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7 books match the query 'Oedipus'

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Oedipus and the Sphinx

The Threshold Myth from Sophocles through Freud to Cocteau

Almut-Barbara Renger

University of Chicago Press, 2013

When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness.

Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.

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Oedipus the King

Sophocles

University of Chicago Press, 2010

Available for the first time as an independent work, David Grene’s legendary translation of Oedipus the King renders Sophocles’ Greek into cogent, vivid, and poetic English for a new generation to savor. Over the years, Grene and Lattimore’s Complete Greek Tragedies have been the preferred choice of millions of readers—for personal libraries, individual study, and classroom use. This new, stand-alone edition of Sophocles’ searing tale of jealousy, rage, and revenge will continue the tradition of the University of Chicago Press’s classic series.

Praise for David Grene and Richmond Lattimore’s Complete Greek Tragedies

“This is it. No qualifications. Go out and buy it everybody.”—Kenneth Rexroth, Nation

“The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary. . . . They have life and speed and suppleness of phrase.”—Times Education Supplement

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Oedipus the King, Second Edition

Sophocles

University of Chicago Press, 2013

An updated stand-alone edition of Sophocles’s Oedipus the King taken from Chicago’s renowned translations of the Greek tragedies.

Over the years, David Grene and Richmond Lattimore’s Complete Greek Tragedies have been the preferred translations of millions of readers—for personal libraries, individual study, and classroom use. Drawn from the authoritative third edition of the University of Chicago Press’s classic series, this updated stand-alone edition of Grene’s Oedipus the King renders the original Greek in clear, vivid, and poetic English for a new generation to savor.

Mark Griffith and Glenn W. Most’s introduction to Sophocles’s searing tale of jealousy, rage, and revenge provides essential information about the play’s first production, plot, and reception in antiquity and beyond.

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Oedipus

A Folklore Casebook

Edited by Lowell Edmunds and Alan Dundes

University of Wisconsin Press, 1995

Classicist Lowell Edmunds and folklorist Alan Dundes both note that “the Oedipus tale is not likely to ever fade from view in Western civilization, [as] the tale continues to pack a critical family drama into a timeless form.” Looking beyond the story related in Sophocles’ drama—the ancient Theban myth of the son who unknowingly kills his father and marries his mother—Oedipus: A Folklore Casebook examines variations of the tale from Africa and South America to Eastern Europe and the Pacific. Taking sociological, psychological, anthropological, and structuralist perspectives, the nineteen essays reveal the complexities and multiple meanings of this centuries-old tale.
In addition to the well-known interpretations of the Oedipus myth by Sigmund Freud and James Frazer, this casebook includes insightful selections by an international group of scholars. Essays on a Serbian Oedipus legend by Friedrich Krauss and on a Gypsy version by Mirella Karpati, for example, stress the psychological stages of atonement after the Oedipus figure learns the truth about his actions. Anthropologist Melford E. Spiro investigates the myth’s appearance in Burma and the significance of the mother’s identification with the dragon (the sphinx figure). Vladimir Propp’s essay, translated into English for the first time, and Lowell Edmunds’s theoretical review discuss the relation of the Oedipus story to the larger study of folklore. The result is a comprehensive and fascinating casebook for students of folklore, classical mythology, anthropology, and sociology.

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Oedipus; or, The Legend of a Conqueror

Marie Delcourt

Michigan State University Press, 2020

Marie Delcourt’s brilliant study of the Oedipus legend, an unjustly neglected monument of twentieth-century classical scholarship published in 1944 and issued here for the first time in English translation, bridges the gap between Carl Robert’s influential Oidipus (1915) and the work of Lowell Edmunds seventy years later. Delcourt studies the legend in its various aspects, six episodes that have equal weight and that stress the same themes: greatness, conquest, domination, the right to rule—all of them bound up with the idea of kingship. Together they form the biography of a Theban hero, the fullest account that has come down to us about the prehistory of sovereign power among the ancient Greeks. Delcourt does not suppose that Oedipus, or indeed any other Greek hero, was a historical figure. The personality familiar to us from the plays of the tragedians of the fifth century—our oldest source, and a very late one—was the result of their extraordinary artistry in linking together themes rooted in very ancient social and religious rites that in the interval had come to describe the feats of Oedipus, then his life, and finally his character. It was in order to explain these rites, whose meaning had ceased to be understood, that myths and legends were invented in the first place. Oedipus, Delcourt argues, is the archetype of all heroes of essentially (if not exclusively) ritual origin, whose acts were prior to their person. This is a very different— and far more complex—Oedipus than the one rather implausibly imagined by Freud. More generally, the origin and transmission of the Oedipus legend tells us a great deal about the strength and persistence of public memories in prehistoric societies.

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Sophocles I

The Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus

Edited and Translated by Mark Griffith, Glenn W. Most, David Grene, and Richmond Lattimore

University of Chicago Press, 2013

Sophocles I contains the plays “Antigone,” translated by Elizabeth Wyckoff; “Oedipus the King,” translated by David Grene; and “Oedipus at Colonus,” translated by Robert Fitzgerald.

Many years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. The updated third editions of these classic works were designed to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.

In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.

In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.

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The Staff of Oedipus

Transforming Disability in Ancient Greece

Martha L. Rose

University of Michigan Press, 2013

Ancient Greek images of disability permeate the Western consciousness: Homer, Teiresias, and Oedipus immediately come to mind. But The Staff of Oedipus looks at disability in the ancient world through the lens of disability studies, and reveals that our interpretations of disability in the ancient world are often skewed. These false assumptions in turn lend weight to modern-day discriminatory attitudes toward disability.

Martha L. Rose considers a range of disabilities and the narratives surrounding them. She examines not only ancient literature, but also papyrus, skeletal material, inscriptions, sculpture, and painting, and draws upon modern work, including autobiographies of people with disabilities, medical research, and theoretical work in disability studies. Her study uncovers the realities of daily life for people with disabilities in ancient Greece and challenges the translation of the term adunatos (unable) as "disabled," with all its modern associations.

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