of 1960s off-off Broadway theater. Fortunately, Stephen Bottoms fills that gap with Playing Underground---the first comprehensive history of the roots of off-off Broadway.

This is a theater whose legacy is still felt today: it was the launching pad for many leading contemporary theater artists, including Sam Shepard, Maria Irene Fornes, and others, and it was a pivotal influence on improv comedy and shows like Saturday Night Live.

Off-off Broadway groups such as the Living Theatre, La Mama, and Caffe Cino captured the spirit of nontraditional theater with their edgy, unscripted, boundary-crossing subjects. Yet, as Bottoms discovers, there is no one set of truths about off-off Broadway to uncover; the entire scene was always more a matter of competing perceptions than a singular, concrete reality.

No other author has managed to illuminate this shifting tableau as Bottoms does. Through interviews with dozens of the era's leading playwrights, performers, directors, and critics, he unearths a countercultural theater movement that was both influential and transforming-yet ephemeral and quintessentially of its moment.

Playing Underground will be a definitive work on the subject, offering a complete picture of an important but little-studied period in American theater.

[more]
cover of Sarnath: A Critical History of the Place Where Buddhism Began

Sarnath

A Critical History of the Place Where Buddhism Began

Frederick M Asher

J. Paul Getty Trust, The, 2020

The first analytical history of Sarnath, the place where the Buddha preached his first sermon and established the Buddhist monastic order.
 
Sarnath has long been regarded as the place where the Buddha preached his first sermon and established the Buddhist monastic order. Excavations at Sarnath have yielded the foundations of temples and monastic dwellings, two Buddhist reliquary mounds (stupas), and some of the most important sculptures in the history of Indian art. This volume offers the first critical examination of the historic site.
 
Frederick M. Asher provides a longue durée (long-term) analysis of Sarnath—including the plunder, excavation, and display of antiquities and the Archaeological Survey of India’s presentation—and considers what lies beyond the fenced-in excavated area. His analytical history of Sarnath’s architectural and sculptural remains contains a significant study of the site’s sculptures, their uneven production, and their global distribution. Asher also examines modern Sarnath, which is a living establishment replete with new temples and monasteries that constitute a Buddhist presence on the outskirts of Varanasi, the most sacred Hindu city.
 
[more]
cover of Technology: Critical History of a Concept

Technology

Critical History of a Concept

Eric Schatzberg

University of Chicago Press, 2018

In modern life, technology is everywhere. Yet as a concept, technology is a mess. In popular discourse, technology is little more than the latest digital innovations. Scholars do little better, offering up competing definitions that include everything from steelmaking to singing. In Technology: Critical History of a Concept, Eric Schatzberg explains why technology is so difficult to define by examining its three thousand year history, one shaped by persistent tensions between scholars and technical practitioners. Since the time of the ancient Greeks, scholars have tended to hold technicians in low esteem, defining technical practices as mere means toward ends defined by others. Technicians, in contrast, have repeatedly pushed back against this characterization, insisting on the dignity, creativity, and cultural worth of their work. 

​The tension between scholars and technicians continued from Aristotle through Francis Bacon and into the nineteenth century. It was only in the twentieth century that modern meanings of technology arose: technology as the industrial arts, technology as applied science, and technology as technique. Schatzberg traces these three meanings to the present day, when discourse about technology has become pervasive, but confusion among the three principal meanings of technology remains common. He shows that only through a humanistic concept of technology can we understand the complex human choices embedded in our modern world.
[more]
cover of The American Poet at the Movies: A Critical History

The American Poet at the Movies

A Critical History

Laurence Goldstein

University of Michigan Press, 1995

The American Poet at the Movies: A Critical History presents a series of case studies that shows how poets perceived the new technology of cinema as a rival threatening to their prestige, but also as a sister art deserving of encouragement. Each chapter places a key poem at the center and takes up the issues arising from the engagement of these two art forms, such as the poets' mixed feelings about living in a national culture dominated by visual media. Whether it is Hart Crane writing on Chaplin, Delmore Schwartz on Marilyn Monroe, Frank O'Hara on James Dean, or Louise Erdrich on John Wayne, poets have made sense of their own time by reference to film icons and values shared by all Americans thanks to the dream factory, Hollywood.
As an increasingly popular genre of modern poetry, and one that permits a unique view of this century's dominant art form, the movie poem has needed an explanatory book like this one. As cinema and television continue to wield extraordinary influence over the lives of all Americans, the efforts of poets to understand the visual culture will come to be appreciated as central to the task of modern and postmodern literature. This critical history is an important and timely contribution to the study of American literature and American institutions.
"One of the impressive things about the book is that while pursuing the seemingly narrow category of poems-about-movies, Goldstein is able to raise and illuminate virtually all the key issues surrounding the poetry of the period." - Roger Gilbert, Cornell University
". . . a discerning book, combining criticism and social history. It satisfies scholarly standards while appealing to general readers." - Philip French, coeditor of the Faber Book of Movie Verse
"In this work, [Goldstein] provides a new way of looking at American poets, both familiar and neglected. The approach is chronological and thematic, and films are seen from black, gay, Jewish, and feminist as well as middle-class white perspectives." Library Journal
Laurence Goldstein is editor of the Michigan Quarterly Review and Professor of English, University of Michigan.
[more]