17 books match the query 'Rhode Island'
John Fass Morton
Rutgers University Press, 2008
Certificate of Merit for the 2009 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research
It may be that the song most baby boomers identify from July 1956 is a simple twelve-bar blues, hyped on national television by a twenty-one-year-old Elvis Presley and his handlers. But it is a very different song, with its elongated fourteen-bar choruses of rhythm and dissonance, played on the night of July 7, 1956, by a fifty-seven-year-old Duke Ellington and his big band that got everybody on their feet and moving as one. More than fifty years later, “Diminuendo and Crescendo in Blue,” recorded at the 1956 Newport Jazz Festival, still makes a profound statement about postwar America—how we got there and where it all went.
Backstory in Blue is a behind-the-scenes look at this epic moment in American cultural history. It is the story of who and what made Ellington’s composition so compelling and how one piece of music reflected the feelings and shaped the sensibilities of the postwar generation. As John Fass Morton explains, it was music expressed as much by those who performed offstage as by those who performed on.
Written from the point of view of the audience, this unique account draws on interviews with fans and music professionals of all kinds who were there and whose lives were touched, and in some cases changed, by the experience. Included are profiles of George Avakian, who recorded and produced Ellington at Newport 1956; Paul Gonsalves, the tenor sax player responsible for the legendary twenty-seven choruses that enabled the rebirth of Ellington’s career; and the “Bedford Blonde,” Elaine Anderson, whose dance ignited both the band and the crowd.
Duke Ellington once remarked, “I was born at Newport.” Here we learn that Newport was much more than the turning point for Ellington’s career. It was the tipping point for a generation and a musical genre.
Deborah B. Van Broekhoven
University of Massachusetts Press, 2009
Jose Itzigsohn
Russell Sage Foundation, 2009
Jonathan Beecher Field
Dartmouth College Press, 2012
Jean Elson
Temple University Press, 2017
Patricia Foxen
Vanderbilt University Press, 2020
In the mid-1990s, Patricia Foxen traveled back and forth between the Guatemalan highlands and Providence, Rhode Island, to understand the migration paths of K'iche' Mayan Indians who had fled the Guatemalan civil war to work in the factories and fisheries of New England. More than two decades later, many Mayans are still migrating to the US. As Foxen argues, the recent surge in Mayan border crossings must be contextualized within both the longer history of violence, marginality, and exclusion that has long led Guatemala's Indigenous populations to be "survivors on the move," as well as contemporary push factors such as climate change and growing inequality that have forced people from their communities.
And yet one of the most significant drivers of continued emigration today, ironically, is the very culture of migration (described in the book) that has accelerated social change within many Indigenous communities, setting in motion a complex series of economic and cultural shifts that have compelled a continuous movement of people and generations to the US. Reading this story in 2020—at a time of massive growth in flows of irregular migrations around the world—can help us better understand the highly complex set of factors that propel long-term migrations and that shape transnational communities on both sides of the border.
In Search of Providence offers a layered, historically grounded perspective that speaks to the local specificity behind the migration experience in order to point to the universal themes and contradictions of contemporary global displacements.
John Barylick
University Press of New England, 2015

Myra B. Young Armstead
University of Illinois Press, 1999
The lives built by Black Americans in a pair of summer resort towns
In the late nineteenth and early twentieth centuries, northern resort towns were in their heyday as celebrated retreats for America's wealthy. Lord, Please Don't Take Me in August documents the experiences of African Americans in Saratoga Springs, New York, and Newport, Rhode Island--towns that provided a recurring season of expanded employment opportunities, enhanced social life, cosmopolitan experience, and, in a good year, enough money to last through the winter.
Affirming that the decision to live in their tiny resort communities was conscious and deliberate, Myra B. Young Armstead shows how Afro-Saratogians and Afro-Newporters organized their rhythms, their routines, and their communities to create meaningful identities for themselves. Living on streets close to their churches, developing social organizations that promoted their standards of gentility and respectability, and lobbying for wider opportunities, these African Americans actively shaped their lives within the structures and limitations imposed on them.
Armstead situates the resort town between the poles of the rural South and the large industrial cities of the North. She shows how these small northern towns, with their seasonal economic rhythms and domestic wage work, permitted an important continuity between rural and urban lifestyles and a path from rural South to urban North besides the jarring, disruptive journey that often ended in the ghetto.
"Lord, Please Don't Take Me in August" tells a story that is at once American and uniquely African American: a story of economic imperatives and enlarged social aspirations culminating in a season--June, July, and August--that brought Blacks as close as they could get to the American Dream.
Frances H. Whipple
West Virginia University Press, 2013
Shirley L. Green
Westholme Publishing, 2026
Wayne R. Swanson
Temple University Press, 1992
In December 1981, when the American Civil Liberties Union challenged the Nativity scene in the Christmas display put on by the city of Pawtucket, Rhode Island, an emotional controversy erupted. Two federal courts disallowed the crèche because its religious impact in the taxpayer-supported display overstepped the constitutional boundary between church and state. In March 1984, the United States Supreme Court by a 5-4 vote in Lynch V. Donnelly overruled the lower courts, deciding that in the predominantly secular context of Pawtucket’s display, the purpose and effect of the Nativity scene was not to promote religion, but only to acknowledge the spirit of the holiday season. The Christ Child Goes to Court traces the judicial history of a case that lasted more than two years and explores its implications for future issues concerning the relationship between religion and government.
Wayne R. Swanson describes how this compelling constitutional issue polarized public opinion in Rhode Island and generated "unimaginable vilification" of the Roman Catholic judge who first ordered the crèche removed. He reports the reactions of local citizens, which echoed the national debate on this issue. By carefully documenting the case’s trek through the judiciary, Swanson illustrates the workings of the judicial process in the United States, the political nature of the courts, and how their interpretation of the Constitution helps to shape the development of public policy.
An important conclusion of this critical examination of the courts’ approach to a controversial church-state question is that judicial decisions are usually interim in nature and often lead to imperfect solutions. Lynch V. Donnelly did not solve the problems posed by government-supported Nativity scenes or other religious symbols. The controversy lives on and the courts continue to struggle with one of the most difficult First Amendment problems.
Tyler Denmead
Duke University Press, 2019
John P. Kaminski
Wisconsin Historical Society Press, 2013
Jill Farinelli
University Press of New England, 2017
CJ Martin
University of Massachusetts Press, 2024
In 1842, Black Rhode Islanders secured a stunning victory, a success rarely seen in antebellum America: they won the right to vote. Amid heightened public discourse around shifting ideas of race, citizenship, and political rights, they methodically deconstructed the arguments against their enfranchisement, exposing the arbitrariness of the color line in delineating citizenship rights and choosing the perfect moments in which to act forcefully. At the head of this movement, a cohort of prominent business and community members formed an early example of a Black leadership class in the US.
CJ Martin draws upon a wealth of sources—including personal correspondences, government and organizational documents, tax records, and petitions—to argue that Black leaders employed a unique combination of agitation and accommodation to ensure the success of the movement. By investigating their tactics, Martin deepens the story of how race played a crucial role in American citizenship, and by focusing on Black leadership, he relates this history through the people who lived it—who thought, debated, petitioned, and enacted their own liberation. Telling the story of a fight that was as important to the pioneers of interracial democracy as it was for the civil rights activists of the twentieth century, The Precious Birthright provides new insight into the larger story of Black freedom.
John F. Quinn
University of Massachusetts Press, 2024
Honorable Mention, 2025 Catholic Media Association Book Awards
Nineteenth-century New England was a hostile place for Catholics. In Massachusetts a mob torched a convent; in Maine a priest was tarred and feathered; and Rhode Island elected an anti-Catholic Know Nothing governor. “No Irish Need Apply” signs were common.
Newport was different. It was a religiously diverse and tolerant city that welcomed Catholic French troops during the American Revolution. Later, as it became the favored summer retreat for America’s Protestant social elite, Irish Catholics arrived to work in construction jobs, the tourist economy, and the grand Gilded Age cottages. By the end of the century, Newport’s Catholic community was flourishing. Moneyed Catholics acquired their own mansions, an Irish Catholic was mayor, and prominent Protestants were helping Catholic neighbors establish new schools and churches. In this deeply researched study, John F. Quinn delves into this rich Catholic history to discover why nineteenth-century Newport was particularly religiously tolerant and accepting.
Emily C.K. Romeo
University of Massachusetts Press, 2020
Dismantling the image of the peaceful and serene colonial goodwife and countering the assumption that New England was inherently less violent than other regions of colonial America, Emily C. K. Romeo offers a revealing look at acts of violence by Anglo-American women in colonial Massachusetts, from the everyday to the extraordinary. Using Essex County as a case study, Romeo deftly utilizes seventeenth- and eighteenth-century sources to demonstrate that Puritan women, both “virtuous” and otherwise, learned to negotiate the shifting boundaries between acceptable and unacceptable violence in their daily lives and communities.
The Virtuous and Violent Women of Seventeenth-Century Massachusetts shows that more dramatic violence by women—including infanticide, the scalping of captors during the Indian Wars, and even witchcraft accusations—was not necessarily intended to challenge the structures of authority but often sprung from women's desire to protect property, safety, and standing for themselves and their families. The situations in which women chose to flout powerful social conventions and resort to overt violence expose the underlying, often unspoken, priorities and gendered expectations that shaped this society.