Approaching the practices of reading and writing from a feminist perspective, Julie Carr asks vital ethical questions about the role of poetry—and of art in general—in a violent culture. She addresses issues such as the art of listening, the body and the avant-garde, gun violence, police brutality, reading and protest, and feminist responses to war in essays that are lucid, inventive, and informed by a life lived with poetry. Essays on poets Lorine Niedecker, Jean Valentine, Anne Carson, Lyn Hejinian, and Lisa Robertson detail some of the political, emotional, and spiritual work of these forerunners. A former dancer, Carr also takes up question of text, dance, performance, and race in an essay on the work of choreographer, writer, and visual artist Ralph Lemon and poet Fred Moten.

Carr’s essays push past familiar boundaries between the personal/confessional and experimental/conceptual strains in American poetry. Pressing philosophical inquiries into the nature of gender, motherhood, fear, the body, and violence up against readings of twentieth- and twenty-first-century poets, she asks us to consider the political and affective work of poetry in a range of contexts. Carr reports on her own practices, examining her concerns for research and narrative against her investment in lyric, as well as her history as a dancer and her work as curator and publisher. Carr’s breadth of inquiry moves well beyond the page, yet remains grounded in languages possibilities.
 

Julie Carr is Associate Professor of English, Creative Writing, and Intermedia Arts at the University of Colorado, Boulder. Her volumes of poetry and prose include Objects From a Borrowed Confession; 100 Notes on Violence, winner of the Sawtooth Poetry Prize; and Sarah—Of Fragments and Lines, a National Poetry Series winner. She is a co-founder and co-publisher of Counterpath Gallery and Counterpath Press.

“As Carr shuttles among her triple roles as mother, daughter, writer, individual words and phonemes shuttle back and forth like classical melodies.”
—Publishers Weekly, starred review of Sarah—Of Fragments and Lines

“Few have spoken or written on the subject with the desperate accuracy and the incendiary beauty of this disturbing, necessary book.”
—Bin Ramke, on 100 Notes on Violence