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15 books match the query 'Tohono O'odham Indians'

cover of A Fateful Day in 1698: The Remarkable Sobaipuri-O’odham Victory over the Apaches and Their Allies

A Fateful Day in 1698

The Remarkable Sobaipuri-O’odham Victory over the Apaches and Their Allies

Deni J. Seymour

University of Utah Press, 2014

In 1698, the Apache and their allies attacked a sleeping Sobaipuri-O’odham village on the San Pedro River at the northern edge of New Spain, now in southern Arizona. This book, about one of the most important Southwestern battles of the era in this region, reads like a mystery. At the same time, it addresses in a scholarly fashion the methodological question of how we can confidently infer anything reliable about the past.
 
Translations of original Spanish accounts by Father Kino and others convey important details about the battle, while the archaeological record and ethnographic and oral traditions provide important correctives to the historic account. A new battlefield signature of native American conflict is identified, and the fiery context of the battle provides unprecedented information about what the Sobaipuri grew and hunted in this out-of-the-way location, including the earliest known wheat.
 
That this tumultuous time was a period of flux is reflected in the defensive, communal, and ceremonial architecture of the O'odham, which accommodated Spanish tastes and techniques. Practices specific to the O’odham as they relate to the day’s events and to village life illuminate heretofore unexplained aspects of the battle. The book also records a visit by descendant O’odham, reinforcing the importance of identifying the historically documented location.
 
A Fateful Day in 1698 will be of significant interest to archaeologists and historians.
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cover of An Anthropologist's Arrival: A Memoir

An Anthropologist's Arrival

A Memoir

Ruth M. Underhill, Edited by Chip Colwell-Chanthaphonh and Stephen E. Nash

University of Arizona Press, 2014

Ruth M. Underhill (1883–1984) was one of the twentieth century’s legendary anthropologists, forged in the same crucible as Franz Boas, Ruth Benedict, and Margaret Mead. After decades of trying to escape her Victorian roots, Underhill took on a new adventure at the age of forty-six, when she entered Columbia University as a doctoral student of anthropology. Celebrated now as one of America’s pioneering anthropologists, Underhill reveals her life’s journey in frank, tender, unvarnished revelations that form the basis of An Anthropologist’s Arrival. This memoir, edited by Chip Colwell-Chanthaphonh and Stephen E. Nash, is based on unpublished archives, including an unfinished autobiography and interviews conducted prior to her death, held by the Denver Museum of Nature & Science.

In brutally honest words, Underhill describes her uneven passage through life, beginning with a searing portrait of the Victorian restraints on women and her struggle to break free from her Quaker family’s privileged but tightly laced control. Tenderly and with humor she describes her transformation from a struggling “sweet girl” to wife and then divorcée. Professionally she became a welfare worker, a novelist, a frustrated bureaucrat at the Bureau of Indian Affairs, a professor at the University of Denver, and finally an anthropologist of distinction.

Her witty memoir reveals the creativity and tenacity that pushed the bounds of ethnography, particularly through her focus on the lives of women, for whom she served as a role model, entering a working retirement that lasted until she was nearly 101 years old.

No quotation serves to express Ruth Underhill’s adventurous view better than a line from her own poetry: “Life is not paid for. Life is lived. Now come.”
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cover of At the Border of Empires: The Tohono O'odham, Gender, and Assimilation, 1880-1934

At the Border of Empires

The Tohono O'odham, Gender, and Assimilation, 1880-1934

Andrae M. Marak and Laura Tuennerman

University of Arizona Press, 2013

The story of the Tohono O’odham peoples offers an important account of assimilation. Bifurcated by a border demarcating Mexico and the United States that was imposed on them after the Gadsden Purchase in 1853, the Tohono O’odham lived at the edge of two empires. Although they were often invisible to the majority cultures of the region, they attracted the attention of reformers and government officials in the United States, who were determined to “assimilate” native peoples into “American society.” By focusing on gender norms and ideals in the assimilation of the Tohono O’odham, At the Border of Empires provides a lens for looking at both Native American history and broader societal ideas about femininity, masculinity, and empire around the turn of the twentieth century.

Beginning in the 1880s, the US government implemented programs to eliminate “vice” among the Tohono O’odham and to encourage the morals of the majority culture as the basis of a process of “Americanization.” During the next fifty years, tribal norms interacted with—sometimes conflicting with and sometimes reinforcing—those of the larger society in ways that significantly shaped both government policy and tribal experience. This book examines the mediation between cultures, the officials who sometimes developed policies based on personal beliefs and gender biases, and the native people whose lives were impacted as a result. These issues are brought into useful relief by comparing the experiences of the Tohono O’odham on two sides of a border that was, from a native perspective, totally arbitrary.
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cover of Desert Indian Woman: Stories and Dreams

Desert Indian Woman

Stories and Dreams

Frances Manuel and Deborah Neff

University of Arizona Press, 2001

Basket weaver, storyteller, and tribal elder, Frances Manuel is a living preserver of Tohono O’odham culture. Speaking in her own words from the heart of the Arizona desert, she now shares the story of her life. She tells of O’odham culture and society, and of the fortunes and misfortunes of Native Americans in the southwestern borderlands over the past century.

In Desert Indian Woman, Frances relates her life and her stories with the wit, humor, and insight that have endeared her to family and friends. She tells of her early childhood growing up in a mesquite brush house, her training in tribal traditions, her acquaintance with Mexican ways, and her education in an American boarding school. Through her recollections of births and deaths, heartache and happiness, we learn of her family’s migration from the reservation to the barrios and back again. In the details of her everyday life, we see how Frances has navigated between O’odham and American societies, always keeping her grandparents’ traditional teachings as her compass.

It is extraordinary to hear from a Native American woman like Frances, in her own words and her own point of view, to enter the complex and sensitive aspects of her life experience, her sorrows, and her dreams. We also become privy to her continuing search for her identity across the border, and the ways in which Frances and Deborah have attempted to make sense of their friendship over twenty-odd years. Throughout the book, Deborah captures the rhythms of Frances’s narrative style, conveying the connectedness of her dreams, songs, and legends with everyday life, bringing images and people from faraway times and places into the present.

Deborah Neff brings a breadth of experience in anthropology and Southwest Native American cultures to the task of placing Frances Manuel’s life in its broader historical context, illuminating how history works itself out in people’s everyday lives. Desert Indian Woman is the story of an individual life lived well and a major contribution to the understanding of history from a Native American point of view.

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cover of Landscapes of Fraud: Mission Tumacácori, the Baca Float, and the Betrayal of the O’odham

Landscapes of Fraud

Mission Tumacácori, the Baca Float, and the Betrayal of the O’odham

Thomas E. Sheridan

University of Arizona Press, 2006

From the actions of Europeans in the seventeenth century to the real estate deals of the modern era, people making a living off the land in southern Arizona have been repeatedly robbed of their way of life. History has recorded more than three centuries of speculative failures that never amounted to much but left dispossessed people in their wake. This book seeks to excavate those failures, to examine the new social spaces the schemers struggled to create and the existing social spaces they destroyed.

Landscapes of Fraud explores how the penetration of the evolving capitalist world-system created and destroyed communities in the Upper Santa Cruz Valley of Arizona from the late 1600s to the 1970s. Thomas Sheridan has melded history, anthropology, and critical geography to create a penetrating view of greed and power and their lasting effect on those left powerless.

Sheridan first examines how O’odham culture was fragmented by the arrival of the Spanish, telling how autonomous communities moving across landscapes in seasonal rounds were reduced to a mission world of subordination. Sheridan then considers the fate of the Tumacácori grant and Baca Float No. 3, another land grant. He tells the unbroken story of land fraud from Manuel María Gándara’s purchase of the “abandoned” Tumacácori grant at public auction in 1844 through the bankruptcy of the shady real estate developers who had fraudulently promoted housing projects at Rio Rico during the 1960s and ’70s.

As the Upper Santa Cruz Valley underwent a wrenching transition from a landscape of community to a landscape of fraud, the betrayal of the O’odham became complete when land, that most elemental form of human space, was transformed from a communal resource into a commodity bought and sold for its future value. Today, Mission Tumacácori stands as a romantic icon of the past while the landscapes that supported it lay buried under speculative schemes that continue to haunt our history.
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cover of Michael Chiago: O’odham Lifeways Through Art

Michael Chiago

O’odham Lifeways Through Art

Paintings by Michael Chiago Sr. Text by Amadeo M. Rea

University of Arizona Press, 2022

This book offers an artistic depiction of O’odham lifeways through the paintings of internationally acclaimed O’odham artist Michael Chiago Sr. Ethnobiologist Amadeo M. Rea collaborated with the artist to describe the paintings in accompanying text, making this unique book a vital resource for cultural understanding and preservation. A joint effort in seeing, this work explores how the artist sees and interprets his culture through his art.

A wide array of Chiago’s paintings are represented in this book, illustrating past and present Akimel O’odham and Tohono O’odham culture. The paintings show the lives and traditions of O’odham people from both the artist’s parents’ and grandparents’ generations and today. The paintings demonstrate the colonial Spanish, Mexican, and Anglo-American influences on O’odham culture throughout the decades, and the text explains how wells and windmills, schools, border walls, and nonnative crops have brought about significant change in O’odham life. The paintings and text in this book beautifully depict a variety of O’odham lifeways, including the striking Sonoran Desert environment of O’odham country, gathering local foods and cooking meals, shrines, ceremonies, dances, and more.

By combining Chiago’s paintings of his lived experiences with Rea’s ethnographic work, this book offers a full, colorful, and powerful picture of O’odham heritage, culture, and language, creating a teaching reference for future generations.
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cover of Ocean Power: Poems from the Desert

Ocean Power

Poems from the Desert

Ofelia Zepeda

University of Arizona Press, 1995

The annual seasons and rhythms of the desert are a dance of clouds, wind, rain, and flood—water in it roles from bringer of food to destroyer of life. The critical importance of weather and climate to native desert peoples is reflected with grace and power in this personal collection of poems, the first written creative work by an individual in O'odham and a landmark in Native American literature.

Poet Ofelia Zepeda centers these poems on her own experiences growing up in a Tohono O'odham family, where desert climate profoundly influenced daily life, and on her perceptions as a contemporary Tohono O'odham woman. One section of poems deals with contemporary life, personal history, and the meeting of old and new ways. Another section deals with winter and human responses to light and air. The final group of poems focuses on the nature of women, the ocean, and the way the past relationship of the O'odham with the ocean may still inform present day experience. These fine poems will give the outside reader a rich insight into the daily life of the Tohono O'odham people.
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cover of Of Earth and Little Rain: The Papago Indians

Of Earth and Little Rain

The Papago Indians

Bernard L. Fontana; Photographs by John P. Schaefer

University of Arizona Press, 1989

“This text reveals [Fontana’s] interaction with his [Tohono O’odham] neighbors and how geography and climate define life and culture in this piece of dry land. Fontana’s words introduce the reader to people and provide an excellent overview of tribal history, but no notice of this book can overlook John P. Schaefer’s photographs . . . [which] give the reader a feeling for what day-to-day life is like . . . for the 12,000 or so people who call Papaguería their homeland.”—Journal of Arizona History
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cover of Piman Shamanism and Staying Sickness (Ká:cim Múmkidag)

Piman Shamanism and Staying Sickness (Ká

cim Múmkidag)

Donald M. Bahr, Juan Gregorio, David I. Lopez, and Albert Alvarez

University of Arizona Press, 1974

Piman shamanism is based on the belief that morality and some forms of sickness are interrelated. The shaman, or medicine man, has a dual role in the Piman Indian culture. He is the guardian of the Pimans’ health and their consciousness of cultural identity.
 
This definitive study of shamanic theory and practice was developed through a four-person collaboration: three Tohono O’odham Indians—a shaman, a translator, and a trained linguist—and a non-Indian explicator. It provides an in-depth examination of the Piman philosophy of sickness as well as an introduction to the world view of an entire people.
 
Using the most highly developed techniques of modern ethnolinguistics, anthropologist Bahr investigates the culturally based concept of staying sickness. He conducted extensive discussions in the Piman language with shaman Gregorio. The native informant theorized at length about the cause of staying sickness, the dúajida (divination), and ritual prayers. The translator and the linguist analyzed the content and style of Gregorio’s discussions. Texts in the Piman language of Gregorio’s discussions are included, as well as literal and idiomatic English translations.
 
American Anthropologist cites “the infinite care with which each utterance has been analyzed” and “the richness of cultural expression captured in the texts themselves and in their explanation. To read Piman Shamanism and Staying Sickness is to become familiar with the unique properties of Piman thinking and modes of expression: abstract, elliptical, contracted, and yet filled with a rich and natural imagery.”
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cover of Rainhouse and Ocean: Speeches for the Papago Year

Rainhouse and Ocean

Speeches for the Papago Year

Ruth M. Underhill

University of Arizona Press, 1997

The Tohono O'odham of southern Arizona, formerly known as the Papago, have made a life in a place that many would consider uninhabitable. These desert people were converted to Catholicism by early Spanish missionaries, yet they retain much of their earlier lifeway as a means of continuing adaptation to their desert environment.

This book is a restudy of speeches and ritual information collected by anthropologist Underhill beginning in 1931 and published in her book Papago Indian Religion (1946). It describes the Native—as opposed to the Christian—side of the yearly ritual cycle of the Tohono O'odham, showing how seven rites form a system of meanings that grew from the relation between these people and their desert homeland. The rites presented focus on the summer wine feast, salt pilgrimage, hunting, war, and flood.
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cover of Sharing the Desert: The Tohono O'odham in History

Sharing the Desert

The Tohono O'odham in History

Winston P. Erickson

University of Arizona Press, 1994

This book marks the culmination of fifteen years of collaboration between the University of Utah's American West Center and the Tohono O'oodham Nation's Education Department to collect documents and create curricular materials for use in their tribal school system. . . . Erickson has done an admirable job compiling this narrative.—Pacific Historical Review
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cover of The Desert Smells Like Rain: A Naturalist in O'odham Country

The Desert Smells Like Rain

A Naturalist in O'odham Country

Gary Paul Nabhan

University of Arizona Press, 2002

Published more than forty years ago, The Desert Smells Like Rain remains a classic work about nature, how to respect it, and what transplants can learn from the longtime residents of the Sonoran Desert, the Tohono O’odham people.

In this work, Gary Paul Nabhan brings O’odham voices to the page at every turn. He writes elegantly of how they husband scant water supplies, grow crops, and utilize edible wild foods. Woven through his account are coyote tales, O’odham children’s impressions of the desert, and observations of the political problems that come with living on both sides of an international border. Nabhan conveys the everyday life and extraordinary perseverance of these desert people.

This edition includes a new preface written by the author, in which he reflects on his gratitude for the O’odham people who shared their knowledge with him. He writes about his own heritage and connections to the desert, climate change, and the border. He shares his awe and gratitude for O’odham writers and storytellers who have been generous enough to share stories with those of us from other cultural traditions so that we may also respect and appreciate the smell of the desert after a rain.

Longtime residents of the Sonoran Desert, the Tohono O'odham people have spent centuries living off the land—a land that most modern citizens of southern Arizona consider totally inhospitable. Ethnobotanist Gary Nabhan has lived with the Tohono O'odham, long known as the Papagos, observing the delicate balance between these people and their environment. Bringing O'odham voices to the page at every turn, he writes elegantly of how they husband scant water supplies, grow crops, and utilize wild edible foods. Woven through his account are coyote tales, O'odham children's impressions of the desert, and observations on the political problems that come with living on both sides of an international border. Whether visiting a sacred cave in the Baboquivari Mountains or attending a saguaro wine-drinking ceremony, Nabhan conveys the everyday life and extraordinary perseverance of these desert people in a book that has become a contemporary classic of environmental literature.
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cover of The Desert Smells Like Rain: A Naturalist in O'odham Country

The Desert Smells Like Rain

A Naturalist in O'odham Country

Gary Paul Nabhan

University of Arizona Press, 1982

Published more than forty years ago, The Desert Smells Like Rain remains a classic work about nature, how to respect it, and what transplants can learn from the longtime residents of the Sonoran Desert, the Tohono O’odham people.

In this work, Gary Paul Nabhan brings O’odham voices to the page at every turn. He writes elegantly of how they husband scant water supplies, grow crops, and utilize edible wild foods. Woven through his account are coyote tales, O’odham children’s impressions of the desert, and observations of the political problems that come with living on both sides of an international border. Nabhan conveys the everyday life and extraordinary perseverance of these desert people.

This edition includes a new preface written by the author, in which he reflects on his gratitude for the O’odham people who shared their knowledge with him. He writes about his own heritage and connections to the desert, climate change, and the border. He shares his awe and gratitude for O’odham writers and storytellers who have been generous enough to share stories with those of us from other cultural traditions so that we may also respect and appreciate the smell of the desert after a rain.
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cover of Trails to Tiburón: The 1894 and 1895 Field Diaries of W J McGee

Trails to Tiburón

The 1894 and 1895 Field Diaries of W J McGee

W. J. McGee; Transcribed by Hazel McFeely Fontana; Annotated and with an Introduction by Bernard L. Fontana

University of Arizona Press, 2000

When William John McGee set out from Washington, D.C., for the Sonoran Desert in 1894, he was inspired by a passion for adventure as much as a thirst for knowledge. McGee lived in an era when discovery was made through travel rather than study, and reputations were forged by going where no outsiders had gone before.

A self-taught scientist in the newly forming field of anthropology, McGee led two expeditions through southern Arizona and northern Sonora for the Bureau of American Ethnology. There he conducted ethnographic research among the Papagos (Tohono O'odham) and the Seris, and his subsequent publication The Seri Indians helped secure his place in the anthropological community.

McGee's complete journals of the expeditions, kept in small field notebooks and preserved in the Library of Congress, are published here for the first time. These journals contain detailed descriptions of the country and people McGee encountered and convey the adventure of traveling through wild and unfamiliar places—including a voyage to Isla Tiburón, or Shark Island, in the Gulf of California—and being plagued by foul weather, a shortage of supplies, and fear of attack from hostile Indians.

Trails to Tiburón features 57 historical photographs taken on the expedition, capturing the places McGee saw and the people he encountered. Fontana's notes to the diary provide useful botanical, geological, and ethnographic information, while his introduction places McGee and his field work in the context of late-nineteenth-century anthropology and science.

Trails to Tiburón reveals McGee's versatility as a field worker and shows his methods, often questioned today, to be the reasonable response of a man caught up in the intellectual fervor of his time. For anyone wanting to share in the spirit of adventure, these journals are a landmark in the annals of exploration.
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cover of Where Clouds Are Formed

Where Clouds Are Formed

Ofelia Zepeda

University of Arizona Press, 2008

Ofelia Zepeda is a Native American poet who possesses a kind of double vision. She sees the contemporary world through her own highly observant eyes and, at the same time, through the eyes of her Tohono O’odham ancestors. Seeing this way infuses her poetry with a resonance and depth that makes it a delight to read—and re-read.

Zepeda is as clear-eyed about the past as she is about the present. She recalls waiting for the school bus on a cold morning inside her father’s truck, listening to the sounds of the engine, the windshield wipers, and the “soft rain on the hood.” She remembers celebrating Mass on the “cold dirt floor of the Winter Solstice.” In the present, she sees both the frustration and the humor in a woman she observes trying to eat pancakes with one hand while her other resides in a cast: “Watching her, I realize eating pancakes is a two-handed job.”

Whatever she sees, she filters through her second set of eyes, which keep the past always present. She tells of traveling to Waw Giwulig, the most sacred mountain of the Tohono O’odham, to ask for blessings—and forgiveness. She writes that one should always bring music to the mountains, “so they are generous with the summer rains.” And, still, “the scent of burning wood / holds the strongest memory. / Mesquite, cedar, piñon, juniper, . . . / we catch the scent of burning wood; / we are brought home.” It is a joy to see the world afresh through her eyes.
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