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The personal diaries of one of America’s best-loved naturalists, revealing his difficult and inspiring path to finding his voice and becoming a writer 

Few writers are as renowned for their eloquence about the natural world, its power and fragility, as Sigurd F. Olson (1899–1982). Before he could give expression to The Singing Wilderness, however, he had to find his own voice. It is this struggle, the painstaking and often simply painful process of becoming the writer and conservationist now familiar to us, that Olson documented in the journal entries gathered here. 

Written mostly during the years from 1930 to 1941, Olson’s journals describe the dreams and frustrations of an aspiring writer honing his skills, pursuing recognition, and facing doubt while following the academic career that allowed him to live and work even as it consumed so much of his time. But even as he speaks with immediacy and intensity about the conditions of his apprenticeship, Olson can be seen developing the singular way of observing and depicting the natural world that would bring him fame—and also, more significantly, alert others to the urgent need to understand and protect that world. Author of Olson’s definitive biography, editor David Backes brings a deep knowledge of the writer to these journals, providing critical context, commentary, and insights along the way.

When Olson wrote, in the spring of 1941, “What I am afraid of now is that the world will blow up just as I am getting it organized to suit me,” he could hardly have known how right he would prove to be. It is propitious that at our present moment, when the world seems once more balanced on the precipice, we have the words of Sigurd F. Olson to remind us of what matters—and of the hard work and the wonder that such a reckoning requires. 

Lucy Pier Stevens, a twenty-one-year-old woman from Ohio, began a visit to her aunt’s family near Bellville, Texas, on Christmas Day, 1859. Little did she know how drastically her life would change on April 4, 1861, when the outbreak of the Civil War made returning home impossible. Stranded in enemy territory for the duration of the war, how would she reconcile her Northern upbringing with the Southern sentiments surrounding her?

Lucy Stevens’s diary—one of few women’s diaries from Civil War–era Texas and the only one written by a Northerner—offers a unique perspective on daily life at the fringes of America’s bloodiest conflict. An articulate, educated, and keen observer, Stevens took note seemingly of everything—the weather, illnesses, food shortages, parties, church attendance, chores, schools, childbirth, death, the family’s slaves, and political and military news. As she confided her private thoughts to her journal, she unwittingly revealed how her love for her Texas family and the Confederate soldier boys she came to care for blurred her loyalties, even as she continued to long for her home in Ohio. Showing how the ties of heritage, kinship, friendship, and community transcended the sharpest division in US history, this rare diary and Vicki Adams Tongate’s insightful historical commentary on it provide a trove of information on women’s history, Texas history, and Civil War history.

A masterclass on living as a writer and developing your writing craft.

Part of the Living and Sustaining a Creative Life series, Artists as Writers joins the tradition of books designed or intended to inspire would-be writers to write. Yet, it distinguishes itself by offering succinct first-person narratives by writers of varied genres about the day-to-day life of writing for a living. 

Artists as Writers offers accounts of the journeys that thirty-two writers have taken, including what decisions were made; which paths were taken, rejected, and charted; and why. It answers the question: What magic keeps a writer writing?
Writers from Ethiopia, Guatemala, Nigeria, Palestine, Poland, and Sweden, as well as several American artists, contribute their stories.  They each provide vividly detailed accounts of the circuitous roads that each individual took to earn the title “writer.” These are richly descriptive stories from writers who write consistently, relating how they came to the writing life, who helped them get there, and what sustains them as writers.
 

The literary journals of a key figure in both the Beat and San Francisco Renaissance movements of the New American Poetry, and an ordained Zen Buddhist priest

Philip Whalen (1923–2002) authored twenty collections of verse, more than twenty broadsides, two novels, a huge assemblage of autobiographical literary journals, nine or ten experimental prose works, and dozens of critical essays, lectures, commentaries, introductions, prefaces, and interviews. But he came to regard his literary journals as his most important prose legacy.

Whalen’s literary work represents a significant turn in American letters, as he and his closest colleagues immersed themselves in East Asian literature and religion, reinvigorating strikingly new linguistic and aesthetic paths for North American writers and artists. However, until now Whalen’s forty-plus years of journals—sixty small eight-by-six-inch notebooks—have been largely inaccessible, archived in the rare book and manuscript library at the University of California, Berkeley, undigitized and unavailable online. Thus, the publication of a critical scholarly edition of Whalen’s journals and notebooks constitutes an important literary event and an invaluable resource for scholars, teachers, poets, and lay readers who follow twentieth-century North American poetry.
 

The dreamscape of a haunted and hopeful woman, back in print
 
Dubbed a “dreamoir,” Bruja is a bold and harrowing journey through the dream worlds of Wendy C. Ortiz. Sister memoir to Hollywood Notebook, it catalogs the happenings of the night: strange visions of the past warped by present-day inklings; animals running loose, never where they should be; familiar nature and architecture made malleable and new. Ortiz’s subconscious is bared in full on these pages as the author interrogates her histories. We bravely adventure into new literary form, walking the parallel plane of Ortiz’s waking life alongside her. Where the self is anchored in the deepest recesses of the mind, Ortiz invites us to push the boundaries of the subconscious and enter into the dreamoir.

Mária Mádi (1898–1970) was a Roman Catholic Hungarian physician living in Budapest during World War II. Stuck in the city, she vowed to become a witness to events as they unfolded and began keeping a diary to chronicle her everyday life, as well as the lives of her Jewish neighbors, during what would be the darkest periods of the Holocaust. From the time Hungary declared war on the United States in December 1941 until she secured an immigrant’s visa to the US in late 1946, she wrote nearly daily in English, offering current-day readers one of the most complete pictures of ordinary life during the Holocaust in Hungary. In the form of letters to her American relatives, Mádi addressed a wide range of subjects, from the fate of small countries like Hungary caught between the major powers of Germany and the Soviet Union, to the Nazi pogrom against Budapest’s Jews, to family news and the price of food.

Mádi’s family donated the entire collection of her diaries to the US Holocaust Memorial Museum. This edition transcribes a selection of Mádi’s writings focusing on the period of March 1944 to November 1945, from the Nazi invasion and occupation of Hungary, through the Battle of Budapest, to the ensuing Soviet occupation. While bearing witness to the catastrophe in Hungary, Mádi hid a Jewish family in her small flat from October 1944 to February 1945. She received a posthumous Righteous among Nations Medal from Yad Vashem, the World Holocaust Remembrance Center.

Editorial commentary by James W. Oberly situates Mádi’s observations, and a critical introduction by the Holocaust scholar András Lénárt outlines the wider sociopolitical context in which her diaries gain meaning.

Sir John Herschel, one of the founders of Southern Hemisphere astronomy, was a man of extraordinarily wide interests. He made contributions to botany, geology, and ornithology, as well as to astronomy, chemistry, and mathematics. Throughout his scientific career he kept a diary, recording his public and private life. The diaries from 1834 to 1838, years he spent making astronomical observations at the Cape of Good Hope, are reproduced in this book and prove to be much more than an ordinary scientist’s logbook. They present personal and social history, literary commentaries, the results of close observations of nature and numerous scientific experiments, the excitement of travel, political intrigues, gossip, and philosophical reflections—all interpreted through an alert and versatile mind. In the present transcription, the material has been enriched with selected correspondence of Sir John and his wife Lady Herschel (née Margaret Brodie Stewart).

Sir John devoted his working time at the Cape primarily to a systematic observation of the southern sky, complementing his earlier “sweeping” of the northern sky at Slough, England. He later became one of the founders of photography, but at the Cape he used a simple optical device, the camera lucida, in the production of numerous landscape drawings. Many of these, along with reproductions of sketches contained in the diaries and botanical drawings made by Sir John and Lady Herschel, are used to illustrate this book. Sir John was also a leading figure in the foundation of the educational system of the Cape and a supporter of exploratory expeditions into the interior.

As the son of Sir William Herschel, in his day the most famous British astronomer and the discoverer of the planet Uranus, Sir John was already celebrated when he arrived from England. Every individual of note, resident at the Cape or visiting, went to see him. He was supported in his work by his wife, who ran an enormous establishment and bore a huge family, but who nevertheless found time to travel in the country around the western Cape with him and to assist in his observations.

The diaries and letters are supplemented by especially valuable editorial notes that provide much needed and highly interesting information concerning persons and events mentioned and described by Sir John. All the original manuscript material used in this volume is archived at the Harry Ransom Center at the University of Texas at Austin. Sir John’s camera lucida drawings are from the South African Public Library in Cape Town.

Mary Austin Holley (1784–1846), a cousin of Stephen F. Austin, journeyed to Texas on three separate occasions. Her first visit, in 1831, resulted in the publication of her book, Texas. Her second and third trips, in 1835 and 1837, were depicted in her diary. This witty, observant, and highly perceptive woman captured the infant Texas in her journal—the Mexican state moving toward rebellion and the new Republic, dynamic and struggling with a great destiny. The Holley diary is an important insight into the social and political history of early Texas.

Few episodes in Texas history have excited more popular interest than the Mier Expedition of 1842. Nineteen-year-old Joseph D. McCutchan was among the 300 Texans who, without the cover of the Lone Star flag, launched their own disastrous invasion across the Rio Grande.

McCutchan's diary provides a vivid account of his experience—the Texans' quick dispatch by Mexican troops at the town of Mier, the hardships of a forced march to Mexico City, over twenty months of imprisonment, and the journey back home after release. Although there are other firsthand accounts of the Mier Expedition, McCutchan was the only diarist who followed the Tampico route to Mexico City. His account documents a different experience than that of the main body of prisoners who marched to the national capital by way of Monterrey, Saltillo, and Agua Nueva.

Among the last of the prisoners to be freed, McCutchan covers in his journal the whole period of confinement from December 26, 1842, to the final release on September 16, 1844.

The McCutchan diary is set apart from other Mier accounts not only by the new information it provides, but also by Joseph Milton Nance's superb editing. Nance is an acknowledged authority on the hostilities between Texas and Mexico during the era of the Texas Republic. He has transcribed, edited, and annotated the diary with characteristic scholarship and painstaking attention to detail.

Where ghosts speak and memory listens, nothing becomes everything

The ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives are present in this collection of sublime meditations on the unbelievable, the coincidental, and the apparitional. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the faces of women walking, historical accounts of hallucinations, a city’s public celebration gone wrong) as an intellectual detective ascending a labyrinthine tower of clues in pursuit of a solution to an unreachable problem: always curious, and with a sense of profound wonder.

Out of Nowhere Into Nothing is a sprawling, highly associative consideration of the ways in which the observed material world recalls us to larger narrative and aesthetic truths. Interspersed with documentary-style photographs, Pagel’s first collection of prose is a radiant, obsessive investigation into the mysteries at the center of our seemingly mundane lives.
 

In Red Business, Walt Whitman readers can explore nearly all his notebooks and manuscript fragments from the Civil War and the Reconstruction Era. In addition to Whitman’s numerous accounts of Civil War soldiers, Red Business contains the infamous notebook in which Whitman records his feverish obsession with his young companion Peter Doyle, as well as several difficult to find, unpublished poems and essays.

Matt Miller and Zachary Turpin’s meticulous transcriptions of Whitman’s written materials allow readers to explore the often-neglected final chapter of Whitman’s life, as he battled ailments, prepared speeches, and received famous visitors, all the while continuing to write revealing new poems.

In the winter of 1818, Henry Rowe Schoolcraft set out from Potosi, Missouri, to document lead mines in the interior of the Ozarks. Intending only to make his fortune by publishing an account of the area's mineral resources, he became the first skilled observer to witness and record frontier life in the Ozarks.

The journal kept by Schoolcraft as he traveled ninety days in the rugged terrain of southern Missouri and northern Arkansas was originally published in 1821 and has become an essential record of Ozark territorial society and natural history documenting some of the earliest American settlers in the region, the power and beauty of many lost portions of the White River, the majesty of the open prairies, and the wealth of wildlife once found in the Ozarks.

In the shadow of death, Levi Shalit wrote to remember—so we would never forget.

So We Died: A Memoir of Life and Death in the Ghetto of Šiauliai, Lithuania (Azoy zaynen mir geshtorbn) is a powerful eyewitness account of the Shavl ghetto during the Nazi occupation of Lithuania. Written in Yiddish by Levi Shalit and available now for the first time in English, the work fills a stark void in historical records.

Shalit divided his work into four sections. In the first, he describes the German invasion of Šiauliai, the murder of thousands of Jews in the city and surrounding countryside, and the forced relocation of the surviving Jews into the Shavl ghetto. In the second, he describes daily life in the ghetto in engrossing detail. In the third, titled “The Masada Book,” Shalit describes ghetto residents’ attempt to organize a resistance group of which he himself was a member. In the fourth, he narrates the transformation of the ghetto into a concentration camp and the seizure and deportation of the community’s children.

Few accounts of the Shavl ghetto survived the war. Shalit’s work offers English-language readers a rare insight into a vital chapter of history. The translators artfully reveal Shalit’s literary prowess and the ways he illuminated the Shavl ghetto’s daily struggles, false hopes, and atrocities.

More than an account of a previously overlooked episode in Holocaust history, So We Died is a testament to the enduring power of the human spirit in the face of unspeakable tragedy. It offers keen insight into a time of war, fascism, and resistance. A must-read for anyone seeking understanding and remembrance.

"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1

Gideon Welles’s 1861 appointment as secretary of the navy placed him at the hub of Union planning for the Civil War and in the midst of the powerful personalities vying for influence in Abraham Lincoln’s cabinet. Although Welles initially knew little of naval matters, he rebuilt a service depleted by Confederate defections, planned actions that gave the Union badly needed victories in the war’s early days, and oversaw a blockade that weakened the South’s economy.

Perhaps the hardest-working member of the cabinet, Welles still found time to keep a detailed diary that has become one of the key documents for understanding the inner workings of the Lincoln administration. In this new edition, William E. and Erica L. Gienapp have restored Welles’s original observations, gleaned from the manuscript diaries at the Library of Congress and freed from his many later revisions, so that the reader can experience what he wrote in the moment. With his vitriolic pen, Welles captures the bitter disputes over strategy and war aims, lacerates colleagues from Secretary of State William H. Seward to General-in-Chief Henry Halleck, and condemns the actions of the self-serving southern elite he sees as responsible for the war. He just as easily waxes eloquent about the Navy's wartime achievements, extols the virtues of Lincoln, and drops in a tidbit of Washington gossip.

Carefully edited and extensively annotated, this edition contains a wealth of supplementary material. The appendixes include short biographies of the members of Lincoln’s cabinet, the retrospective Welles wrote after leaving office covering the period missing from the diary proper, and important letters regarding naval matters and international law.

The first complete translation of Albert Camus’s personal notebooks written between 1933 and 1959, published for the first time in one comprehensive volume.
 
Throughout his career, French writer and philosopher Albert Camus kept a series of notebooks that offers an unrivaled glimpse into the writer at his most personal and reflective. These notebooks contain his thoughts on politics, solitude, personal failings and regrets, his travels, and his relationships with friends and rivals. They also provide insight into his process as a thinker—his frustrations, his ideas for novels and plays (some pursued and others abandoned), his routines, his aspirations, and his self-recriminations.

For Camus devotees, there is no more intimate experience than reading these notebooks. On the one hand, his fallibility is on full display: He is irritated by mediocrity, frustrated with his health, plagued by insomnia, and miserable about life’s petty necessities. Yet, he is also intensely curious and observant, sometimes moved to rapture by landscapes and people. Readers will experience the bounty of Camus’s philosophical imagination and witness firsthand how his ideas take shape. The notebooks contain drafts of letters to friends and recorded reflections on the compromises that being in the world demands.

This publication marks the first time Camus’s complete notebooks have been published in one comprehensive volume. Expertly and movingly translated by Ryan Bloom with extensive footnotes contextualizing the entries, The Complete Notebooks will remain a literary treasure for years to come.

“Live in each season as it passes; breathe the air, drink the drink, taste the fruit, and resign yourself to the influence of each.”
 
Modernity rules our lives by clock and calendar, dividing the stream of time into units and coordinating every passing moment with the universal globe. Henry David Thoreau subverted both clock and calendar, using them not to regulate time’s passing but to open up and explore its presence. This little volume thus embodies, in small compass, Thoreau’s own ambition to “live in season”—to turn with the living sundial of the world, and, by attuning ourselves to nature, to heal our modern sense of discontinuity with our surroundings.
 
Ralph Waldo Emerson noted with awe that from flowers alone, Thoreau could tell the calendar date within two days; children remembered long into adulthood how Thoreau showed them white waterlilies awakening not by the face of a clock but at the first touch of the sun. As Thoreau wrote in Walden, “Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is.”
 
Drawn from the full range of Thoreau’s journals and published writings, and arranged according to season, The Daily Henry David Thoreau allows us to discover the endless variation and surprise to be found in the repetitions of mundane cycles. Thoreau saw in the kernel of each day an earth enchanted, one he honed into sentences tuned with an artist’s eye and a musician’s ear. Thoreau’s world lives on in his writing so that we, too, may discover, even in a fallen world, a beauty worth defending.

Albert Camus’s lively journals from his eventful visits to the United States and South America in the 1940s, available again in a new translation.

In March 1946, the young Albert Camus crossed from Le Havre to New York. Though he was virtually unknown to American audiences at the time, all that was about to change—The Stranger, his first book translated into English, would soon make him a literary star. By 1949, when he set out on a tour of South America, Camus was an international celebrity. Camus’s journals offer an intimate glimpse into his daily life during these eventful years and showcase his thinking at its most personal—a form of observational writing that the French call choses vues (things seen). 

Camus’s journals from these travels record his impressions, frustrations, joys, and longings. Here are his unguarded first impressions of his surroundings and his encounters with publishers, critics, and members of the New York intelligentsia. Long unavailable in English, the journals have now been expertly retranslated by Ryan Bloom, with a new introduction by Alice Kaplan. Bloom’s translation captures the informal, sketch-like quality of Camus’s observations—by turns ironic, bitter, cutting, and melancholy—and the quick notes he must have taken after exhausting days of travel and lecturing. Bloom and Kaplan’s notes and annotations allow readers to walk beside the existentialist thinker as he experiences changes in his own life and the world around him, all in his inimitable style.

From these diaries and letters of a soldier in the Union Army emerges a revealing portrait of their author, a man caught up in a life-and-death struggle of national import. Compiled from the diaries kept by Owen Johnston Hopkins while he was on duty with the 42nd and 182nd regiments, Ohio Volunteer Infantry, and from letters to his family and friends, this book gives a clear picture of the motives, attitudes, and sentiments of a Yankee soldier during the Civil War.

Owen Hopkins was a young man brought to maturity by the agony of war, but in spite of the horror of battle and the tedium of life in camp, he maintained a lively sense of humor and a constant devotion to the ideals for which he fought. The Civil War in these pages is a savage, vindictive conflict fought with canister, "minnie balls," grapeshot, the Enfield rifle, and the bayonet. Only seventeen when he enlisted in 1861, Hopkins was a foot soldier and a witness to the action that took place on the field of battle.

A vital part of Hopkins's life in the army was his correspondence with Julia Allison, who lived in his hometown of Bellefontaine. They began writing each other in 1863, and their friendship deepened into love. Each was a fervent patriot, and their shared devotion to their country was a significant fact of their relationship. They were married in 1865.

An epilogue tells what happened to Hopkins after June of 1865: his career, his family, and his death in 1902. Originally published in1961, this work is now available for the first time in paperback.