"Engaging and informative study of film scores by Aaron Copland and Hanns Eisler within the larger artistic, intellectual, musical, and political climate of midcentury America. Bick's work offers a significant contribution to the new wave of film music studies, which place equal emphasis on insightful and detailed music discussion."--Gayle Sherwood Magee, author of Robert Altman's Soundtracks: Film, Music, and Sound from M*A*S*H to A Prairie Home Companion