32 books match the query 'Objectivity'
William E. Porter and Thomas A. Mascaro
University of Michigan Press, 2024
Edited by Edmund B. Lambeth, Philip Meyer, & Esther Thorson
University of Missouri Press, 1998
In response to increasingly negative attitudes toward journalism and its coverage of public affairs, many newspapers and television stations across the United States have experimented with novel approaches to reporting to better meet the public's demand for news. Known as "civic" or "public" journalism, this new movement seeks to improve the news media's ability to supply the information and insights needed by citizens of a democratic society. Critics of public journalism say it contradicts some principles of traditional reporting. As a result, the new movement has spurred great controversy among journalists. Assessing Public Journalism is the first book to evaluate this movement.
Public journalists use a variety of innovative methods to achieve their goals. To connect more closely with citizens, they may listen to their readers and viewers in neighborhood settings and public forums. To frame stories more accurately, they sometimes conduct focus groups and opinions polls. To maximize the reach of their work, print and electronic journalists have experimented with coordinated coverage of key elections and major public issues. Their goal is a form of journalism that improves the quality of citizen deliberation and participation in public life.
By collecting and focusing a wide range of original research and selected professional commentary, Assessing Public Journalism provides the necessary framework for examining the issues surrounding public journalism and for determining what must be done to enable it to meet its full potential. Scholars, journalists, and concerned citizens will benefit from this vital study.

Jairo Lugo-Ocando
Pluto Press, 2014
Kathryn J. McGarr
University of Chicago Press, 2022
Keith J. Butterick
Pluto Press, 2015
Charles Frankel
Russell Sage Foundation, 1976
By Bernie Cook
University of Texas Press, 2015
Anyone who was not in New Orleans during Hurricane Katrina and the subsequent flooding of the city experienced the disaster as a media event, a flood of images pouring across television and computer screens. The twenty-four-hour news cycle created a surplus of representation that overwhelmed viewers and complicated understandings of the storm, the flood, and the aftermath. As time passed, documentary and fictional filmmakers took up the challenge of explaining what had happened in New Orleans, reaching beyond news reports to portray the lived experiences of survivors of Katrina. But while these narratives presented alternative understandings and more opportunities for empathy than TV news, Katrina remained a mediated experience.
In Flood of Images, Bernie Cook offers the most in-depth, wide-ranging, and carefully argued analysis of the mediation and meanings of Katrina. He engages in innovative, close, and comparative visual readings of news coverage on CNN, Fox News, and NBC; documentaries including Spike Lee’s When the Levees Broke and If God Is Willing and Da Creek Don’t Rise, Tia Lessin and Carl Deal’s Trouble the Water, and Dawn Logsdon and Lolis Elie’s Faubourg Treme; and the HBO drama Treme. Cook examines the production practices that shaped Katrina-as-media-event, exploring how those choices structured the possible memories and meanings of Katrina and how the media’s memory-making has been contested. In Flood of Images, Cook intervenes in the ongoing process of remembering and understanding Katrina.
Duane C. S. Stoltzfus
University of Illinois Press, 2006
Though the Day Book’s financial losses steadily declined over the years, it never became profitable, and publication ended in 1917. Nevertheless, Stoltzfus explains that the Day Book served as an important ally of workers, a keen watchdog on advertisers, and it redefined news by providing an example of a paper that treated its readers first as citizens with rights rather than simply as consumers.
Shayla Thiel-Stern
University of Massachusetts Press, 2014

David Edwards and David Cromwell, Foreword by John Pilger
Pluto Press, 2005
Shanto Iyengar
University of Chicago Press, 1991
Tom Goldstein
Northwestern University Press, 2007
Henrik Örnebring
University of Missouri Press, 2022

William L. Harper and Ralf Meerbote, Editors
University of Minnesota Press, 1984
Kant on Causality, Freedom, and Objectivity was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Kant's account of causation is central to his views on objective truth and freedom. The Second Analogy of Experience, in the Critique of Pure Reason,where he provides his defense of the causal principle, has long been the focus of intense philosophical research. In the past twenty years, there have been two major periods of interest in Kantian themes, The first coincided with a general turn away from positivism by analytic philosophers, and resulted in a fruitful interchange between Kant scholars and those who applied Kantian ideas to contemporary philosophical problems. In recent years, a new surge of interest in Kant's work occurred along with the developing controversy over realism generated by the work of Dummett and Putnam. Scholars now appreciate the extent to which the Kantian causal principle is illuminated by the philosopher's argument that his transcendental idealism supports an empirical realism. And in turn, Kant's views on objectivity, causation, and freedom are especially relevant to the philosophical concerns raised by the new debate over realism.
The eight papers in this book are drawn from two conferences that honored Lewis White Beck, an influential Kant scholar. Together with the introductory essay by the editors, they show the continuing relevance of Kant's analysis for the present-day philosophy of causation.
Kathy Roberts Forde
University of Massachusetts Press, 2008
In November 1984, Jeffrey Masson filed a libel suit against writer Janet Malcolm and the New Yorker, claiming that Malcolm had intentionally misquoted him in a profile she wrote for the magazine about his former career as a Freud scholar and administrator of the Freud archives. Over the next twelve years the case moved up and down the federal judicial ladder, at one point reaching the U.S. Supreme Court, as lawyers and judges wrestled with questions about the representation of “truth” in journalism and, by extension, the limits of First Amendment protections of free speech. Had a successful Freudian scholar actually called himself an “intellectual gigolo” and “the greatest analyst who ever lived?" Or had a respected writer for the New Yorker knowingly placed false, self-damning words in her subject's mouth?
In Literary Journalism on Trial, Kathy Roberts Forde explores the implications of Masson v. New Yorker in the context of the history of American journalism. She shows how the case represents a watershed moment in a long debate between the advocates of traditional and literary journalism and explains how it reflects a significant intellectual project of the period: the postmodern critique of objectivity, with its insistence on the instability of language and rejection of unitary truth in human affairs. The case, Forde argues, helped widen the perceived divide between ideas of literary and traditional journalism and forced the resolution of these conflicting conceptions of truth in the constitutional arena of libel law. By embracing traditional journalism's emphasis on fact and objectivity and rejecting a broader understanding of truth, the Supreme Court turned away from the First Amendment theory articulated in previous rulings, opting to value less the free, uninhibited interchange of ideas necessary to democracy and more the “trustworthiness” of public expression. The Court's decision in this case thus had implications that reached beyond the legal realm to the values and norms expressed in the triangular relationship between American democracy, First Amendment principles, and the press.
Peter Becker and William Clark, Editors
University of Michigan Press, 2001

David Cromwell and David Edwards
Pluto Press, 2009
Since 2001, Media Lens has encouraged thousands of readers to challenge the filtered and distorted version of the world provided by major newspapers and broadcasters. The media responses, collected in Newspeak, are an exposé of the arrogance and servility to power of our leading journalists and editors, starring Andrew Marr, Alan Rusbridger, Roger Alton, Jon Snow, Jeremy Bowen and even George Monbiot.
Picking up where the highly acclaimed and successful Guardians of Power (2006) left off, Newspeak is packed with forensic media analysis, revealing the lethal bias in "balanced" reporting. Even the "best" UK media -- the Guardian, the Independent, Channel 4 News and the BBC -- turn out to be cheerleaders for government, business and war.
Alongside an A-Z of BBC propaganda and chapters on Iraq and climate change, Newspeak focuses on the demonisation of Iran and Venezuela, the Israel-Palestine conflict, the myth of impartial reporting and the dark art of smearing dissidents.
Jack Fuller
University of Chicago Press, 1996
Sandra Harding
University of Chicago Press, 2015

David Edwards and David Cromwell
Pluto Press, 2018
Karla Gower
Northwestern University Press, 2007

Allan Megill
Duke University Press, 1994
Contributors. Barry Barnes, Dagmar Barnouw, Lorraine Code, Lorraine Daston, Johannes Fabian, Kenneth J. Gergen, Mary E. Hawkesworth, Barbara Herrnstein Smith, Evelyn Fox Keller, George Levine, Allan Megill, Peter Miller, Andy Pickering, Theodore M. Porter
Joseph A. Bracken
Templeton Press, 2009
During the Middle Ages, philosophers and theologians argued over the extramental reality of universal forms or essences. In the early modern period, the relation between subjectivity and objectivity, the individual self and knowledge of the outside world, was a rich subject of debate. Today, there is considerable argument about the relation between spontaneity and determinism within the evolutionary process, whether a principle of spontaneous self-organization as well as natural selection is at work in the aggregation of molecules into cells and the development of primitive forms of life into complex organisms. In Subjectivity, Objectivity and Intersubjectivity, Joseph A. Bracken proposes that what is ultimately at stake here is the age-old problem of the relationship between the One and the Many, universality and particularity on different levels of existence and activity within nature.
Jean-Francois Kervegan
University of Chicago Press, 2018
Michael Clay Carey
West Virginia University Press, 2017
Bryan D. Jones and Frank R. Baumgartner
University of Chicago Press, 2005
Aaron M. Hoffman
University of Michigan Press, 2025
Lewis Raven Wallace
University of Chicago Press, 2019
W. Lance Bennett, Regina G. Lawrence, and Steven Livingston
University of Chicago Press, 2007
Benjamin I. Page
University of Chicago Press, 1996
Erika Falk
University of Illinois Press, 2007
When Hillary Clinton announced her 2008 bid for president she was the Democratic front-runner. Despite this, she received less coverage than Barack Obama, who trailed her in the polls. Such a disparity is indicative of the gender bias the media has demonstrated in covering women candidates since the first woman ran for America’s highest office in 1872. Tracing the campaigns of eight women who ran for president through 2004--Victoria Woodhull, Belva Lockwood, Margaret Chase Smith, Shirley Chisholm, Patricia Schroeder, Lenora Fulani, Elizabeth Dole, and Carol Moseley Braun--Erika Falk finds little progress in the fair treatment of women candidates. A thorough comparison of the women’s campaigns to those of their male opponents reveals a worrisome trend of sexism in press coverage--a trend that still persists today.
While women have been elected to the highest offices in countries such as England, Germany, and India, the idea that a woman could be president of the United States provokes scoffs and ridicule. The press portrays female candidates as unviable, unnatural, and incompetent, and often ignores or belittles women instead of reporting their ideas and intent. Since voters learn most details about presidential candidates through media outlets, Falk asserts that this prevailing bias calls into question the modern democratic assumption that men and women have comparable access to positions of power.
Erika Falk
University of Illinois Press, 2010
Newly updated to examine Hillary Clinton's formidable 2008 presidential campaign, Women for President analyzes the gender bias the media has demonstrated in covering women candidates since the first woman ran for America's highest office in 1872. Tracing the campaigns of nine women who ran for president through 2008--Victoria Woodhull, Belva Lockwood, Margaret Chase Smith, Shirley Chisholm, Patricia Schroeder, Lenora Fulani, Elizabeth Dole, Carol Moseley Braun, and Hillary Clinton--Erika Falk finds little progress in the fair treatment of women candidates. The press portrays female candidates as unviable, unnatural, and incompetent, and often ignores or belittles women instead of reporting their ideas and intent. This thorough comparison of men's and women's campaigns reveals a worrisome trend of sexism in press coverage--a trend that still persists today.