ABOUT THIS BOOK

Staging Process examines contemporary collective creation practices, with particular focus on the work of four third wave American performance ensembles: Goat Island, Elevator Repair Service, Nature Theater of Oklahoma, and the TEAM. The book examines ways in which these groups create blueprints for developing collaborative performance, entwining methodology with emerging performance aesthetics.

Rachel Anderson-Rabern explores the ideas of boredom and quotidian employment that permeate particular performance projects. Using Henri Lefebvre’s concepts of work roles within everyday philosophy, she demonstrates that collective creation gives rise to new economies of performance. The book also presents theories of the political stakes of danced gestural forms in performance, informed by Giorgio Agamben’s writings on gesture, and elaborates the ways in which these ensembles make use of durational performance to posit ethical frameworks: ways of living in the world.

Conversing with the ideas of Paul Virilio and Guy Debord among others, Anderson- Rabern claims that these groups posit new models of aesthetic politics through careful, speed-based investigations of construction and destruction that unearth the powerful potential of contemporary collaborative methods to be at once aesthetically minded, ethically driven, and politically engaged.

AUTHOR BIOGRAPHY

RACHEL ANDERSON‑RABERN is an assistant professor of theater and performance at Franklin and Marshall College.

REVIEWS

“Staging Process is the most significant study of collaboratively created theater in America written in the last twenty years. With clarity of voice and purpose that will resonate for scholars, practitioners, and viewers alike, Anderson-Rabern elucidates new ways of thinking through a process-based politics of theater. Here we find performance that models living and working together with care.” —Daniel Sack, author of After Live: Possibility, Potentiality, and the Future of Performance
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“Anderson-Rabern reclaims the arena of politics for third-wave collective creation in theater. She accomplishes this by documenting aspects of four major groups’ techniques and performances and, second, by elaborating a vocabulary about gesture, everyday-ness, topology, less-ness, slow-ness, and ethics that describes both the process and the product of the company.” —Sara Freeman, coeditor of Public Theatres and Theatre Publics
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“Rachel Anderson-Rabern offers important new insights into devised theater in America at the turn of the twenty-first century. Investigating, among other things, the questions of process, method, and labor within groups such as The Goat Island, Elevator Repair Service, TEAM, and Nature Theater of Oklahoma, she gestures towards a new sense of the political grounded in ethos of collaboration and self-organization.” —Branislav Jakovljevic, author of Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-1991

"This book is certain to impact future discourse." —S. R. Irelan, Western Michigan University, CHOICE

". . . highlights the myriad ways the ethical and political character of group processes inflect performance. The book’s lucid prose and bifocal aims should make it useful to advanced undergraduates and grad student practitioners interested in artistic method, as well as scholars of contemporary performance interested in the relationship between aesthetics and politics." —Andrew Friedman, Theatre Topics
— -

“Anderson-Rabern reclaims the arena of politics for third-wave collective creation in theater. She accomplishes this by documenting aspects of four major groups’ techniques and performances and, second, by elaborating a vocabulary about gesture, everyday-ness, topology, less-ness, slow-ness, and ethics that describes both the process and the product of the company.” —Sara Freeman, coeditor of Public Theatres and Theatre Publics
— -

“Rachel Anderson-Rabern offers important new insights into devised theater in America at the turn of the twenty-first century. Investigating, among other things, the questions of process, method, and labor within groups such as The Goat Island, Elevator Repair Service, TEAM, and Nature Theater of Oklahoma, she gestures towards a new sense of the political grounded in ethos of collaboration and self-organization.” —Branislav Jakovljevic, author of Alienation Effects: Performance and Self-Management in Yugoslavia, 1945-1991

"This book is certain to impact future discourse." —S. R. Irelan, Western Michigan University, CHOICE

". . . highlights the myriad ways the ethical and political character of group processes inflect performance. The book’s lucid prose and bifocal aims should make it useful to advanced undergraduates and grad student practitioners interested in artistic method, as well as scholars of contemporary performance interested in the relationship between aesthetics and politics." —Andrew Friedman, Theatre Topics
— -

“Staging Process is the most significant study of collaboratively created theater in America written in the last twenty years. With clarity of voice and purpose that will resonate for scholars, practitioners, and viewers alike, Anderson-Rabern elucidates new ways of thinking through a process-based politics of theater. Here we find performance that models living and working together with care.” —Daniel Sack, author of After Live: Possibility, Potentiality, and the Future of Performance
— -

TABLE OF CONTENTS

List of Figures
Acknowledgements
Introduction
Chapter One: Revising American Myths
Chapter Two: Staging Everyday Economies
Chapter Three: Dancing Toward Gesture
Chapter Four: Constructing Ensemble Topologies
Chapter Five: The Ethics of Velocities

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