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Combining impeccable scholarship and literary elegance, David Wetzel depicts the drama of machinations and passions that exploded in a war that forever changed the face of European history.

Detailing the fascinating career of Joe Evans, Follow Your Heart chronicles the nearly thirty years that he spent immersed in one of the most exciting times in African American music history. An alto saxophonist who between 1939 and 1965 performed with some of America's greatest musicians, including Louis Armstrong, Cab Calloway, Charlie Parker, Jay McShann, Andy Kirk, Billie Holiday, Bill "Bojangles" Robinson, Lionel Hampton, and Ivory Joe Hunter, Evans warmly recounts his wide range of experience in the music industry. Readers follow Evans from Pensacola, Florida, where he first learned to play, to such exotic destinations as Tel Aviv and Paris, which he visited while on tour with Lionel Hampton. Evans also comments on popular New York City venues used for shaping and producing black music, such as the Apollo Theater, the Savoy, Minton's Playhouse, and the Rhythm Club.

Revealing Evans as a master storyteller, Follow Your Heart describes his stints as a music executive, entrepreneur, and musician. Evans provides rich descriptions of jazz, swing, and rhythm and blues culture by highlighting his experiences promoting tracks to radio deejays under Ray Charles's Tangerine label and later writing, arranging, and producing hits for the Manhattans and the Pretenders. Leading numerous musical ventures that included a publishing company and several labels--Cee Jay Records (with Jack Rags), Revival, and Carnival Records--Evans remained active in the music industry even after he stopped performing regularly. As one of the few who enjoyed success as both performer and entrepreneur, he offers invaluable insight into race relations within the industry, the development of African American music and society from the 1920s to 1970s, and the music scene of the era.

Song

 

                        for Thom Gunn

There is no east or west

in the wood you fear and seek,

stumbling past a gate of moss

and what you would not take.

And what you thought you had

(the Here that is no rest)

you make from it an aid

to form no east, no west.

No east.  No west.  No need

for given map or bell,

vehicle, screen, or speed.

Forget the house, forget the hill.

Taking its title from a set of writings found in the Dead Sea Scrolls, From the Book of Giants retunes the signal broadcast from these ancient fragments, transmitting a new sound in the shape of a Roman drain cover, in imitations of Dante and Martial, in the voice of a cricket and the hard-boiled American photographer Weegee, in elegies both public and personal, and in poems that range from the social speech of letters to the gnomic language of riddles. Out of poetry’s “complex of complaint and praise,” Joshua Weiner discovers, in one poem, his own complicity in Empire during his son’s baseball game at the White House. In another, an embroidered parrot sings a hermetic nursery rhyme to an infant after 9/11.

Bristol takes readers on a journey through the history of Glacier National Park, beginning over a billion years ago from the formation of the Belt Sea, to the present day climate-changing extinction of the very glaciers that sculpted most of the wonders of its landscapes. He delves into the ways in which this area of Montana seemed to have been preparing itself for the coming of humankind through a series of landmass adjustments like the Lewis Overthrust and the ice ages that came and went.
 
First there were tribes of Native Americans whose deep regard for nature left the landscape intact. They were followed by Euro-American explorers and settlers who may have been awed by the new lands, but began to move wildlife to near extinction. Fortunately for the area that would become Glacier, some began to recognize that laying siege to nature and its bounties would lead to wastelands.
 
Bristol recounts how a renewed conservation ethic fostered by such leaders as Emerson, Thoreau, Olmstead, Muir, and Teddy Roosevelt took hold. Their disciples were Grinnell, Hill, Mather, Albright, and Franklin Roosevelt, and they would not only take up the call but rally for the cause. These giants would create and preserve a park landscape to accommodate visitors and wilderness alike.

Composer of more than 100 jazz pieces, three-time Grammy nominee, and performer on more than 125 albums, Jimmy Heath has earned a place of honor in the history of jazz. Over his long career, Heath knew many jazz giants such as Charlie Parker and played with other innovators including John Coltrane, Miles Davis, and especially Dizzy Gillespie. Heath also won their respect and friendship.

In this extraordinary autobiography, the legendary Heath creates a “dialogue” with musicians and family members. As in jazz, where improvisation by one performer prompts another to riff on the same theme, I Walked with Giants juxtaposes Heath’s account of his life and career with recollections from jazz giants about life on the road and making music on the world’s stages. His memories of playing with his equally legendary brothers Percy and Albert (aka “Tootie”) dovetail with their recollections.

Heath reminisces about a South Philadelphia home filled with music and a close-knit family that hosted musicians performing in the city’s then thriving jazz scene. Milt Jackson recalls, “I went to their house for dinner…Jimmy’s father put Charlie Parker records on and told everybody that we had to be quiet till dinner because he had Bird on…. When I [went] to Philly, I’d always go to their house.”    Today Heath performs, composes, and works as a music educator and arranger. By turns funny, poignant, and extremely candid, Heath’s story captures the rhythms of a life in jazz.

For millennia the great fish—marlin, bluefin tuna, and swordfish—have reigned over the world’s oceans and awed human beings. Naturalists, photographers, sportfishermen, and writers from Zane Grey to Ernest Hemingway have been inspired by their beauty, power, and sheer size. But like much other marine life today, these fish face perilous reductions in their populations due to destructive and illegal fishing, inept fisheries management practices, and dramatic changes in ocean ecology, including those wrought by climate change. In Pursuit of Giants is a moving elegy and a call to arms for the protection of these creatures, as well as a five-year, 75,000-mile global adventure story that takes author Matt Rigney on a quest to discover how once-thriving species are now threatened. Rigney’s pilgrimage to encounter these giants takes him from the sportfishing mecca of Cabo San Lucas, to the Great Barrier Reef, from New Zealand to Nova Scotia, Japan and the Mediterranean, as he joins commercial and sport fishermen, marine biologists, fish-farming pioneers, and ocean activists to investigate the dangers these species face, and the various efforts being made—or not—to protect them.

More than thirty years after its demolition, the Polo Grounds -- like some other urban neighborhood parks such as Ebbets Field, Yankee Stadium, Fenway Park, and Wrigley Field -- still holds a place in the hearts of baseball fans.

The Polo Grounds was the home of the New York Giants from John McGraw and Christy Mathewson to Carl Hubbell and Mel Ott  to Willie Mays and Leo Durocher. It was also home to the Yankees when Babe Ruth's home run production was soaring (which led to "the House that Ruth built") and home to the Mets in their painful early years.

From "Merkle's Boner," which cost the New York Giants a pennant, to Bobby Thomson's homer, which won them one, Stew Thornley retells the legendary events of the park and its legendary personalities. He reveals little-known facts too:

    When the championship Giants and Yankees played in the 1921 and 1922 World Series, it
    wasn't a "subway series," because the two teams shared the same ballpark.

    The team Bays was playing for when he hit his firstd home run in the Polo Grounds was
    not the Giants, but the Birmingham Black Barons. The Polo Grounds was also the site for
    the Negro World Series games in 1946 and 1947.

Fans cherish not only the historic moments and team traditions of these stadiums, but treasure their physical peculiarities. Like the "Green Monster" at Fenway Park, the unusual horseshoe shape of the Polo Grounds made the park a special place to play. Stew Thornley analyzes the effect of the very short porches along the foul lines and of a cavernous center field on home run production and hitting in general.

Baseball wasn't the only sport played in the Polo Grounds. The footbal Giants played here from 1925 to 1955, but the stadium was better known for some of the great college games, including the 1924 Army-Notre Dame game in which the "Four Horsemen" of Notre Dame were christened. Numerous boxing title bouts were held at the Polo Grounds, and it also hosted tennis, rodeo, midget auto racing, outdoor opera, ice skating, and religious rallies.

With playfulness and a large dose of wit, Robert Merton traces the origin of Newton's aphorism, "If I have seen farther, it is by standing on the shoulders of giants." Using as a model the discursive and digressive style of Sterne's Tristram Shandy, Merton presents a whimsical yet scholarly work which deals with the questions of creativity, tradition, plagiarism, the transmission of knowledge, and the concept of progress.

"This book is the delightful apotheosis of donmanship: Merton parodies scholarliness while being faultlessly scholarly; he scourges pedantry while brandishing his own abstruse learning on every page. The most recondite and obscure scholarly squabbles are transmuted into the material of comedy as the ostensible subject is shouldered to one side by yet another hobby horse from Merton's densely populated stable. He has created a jeu d'esprit which is profoundly suggestive both in detail and as a whole."—Sean French, Times Literary Supplement