CROSSING THE SNOW BRIDGE
The Ohio State University Press, 1995
Cloth: 978-0-8142-0680-5 | Paper: 978-0-8142-0681-2
Library of Congress Classification PS3562.I4595C76 1995
Dewey Decimal Classification 811.54
Cloth: 978-0-8142-0680-5 | Paper: 978-0-8142-0681-2
Library of Congress Classification PS3562.I4595C76 1995
Dewey Decimal Classification 811.54
ABOUT THIS BOOK | AUTHOR BIOGRAPHY
ABOUT THIS BOOK
The manananggal, a supernatural character in Filipino folklore, flies at night seeking prey, her winged upper torso casting shadows from the moonlit sky while the lower part of her body waits patiently below. In this fascinating new collection, Crossing the Snow Bridge, Fatima Lim-Wilson explores the similarly split experience of the immigrant in the United States.
An inhabitant of this country for five years, Lim-Wilson’s legal status is that of “resident alien,” a disturbing but apt description given the clash of cultures the immigrant encounters daily. Although she still dreams in her native Tagalog, Lim-Wilson writes in her borrowed language, and it is through attempting to understand the cleaving of her own tongue that she works to redefine her place and that of other immigrants here.
How can memories of green mangoes, miniature fish, and the landscape of seven thousand islands fit in with, let alone contribute to, a North American cultural identity? Yet a great part of that cultural identity is built upon the immigrant experience. In telling stories of the Philippines and of the United States, these poems build a metaphorical bridge over which we can cross between cultures.
An inhabitant of this country for five years, Lim-Wilson’s legal status is that of “resident alien,” a disturbing but apt description given the clash of cultures the immigrant encounters daily. Although she still dreams in her native Tagalog, Lim-Wilson writes in her borrowed language, and it is through attempting to understand the cleaving of her own tongue that she works to redefine her place and that of other immigrants here.
How can memories of green mangoes, miniature fish, and the landscape of seven thousand islands fit in with, let alone contribute to, a North American cultural identity? Yet a great part of that cultural identity is built upon the immigrant experience. In telling stories of the Philippines and of the United States, these poems build a metaphorical bridge over which we can cross between cultures.
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