“Fuhrman distills complex ideas and attitudes into quick bursts of lyrical observations on our addictive digital world. Her short, dense blocks of lush language are tightly controlled and highly compressed, yet somehow Fuhrman manages to make her brief barbs feel deep as an oil well.” —Arts Fuse
“Many questions in this poetry would have felt like science fiction a generation ago, aiming directly at our evolution alongside technology in a way that will itch your ear long after reading.” —CAConrad, author of Listen to the Golden Boomerang Return
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"Joanna Fuhrman's Data Mind braves through the minefield of social media, our individualism heightened, flattened, and eventually erased as we post selfies and search for community. Instead we find clickbait, bots, the dark web, and ChatGPT in these surreal prose poems that take on the shape of our phones and computer screens, the boxes we put ourselves in and then try to punch out of. Fuhrman's monitors are an eerie update to Baudelaire's "Windows"—Perhaps you will say "Are you sure that your story is the real one?" Data Mind is gorgeous and complex, an important book for the digital age."—Denise Duhamel, author of Blowout
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“Fuhrman weaves together lyrical moments and moving prose that echo with emotional resonance as they speak to the confusion, cruelty, and strange beauty of life on the Internet. Memorable, surprising, and beautiful, Data Mind brings new and genuine light to questions of womanhood, the internet, and the liminal spaces between them.” —Lucy Biederman, author of The Walmart Book of the Dead
"Fuhrman’s poems attach a pop, everyday smile to the larger issues that keep her reflections honest and far from sentimentality or pompousness -- a delicate balance of humor, subtlety, and punch. Her sparky, surreal images bubble over with bright enthusiasm that often carries a sly sarcasm in her back pocket. There's aways a slice of self-critique nearby to get her out of a tight corner and reset the coordinates; arrows stick out of every angle/orifice, so her scalpel-like incisions into the body politic come with a playful, Carroll-esque glimpse into the other side of the mirror where, if you look closely, you can see there's a party going on." —Charles Borkhuis, author of Rearview Mirror— -
“Fuhrman distills complex ideas and attitudes into quick bursts of lyrical observations on our addictive digital world. Her short, dense blocks of lush language are tightly controlled and highly compressed, yet somehow Fuhrman manages to make her brief barbs feel deep as an oil well.” —Arts Fuse
“This book is one of the few that not only faces, but incorporates, what is “brand new” in our culture and how it has changed language and the way we process information. Data Mind is a representation of how our perceptions of language and meaning have shifted from the page to the screen, and how that screen has morphed into multiple psychedelic worlds.” —Los Angeles Review
“Many questions in this poetry would have felt like science fiction a generation ago, aiming directly at our evolution alongside technology in a way that will itch your ear long after reading.” —CAConrad, author of Listen to the Golden Boomerang Return
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"Joanna Fuhrman's Data Mind braves through the minefield of social media, our individualism heightened, flattened, and eventually erased as we post selfies and search for community. Instead we find clickbait, bots, the dark web, and ChatGPT in these surreal prose poems that take on the shape of our phones and computer screens, the boxes we put ourselves in and then try to punch out of. Fuhrman's monitors are an eerie update to Baudelaire's "Windows"—Perhaps you will say "Are you sure that your story is the real one?" Data Mind is gorgeous and complex, an important book for the digital age."—Denise Duhamel, author of Blowout
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“Fuhrman weaves together lyrical moments and moving prose that echo with emotional resonance as they speak to the confusion, cruelty, and strange beauty of life on the Internet. Memorable, surprising, and beautiful, Data Mind brings new and genuine light to questions of womanhood, the internet, and the liminal spaces between them.” —Lucy Biederman, author of The Walmart Book of the Dead
"Fuhrman’s poems attach a pop, everyday smile to the larger issues that keep her reflections honest and far from sentimentality or pompousness -- a delicate balance of humor, subtlety, and punch. Her sparky, surreal images bubble over with bright enthusiasm that often carries a sly sarcasm in her back pocket. There's aways a slice of self-critique nearby to get her out of a tight corner and reset the coordinates; arrows stick out of every angle/orifice, so her scalpel-like incisions into the body politic come with a playful, Carroll-esque glimpse into the other side of the mirror where, if you look closely, you can see there's a party going on." —Charles Borkhuis, author of Rearview Mirror— -
