cover of book

The Revolution’s Echoes: Music, Politics, and Pleasure in Guinea
by Nomi Dave
University of Chicago Press, 2019
eISBN: 978-0-226-65477-5 | Cloth: 978-0-226-65446-1 | Paper: 978-0-226-65463-8
Library of Congress Classification ML3917.G9D38 2019
Dewey Decimal Classification 306.4842096652

Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But, as Nomi Dave shows us in The Revolution’s Echoes, the opposite is also true: music can often support, rather than challenge, the powers that be.

Dave introduces readers to the music supporting the authoritarian regime of former Guinean president Sékou Touré, and the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn’t just the result of state manipulation; even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution’s Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process.

See other books on: Ethnomusicology | Guinea | Music | Pleasure | Politics
See other titles from University of Chicago Press
Nearby on shelf for Literature on music / Philosophical and societal aspects of music. Physics and / Social and political aspects of music: