ABOUT THIS BOOK

A thrilling ethnography of big wave surfing in Hawaii that explores the sociology of fun.

Straight from the beaches of Hawaii comes an exciting new ethnography of a community of big-wave surfers. Oahu’s Waimea Bay attracts the world’s best big wave surfers—men and women who come to test their physical strength, courage, style, knowledge of the water, and love of the ocean. Sociologist Ugo Corte sees their fun as the outcome of social interaction within a community. Both as participant and observer, he examines how mentors, novices, and peers interact to create episodes of collective fun in a dangerous setting; how they push one another’s limits, nourish a lifestyle, advance the sport and, in some cases, make a living based on their passion for the sport.

In Dangerous Fun, Corte traces how surfers earn and maintain a reputation within the field, and how, as innovations are introduced, and as they progress, establish themselves and age, they modify their strategies for maximizing performance and limiting chances of failure.

Corte argues that fun is a social phenomenon, a pathway to solidarity rooted in the delight in actualizing the self within a social world. It is a form of group cohesion achieved through shared participation in risky interactions with uncertain outcomes. Ultimately, Corte provides an understanding of collective effervescence, emotional energy, and the interaction rituals leading to fateful moments—moments of decision that, once made, transform one’s self-concept irrevocably.

AUTHOR BIOGRAPHY

Ugo Corte is professor in the Department of Media and Social Sciences at the University of Stavanger in Norway.

REVIEWS

"Dangerous Fun is bound to be recognized as an essential contribution to the ethnography of risk and the sociology of emotions. Part-memoir, part-history, and part-theory, Corte brilliantly describes why men and women in the Hawaiian surfing world are willing to put themselves in jeopardy in search of a high that is simultaneously personal and communal. Not since Matthew Desmond’s On the Fireline have we had such a powerful account of the intersection of pleasure and danger. One need not have straddled a surfboard to appreciate that a commitment to sociality allows for the profound attraction of controlled peril."

— Gary Alan Fine, Northwestern University

“Dangerous Fun is a landmark in the sociology of sport, showing how fear is converted into excitement and fun. Big wave surfing is a team sport: waiting for the wave far off-shore, calling alarms of dangerous waves, circulating narratives of near-death disasters that are the turning point to dropping out or becoming a big-wave surfer. One has to seek out high danger in the presence of a like-minded group to get hooked on this kind of emotional/ physiological transformation. Corte’s book is a fundamental theory of risk-taking of all kinds, even addiction.”

— Randall Collins, author of Violence: A Micro-sociological Theory

"The North Shore of O‘ahu is the Vatican of surfing: small in area but densely packed with lore, power, secrets, and great waves. Ugo Corte goes straight to the heart of one of its abiding mysteries–the subculture within the subculture–the exceptional people who ride very big waves. He illuminates surfers’ mentality, diversity, self-expression, social bonds and rituals with dramatic narrative and extensive interviews all in an analytic framework."

— William Finnegan, author of Barbarian Days

“Ugo Corte presents an outstanding ethnographic account of big wave surfing. Not only because of the quality of the research but also because of the literary quality of the whole piece. The book achieves an excellent balance between scholar discussion and adventure chronicle that would appeal both to academics and surf aficionados. . . . I would consider Corte’s book as one of the best ethnographic studies of sport so far."

— Sociología del Deporte

“Deftly explains big wave surfing’s embodied practices, interpersonal relationships, and status hierarchies. The end result is a highly persuasive treatise on the role of emotions, risk-taking, and social collaboration in the pursuit of fun—an essential (if academically undervalued) aspect of human existence. And, beyond his serious engagement with sociological theory. . . . [T]he text is equally filled with humor and beauty. . . . Corte’s analysis represents a significant step in better understanding the complexities of what fun is and how people can find it in myriad ways.”

— Social Forces

"Its theoretical merits in the ritual interactionist paradigm . . . make the book a must read for any sociologist interested in explaining the seductions of risk taking and the fun in danger—in leisure worlds, individual pleasures, and social life."

— Symbolic Interaction

"Ugo Corte has done impressive fieldwork, including interviews, trying out big wave surfing himself, and
hanging out with big wave surfers on the Hawaiian Islands, to capture the ‘memory of a community’ . . . Corte has written a well-researched and fascinating book that will be important to small-group research in cultural sociology."

— Cultural Sociology

"Corte’s important book will have crossover
appeal not only between academic
fields like sociology and psychology, but
between academics and non-academics,
especially surfers who are intellectually curious.
This is because Dangerous Fun is an
engaging participant-observation ethnography
written in a style that fits in with the
best of the classic ethnographic works in
the field of sociology. The reader is immediately
drawn into the book because the characters
are so interesting and because Corte
does a great job explaining the feeling of
the thrill found in big wave surfing."

— Contemporary Sociology

"Fascinating. . . [and] helpful for scholars looking for social scientific methods to study ritualized and group-based athletes whose practices are deeply entangled with the natural world. Corte’s Dangerous Fun is a valuable addition to the sociological understanding of such social phenomena."

— Journal for the Study of Religion, Nature and Culture

TABLE OF CONTENTS

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