“With crisp, fluent prose and an eye for telling detail and quotations, McGarr tells an engrossing story of the Washington press during a critical time in world affairs. She sets up her tale with vivid portraits of the early capital, the evolution of the gentlemen’s club of foreign correspondents, and their close but contentious relations with US officials through the early Cold War. McGarr’s archival work has netted a wealth of revealing vignettes and quotations, smoothly woven together in her crisp writing.”
— Robert Weisbrot, coauthor of The Liberal Hour: Washington and the Politics of Change during the 1960s
“McGarr creates a riveting account—and an original analysis—of Washington’s midcentury foreign policy press corps, deftly incorporating analyses of gender, race, and religion. She also excavates a wealth of archival sources to document the social bonds within this homogeneous network, the ways that newsmen’s echo chamber influenced American foreign policy, and the tensions between journalists and state officials over government secrecy. McGarr’s skillful portrayals of historical personalities, placed within rich historical contexts, provides a compelling narrative.”
— Estelle B. Freedman, author of Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation
“For a very long time, Washington journalists have been congratulating themselves on how much more independent and tough-minded they are than their mid-twentieth-century predecessors. With City of Newsmen, McGarr has given us a vivid, deeply researched account that presents the elite political press corps back then in a much more favorable light, as a highly professional group whose members were also highly constrained by the blindnesses that were pervasive in that time, place, and culture. Are Washington reporters really so different today?”
— Nicholas Lemann, staff writer for The New Yorker
“A must-read book for anyone interested in the role of journalism in US history, especially those who think they know the whole story—McGarr shows it ain’t so. For Washington-based journalists covering US diplomacy and foreign policy, objectivity was secondary to advancing internationalist values. McGarr brilliantly makes this case and makes it stick with deep archival research, reconstructing the social life and intellectual outlook of Washington reporters in the 1950s.”
— Michael Schudson, author of The Rise of the Right to Know: Politics and the Culture of Transparency, 1945-1975
"City of Newsmen is a corrective to the tendency . . . to reduce everything in the pre-Vietnam period to an obsession with Communism and a blind faith in American exceptionalism. It wasn't that simple. McGarr is doing what historians should do. She is clarifying the backstory."
— Louis Menand, New Yorker
"Throughout the America of the twenty-first century there is a strong sense that the media is biased and purely spreading propaganda in support of one of the two major political parties. . . . Some look to the 'good old days' of allegedly honest and patriotic news of the World War II and Cold War eras. However, students of the history of journalism are well aware that the US press has never been unbiased. As University of Wisconsin historian Kathryn J. McGarr argues. . . the Washington, DC press underwent a radical transformation during the twentieth century from being a 'clubby' and relatively unified group that maintained good relations with the federal government to having an adversarial relationship with the government, especially the presidency, beginning (surprisingly) with the Kennedy Era."
— VoegelinView
"Although a common critique of today’s media is that journalists and the 'deep state' are too enmeshed, McGarr demonstrates that such coziness is nothing new. During the Cold War, a shared sense of responsibility existed not just to inform the public but to protect them."
— New York Times